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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 169 232 it is the complementary color RGB 152 86 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 169 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 169 232 shade: RGB 108 169 227, RGB 125 187 246, RGB 142 205 255, RGB 159 223 255 and RGB 176 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 169 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 169 232 shade: RGB 103 169 232, RGB 86 151 213, RGB 69 133 194, RGB 52 115 175 and RGB 35 97 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 169 232 shade: RGB 104 169 232, RGB 104 135 232, RGB 107 104 232, RGB 142 104 232 and RGB 176 104 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 169 232 shade: RGB 104 169 232, RGB 104 135 232 and RGB 104 104 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 169 232 shade matches the following richer shades: RGB 104 169 232 and RGB 90 170 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 169 232 shade: RGB 104 169 232, RGB 118 169 218, RGB 132 169 204, RGB 146 168 190 and RGB 160 168 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 169 232 shade: RGB 104 232 226, RGB 104 204 232, RGB 104 170 232, RGB 104 136 232 and RGB 106 104 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 169 232 shade: RGB 33 129 221, RGB 68 149 227, RGB 104 169 232, RGB 140 190 237 and RGB 175 210 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 169 232 shade: RGB 103 169 232, RGB 191 104 232 and RGB 221 232 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 169 232 shade: RGB 103 169 232, RGB 232 104 170 and RGB 170 232 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 169 232 shade: RGB 103 169 232, RGB 191 104 232, RGB 232 166 104 and RGB 144 232 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 169 232 shade: RGB 103 169 232, RGB 230 104 232, RGB 232 166 104 and RGB 106 232 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 27 / 0 / 9

HEX #67A9E8

RGB 103 169 232

HSL 209.3, 0.74%, 0.66%

LAB 67.34, -3.09, -38.04

 

Complementary color

CMYK 0 / 43 / 85 / 40

HEX #985617

RGB 152 86 23

HSL 29.3, 0.74%, 0.34%

LAB 43.35, 22.72, 45.26

 

CMYK 52 / 26 / 0 / 11

HEX #6CA9E3

RGB 108 169 227

HSL 209.24, 0.68%, 0.66%

LAB 67.36, -3.55, -35.25

 

CMYK 49 / 24 / 0 / 4

HEX #7DBBF6

RGB 125 187 246

HSL 209.26, 0.87%, 0.73%

LAB 73.9, -4.09, -35.37

 

CMYK 44 / 20 / 0 / 0

HEX #8ECDFF

RGB 142 205 255

HSL 206.55, 1%, 0.78%

LAB 79.97, -7.28, -30.76

 

CMYK 38 / 13 / 0 / 0

HEX #9FDFFF

RGB 159 223 255

HSL 200, 1%, 0.81%

LAB 85.69, -12.43, -21.96

 

CMYK 31 / 5 / 0 / 0

HEX #B0F1FF

RGB 176 241 255

HSL 190.63, 1%, 0.85%

LAB 91.4, -17.03, -13.28

 

CMYK 56 / 27 / 0 / 9

HEX #67A9E8

RGB 103 169 232

HSL 209.3, 0.74%, 0.66%

LAB 67.34, -3.09, -38.04

 

CMYK 60 / 29 / 0 / 16

HEX #5697D5

RGB 86 151 213

HSL 209.29, 0.6%, 0.59%

LAB 60.71, -2.3, -37.95

 

CMYK 64 / 31 / 0 / 24

HEX #4585C2

RGB 69 133 194

HSL 209.28, 0.51%, 0.52%

LAB 53.96, -1.3, -37.88

 

CMYK 70 / 34 / 0 / 31

HEX #3473AF

RGB 52 115 175

HSL 209.27, 0.54%, 0.45%

LAB 47.09, -0.03, -37.8

 

CMYK 78 / 38 / 0 / 39

HEX #23619C

RGB 35 97 156

HSL 209.26, 0.63%, 0.37%

LAB 40.09, 1.65, -37.71

 

