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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 105 53 it is the complementary color RGB 151 150 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 105 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 105 53 shade: RGB 109 105 48, RGB 126 123 67, RGB 143 141 86, RGB 160 159 105 and RGB 177 177 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 105 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 105 53 shade: RGB 104 105 53, RGB 87 87 34, RGB 70 69 15, RGB 53 51 0 and RGB 36 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 105 53 shade: RGB 104 105 52, RGB 105 92 52, RGB 105 77 52, RGB 105 63 52 and RGB 105 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 105 53 shade: RGB 104 105 52, RGB 90 105 52, RGB 75 105 52, RGB 61 105 52 and RGB 52 105 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 105 53 shade matches the following richer shades: RGB 104 105 52, RGB 116 117 40, RGB 128 130 27, RGB 141 143 14 and RGB 153 156 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 105 53 shade: RGB 104 105 52, RGB 91 92 65, RGB 79 79 78, RGB 67 66 91 and RGB 54 53 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 105 53 shade: RGB 105 78 52, RGB 105 92 52, RGB 104 105 52, RGB 90 105 52 and RGB 76 105 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 105 53 shade: RGB 49 50 25, RGB 76 77 39, RGB 104 105 52, RGB 131 132 66 and RGB 158 160 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 105 53 shade: RGB 104 105 53, RGB 52 105 64 and RGB 85 52 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 105 53 shade: RGB 104 105 53, RGB 52 104 105 and RGB 105 52 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 105 53 shade: RGB 104 105 53, RGB 52 105 64, RGB 53 52 105 and RGB 105 52 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 105 53 shade: RGB 104 105 53, RGB 52 105 79, RGB 53 52 105 and RGB 105 52 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 50 / 59

HEX #686935

RGB 104 105 53

HSL 61.15, 0.33%, 0.31%

LAB 43.22, -8.64, 28.91

 

Complementary color

CMYK 25 / 26 / 0 / 21

HEX #9796CA

RGB 151 150 202

HSL 241.15, 0.33%, 0.69%

LAB 63.88, 11.76, -26.58

 

CMYK 0 / 4 / 56 / 57

HEX #6D6930

RGB 109 105 48

HSL 56.07, 0.39%, 0.31%

LAB 43.61, -6.85, 32.18

 

CMYK 0 / 2 / 47 / 51

HEX #7E7B43

RGB 126 123 67

HSL 56.95, 0.31%, 0.38%

LAB 50.7, -7.43, 30.88

 

CMYK 0 / 1 / 40 / 44

HEX #8F8D56

RGB 143 141 86

HSL 57.89, 0.25%, 0.45%

LAB 57.62, -7.87, 29.59

 

CMYK 0 / 1 / 34 / 37

HEX #A09F69

RGB 160 159 105

HSL 58.91, 0.22%, 0.52%

LAB 64.39, -8.21, 28.36

 

CMYK 0 / 0 / 30 / 31

HEX #B1B17C

RGB 177 177 124

HSL 60, 0.25%, 0.59%

LAB 71.04, -8.48, 27.2

 

CMYK 1 / 0 / 50 / 59

HEX #686935

RGB 104 105 53

HSL 61.15, 0.33%, 0.31%

LAB 43.22, -8.64, 28.91

 

CMYK 0 / 0 / 61 / 66

HEX #575722

RGB 87 87 34

HSL 60, 0.44%, 0.24%

LAB 35.9, -8.06, 30.17

 

CMYK 0 / 1 / 79 / 73

HEX #46450F

RGB 70 69 15

HSL 58.91, 0.65%, 0.17%

LAB 28.36, -7.17, 30.99

 

CMYK 0 / 4 / 100 / 79

HEX #353300

RGB 53 51 0

HSL 57.74, 1%, 0.1%

LAB 20.54, -5.83, 28.78

 

CMYK 0 / 8 / 100 / 86

HEX #242100

RGB 36 33 0

HSL 55, 1%, 0.07%

LAB 12.37, -3.59, 18.25

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 0 / 12 / 50 / 59

HEX #695C34

RGB 105 92 52

HSL 45.28, 0.34%, 0.31%

LAB 39.42, -0.71, 24.84

 

CMYK 0 / 27 / 50 / 59

HEX #694D34

RGB 105 77 52

HSL 28.3, 0.34%, 0.31%

LAB 35.12, 8.38, 19.4

 

CMYK 0 / 40 / 50 / 59

HEX #693F34

RGB 105 63 52

HSL 12.45, 0.34%, 0.31%

LAB 31.36, 17, 14.46

 

CMYK 0 / 50 / 50 / 59

HEX #693434

RGB 105 52 52

HSL 0, 0.34%, 0.31%

LAB 28.66, 23.59, 10.82

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 14 / 0 / 50 / 59

HEX #5A6934

RGB 90 105 52

HSL 76.98, 0.34%, 0.31%

LAB 42.04, -15.01, 27.76

 

CMYK 29 / 0 / 50 / 59

HEX #4B6934

RGB 75 105 52

HSL 93.96, 0.34%, 0.31%

LAB 40.97, -21.33, 26.21

 

CMYK 42 / 0 / 50 / 59

HEX #3D6934

RGB 61 105 52

HSL 109.81, 0.34%, 0.31%

LAB 40.15, -26.67, 25.01

 

CMYK 50 / 0 / 45 / 59

HEX #34693A

RGB 52 105 58

HSL 126.79, 0.34%, 0.31%

LAB 39.81, -28.71, 21.1

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 1 / 0 / 66 / 54

HEX #747528

RGB 116 117 40

HSL 60.78, 0.49%, 0.31%

LAB 47.74, -11.01, 40.88

 

