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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 36 221 it is the complementary color RGB 152 219 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 36 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 36 221 shade: RGB 108 36 216, RGB 125 54 235, RGB 142 72 254, RGB 159 90 255 and RGB 176 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 36 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 36 221 shade: RGB 103 36 221, RGB 86 18 202, RGB 69 0 183, RGB 52 0 164 and RGB 35 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 36 221 shade: RGB 101 34 220, RGB 152 34 220, RGB 202 34 220, RGB 220 34 188 and RGB 220 34 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 36 221 shade: RGB 101 34 220, RGB 51 34 220 and RGB 34 34 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 36 221 shade matches the following richer shades: RGB 101 34 220 and RGB 96 13 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 36 221 shade: RGB 101 34 220, RGB 107 55 199, RGB 113 75 179, RGB 118 96 158 and RGB 124 116 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 36 221 shade: RGB 34 68 220, RGB 49 34 220, RGB 99 34 220, RGB 149 34 220 and RGB 198 34 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 36 221 shade: RGB 68 23 149, RGB 85 28 184, RGB 101 34 220, RGB 126 70 226 and RGB 151 105 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 36 221 shade: RGB 103 36 221, RGB 220 34 118 and RGB 43 220 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 36 221 shade: RGB 103 36 221, RGB 220 99 34 and RGB 34 220 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 36 221 shade: RGB 103 36 221, RGB 220 34 118, RGB 155 220 34 and RGB 34 220 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 36 221 shade: RGB 103 36 221, RGB 220 34 62, RGB 155 220 34 and RGB 34 220 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 84 / 0 / 13

HEX #6724DD

RGB 103 36 221

HSL 261.73, 0.73%, 0.5%

LAB 36.68, 66.69, -81.13

 

Complementary color

CMYK 31 / 0 / 84 / 14

HEX #98DB22

RGB 152 219 34

HSL 81.73, 0.73%, 0.5%

LAB 80.43, -45.49, 74.35

 

CMYK 50 / 83 / 0 / 15

HEX #6C24D8

RGB 108 36 216

HSL 264, 0.71%, 0.49%

LAB 36.76, 66.02, -78.1

 

CMYK 47 / 77 / 0 / 8

HEX #7D36EB

RGB 125 54 235

HSL 263.54, 0.82%, 0.57%

LAB 42.76, 66.12, -79.01

 

CMYK 44 / 72 / 0 / 0

HEX #8E48FE

RGB 142 72 254

HSL 263.08, 0.99%, 0.64%

LAB 48.93, 65.62, -79.49

 

CMYK 38 / 65 / 0 / 0

HEX #9F5AFF

RGB 159 90 255

HSL 265.09, 1%, 0.68%

LAB 53.92, 60.38, -71.84

 

CMYK 31 / 58 / 0 / 0

HEX #B06CFF

RGB 176 108 255

HSL 267.76, 1%, 0.71%

LAB 59.14, 54.9, -63.34

 

CMYK 53 / 84 / 0 / 13

HEX #6724DD

RGB 103 36 221

HSL 261.73, 0.73%, 0.5%

LAB 36.68, 66.69, -81.13

 

CMYK 57 / 91 / 0 / 21

HEX #5612CA

RGB 86 18 202

HSL 262.17, 0.84%, 0.43%

LAB 31.06, 65.65, -79.48

 

CMYK 62 / 100 / 0 / 28

HEX #4500B7

RGB 69 0 183

HSL 262.62, 1%, 0.36%

LAB 25.82, 63.44, -77.02

 

CMYK 68 / 100 / 0 / 36

HEX #3400A4

RGB 52 0 164

HSL 259.02, 1%, 0.32%

LAB 21.62, 58.04, -72.6

 

CMYK 76 / 100 / 0 / 43

HEX #230091

RGB 35 0 145

HSL 254.48, 1%, 0.28%

LAB 17.47, 52.64, -67.86

 

