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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 31 140 it is the complementary color RGB 154 224 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 31 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 31 140 shade: RGB 106 31 135, RGB 123 49 154, RGB 140 67 173, RGB 157 85 192 and RGB 174 103 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 31 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 31 140 shade: RGB 101 31 140, RGB 84 13 121, RGB 67 0 102, RGB 50 0 83 and RGB 33 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 31 140 shade: RGB 102 31 142, RGB 132 31 142, RGB 142 31 122, RGB 142 31 92 and RGB 142 31 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 31 140 shade: RGB 102 31 142, RGB 72 31 142, RGB 42 31 142 and RGB 31 31 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 31 140 shade matches the following richer shades: RGB 102 31 142, RGB 106 17 156 and RGB 110 3 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 31 140 shade: RGB 102 31 142, RGB 98 45 128, RGB 94 59 114, RGB 90 73 100 and RGB 86 87 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 31 140 shade: RGB 42 31 142, RGB 71 31 142, RGB 101 31 142, RGB 131 31 142 and RGB 142 31 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 31 140 shade: RGB 53 16 74, RGB 78 23 108, RGB 102 31 142, RGB 126 38 176 and RGB 151 46 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 31 140 shade: RGB 101 31 140, RGB 142 31 49 and RGB 31 142 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 31 140 shade: RGB 101 31 140, RGB 142 101 31 and RGB 31 142 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 31 140 shade: RGB 101 31 140, RGB 142 31 49, RGB 71 142 31 and RGB 31 142 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 31 140 shade: RGB 101 31 140, RGB 142 46 31, RGB 71 142 31 and RGB 31 127 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 78 / 0 / 45

HEX #651F8C

RGB 101 31 140

HSL 278.53, 0.64%, 0.34%

LAB 28.49, 48.85, -46.32

 

Complementary color

CMYK 31 / 0 / 49 / 12

HEX #9AE073

RGB 154 224 115

HSL 98.53, 0.64%, 0.66%

LAB 82.6, -40.95, 46.24

 

CMYK 21 / 77 / 0 / 47

HEX #6A1F87

RGB 106 31 135

HSL 283.27, 0.63%, 0.33%

LAB 28.89, 48.76, -42.53

 

CMYK 20 / 68 / 0 / 40

HEX #7B319A

RGB 123 49 154

HSL 282.29, 0.52%, 0.4%

LAB 35.48, 48.9, -43.47

 

CMYK 19 / 61 / 0 / 32

HEX #8C43AD

RGB 140 67 173

HSL 281.32, 0.44%, 0.47%

LAB 42.16, 48.48, -44.02

 

CMYK 18 / 56 / 0 / 25

HEX #9D55C0

RGB 157 85 192

HSL 280.37, 0.46%, 0.54%

LAB 48.85, 47.81, -44.36

 

CMYK 18 / 51 / 0 / 17

HEX #AE67D3

RGB 174 103 211

HSL 279.44, 0.55%, 0.62%

LAB 55.48, 47.04, -44.59

 

CMYK 28 / 78 / 0 / 45

HEX #651F8C

RGB 101 31 140

HSL 278.53, 0.64%, 0.34%

LAB 28.49, 48.85, -46.32

 

CMYK 31 / 89 / 0 / 53

HEX #540D79

RGB 84 13 121

HSL 279.44, 0.81%, 0.26%

LAB 22.14, 47.68, -44.81

 

CMYK 34 / 100 / 0 / 60

HEX #430066

RGB 67 0 102

HSL 279.41, 1%, 0.2%

LAB 16.27, 44.6, -42.18

 

CMYK 40 / 100 / 0 / 67

HEX #320053

RGB 50 0 83

HSL 276.14, 1%, 0.16%

LAB 11.29, 38.17, -37.69

 

CMYK 48 / 100 / 0 / 75

HEX #210040

RGB 33 0 64

HSL 270.94, 1%, 0.13%

LAB 6.26, 30.9, -32.76

 

CMYK 28 / 78 / 0 / 44

HEX #661F8E

RGB 102 31 142

HSL 278.38, 0.64%, 0.34%

LAB 28.79, 49.49, -47.06

 

CMYK 7 / 78 / 0 / 44

HEX #841F8E

RGB 132 31 142

HSL 294.59, 0.64%, 0.34%

LAB 33.64, 55.54, -38.99

 

CMYK 0 / 78 / 14 / 44

HEX #8E1F7A

RGB 142 31 122

HSL 310.81, 0.64%, 0.34%

LAB 34.26, 54.49, -25.46

 

CMYK 0 / 78 / 35 / 44

HEX #8E1F5C

RGB 142 31 92

HSL 327.03, 0.64%, 0.34%

LAB 32.93, 50.48, -8.39

 

