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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 243 224 it is the complementary color RGB 152 12 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 243 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 243 224 shade: RGB 108 243 219, RGB 125 255 238, RGB 142 255 255, RGB 159 255 255 and RGB 176 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 243 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 243 224 shade: RGB 103 243 224, RGB 86 225 205, RGB 69 207 186, RGB 52 189 167 and RGB 35 171 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 243 224 shade: RGB 104 242 223, RGB 104 242 186, RGB 104 242 149, RGB 104 242 111 and RGB 133 242 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 243 224 shade: RGB 104 242 223, RGB 104 224 242, RGB 104 186 242, RGB 104 149 242 and RGB 104 111 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 243 224 shade matches the following richer shades: RGB 104 242 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 243 224 shade: RGB 104 242 223, RGB 117 229 214, RGB 130 216 204, RGB 143 203 195 and RGB 156 189 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 243 224 shade: RGB 104 242 147, RGB 104 242 184, RGB 104 242 221, RGB 104 226 242 and RGB 104 189 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 243 224 shade: RGB 27 236 208, RGB 65 239 216, RGB 104 242 223, RGB 142 245 231 and RGB 180 248 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 243 224 shade: RGB 103 243 224, RGB 110 104 242 and RGB 242 166 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 243 224 shade: RGB 103 243 224, RGB 221 104 242 and RGB 242 221 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 243 224 shade: RGB 103 243 224, RGB 110 104 242, RGB 242 104 124 and RGB 235 242 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 243 224 shade: RGB 103 243 224, RGB 152 104 242, RGB 242 104 124 and RGB 194 242 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 8 / 5

HEX #67F3E0

RGB 103 243 224

HSL 171.86, 0.85%, 0.68%

LAB 88.14, -42.34, -2.25

 

Complementary color

CMYK 0 / 92 / 80 / 40

HEX #980C1F

RGB 152 12 31

HSL 351.86, 0.85%, 0.32%

LAB 31.89, 53.33, 30.23

 

CMYK 56 / 0 / 10 / 5

HEX #6CF3DB

RGB 108 243 219

HSL 169.33, 0.85%, 0.69%

LAB 88.16, -42.62, 0.4

 

CMYK 51 / 0 / 7 / 0

HEX #7DFFEE

RGB 125 255 238

HSL 172.15, 1%, 0.75%

LAB 92.6, -40.01, -2.92

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 58 / 0 / 8 / 5

HEX #67F3E0

RGB 103 243 224

HSL 171.86, 0.85%, 0.68%

LAB 88.14, -42.34, -2.25

 

CMYK 62 / 0 / 9 / 12

HEX #56E1CD

RGB 86 225 205

HSL 171.37, 0.7%, 0.61%

LAB 81.97, -42.09, -1.36

 

CMYK 67 / 0 / 10 / 19

HEX #45CFBA

RGB 69 207 186

HSL 170.87, 0.59%, 0.54%

LAB 75.72, -41.71, -0.39

 

CMYK 72 / 0 / 12 / 26

HEX #34BDA7

RGB 52 189 167

HSL 170.36, 0.57%, 0.47%

LAB 69.41, -41.14, 0.68

 

CMYK 80 / 0 / 13 / 33

HEX #23AB94

RGB 35 171 148

HSL 169.85, 0.66%, 0.4%

LAB 63.03, -40.29, 1.87

 

CMYK 57 / 0 / 8 / 5

HEX #68F2DF

RGB 104 242 223

HSL 171.74, 0.84%, 0.68%

LAB 87.86, -41.96, -2.14

 

CMYK 57 / 0 / 23 / 5

HEX #68F2BA

RGB 104 242 186

HSL 155.65, 0.84%, 0.68%

LAB 86.99, -50.45, 15.89

 

CMYK 57 / 0 / 38 / 5

HEX #68F295

RGB 104 242 149

HSL 139.57, 0.84%, 0.68%

LAB 86.31, -57.51, 33.86

 

CMYK 57 / 0 / 54 / 5

HEX #68F26F

RGB 104 242 111

HSL 123.04, 0.84%, 0.68%

LAB 85.8, -63.09, 51.51

 

CMYK 45 / 0 / 57 / 5

HEX #85F268

RGB 133 242 104

HSL 107.39, 0.84%, 0.68%

LAB 86.75, -56.31, 56.01

 

CMYK 57 / 0 / 8 / 5

HEX #68F2DF

RGB 104 242 223

HSL 171.74, 0.84%, 0.68%

LAB 87.86, -41.96, -2.14

 

CMYK 57 / 7 / 0 / 5

HEX #68E0F2

RGB 104 224 242

HSL 187.83, 0.84%, 0.68%

LAB 83.27, -28.62, -18.98

 

CMYK 57 / 23 / 0 / 5

HEX #68BAF2

RGB 104 186 242

HSL 204.35, 0.84%, 0.68%

LAB 72.54, -9.17, -35.4

 

CMYK 57 / 38 / 0 / 5

HEX #6895F2

RGB 104 149 242

HSL 220.43, 0.84%, 0.68%

LAB 62.38, 11.73, -51.33

 

CMYK 57 / 54 / 0 / 5

HEX #686FF2

RGB 104 111 242

HSL 236.96, 0.84%, 0.68%

LAB 52.64, 34.5, -66.92

 

CMYK 57 / 0 / 8 / 5

HEX #68F2DF

RGB 104 242 223

HSL 171.74, 0.84%, 0.68%

LAB 87.86, -41.96, -2.14

 

CMYK 57 / 0 / 8 / 5

HEX #68F2DF

RGB 104 242 223

HSL 171.74, 0.84%, 0.68%

LAB 87.86, -41.96, -2.14

 