CMYK 54 / 85 / 0 / 14

HEX #6522DC

RGB 101 34 220

HSL 261.61, 0.73%, 0.5%

LAB 36.13, 66.9, -81.46

 

CMYK 31 / 85 / 0 / 14

HEX #9822DC

RGB 152 34 220

HSL 278.06, 0.73%, 0.5%

LAB 42.74, 73.19, -70.36

 

CMYK 8 / 85 / 0 / 14

HEX #CA22DC

RGB 202 34 220

HSL 294.19, 0.73%, 0.5%

LAB 50.53, 81.07, -57.37

 

CMYK 0 / 85 / 15 / 14

HEX #DC22BC

RGB 220 34 188

HSL 310.32, 0.73%, 0.5%

LAB 51.83, 79.71, -36.71

 

CMYK 0 / 85 / 37 / 14

HEX #DC228A

RGB 220 34 138

HSL 326.45, 0.73%, 0.5%

LAB 49.73, 73.94, -10.32

 

CMYK 54 / 85 / 0 / 14

HEX #6522DC

RGB 101 34 220

HSL 261.61, 0.73%, 0.5%

LAB 36.13, 66.9, -81.46

 

CMYK 77 / 85 / 0 / 14

HEX #3322DC

RGB 51 34 220

HSL 245.48, 0.73%, 0.5%

LAB 31.84, 63.12, -88.7

 

CMYK 85 / 85 / 0 / 14

HEX #2222DC

RGB 34 34 220

HSL 240, 0.73%, 0.5%

LAB 31, 62.41, -90.13

 

CMYK 54 / 85 / 0 / 14

HEX #6522DC

RGB 101 34 220

HSL 261.61, 0.73%, 0.5%

LAB 36.13, 66.9, -81.46

 

CMYK 60 / 95 / 0 / 5

HEX #600DF1

RGB 96 13 241

HSL 261.84, 0.9%, 0.5%

LAB 36.22, 76.42, -93.3

 

CMYK 54 / 85 / 0 / 14

HEX #6522DC

RGB 101 34 220

HSL 261.61, 0.73%, 0.5%

LAB 36.13, 66.9, -81.46

 

CMYK 46 / 72 / 0 / 22

HEX #6B37C7

RGB 107 55 199

HSL 261.67, 0.57%, 0.5%

LAB 37.81, 53.8, -66.53

 

CMYK 37 / 58 / 0 / 30

HEX #714BB3

RGB 113 75 179

HSL 261.92, 0.41%, 0.5%

LAB 40.89, 39.02, -49.78

 

CMYK 25 / 39 / 0 / 38

HEX #76609E

RGB 118 96 158

HSL 261.29, 0.24%, 0.5%

LAB 45.2, 22.4, -30.49

 

CMYK 10 / 16 / 0 / 46

HEX #7C748A

RGB 124 116 138

HSL 261.82, 0.09%, 0.5%

LAB 50.23, 7.63, -10.88

 

CMYK 85 / 69 / 0 / 14

HEX #2244DC

RGB 34 68 220

HSL 229.03, 0.73%, 0.5%

LAB 37.19, 44.75, -79.87

 

CMYK 78 / 85 / 0 / 14

HEX #3122DC

RGB 49 34 220

HSL 244.84, 0.73%, 0.5%

LAB 31.73, 63.02, -88.9

 

CMYK 55 / 85 / 0 / 14

HEX #6322DC

RGB 99 34 220

HSL 260.97, 0.73%, 0.5%

LAB 35.91, 66.7, -81.83

 

CMYK 32 / 85 / 0 / 14

HEX #9522DC

RGB 149 34 220

HSL 277.1, 0.73%, 0.5%

LAB 42.31, 72.76, -71.09

 

CMYK 10 / 85 / 0 / 14

HEX #C622DC

RGB 198 34 220

HSL 292.9, 0.73%, 0.5%

LAB 49.88, 80.4, -58.46

 

