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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 147 66 it is the complementary color RGB 151 108 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 147 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 147 66 shade: RGB 109 147 61, RGB 126 165 80, RGB 143 183 99, RGB 160 201 118 and RGB 177 219 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 147 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 87 129 47, RGB 70 111 28, RGB 53 93 9 and RGB 36 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 126 147 66, RGB 147 147 66, RGB 147 125 66 and RGB 147 103 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 82 147 66, RGB 66 147 72, RGB 66 147 94 and RGB 66 147 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 147 66 shade matches the following richer shades: RGB 104 147 66, RGB 103 165 49, RGB 102 182 31 and RGB 101 199 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 105 130 83, RGB 106 113 101, RGB 107 95 118 and RGB 108 78 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 147 66 shade: RGB 147 146 66, RGB 127 147 66, RGB 105 147 66, RGB 84 147 66 and RGB 66 147 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 147 66 shade: RGB 64 90 40, RGB 84 119 53, RGB 104 147 66, RGB 124 176 79 and RGB 145 188 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 66 147 124 and RGB 147 66 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 66 105 147 and RGB 147 66 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 66 147 124, RGB 108 66 147 and RGB 147 66 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 147 66 shade: RGB 104 147 66, RGB 66 146 147, RGB 108 66 147 and RGB 147 67 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

Complementary color

CMYK 20 / 43 / 0 / 26

HEX #976CBD

RGB 151 108 189

HSL 271.85, 0.38%, 0.58%

LAB 52.93, 32.84, -36.23

 

CMYK 26 / 0 / 59 / 42

HEX #6D933D

RGB 109 147 61

HSL 86.51, 0.41%, 0.41%

LAB 56.54, -27.78, 40.58

 

CMYK 24 / 0 / 52 / 35

HEX #7EA550

RGB 126 165 80

HSL 87.53, 0.35%, 0.48%

LAB 63.28, -27.88, 39.46

 

CMYK 22 / 0 / 46 / 28

HEX #8FB763

RGB 143 183 99

HSL 88.57, 0.37%, 0.55%

LAB 69.9, -27.9, 38.27

 

CMYK 20 / 0 / 41 / 21

HEX #A0C976

RGB 160 201 118

HSL 89.64, 0.43%, 0.63%

LAB 76.41, -27.87, 37.09

 

CMYK 19 / 0 / 37 / 14

HEX #B1DB89

RGB 177 219 137

HSL 90.73, 0.53%, 0.7%

LAB 82.82, -27.82, 35.93

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 33 / 0 / 64 / 49

HEX #57812F

RGB 87 129 47

HSL 90.73, 0.47%, 0.35%

LAB 49.41, -29.09, 38.84

 

CMYK 37 / 0 / 75 / 56

HEX #466F1C

RGB 70 111 28

HSL 89.64, 0.6%, 0.27%

LAB 42.39, -28.8, 39.49

 

CMYK 43 / 0 / 90 / 64

HEX #355D09

RGB 53 93 9

HSL 88.57, 0.82%, 0.2%

LAB 35.21, -28.15, 38.98

 

CMYK 52 / 0 / 100 / 71

HEX #244B00

RGB 36 75 0

HSL 91.2, 1%, 0.15%

LAB 27.86, -26.89, 35.56

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 14 / 0 / 55 / 42

HEX #7E9342

RGB 126 147 66

HSL 75.56, 0.38%, 0.42%

LAB 57.75, -20.38, 39.84

 

CMYK 0 / 0 / 55 / 42

HEX #939342

RGB 147 147 66

HSL 60, 0.38%, 0.42%

LAB 59.4, -11.41, 42.18

 

CMYK 0 / 15 / 55 / 42

HEX #937D42

RGB 147 125 66

HSL 43.7, 0.38%, 0.42%

LAB 53.24, 0.68, 34.96

 

CMYK 0 / 30 / 55 / 42

HEX #936742

RGB 147 103 66

HSL 27.41, 0.38%, 0.42%

LAB 47.36, 13.31, 27.78

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 44 / 0 / 55 / 42

HEX #529342

RGB 82 147 66

HSL 108.15, 0.38%, 0.42%

LAB 55.13, -37.01, 36.1

 

CMYK 55 / 0 / 51 / 42

HEX #429348

RGB 66 147 72

HSL 124.44, 0.38%, 0.42%

LAB 54.55, -40.97, 32.18

 

CMYK 55 / 0 / 36 / 42

HEX #42935E

RGB 66 147 94

HSL 140.74, 0.38%, 0.42%

LAB 54.9, -37.21, 20.77

 

CMYK 55 / 0 / 21 / 42

HEX #429374

RGB 66 147 116

HSL 157.04, 0.38%, 0.42%

LAB 55.37, -32.5, 9.01

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 38 / 0 / 70 / 35

HEX #67A531

RGB 103 165 49

HSL 92.07, 0.54%, 0.42%

LAB 61.67, -39.36, 51.32

 

