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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 125 178 it is the complementary color RGB 153 130 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 125 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 102 125 178 shade: RGB 107 125 173, RGB 124 143 192, RGB 141 161 211, RGB 158 179 230 and RGB 175 197 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 125 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 85 107 159, RGB 68 89 140, RGB 51 71 121 and RGB 34 53 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 102 104 178, RGB 120 102 178, RGB 140 102 178 and RGB 161 102 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 102 104 178 and RGB 102 102 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 102 125 178 shade matches the following richer shades: RGB 102 125 178, RGB 83 117 196, RGB 65 110 215, RGB 46 103 233 and RGB 28 95 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 120 132 159, RGB 139 139 140, RGB 158 147 122 and RGB 176 154 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 102 125 178 shade: RGB 102 166 178, RGB 102 146 178, RGB 102 126 178, RGB 102 106 178 and RGB 118 102 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 102 125 178 shade: RGB 66 86 131, RGB 80 104 159, RGB 102 125 178, RGB 129 148 191 and RGB 157 171 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 169 102 178 and RGB 156 178 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 178 102 126 and RGB 126 178 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 169 102 178, RGB 178 154 102 and RGB 111 178 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 102 125 178 shade: RGB 102 125 178, RGB 178 102 164, RGB 178 154 102 and RGB 102 178 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

Complementary color

CMYK 0 / 15 / 50 / 40

HEX #99824D

RGB 153 130 77

HSL 41.84, 0.33%, 0.45%

LAB 55.35, 1.56, 31.81

 

CMYK 38 / 28 / 0 / 32

HEX #6B7DAD

RGB 107 125 173

HSL 223.64, 0.29%, 0.55%

LAB 52.74, 5.68, -27.59

 

CMYK 35 / 26 / 0 / 25

HEX #7C8FC0

RGB 124 143 192

HSL 223.24, 0.35%, 0.62%

LAB 59.65, 5.22, -27.65

 

CMYK 33 / 24 / 0 / 17

HEX #8DA1D3

RGB 141 161 211

HSL 222.86, 0.44%, 0.69%

LAB 66.41, 4.82, -27.75

 

CMYK 31 / 22 / 0 / 10

HEX #9EB3E6

RGB 158 179 230

HSL 222.5, 0.59%, 0.76%

LAB 73.04, 4.47, -27.89

 

CMYK 30 / 21 / 0 / 2

HEX #AFC5F9

RGB 175 197 249

HSL 222.16, 0.86%, 0.83%

LAB 79.55, 4.16, -28.05

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 47 / 33 / 0 / 38

HEX #556B9F

RGB 85 107 159

HSL 222.16, 0.3%, 0.48%

LAB 45.57, 6.4, -30.7

 

CMYK 51 / 36 / 0 / 45

HEX #44598C

RGB 68 89 140

HSL 222.5, 0.35%, 0.41%

LAB 38.32, 7.22, -30.79

 

CMYK 58 / 41 / 0 / 53

HEX #334779

RGB 51 71 121

HSL 222.86, 0.41%, 0.34%

LAB 30.86, 8.31, -30.95

 

CMYK 67 / 48 / 0 / 60

HEX #223566

RGB 34 53 102

HSL 223.24, 0.5%, 0.27%

LAB 23.15, 9.82, -31.19

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 43 / 42 / 0 / 30

HEX #6668B2

RGB 102 104 178

HSL 238.42, 0.33%, 0.55%

LAB 46.9, 18.49, -39.67

 

CMYK 33 / 43 / 0 / 30

HEX #7866B2

RGB 120 102 178

HSL 254.21, 0.33%, 0.55%

LAB 47.89, 24.61, -38

 

CMYK 21 / 43 / 0 / 30

HEX #8C66B2

RGB 140 102 178

HSL 270, 0.33%, 0.55%

LAB 49.85, 30.44, -34.78

 

CMYK 10 / 43 / 0 / 30

HEX #A166B2

RGB 161 102 178

HSL 286.58, 0.33%, 0.55%

LAB 52.17, 36.81, -30.99

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 43 / 42 / 0 / 30

HEX #6668B2

RGB 102 104 178

HSL 238.42, 0.33%, 0.55%

LAB 46.9, 18.49, -39.67

 

CMYK 43 / 43 / 0 / 30

HEX #6666B2

RGB 102 102 178

HSL 240, 0.33%, 0.55%

LAB 46.37, 19.72, -40.51

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 58 / 40 / 0 / 23

HEX #5375C4

RGB 83 117 196

HSL 221.95, 0.49%, 0.55%

LAB 50.15, 11.72, -44.99

 

CMYK 70 / 49 / 0 / 16

HEX #416ED7

RGB 65 110 215

HSL 222, 0.65%, 0.55%

LAB 48.49, 19.53, -58.54

 

CMYK 80 / 56 / 0 / 9

HEX #2E67E9

RGB 46 103 233

HSL 221.71, 0.81%, 0.55%

LAB 47.19, 28.38, -70.86

 

