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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 72 245 it is the complementary color RGB 154 183 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 72 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 72 245 shade: RGB 106 72 240, RGB 123 90 255, RGB 140 108 255, RGB 157 126 255 and RGB 174 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 72 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 72 245 shade: RGB 101 72 245, RGB 84 54 226, RGB 67 36 207, RGB 50 18 188 and RGB 33 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 72 245 shade: RGB 100 70 245, RGB 147 70 245, RGB 194 70 245, RGB 241 70 245 and RGB 245 70 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 72 245 shade: RGB 100 70 245 and RGB 70 70 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 72 245 shade matches the following richer shades: RGB 100 70 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 72 245 shade: RGB 100 70 245, RGB 110 86 229, RGB 120 102 213, RGB 131 117 198 and RGB 141 133 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 72 245 shade: RGB 70 134 245, RGB 70 88 245, RGB 99 70 245, RGB 146 70 245 and RGB 192 70 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 72 245 shade: RGB 46 11 221, RGB 67 31 243, RGB 100 70 245, RGB 133 110 247 and RGB 166 149 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 72 245 shade: RGB 101 72 245, RGB 245 70 181 and RGB 111 245 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 72 245 shade: RGB 101 72 245, RGB 245 99 70 and RGB 70 245 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 72 245 shade: RGB 101 72 245, RGB 245 70 181, RGB 216 245 70 and RGB 70 245 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 72 245 shade: RGB 101 72 245, RGB 245 70 129, RGB 216 245 70 and RGB 70 245 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 71 / 0 / 4

HEX #6548F5

RGB 101 72 245

HSL 250.06, 0.9%, 0.62%

LAB 44.22, 57.17, -82.33

 

Complementary color

CMYK 16 / 0 / 95 / 28

HEX #9AB70A

RGB 154 183 10

HSL 70.06, 0.9%, 0.38%

LAB 70.01, -29.1, 69.9

 

CMYK 56 / 70 / 0 / 6

HEX #6A48F0

RGB 106 72 240

HSL 252.14, 0.85%, 0.61%

LAB 44.22, 56.42, -79.51

 

CMYK 52 / 65 / 0 / 0

HEX #7B5AFF

RGB 123 90 255

HSL 252, 1%, 0.68%

LAB 50.39, 53.81, -77.75

 

CMYK 45 / 58 / 0 / 0

HEX #8C6CFF

RGB 140 108 255

HSL 253.06, 1%, 0.71%

LAB 55.6, 47.09, -69.21

 

CMYK 38 / 51 / 0 / 0

HEX #9D7EFF

RGB 157 126 255

HSL 254.42, 1%, 0.75%

LAB 61.05, 40.73, -60.37

 

CMYK 32 / 44 / 0 / 0

HEX #AE90FF

RGB 174 144 255

HSL 256.22, 1%, 0.78%

LAB 66.65, 34.84, -51.39

 

CMYK 59 / 71 / 0 / 4

HEX #6548F5

RGB 101 72 245

HSL 250.06, 0.9%, 0.62%

LAB 44.22, 57.17, -82.33

 

CMYK 63 / 76 / 0 / 11

HEX #5436E2

RGB 84 54 226

HSL 250.47, 0.75%, 0.55%

LAB 37.87, 58.63, -82.09

 

CMYK 68 / 83 / 0 / 19

HEX #4324CF

RGB 67 36 207

HSL 250.88, 0.7%, 0.48%

LAB 31.72, 59.69, -81.36

 

CMYK 73 / 90 / 0 / 26

HEX #3212BC

RGB 50 18 188

HSL 251.29, 0.83%, 0.4%

LAB 25.99, 59.77, -79.76

 

CMYK 80 / 100 / 0 / 34

HEX #2100A9

RGB 33 0 169

HSL 251.72, 1%, 0.33%

LAB 20.78, 58.64, -77.07

 

CMYK 59 / 71 / 0 / 4

HEX #6446F5

RGB 100 70 245

HSL 250.29, 0.9%, 0.62%

LAB 43.77, 58.06, -83.07

 

CMYK 40 / 71 / 0 / 4

HEX #9346F5

RGB 147 70 245

HSL 266.4, 0.9%, 0.62%

LAB 48.48, 65.14, -75.18

 

CMYK 21 / 71 / 0 / 4

HEX #C246F5

RGB 194 70 245

HSL 282.51, 0.9%, 0.62%

LAB 54.49, 73.69, -65.15

 

CMYK 2 / 71 / 0 / 4

HEX #F146F5

RGB 241 70 245

HSL 298.63, 0.9%, 0.62%

LAB 61.37, 83.02, -53.75

 

CMYK 0 / 71 / 18 / 4

HEX #F546CA

RGB 245 70 202

HSL 314.74, 0.9%, 0.62%

LAB 59.94, 77.66, -31.78

 

CMYK 59 / 71 / 0 / 4

HEX #6446F5

RGB 100 70 245

HSL 250.29, 0.9%, 0.62%

LAB 43.77, 58.06, -83.07

 

CMYK 71 / 71 / 0 / 4

HEX #4646F5

RGB 70 70 245

HSL 240, 0.9%, 0.62%

LAB 41.65, 54.72, -86.64

 

CMYK 59 / 71 / 0 / 4

HEX #6446F5

RGB 100 70 245

HSL 250.29, 0.9%, 0.62%

LAB 43.77, 58.06, -83.07

 

CMYK 59 / 71 / 0 / 4

HEX #6446F5

RGB 100 70 245

HSL 250.29, 0.9%, 0.62%

LAB 43.77, 58.06, -83.07

 