CMYK 55 / 27 / 0 / 9

HEX #68A9E8

RGB 104 169 232

HSL 209.53, 0.74%, 0.66%

LAB 67.39, -2.88, -37.97

 

CMYK 55 / 42 / 0 / 9

HEX #6887E8

RGB 104 135 232

HSL 225.47, 0.74%, 0.66%

LAB 58.13, 16.85, -52.55

 

CMYK 54 / 55 / 0 / 9

HEX #6B68E8

RGB 107 104 232

HSL 241.41, 0.74%, 0.66%

LAB 50.51, 36.11, -64.76

 

CMYK 39 / 55 / 0 / 9

HEX #8E68E8

RGB 142 104 232

HSL 257.81, 0.74%, 0.66%

LAB 53.47, 43.52, -59.85

 

CMYK 24 / 55 / 0 / 9

HEX #B068E8

RGB 176 104 232

HSL 273.75, 0.74%, 0.66%

LAB 57.03, 51.66, -53.94

 

CMYK 55 / 27 / 0 / 9

HEX #68A9E8

RGB 104 169 232

HSL 209.53, 0.74%, 0.66%

LAB 67.39, -2.88, -37.97

 

CMYK 55 / 42 / 0 / 9

HEX #6887E8

RGB 104 135 232

HSL 225.47, 0.74%, 0.66%

LAB 58.13, 16.85, -52.55

 

CMYK 55 / 55 / 0 / 9

HEX #6868E8

RGB 104 104 232

HSL 240, 0.74%, 0.66%

LAB 50.3, 35.55, -65.12

 

CMYK 55 / 27 / 0 / 9

HEX #68A9E8

RGB 104 169 232

HSL 209.53, 0.74%, 0.66%

LAB 67.39, -2.88, -37.97

 

CMYK 63 / 31 / 0 / 4

HEX #5AAAF6

RGB 90 170 246

HSL 209.23, 0.9%, 0.66%

LAB 67.71, -1.66, -45.15

 

CMYK 55 / 27 / 0 / 9

HEX #68A9E8

RGB 104 169 232

HSL 209.53, 0.74%, 0.66%

LAB 67.39, -2.88, -37.97

 

CMYK 46 / 22 / 0 / 15

HEX #76A9DA

RGB 118 169 218

HSL 209.4, 0.57%, 0.66%

LAB 67.49, -3.86, -30.06

 

CMYK 35 / 17 / 0 / 20

HEX #84A9CC

RGB 132 169 204

HSL 209.17, 0.41%, 0.66%

LAB 67.76, -3.99, -21.87

 

CMYK 23 / 12 / 0 / 25

HEX #92A8BE

RGB 146 168 190

HSL 210, 0.25%, 0.66%

LAB 67.9, -2.73, -13.82

 

CMYK 9 / 5 / 0 / 31

HEX #A0A8B0

RGB 160 168 176

HSL 210, 0.09%, 0.66%

LAB 68.47, -1.21, -5.1

 

CMYK 55 / 0 / 3 / 9

HEX #68E8E2

RGB 104 232 226

HSL 177.19, 0.74%, 0.66%

LAB 85.07, -36.67, -7.83

 

CMYK 55 / 12 / 0 / 9

HEX #68CCE8

RGB 104 204 232

HSL 193.13, 0.74%, 0.66%

LAB 77.25, -21.52, -22.77

 

CMYK 55 / 27 / 0 / 9

HEX #68AAE8

RGB 104 170 232

HSL 209.06, 0.74%, 0.66%

LAB 67.66, -3.44, -37.54

 

CMYK 55 / 41 / 0 / 9

HEX #6888E8

RGB 104 136 232

HSL 225, 0.74%, 0.66%

LAB 58.39, 16.25, -52.13

 

CMYK 54 / 55 / 0 / 9

HEX #6A68E8

RGB 106 104 232

HSL 240.94, 0.74%, 0.66%

LAB 50.44, 35.92, -64.88

 