CMYK 89 / 62 / 0 / 1

HEX #1C5FFC

RGB 28 95 252

HSL 222.05, 0.97%, 0.55%

LAB 46.26, 39.3, -83.04

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 25 / 17 / 0 / 38

HEX #78849F

RGB 120 132 159

HSL 221.54, 0.17%, 0.55%

LAB 55.07, 1.84, -15.85

 

CMYK 1 / 1 / 0 / 45

HEX #8B8B8C

RGB 139 139 140

HSL 240, 0%, 0.55%

LAB 57.89, 0.2, -0.54

 

CMYK 0 / 7 / 23 / 38

HEX #9E937A

RGB 158 147 122

HSL 41.67, 0.16%, 0.55%

LAB 61.26, -0.12, 14.72

 

CMYK 0 / 13 / 41 / 31

HEX #B09A67

RGB 176 154 103

HSL 41.92, 0.32%, 0.55%

LAB 64.42, 0.87, 29.75

 

CMYK 43 / 7 / 0 / 30

HEX #66A6B2

RGB 102 166 178

HSL 189.47, 0.33%, 0.55%

LAB 64.41, -17.31, -12.63

 

CMYK 43 / 18 / 0 / 30

HEX #6692B2

RGB 102 146 178

HSL 205.26, 0.33%, 0.55%

LAB 58.6, -6.43, -21.45

 

CMYK 43 / 29 / 0 / 30

HEX #667EB2

RGB 102 126 178

HSL 221.05, 0.33%, 0.55%

LAB 52.91, 5.15, -30.24

 

CMYK 43 / 40 / 0 / 30

HEX #666AB2

RGB 102 106 178

HSL 236.84, 0.33%, 0.55%

LAB 47.43, 17.26, -38.83

 

CMYK 34 / 43 / 0 / 30

HEX #7666B2

RGB 118 102 178

HSL 252.63, 0.33%, 0.55%

LAB 47.71, 24.05, -38.29

 

CMYK 50 / 34 / 0 / 49

HEX #425683

RGB 66 86 131

HSL 221.54, 0.33%, 0.39%

LAB 36.84, 5.66, -27.64

 

CMYK 50 / 35 / 0 / 38

HEX #50689F

RGB 80 104 159

HSL 221.77, 0.33%, 0.47%

LAB 44.39, 6.97, -32.57

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 32 / 23 / 0 / 25

HEX #8194BF

RGB 129 148 191

HSL 221.61, 0.33%, 0.63%

LAB 61.31, 3.54, -24.49

 

CMYK 23 / 17 / 0 / 20

HEX #9DABCD

RGB 157 171 205

HSL 222.5, 0.32%, 0.71%

LAB 69.97, 2.54, -18.91

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 5 / 43 / 0 / 30

HEX #A966B2

RGB 169 102 178

HSL 292.89, 0.33%, 0.55%

LAB 53.12, 39.27, -29.44

 

CMYK 12 / 0 / 43 / 30

HEX #9CB266

RGB 156 178 102

HSL 77.37, 0.33%, 0.55%

LAB 69.38, -20.06, 36.27

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 0 / 43 / 29 / 30

HEX #B2667E

RGB 178 102 126

HSL 341.05, 0.33%, 0.55%

LAB 52.37, 33.49, 0.03

 

CMYK 29 / 0 / 43 / 30

HEX #7EB266

RGB 126 178 102

HSL 101.05, 0.33%, 0.55%

LAB 67.45, -31.34, 33.44

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 5 / 43 / 0 / 30

HEX #A966B2

RGB 169 102 178

HSL 292.89, 0.33%, 0.55%

LAB 53.12, 39.27, -29.44

 

CMYK 0 / 13 / 43 / 30

HEX #B29A66

RGB 178 154 102

HSL 41.05, 0.33%, 0.55%

LAB 64.59, 1.59, 30.54

 

CMYK 38 / 0 / 43 / 30

HEX #6FB266

RGB 111 178 102

HSL 112.89, 0.33%, 0.55%

LAB 66.66, -36.46, 32.25

 

CMYK 43 / 30 / 0 / 30

HEX #667DB2

RGB 102 125 178

HSL 221.84, 0.33%, 0.55%

LAB 52.63, 5.74, -30.67

 

CMYK 0 / 43 / 8 / 30

HEX #B266A4

RGB 178 102 164

HSL 311.05, 0.33%, 0.55%

LAB 53.65, 39.5, -20.39

 

CMYK 0 / 13 / 43 / 30

HEX #B29A66

RGB 178 154 102

HSL 41.05, 0.33%, 0.55%

LAB 64.59, 1.59, 30.54

 

CMYK 43 / 0 / 35 / 30

HEX #66B274

RGB 102 178 116

HSL 131.05, 0.33%, 0.55%

LAB 66.46, -37.01, 24.53

 

Description

Color code: RGB 102 125 178 | qconv.com Color code: RGB 102 125 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 125 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 125 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 30 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 30% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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