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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 177 244 it is the complementary color RGB 152 78 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 177 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 177 244 shade: RGB 108 177 239, RGB 125 195 255, RGB 142 213 255, RGB 159 231 255 and RGB 176 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 177 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 177 244 shade: RGB 103 177 244, RGB 86 159 225, RGB 69 141 206, RGB 52 123 187 and RGB 35 105 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 177 244 shade: RGB 102 176 244, RGB 102 138 244, RGB 104 102 244, RGB 142 102 244 and RGB 181 102 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 177 244 shade: RGB 102 176 244, RGB 102 138 244 and RGB 102 102 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 177 244 shade matches the following richer shades: RGB 102 176 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 177 244 shade: RGB 102 176 244, RGB 115 176 231, RGB 128 175 217, RGB 142 174 204 and RGB 155 174 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 177 244 shade: RGB 102 244 234, RGB 102 215 244, RGB 102 178 244, RGB 102 140 244 and RGB 102 102 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 177 244 shade: RGB 25 137 239, RGB 63 157 241, RGB 102 176 244, RGB 140 196 247 and RGB 179 216 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 177 244 shade: RGB 103 177 244, RGB 197 102 244 and RGB 234 244 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 177 244 shade: RGB 103 177 244, RGB 244 102 178 and RGB 178 244 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 177 244 shade: RGB 103 177 244, RGB 197 102 244, RGB 244 168 102 and RGB 149 244 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 177 244 shade: RGB 103 177 244, RGB 239 102 244, RGB 244 168 102 and RGB 107 244 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 27 / 0 / 4

HEX #67B1F4

RGB 103 177 244

HSL 208.51, 0.87%, 0.68%

LAB 70.08, -3.83, -40.32

 

Complementary color

CMYK 0 / 49 / 93 / 40

HEX #984E0B

RGB 152 78 11

HSL 28.51, 0.87%, 0.32%

LAB 41.45, 26.9, 47.8

 

CMYK 55 / 26 / 0 / 6

HEX #6CB1EF

RGB 108 177 239

HSL 208.4, 0.8%, 0.68%

LAB 70.08, -4.36, -37.58

 

CMYK 51 / 24 / 0 / 0

HEX #7DC3FF

RGB 125 195 255

HSL 207.69, 1%, 0.75%

LAB 76.44, -5.83, -36.28

 

CMYK 44 / 16 / 0 / 0

HEX #8ED5FF

RGB 142 213 255

HSL 202.3, 1%, 0.78%

LAB 82.14, -11.48, -27.44

 

CMYK 38 / 9 / 0 / 0

HEX #9FE7FF

RGB 159 231 255

HSL 195, 1%, 0.81%

LAB 87.84, -16.5, -18.7

 

CMYK 31 / 2 / 0 / 0

HEX #B0F9FF

RGB 176 249 255

HSL 184.56, 1%, 0.85%

LAB 93.54, -20.98, -10.09

 

CMYK 58 / 27 / 0 / 4

HEX #67B1F4

RGB 103 177 244

HSL 208.51, 0.87%, 0.68%

LAB 70.08, -3.83, -40.32

 

CMYK 62 / 29 / 0 / 12

HEX #569FE1

RGB 86 159 225

HSL 208.49, 0.7%, 0.61%

LAB 63.52, -2.97, -40.22

 

CMYK 67 / 32 / 0 / 19

HEX #458DCE

RGB 69 141 206

HSL 208.47, 0.58%, 0.54%

LAB 56.85, -1.9, -40.12

 

CMYK 72 / 34 / 0 / 27

HEX #347BBB

RGB 52 123 187

HSL 208.44, 0.56%, 0.47%

LAB 50.08, -0.54, -40.02

 

CMYK 79 / 38 / 0 / 34

HEX #2369A8

RGB 35 105 168

HSL 208.42, 0.66%, 0.4%

LAB 43.19, 1.23, -39.9

 

CMYK 58 / 28 / 0 / 4

HEX #66B0F4

RGB 102 176 244

HSL 208.73, 0.87%, 0.68%

LAB 69.76, -3.47, -40.82

 

CMYK 58 / 43 / 0 / 4

HEX #668AF4

RGB 102 138 244

HSL 224.79, 0.87%, 0.68%

LAB 59.46, 18.51, -57.08

 

CMYK 57 / 58 / 0 / 4

HEX #6866F4

RGB 104 102 244

HSL 240.85, 0.87%, 0.68%

LAB 50.66, 40.5, -71.25

 

CMYK 42 / 58 / 0 / 4

HEX #8E66F4

RGB 142 102 244

HSL 256.9, 0.87%, 0.68%

LAB 53.8, 47.83, -66.02

 

CMYK 26 / 58 / 0 / 4

HEX #B566F4

RGB 181 102 244

HSL 273.38, 0.87%, 0.68%

LAB 57.9, 56.58, -59.21

 

CMYK 58 / 28 / 0 / 4

HEX #66B0F4

RGB 102 176 244

HSL 208.73, 0.87%, 0.68%

LAB 69.76, -3.47, -40.82

 

CMYK 58 / 43 / 0 / 4

HEX #668AF4

RGB 102 138 244

HSL 224.79, 0.87%, 0.68%

LAB 59.46, 18.51, -57.08

 

CMYK 58 / 58 / 0 / 4

HEX #6666F4

RGB 102 102 244

HSL 240, 0.87%, 0.68%

LAB 50.52, 40.16, -71.48

 

CMYK 58 / 28 / 0 / 4

HEX #66B0F4

RGB 102 176 244

HSL 208.73, 0.87%, 0.68%

LAB 69.76, -3.47, -40.82

 

CMYK 58 / 28 / 0 / 4

HEX #66B0F4

RGB 102 176 244

HSL 208.73, 0.87%, 0.68%

LAB 69.76, -3.47, -40.82

 