CMYK 85 / 42 / 0 / 13

HEX #2181DD

RGB 33 129 221

HSL 209.36, 0.74%, 0.5%

LAB 53.22, 6.44, -54.4

 

CMYK 70 / 34 / 0 / 11

HEX #4495E3

RGB 68 149 227

HSL 209.43, 0.74%, 0.58%

LAB 60.13, 0.52, -46.7

 

CMYK 55 / 27 / 0 / 9

HEX #68A9E8

RGB 104 169 232

HSL 209.53, 0.74%, 0.66%

LAB 67.39, -2.88, -37.97

 

CMYK 41 / 20 / 0 / 7

HEX #8CBEED

RGB 140 190 237

HSL 209.07, 0.73%, 0.74%

LAB 75.15, -4.59, -28.53

 

CMYK 28 / 14 / 0 / 5

HEX #AFD2F3

RGB 175 210 243

HSL 209.12, 0.74%, 0.82%

LAB 82.74, -4.2, -19.99

 

CMYK 56 / 27 / 0 / 9

HEX #67A9E8

RGB 103 169 232

HSL 209.3, 0.74%, 0.66%

LAB 67.34, -3.09, -38.04

 

CMYK 18 / 55 / 0 / 9

HEX #BF68E8

RGB 191 104 232

HSL 280.78, 0.74%, 0.66%

LAB 58.79, 55.42, -51.03

 

CMYK 5 / 0 / 55 / 9

HEX #DDE868

RGB 221 232 104

HSL 65.16, 0.74%, 0.66%

LAB 88.96, -20.73, 59.87

 

CMYK 56 / 27 / 0 / 9

HEX #67A9E8

RGB 103 169 232

HSL 209.3, 0.74%, 0.66%

LAB 67.34, -3.09, -38.04

 

CMYK 0 / 55 / 27 / 9

HEX #E868AA

RGB 232 104 170

HSL 329.06, 0.74%, 0.66%

LAB 61.62, 56.53, -11.08

 

CMYK 27 / 0 / 55 / 9

HEX #AAE868

RGB 170 232 104

HSL 89.06, 0.74%, 0.66%

LAB 85.63, -40.09, 55.17

 

CMYK 56 / 27 / 0 / 9

HEX #67A9E8

RGB 103 169 232

HSL 209.3, 0.74%, 0.66%

LAB 67.34, -3.09, -38.04

 

CMYK 18 / 55 / 0 / 9

HEX #BF68E8

RGB 191 104 232

HSL 280.78, 0.74%, 0.66%

LAB 58.79, 55.42, -51.03

 

CMYK 0 / 28 / 55 / 9

HEX #E8A668

RGB 232 166 104

HSL 29.06, 0.74%, 0.66%

LAB 73.17, 17.68, 41.47

 

CMYK 38 / 0 / 55 / 9

HEX #90E868

RGB 144 232 104

HSL 101.25, 0.74%, 0.66%

LAB 84.3, -48.91, 53.28

 

CMYK 56 / 27 / 0 / 9

HEX #67A9E8

RGB 103 169 232

HSL 209.3, 0.74%, 0.66%

LAB 67.34, -3.09, -38.04

 

CMYK 1 / 55 / 0 / 9

HEX #E668E8

RGB 230 104 232

HSL 299.06, 0.74%, 0.66%

LAB 63.79, 65.39, -42.8

 

CMYK 0 / 28 / 55 / 9

HEX #E8A668

RGB 232 166 104

HSL 29.06, 0.74%, 0.66%

LAB 73.17, 17.68, 41.47

 

CMYK 54 / 0 / 55 / 9

HEX #6AE868

RGB 106 232 104

HSL 119.06, 0.74%, 0.66%

LAB 82.79, -59.77, 51.13

 

Description

Color code: RGB 103 169 232 | qconv.com Color code: RGB 103 169 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 169 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 169 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 27% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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