CMYK 54 / 85 / 0 / 42

HEX #441795

RGB 68 23 149

HSL 261.43, 0.73%, 0.34%

LAB 23.71, 49, -59.89

 

CMYK 54 / 85 / 0 / 28

HEX #551CB8

RGB 85 28 184

HSL 261.92, 0.74%, 0.42%

LAB 29.97, 58.24, -70.68

 

CMYK 54 / 85 / 0 / 14

HEX #6522DC

RGB 101 34 220

HSL 261.61, 0.73%, 0.5%

LAB 36.13, 66.9, -81.46

 

CMYK 44 / 69 / 0 / 11

HEX #7E46E2

RGB 126 70 226

HSL 261.54, 0.73%, 0.58%

LAB 44.67, 56.8, -70.78

 

CMYK 35 / 55 / 0 / 9

HEX #9769E7

RGB 151 105 231

HSL 261.9, 0.72%, 0.66%

LAB 54.5, 44.8, -57.58

 

CMYK 53 / 84 / 0 / 13

HEX #6724DD

RGB 103 36 221

HSL 261.73, 0.73%, 0.5%

LAB 36.68, 66.69, -81.13

 

CMYK 0 / 85 / 46 / 14

HEX #DC2276

RGB 220 34 118

HSL 332.9, 0.73%, 0.5%

LAB 49.09, 72.12, 0.87

 

CMYK 80 / 0 / 85 / 14

HEX #2BDC22

RGB 43 220 34

HSL 117.1, 0.73%, 0.5%

LAB 77.17, -73.41, 70.11

 

CMYK 53 / 84 / 0 / 13

HEX #6724DD

RGB 103 36 221

HSL 261.73, 0.73%, 0.5%

LAB 36.68, 66.69, -81.13

 

CMYK 0 / 55 / 85 / 14

HEX #DC6322

RGB 220 99 34

HSL 20.97, 0.73%, 0.5%

LAB 56.34, 44.04, 56.15

 

CMYK 85 / 0 / 55 / 14

HEX #22DC63

RGB 34 220 99

HSL 140.97, 0.73%, 0.5%

LAB 77.54, -68.49, 46.79

 

CMYK 53 / 84 / 0 / 13

HEX #6724DD

RGB 103 36 221

HSL 261.73, 0.73%, 0.5%

LAB 36.68, 66.69, -81.13

 

CMYK 0 / 85 / 46 / 14

HEX #DC2276

RGB 220 34 118

HSL 332.9, 0.73%, 0.5%

LAB 49.09, 72.12, 0.87

 

CMYK 30 / 0 / 85 / 14

HEX #9BDC22

RGB 155 220 34

HSL 80.97, 0.73%, 0.5%

LAB 80.89, -44.81, 74.8

 

CMYK 85 / 0 / 38 / 14

HEX #22DC88

RGB 34 220 136

HSL 152.9, 0.73%, 0.5%

LAB 78.05, -62.36, 29.24

 

CMYK 53 / 84 / 0 / 13

HEX #6724DD

RGB 103 36 221

HSL 261.73, 0.73%, 0.5%

LAB 36.68, 66.69, -81.13

 

CMYK 0 / 85 / 72 / 14

HEX #DC223E

RGB 220 34 62

HSL 350.97, 0.73%, 0.5%

LAB 47.89, 68.63, 33.41

 

CMYK 30 / 0 / 85 / 14

HEX #9BDC22

RGB 155 220 34

HSL 80.97, 0.73%, 0.5%

LAB 80.89, -44.81, 74.8

 

CMYK 85 / 0 / 13 / 14

HEX #22DCC0

RGB 34 220 192

HSL 170.97, 0.73%, 0.5%

LAB 79.23, -49.5, 1.45

 

Description

Color code: RGB 103 36 221 | qconv.com Color code: RGB 103 36 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 36 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 36 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 84 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 84% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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