CMYK 44 / 0 / 83 / 29

HEX #66B61F

RGB 102 182 31

HSL 91.79, 0.71%, 0.42%

LAB 66.81, -47.84, 62.14

 

CMYK 49 / 0 / 93 / 22

HEX #65C70E

RGB 101 199 14

HSL 91.78, 0.87%, 0.42%

LAB 71.99, -55.24, 69.81

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 19 / 0 / 36 / 49

HEX #698253

RGB 105 130 83

HSL 91.91, 0.22%, 0.42%

LAB 51.37, -18, 22.58

 

CMYK 6 / 0 / 11 / 56

HEX #6A7165

RGB 106 113 101

HSL 95, 0.06%, 0.42%

LAB 46.73, -5.09, 5.75

 

CMYK 9 / 19 / 0 / 54

HEX #6B5F76

RGB 107 95 118

HSL 271.3, 0.11%, 0.42%

LAB 42.18, 9.61, -11.19

 

CMYK 20 / 42 / 0 / 47

HEX #6C4E87

RGB 108 78 135

HSL 271.58, 0.27%, 0.42%

LAB 38.53, 24.43, -27.18

 

CMYK 0 / 1 / 55 / 42

HEX #939242

RGB 147 146 66

HSL 59.26, 0.38%, 0.42%

LAB 59.12, -10.88, 41.85

 

CMYK 14 / 0 / 55 / 42

HEX #7F9342

RGB 127 147 66

HSL 74.81, 0.38%, 0.42%

LAB 57.82, -19.96, 39.94

 

CMYK 29 / 0 / 55 / 42

HEX #699342

RGB 105 147 66

HSL 91.11, 0.38%, 0.42%

LAB 56.35, -28.81, 37.85

 

CMYK 43 / 0 / 55 / 42

HEX #549342

RGB 84 147 66

HSL 106.67, 0.38%, 0.42%

LAB 55.22, -36.35, 36.24

 

CMYK 55 / 0 / 52 / 42

HEX #429346

RGB 66 147 70

HSL 122.96, 0.38%, 0.42%

LAB 54.52, -41.26, 33.18

 

CMYK 29 / 0 / 56 / 65

HEX #405A28

RGB 64 90 40

HSL 91.2, 0.38%, 0.25%

LAB 35.11, -19.55, 25.55

 

CMYK 29 / 0 / 55 / 53

HEX #547735

RGB 84 119 53

HSL 91.82, 0.38%, 0.34%

LAB 46.09, -24.74, 32

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 30 / 0 / 55 / 31

HEX #7CB04F

RGB 124 176 79

HSL 92.16, 0.38%, 0.5%

LAB 66.44, -33.94, 43.67

 

CMYK 23 / 0 / 43 / 26

HEX #91BC6B

RGB 145 188 107

HSL 91.85, 0.38%, 0.58%

LAB 71.59, -28.56, 36.35

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 55 / 0 / 16 / 42

HEX #42937C

RGB 66 147 124

HSL 162.96, 0.38%, 0.42%

LAB 55.56, -30.57, 4.72

 

CMYK 0 / 55 / 6 / 42

HEX #93428A

RGB 147 66 138

HSL 306.67, 0.38%, 0.42%

LAB 41.11, 43.95, -24.6

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 55 / 29 / 0 / 42

HEX #426993

RGB 66 105 147

HSL 211.11, 0.38%, 0.42%

LAB 43.31, -0.95, -27.18

 

CMYK 0 / 55 / 29 / 42

HEX #934269

RGB 147 66 105

HSL 331.11, 0.38%, 0.42%

LAB 39.78, 38.66, -6.29

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 55 / 0 / 16 / 42

HEX #42937C

RGB 66 147 124

HSL 162.96, 0.38%, 0.42%

LAB 55.56, -30.57, 4.72

 

CMYK 27 / 55 / 0 / 42

HEX #6C4293

RGB 108 66 147

HSL 271.11, 0.38%, 0.42%

LAB 36.35, 34.58, -37.93

 

CMYK 0 / 55 / 39 / 42

HEX #934259

RGB 147 66 89

HSL 342.96, 0.38%, 0.42%

LAB 39.28, 36.57, 2.99

 

CMYK 29 / 0 / 55 / 42

HEX #689342

RGB 104 147 66

HSL 91.85, 0.38%, 0.42%

LAB 56.29, -29.19, 37.77

 

CMYK 55 / 1 / 0 / 42

HEX #429293

RGB 66 146 147

HSL 180.74, 0.38%, 0.42%

LAB 55.91, -23.93, -7.96

 

CMYK 27 / 55 / 0 / 42

HEX #6C4293

RGB 108 66 147

HSL 271.11, 0.38%, 0.42%

LAB 36.35, 34.58, -37.93

 

CMYK 0 / 54 / 55 / 42

HEX #934342

RGB 147 67 66

HSL 0.74, 0.38%, 0.42%

LAB 38.92, 33.63, 16.88

 

Description

Color code: RGB 104 147 66 | qconv.com Color code: RGB 104 147 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 147 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 147 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 55 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 55% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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