CMYK 49 / 0 / 7 / 10

HEX #75E5D6

RGB 117 229 214

HSL 171.96, 0.68%, 0.68%

LAB 84.32, -35.63, -2.56

 

CMYK 40 / 0 / 6 / 15

HEX #82D8CC

RGB 130 216 204

HSL 171.63, 0.52%, 0.68%

LAB 80.86, -28.78, -2.27

 

CMYK 30 / 0 / 4 / 20

HEX #8FCBC3

RGB 143 203 195

HSL 172, 0.37%, 0.68%

LAB 77.57, -20.89, -2.2

 

CMYK 17 / 0 / 2 / 26

HEX #9CBDB9

RGB 156 189 185

HSL 172.73, 0.2%, 0.68%

LAB 74.17, -11.9, -1.69

 

CMYK 57 / 0 / 39 / 5

HEX #68F293

RGB 104 242 147

HSL 138.7, 0.84%, 0.68%

LAB 86.28, -57.85, 34.82

 

CMYK 57 / 0 / 24 / 5

HEX #68F2B8

RGB 104 242 184

HSL 154.78, 0.84%, 0.68%

LAB 86.95, -50.87, 16.87

 

CMYK 57 / 0 / 9 / 5

HEX #68F2DD

RGB 104 242 221

HSL 170.87, 0.84%, 0.68%

LAB 87.81, -42.45, -1.17

 

CMYK 57 / 7 / 0 / 5

HEX #68E2F2

RGB 104 226 242

HSL 186.96, 0.84%, 0.68%

LAB 83.83, -29.58, -18.13

 

CMYK 57 / 22 / 0 / 5

HEX #68BDF2

RGB 104 189 242

HSL 203.04, 0.84%, 0.68%

LAB 73.38, -10.78, -34.1

 

CMYK 89 / 0 / 12 / 7

HEX #1BECD0

RGB 27 236 208

HSL 171.96, 0.85%, 0.52%

LAB 84.37, -52.29, 0.46

 

CMYK 73 / 0 / 10 / 6

HEX #41EFD8

RGB 65 239 216

HSL 172.07, 0.84%, 0.6%

LAB 85.91, -48.32, -1.43

 

CMYK 57 / 0 / 8 / 5

HEX #68F2DF

RGB 104 242 223

HSL 171.74, 0.84%, 0.68%

LAB 87.86, -41.96, -2.14

 

CMYK 42 / 0 / 6 / 4

HEX #8EF5E7

RGB 142 245 231

HSL 171.84, 0.84%, 0.76%

LAB 90.24, -33.27, -2.67

 

CMYK 27 / 0 / 4 / 3

HEX #B4F8EF

RGB 180 248 239

HSL 172.06, 0.83%, 0.84%

LAB 93.05, -22.9, -2.51

 

CMYK 58 / 0 / 8 / 5

HEX #67F3E0

RGB 103 243 224

HSL 171.86, 0.85%, 0.68%

LAB 88.14, -42.34, -2.25

 

CMYK 55 / 57 / 0 / 5

HEX #6E68F2

RGB 110 104 242

HSL 242.61, 0.84%, 0.68%

LAB 51.41, 39.76, -68.9

 

CMYK 0 / 31 / 57 / 5

HEX #F2A668

RGB 242 166 104

HSL 26.96, 0.84%, 0.68%

LAB 74.29, 21.74, 43.09

 

CMYK 58 / 0 / 8 / 5

HEX #67F3E0

RGB 103 243 224

HSL 171.86, 0.85%, 0.68%

LAB 88.14, -42.34, -2.25

 

CMYK 9 / 57 / 0 / 5

HEX #DD68F2

RGB 221 104 242

HSL 290.87, 0.84%, 0.68%

LAB 63.08, 64.89, -49.56

 

CMYK 0 / 9 / 57 / 5

HEX #F2DD68

RGB 242 221 104

HSL 50.87, 0.84%, 0.68%

LAB 87.77, -6.83, 58.96

 

CMYK 58 / 0 / 8 / 5

HEX #67F3E0

RGB 103 243 224

HSL 171.86, 0.85%, 0.68%

LAB 88.14, -42.34, -2.25

 

CMYK 55 / 57 / 0 / 5

HEX #6E68F2

RGB 110 104 242

HSL 242.61, 0.84%, 0.68%

LAB 51.41, 39.76, -68.9

 

CMYK 0 / 57 / 49 / 5

HEX #F2687C

RGB 242 104 124

HSL 351.3, 0.84%, 0.68%

LAB 61.85, 54.71, 15.95

 

CMYK 3 / 0 / 57 / 5

HEX #EBF268

RGB 235 242 104

HSL 63.04, 0.84%, 0.68%

LAB 92.65, -20, 64.29

 

CMYK 58 / 0 / 8 / 5

HEX #67F3E0

RGB 103 243 224

HSL 171.86, 0.85%, 0.68%

LAB 88.14, -42.34, -2.25

 

CMYK 37 / 57 / 0 / 5

HEX #9868F2

RGB 152 104 242

HSL 260.87, 0.84%, 0.68%

LAB 55.06, 48.39, -62.83

 

CMYK 0 / 57 / 49 / 5

HEX #F2687C

RGB 242 104 124

HSL 351.3, 0.84%, 0.68%

LAB 61.85, 54.71, 15.95

 

CMYK 20 / 0 / 57 / 5

HEX #C2F268

RGB 194 242 104

HSL 80.87, 0.84%, 0.68%

LAB 89.85, -35.83, 60.38

 

Description

Color code: RGB 103 243 224 | qconv.com Color code: RGB 103 243 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 243 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 243 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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