CMYK 50 / 24 / 0 / 9

HEX #73B0E7

RGB 115 176 231

HSL 208.45, 0.71%, 0.68%

LAB 69.8, -4.68, -33.63

 

CMYK 41 / 19 / 0 / 15

HEX #80AFD9

RGB 128 175 217

HSL 208.31, 0.54%, 0.68%

LAB 69.65, -4.92, -26.14

 

CMYK 30 / 15 / 0 / 20

HEX #8EAECC

RGB 142 174 204

HSL 209.03, 0.38%, 0.68%

LAB 69.74, -3.87, -18.79

 

CMYK 19 / 9 / 0 / 25

HEX #9BAEBF

RGB 155 174 191

HSL 208.33, 0.22%, 0.68%

LAB 70.18, -2.93, -10.89

 

CMYK 58 / 0 / 4 / 4

HEX #66F4EA

RGB 102 244 234

HSL 175.77, 0.87%, 0.68%

LAB 88.67, -40.45, -6.71

 

CMYK 58 / 12 / 0 / 4

HEX #66D7F4

RGB 102 215 244

HSL 192.25, 0.87%, 0.68%

LAB 80.72, -24, -23.92

 

CMYK 58 / 27 / 0 / 4

HEX #66B2F4

RGB 102 178 244

HSL 207.89, 0.87%, 0.68%

LAB 70.31, -4.58, -39.95

 

CMYK 58 / 43 / 0 / 4

HEX #668CF4

RGB 102 140 244

HSL 223.94, 0.87%, 0.68%

LAB 59.99, 17.32, -56.24

 

CMYK 58 / 58 / 0 / 4

HEX #6666F4

RGB 102 102 244

HSL 240, 0.87%, 0.68%

LAB 50.52, 40.16, -71.48

 

CMYK 90 / 43 / 0 / 6

HEX #1989EF

RGB 25 137 239

HSL 208.6, 0.87%, 0.52%

LAB 56.42, 7.9, -59.33

 

CMYK 74 / 35 / 0 / 5

HEX #3F9DF1

RGB 63 157 241

HSL 208.31, 0.86%, 0.6%

LAB 62.95, 0.09, -49.99

 

CMYK 58 / 28 / 0 / 4

HEX #66B0F4

RGB 102 176 244

HSL 208.73, 0.87%, 0.68%

LAB 69.76, -3.47, -40.82

 

CMYK 43 / 21 / 0 / 3

HEX #8CC4F7

RGB 140 196 247

HSL 208.6, 0.87%, 0.76%

LAB 77.14, -5.13, -30.85

 

CMYK 28 / 13 / 0 / 2

HEX #B3D8F9

RGB 179 216 249

HSL 208.29, 0.85%, 0.84%

LAB 84.76, -4.8, -20.1

 

CMYK 58 / 27 / 0 / 4

HEX #67B1F4

RGB 103 177 244

HSL 208.51, 0.87%, 0.68%

LAB 70.08, -3.83, -40.32

 

CMYK 19 / 58 / 0 / 4

HEX #C566F4

RGB 197 102 244

HSL 280.14, 0.87%, 0.68%

LAB 59.8, 60.37, -56.06

 

CMYK 4 / 0 / 58 / 4

HEX #EAF466

RGB 234 244 102

HSL 64.23, 0.87%, 0.68%

LAB 93.08, -21.5, 65.6

 

CMYK 58 / 27 / 0 / 4

HEX #67B1F4

RGB 103 177 244

HSL 208.51, 0.87%, 0.68%

LAB 70.08, -3.83, -40.32

 

CMYK 0 / 58 / 27 / 4

HEX #F466B2

RGB 244 102 178

HSL 327.89, 0.87%, 0.68%

LAB 63.3, 62.07, -12.96

 

CMYK 27 / 0 / 58 / 4

HEX #B2F466

RGB 178 244 102

HSL 87.89, 0.87%, 0.68%

LAB 89.45, -42.71, 60.55

 

CMYK 58 / 27 / 0 / 4

HEX #67B1F4

RGB 103 177 244

HSL 208.51, 0.87%, 0.68%

LAB 70.08, -3.83, -40.32

 

CMYK 19 / 58 / 0 / 4

HEX #C566F4

RGB 197 102 244

HSL 280.14, 0.87%, 0.68%

LAB 59.8, 60.37, -56.06

 

CMYK 0 / 31 / 58 / 4

HEX #F4A866

RGB 244 168 102

HSL 27.89, 0.87%, 0.68%

LAB 74.95, 21.35, 44.96

 

CMYK 39 / 0 / 58 / 4

HEX #95F466

RGB 149 244 102

HSL 100.14, 0.87%, 0.68%

LAB 87.99, -52.46, 58.5

 

CMYK 58 / 27 / 0 / 4

HEX #67B1F4

RGB 103 177 244

HSL 208.51, 0.87%, 0.68%

LAB 70.08, -3.83, -40.32

 

CMYK 2 / 58 / 0 / 4

HEX #EF66F4

RGB 239 102 244

HSL 297.89, 0.87%, 0.68%

LAB 65.27, 70.56, -47.05

 

CMYK 0 / 31 / 58 / 4

HEX #F4A866

RGB 244 168 102

HSL 27.89, 0.87%, 0.68%

LAB 74.95, 21.35, 44.96

 

CMYK 56 / 0 / 58 / 4

HEX #6BF466

RGB 107 244 102

HSL 117.89, 0.87%, 0.68%

LAB 86.4, -64.16, 56.25

 

Description

Color code: RGB 103 177 244 | qconv.com Color code: RGB 103 177 244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 177 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 177 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 27 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 27% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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