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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 84 155 it is the complementary color RGB 152 171 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 84 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 84 155 shade: RGB 108 84 150, RGB 125 102 169, RGB 142 120 188, RGB 159 138 207 and RGB 176 156 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 84 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 84 155 shade: RGB 103 84 155, RGB 86 66 136, RGB 69 48 117, RGB 52 30 98 and RGB 35 12 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 84 155 shade: RGB 103 83 155, RGB 122 83 155, RGB 141 83 155, RGB 155 83 150 and RGB 155 83 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 84 155 shade: RGB 103 83 155 and RGB 83 83 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 84 155 shade matches the following richer shades: RGB 103 83 155, RGB 94 64 175, RGB 85 45 194, RGB 76 25 213 and RGB 67 6 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 84 155 shade: RGB 103 83 155, RGB 112 103 136, RGB 121 122 117, RGB 130 142 97 and RGB 139 161 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 84 155 shade: RGB 83 103 155, RGB 83 83 155, RGB 103 83 155, RGB 122 83 155 and RGB 141 83 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 84 155 shade: RGB 67 55 102, RGB 85 69 128, RGB 103 83 155, RGB 124 106 174 and RGB 148 132 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 84 155 shade: RGB 103 84 155, RGB 155 83 122 and RGB 93 155 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 84 155 shade: RGB 103 84 155, RGB 155 103 83 and RGB 83 155 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 84 155 shade: RGB 103 84 155, RGB 155 83 122, RGB 136 155 83 and RGB 83 155 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 84 155 shade: RGB 103 84 155, RGB 155 83 100, RGB 136 155 83 and RGB 83 155 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

Complementary color

CMYK 11 / 0 / 42 / 33

HEX #98AB64

RGB 152 171 100

HSL 76.06, 0.3%, 0.53%

LAB 67.07, -18.33, 34.33

 

CMYK 28 / 44 / 0 / 41

HEX #6C5496

RGB 108 84 150

HSL 261.82, 0.28%, 0.46%

LAB 40.79, 24.59, -32.72

 

CMYK 26 / 40 / 0 / 34

HEX #7D66A9

RGB 125 102 169

HSL 260.6, 0.28%, 0.53%

LAB 47.91, 23.73, -32.67

 

CMYK 24 / 36 / 0 / 26

HEX #8E78BC

RGB 142 120 188

HSL 259.41, 0.34%, 0.6%

LAB 54.88, 22.96, -32.67

 

CMYK 23 / 33 / 0 / 19

HEX #9F8ACF

RGB 159 138 207

HSL 258.26, 0.42%, 0.68%

LAB 61.7, 22.27, -32.7

 

CMYK 22 / 31 / 0 / 11

HEX #B09CE2

RGB 176 156 226

HSL 257.14, 0.55%, 0.75%

LAB 68.39, 21.65, -32.76

 

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

CMYK 37 / 51 / 0 / 47

HEX #564288

RGB 86 66 136

HSL 257.14, 0.35%, 0.4%

LAB 33.25, 25.56, -36.29

 

CMYK 41 / 59 / 0 / 54

HEX #453075

RGB 69 48 117

HSL 258.26, 0.42%, 0.32%

LAB 25.75, 26.8, -36.49

 

CMYK 47 / 69 / 0 / 62

HEX #341E62

RGB 52 30 98

HSL 259.41, 0.53%, 0.25%

LAB 18.1, 28.16, -36.64

 

CMYK 56 / 85 / 0 / 69

HEX #230C4F

RGB 35 12 79

HSL 260.6, 0.74%, 0.18%

LAB 10.44, 29.28, -36.42

 

CMYK 34 / 46 / 0 / 39

HEX #67539B

RGB 103 83 155

HSL 256.67, 0.3%, 0.47%

LAB 40.31, 25.1, -36.51

 

CMYK 21 / 46 / 0 / 39

HEX #7A539B

RGB 122 83 155

HSL 272.5, 0.3%, 0.47%

LAB 42.29, 30.65, -33.24

 

CMYK 9 / 46 / 0 / 39

HEX #8D539B

RGB 141 83 155

HSL 288.33, 0.3%, 0.47%

LAB 44.54, 36.41, -29.55

 

CMYK 0 / 46 / 3 / 39

HEX #9B5396

RGB 155 83 150

HSL 304.17, 0.3%, 0.47%

LAB 46.12, 39.78, -23.98

 

CMYK 0 / 46 / 16 / 39

HEX #9B5382

RGB 155 83 130

HSL 320.83, 0.3%, 0.47%

LAB 45.31, 36.25, -13.19

 

CMYK 34 / 46 / 0 / 39

HEX #67539B

RGB 103 83 155

HSL 256.67, 0.3%, 0.47%

LAB 40.31, 25.1, -36.51

 

CMYK 46 / 46 / 0 / 39

HEX #53539B

RGB 83 83 155

HSL 240, 0.3%, 0.47%

LAB 38.54, 19.72, -39.43

 

CMYK 34 / 46 / 0 / 39

HEX #67539B

RGB 103 83 155

HSL 256.67, 0.3%, 0.47%

LAB 40.31, 25.1, -36.51

 

CMYK 46 / 63 / 0 / 31

HEX #5E40AF

RGB 94 64 175

HSL 256.22, 0.46%, 0.47%

LAB 36.26, 39.99, -55

 

CMYK 56 / 77 / 0 / 24

HEX #552DC2

RGB 85 45 194

HSL 256.11, 0.62%, 0.47%

LAB 33.36, 53.94, -71

 