CMYK 2 / 0 / 79 / 49

HEX #80821B

RGB 128 130 27

HSL 61.17, 0.66%, 0.31%

LAB 52.55, -13.29, 51.04

 

CMYK 1 / 0 / 90 / 44

HEX #8D8F0E

RGB 141 143 14

HSL 60.93, 0.82%, 0.31%

LAB 57.4, -14.67, 58.95

 

CMYK 2 / 0 / 99 / 39

HEX #999C01

RGB 153 156 1

HSL 61.16, 0.99%, 0.31%

LAB 62.13, -16.26, 65.01

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 1 / 0 / 29 / 64

HEX #5B5C41

RGB 91 92 65

HSL 62.22, 0.17%, 0.31%

LAB 38.31, -5.37, 15.46

 

CMYK 0 / 0 / 1 / 69

HEX #4F4F4E

RGB 79 79 78

HSL 60, 0.01%, 0.31%

LAB 33.57, -0.21, 0.58

 

CMYK 26 / 27 / 0 / 64

HEX #43425B

RGB 67 66 91

HSL 242.4, 0.16%, 0.31%

LAB 29.02, 6.7, -14.68

 

CMYK 48 / 49 / 0 / 59

HEX #363568

RGB 54 53 104

HSL 241.18, 0.32%, 0.31%

LAB 24.73, 15.36, -29.88

 

CMYK 0 / 26 / 50 / 59

HEX #694E34

RGB 105 78 52

HSL 29.43, 0.34%, 0.31%

LAB 35.4, 7.77, 19.76

 

CMYK 0 / 12 / 50 / 59

HEX #695C34

RGB 105 92 52

HSL 45.28, 0.34%, 0.31%

LAB 39.42, -0.71, 24.84

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 14 / 0 / 50 / 59

HEX #5A6934

RGB 90 105 52

HSL 76.98, 0.34%, 0.31%

LAB 42.04, -15.01, 27.76

 

CMYK 28 / 0 / 50 / 59

HEX #4C6934

RGB 76 105 52

HSL 92.83, 0.34%, 0.31%

LAB 41.04, -20.93, 26.31

 

CMYK 2 / 0 / 50 / 80

HEX #313219

RGB 49 50 25

HSL 62.4, 0.33%, 0.15%

LAB 20.06, -5.12, 15.73

 

CMYK 1 / 0 / 49 / 70

HEX #4C4D27

RGB 76 77 39

HSL 61.58, 0.33%, 0.23%

LAB 31.79, -6.88, 22.3

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 1 / 0 / 50 / 48

HEX #838442

RGB 131 132 66

HSL 60.91, 0.33%, 0.39%

LAB 53.73, -10.3, 35.2

 

CMYK 1 / 0 / 50 / 37

HEX #9EA050

RGB 158 160 80

HSL 61.5, 0.33%, 0.47%

LAB 64.15, -12.32, 41.06

 

CMYK 1 / 0 / 50 / 59

HEX #686935

RGB 104 105 53

HSL 61.15, 0.33%, 0.31%

LAB 43.22, -8.64, 28.91

 

CMYK 50 / 0 / 39 / 59

HEX #346940

RGB 52 105 64

HSL 133.58, 0.34%, 0.31%

LAB 39.92, -27.6, 17.76

 

CMYK 19 / 50 / 0 / 59

HEX #553469

RGB 85 52 105

HSL 277.36, 0.34%, 0.31%

LAB 27.86, 25.62, -25.34

 

CMYK 1 / 0 / 50 / 59

HEX #686935

RGB 104 105 53

HSL 61.15, 0.33%, 0.31%

LAB 43.22, -8.64, 28.91

 

CMYK 50 / 1 / 0 / 59

HEX #346869

RGB 52 104 105

HSL 181.13, 0.34%, 0.31%

LAB 40.66, -17.02, -5.94

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 1 / 0 / 50 / 59

HEX #686935

RGB 104 105 53

HSL 61.15, 0.33%, 0.31%

LAB 43.22, -8.64, 28.91

 

CMYK 50 / 0 / 39 / 59

HEX #346940

RGB 52 105 64

HSL 133.58, 0.34%, 0.31%

LAB 39.92, -27.6, 17.76

 

CMYK 50 / 50 / 0 / 59

HEX #353469

RGB 53 52 105

HSL 241.13, 0.34%, 0.31%

LAB 24.43, 16.12, -31.02

 

CMYK 0 / 50 / 11 / 59

HEX #69345D

RGB 105 52 93

HSL 313.58, 0.34%, 0.31%

LAB 30.03, 29.72, -14.02

 

CMYK 1 / 0 / 50 / 59

HEX #686935

RGB 104 105 53

HSL 61.15, 0.33%, 0.31%

LAB 43.22, -8.64, 28.91

 

CMYK 50 / 0 / 25 / 59

HEX #34694F

RGB 52 105 79

HSL 150.57, 0.34%, 0.31%

LAB 40.24, -24.41, 9.27

 

CMYK 50 / 50 / 0 / 59

HEX #353469

RGB 53 52 105

HSL 241.13, 0.34%, 0.31%

LAB 24.43, 16.12, -31.02

 

CMYK 0 / 50 / 26 / 59

HEX #69344E

RGB 105 52 78

HSL 330.57, 0.34%, 0.31%

LAB 29.44, 27.13, -5.16

 

Description

Color code: RGB 104 105 53 | qconv.com Color code: RGB 104 105 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 105 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 105 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 50 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 50% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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