CMYK 52 / 62 / 0 / 10

HEX #6E56E5

RGB 110 86 229

HSL 250.07, 0.73%, 0.62%

LAB 46.48, 46.27, -69.59

 

CMYK 44 / 52 / 0 / 16

HEX #7866D5

RGB 120 102 213

HSL 249.73, 0.57%, 0.62%

LAB 49.86, 34.37, -55.02

 

CMYK 34 / 41 / 0 / 22

HEX #8375C6

RGB 131 117 198

HSL 250.37, 0.42%, 0.62%

LAB 53.63, 24.1, -40.42

 

CMYK 23 / 27 / 0 / 29

HEX #8D85B6

RGB 141 133 182

HSL 249.8, 0.25%, 0.62%

LAB 57.86, 13.59, -24.63

 

CMYK 71 / 45 / 0 / 4

HEX #4686F5

RGB 70 134 245

HSL 218.06, 0.9%, 0.62%

LAB 57.02, 16.08, -61.62

 

CMYK 71 / 64 / 0 / 4

HEX #4658F5

RGB 70 88 245

HSL 233.83, 0.9%, 0.62%

LAB 45.46, 44.37, -80.38

 

CMYK 60 / 71 / 0 / 4

HEX #6346F5

RGB 99 70 245

HSL 249.94, 0.9%, 0.62%

LAB 43.69, 57.94, -83.21

 

CMYK 40 / 71 / 0 / 4

HEX #9246F5

RGB 146 70 245

HSL 266.06, 0.9%, 0.62%

LAB 48.37, 64.97, -75.37

 

CMYK 22 / 71 / 0 / 4

HEX #C046F5

RGB 192 70 245

HSL 281.83, 0.9%, 0.62%

LAB 54.22, 73.31, -65.61

 

CMYK 79 / 95 / 0 / 13

HEX #2E0BDD

RGB 46 11 221

HSL 250, 0.91%, 0.45%

LAB 29.51, 69.73, -93.16

 

CMYK 72 / 87 / 0 / 5

HEX #431FF3

RGB 67 31 243

HSL 250.19, 0.9%, 0.54%

LAB 35.29, 71.18, -96.06

 

CMYK 59 / 71 / 0 / 4

HEX #6446F5

RGB 100 70 245

HSL 250.29, 0.9%, 0.62%

LAB 43.77, 58.06, -83.07

 

CMYK 46 / 55 / 0 / 3

HEX #856EF7

RGB 133 110 247

HSL 250.07, 0.9%, 0.7%

LAB 54.92, 42.27, -65.92

 

CMYK 33 / 40 / 0 / 2

HEX #A695F9

RGB 166 149 249

HSL 250.2, 0.89%, 0.78%

LAB 66.86, 28.39, -47.83

 

CMYK 59 / 71 / 0 / 4

HEX #6548F5

RGB 101 72 245

HSL 250.06, 0.9%, 0.62%

LAB 44.22, 57.17, -82.33

 

CMYK 0 / 71 / 26 / 4

HEX #F546B5

RGB 245 70 181

HSL 321.94, 0.9%, 0.62%

LAB 59.09, 75.01, -21.05

 

CMYK 55 / 0 / 71 / 4

HEX #6FF546

RGB 111 245 70

HSL 105.94, 0.9%, 0.62%

LAB 86.57, -66.43, 69.12

 

CMYK 59 / 71 / 0 / 4

HEX #6548F5

RGB 101 72 245

HSL 250.06, 0.9%, 0.62%

LAB 44.22, 57.17, -82.33

 

CMYK 0 / 60 / 71 / 4

HEX #F56346

RGB 245 99 70

HSL 9.94, 0.9%, 0.62%

LAB 60.59, 54.39, 44.69

 

CMYK 71 / 0 / 60 / 4

HEX #46F563

RGB 70 245 99

HSL 129.94, 0.9%, 0.62%

LAB 85.76, -72.13, 56.58

 

CMYK 59 / 71 / 0 / 4

HEX #6548F5

RGB 101 72 245

HSL 250.06, 0.9%, 0.62%

LAB 44.22, 57.17, -82.33

 

CMYK 0 / 71 / 26 / 4

HEX #F546B5

RGB 245 70 181

HSL 321.94, 0.9%, 0.62%

LAB 59.09, 75.01, -21.05

 

CMYK 12 / 0 / 71 / 4

HEX #D8F546

RGB 216 245 70

HSL 69.94, 0.9%, 0.62%

LAB 91.84, -31.02, 76.1

 

CMYK 71 / 0 / 45 / 4

HEX #46F586

RGB 70 245 134

HSL 141.94, 0.9%, 0.62%

LAB 86.17, -67.32, 40.92

 

CMYK 59 / 71 / 0 / 4

HEX #6548F5

RGB 101 72 245

HSL 250.06, 0.9%, 0.62%

LAB 44.22, 57.17, -82.33

 

CMYK 0 / 71 / 47 / 4

HEX #F54681

RGB 245 70 129

HSL 339.77, 0.9%, 0.62%

LAB 57.44, 69.67, 6.9

 

CMYK 12 / 0 / 71 / 4

HEX #D8F546

RGB 216 245 70

HSL 69.94, 0.9%, 0.62%

LAB 91.84, -31.02, 76.1

 

CMYK 71 / 0 / 24 / 4

HEX #46F5BB

RGB 70 245 187

HSL 160.11, 0.9%, 0.62%

LAB 87.09, -57.14, 15.4

 

Description

Color code: RGB 101 72 245 | qconv.com Color code: RGB 101 72 245 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 72 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 72 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 71 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 71% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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