CMYK 64 / 88 / 0 / 16

HEX #4C19D5

RGB 76 25 213

HSL 256.28, 0.79%, 0.47%

LAB 31.89, 65.8, -84.53

 

CMYK 71 / 97 / 0 / 9

HEX #4306E9

RGB 67 6 233

HSL 256.12, 0.95%, 0.47%

LAB 32.27, 74.12, -95.4

 

CMYK 34 / 46 / 0 / 39

HEX #67539B

RGB 103 83 155

HSL 256.67, 0.3%, 0.47%

LAB 40.31, 25.1, -36.51

 

CMYK 18 / 24 / 0 / 47

HEX #706788

RGB 112 103 136

HSL 256.36, 0.14%, 0.47%

LAB 45.53, 10.73, -16.92

 

CMYK 1 / 0 / 4 / 52

HEX #797A75

RGB 121 122 117

HSL 72, 0.02%, 0.47%

LAB 51, -1.36, 2.6

 

CMYK 8 / 0 / 32 / 44

HEX #828E61

RGB 130 142 97

HSL 76, 0.19%, 0.47%

LAB 57.03, -12.34, 22.58

 

CMYK 14 / 0 / 52 / 37

HEX #8BA14E

RGB 139 161 78

HSL 75.9, 0.35%, 0.47%

LAB 62.95, -20.95, 40.27

 

CMYK 46 / 34 / 0 / 39

HEX #53679B

RGB 83 103 155

HSL 223.33, 0.3%, 0.47%

LAB 44.1, 7.1, -30.64

 

CMYK 46 / 46 / 0 / 39

HEX #53539B

RGB 83 83 155

HSL 240, 0.3%, 0.47%

LAB 38.54, 19.72, -39.43

 

CMYK 34 / 46 / 0 / 39

HEX #67539B

RGB 103 83 155

HSL 256.67, 0.3%, 0.47%

LAB 40.31, 25.1, -36.51

 

CMYK 21 / 46 / 0 / 39

HEX #7A539B

RGB 122 83 155

HSL 272.5, 0.3%, 0.47%

LAB 42.29, 30.65, -33.24

 

CMYK 9 / 46 / 0 / 39

HEX #8D539B

RGB 141 83 155

HSL 288.33, 0.3%, 0.47%

LAB 44.54, 36.41, -29.55

 

CMYK 34 / 46 / 0 / 60

HEX #433766

RGB 67 55 102

HSL 255.32, 0.3%, 0.31%

LAB 26.4, 17.18, -25.86

 

CMYK 34 / 46 / 0 / 50

HEX #554580

RGB 85 69 128

HSL 256.27, 0.3%, 0.39%

LAB 33.45, 21.09, -31.03

 

CMYK 34 / 46 / 0 / 39

HEX #67539B

RGB 103 83 155

HSL 256.67, 0.3%, 0.47%

LAB 40.31, 25.1, -36.51

 

CMYK 29 / 39 / 0 / 32

HEX #7C6AAE

RGB 124 106 174

HSL 255.88, 0.3%, 0.55%

LAB 49.07, 22.32, -33.79

 

CMYK 22 / 30 / 0 / 26

HEX #9484BD

RGB 148 132 189

HSL 256.84, 0.3%, 0.63%

LAB 58.48, 18.05, -27.6

 

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

CMYK 0 / 46 / 21 / 39

HEX #9B537A

RGB 155 83 122

HSL 327.5, 0.3%, 0.47%

LAB 45.03, 34.96, -8.78

 

CMYK 40 / 0 / 46 / 39

HEX #5D9B53

RGB 93 155 83

HSL 111.67, 0.3%, 0.47%

LAB 58.41, -34.68, 31.51

 

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

CMYK 0 / 34 / 46 / 39

HEX #9B6753

RGB 155 103 83

HSL 16.67, 0.3%, 0.47%

LAB 48.63, 18.48, 19.8

 

CMYK 46 / 0 / 34 / 39

HEX #539B67

RGB 83 155 103

HSL 136.67, 0.3%, 0.47%

LAB 58.28, -34.46, 20.45

 

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

CMYK 0 / 46 / 21 / 39

HEX #9B537A

RGB 155 83 122

HSL 327.5, 0.3%, 0.47%

LAB 45.03, 34.96, -8.78

 

CMYK 12 / 0 / 46 / 39

HEX #889B53

RGB 136 155 83

HSL 75.83, 0.3%, 0.47%

LAB 61.05, -18.56, 35.37

 

CMYK 46 / 0 / 25 / 39

HEX #539B75

RGB 83 155 117

HSL 148.33, 0.3%, 0.47%

LAB 58.57, -31.66, 13.05

 

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

CMYK 0 / 46 / 35 / 39

HEX #9B5364

RGB 155 83 100

HSL 345.83, 0.3%, 0.47%

LAB 44.34, 31.81, 3.63

 

CMYK 12 / 0 / 46 / 39

HEX #889B53

RGB 136 155 83

HSL 75.83, 0.3%, 0.47%

LAB 61.05, -18.56, 35.37

 

CMYK 46 / 0 / 10 / 39

HEX #539B8B

RGB 83 155 139

HSL 166.67, 0.3%, 0.47%

LAB 59.11, -26.6, 1.39

 

Description

Color code: RGB 103 84 155 | qconv.com Color code: RGB 103 84 155 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 84 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 84 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 46 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 46% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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