CMYK 0 / 78 / 56 / 44

HEX #8E1F3E

RGB 142 31 62

HSL 343.24, 0.64%, 0.34%

LAB 31.99, 47.54, 9.87

 

CMYK 28 / 78 / 0 / 44

HEX #661F8E

RGB 102 31 142

HSL 278.38, 0.64%, 0.34%

LAB 28.79, 49.49, -47.06

 

CMYK 49 / 78 / 0 / 44

HEX #481F8E

RGB 72 31 142

HSL 262.16, 0.64%, 0.34%

LAB 24.67, 44.22, -53.95

 

CMYK 70 / 78 / 0 / 44

HEX #2A1F8E

RGB 42 31 142

HSL 245.95, 0.64%, 0.34%

LAB 21.67, 40.26, -59

 

CMYK 78 / 78 / 0 / 44

HEX #1F1F8E

RGB 31 31 142

HSL 240, 0.64%, 0.34%

LAB 20.92, 39.25, -60.27

 

CMYK 28 / 78 / 0 / 44

HEX #661F8E

RGB 102 31 142

HSL 278.38, 0.64%, 0.34%

LAB 28.79, 49.49, -47.06

 

CMYK 32 / 89 / 0 / 39

HEX #6A119C

RGB 106 17 156

HSL 278.42, 0.8%, 0.34%

LAB 29.07, 57.57, -55.19

 

CMYK 35 / 98 / 0 / 33

HEX #6E03AA

RGB 110 3 170

HSL 278.44, 0.97%, 0.34%

LAB 30.11, 63.51, -61.94

 

CMYK 28 / 78 / 0 / 44

HEX #661F8E

RGB 102 31 142

HSL 278.38, 0.64%, 0.34%

LAB 28.79, 49.49, -47.06

 

CMYK 23 / 65 / 0 / 50

HEX #622D80

RGB 98 45 128

HSL 278.31, 0.48%, 0.34%

LAB 29.49, 38.94, -37.24

 

CMYK 18 / 48 / 0 / 55

HEX #5E3B72

RGB 94 59 114

HSL 278.18, 0.32%, 0.34%

LAB 31.17, 26.41, -25.8

 

CMYK 10 / 27 / 0 / 61

HEX #5A4964

RGB 90 73 100

HSL 277.78, 0.16%, 0.34%

LAB 33.69, 12.87, -13.08

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 70 / 78 / 0 / 44

HEX #2A1F8E

RGB 42 31 142

HSL 245.95, 0.64%, 0.34%

LAB 21.67, 40.26, -59

 

CMYK 50 / 78 / 0 / 44

HEX #471F8E

RGB 71 31 142

HSL 261.62, 0.64%, 0.34%

LAB 24.55, 44.06, -54.15

 

CMYK 29 / 78 / 0 / 44

HEX #651F8E

RGB 101 31 142

HSL 277.84, 0.64%, 0.34%

LAB 28.64, 49.3, -47.31

 

CMYK 8 / 78 / 0 / 44

HEX #831F8E

RGB 131 31 142

HSL 294.05, 0.64%, 0.34%

LAB 33.47, 55.33, -39.27

 

CMYK 0 / 78 / 13 / 44

HEX #8E1F7B

RGB 142 31 123

HSL 310.27, 0.64%, 0.34%

LAB 34.32, 54.64, -26.01

 

CMYK 28 / 78 / 0 / 71

HEX #35104A

RGB 53 16 74

HSL 278.28, 0.64%, 0.18%

LAB 13.36, 29.49, -28.09

 

CMYK 28 / 79 / 0 / 58

HEX #4E176C

RGB 78 23 108

HSL 278.82, 0.65%, 0.26%

LAB 21.26, 40.16, -37.89

 

CMYK 28 / 78 / 0 / 44

HEX #661F8E

RGB 102 31 142

HSL 278.38, 0.64%, 0.34%

LAB 28.79, 49.49, -47.06

 

CMYK 28 / 78 / 0 / 31

HEX #7E26B0

RGB 126 38 176

HSL 278.26, 0.64%, 0.42%

LAB 35.9, 58.74, -55.99

 

CMYK 28 / 78 / 0 / 18

HEX #972ED1

RGB 151 46 209

HSL 278.65, 0.64%, 0.5%

LAB 42.97, 67.24, -63.68

 

CMYK 28 / 78 / 0 / 45

HEX #651F8C

RGB 101 31 140

HSL 278.53, 0.64%, 0.34%

LAB 28.49, 48.85, -46.32

 

CMYK 0 / 78 / 65 / 44

HEX #8E1F31

RGB 142 31 49

HSL 350.27, 0.64%, 0.34%

LAB 31.7, 46.62, 18.02

 

CMYK 78 / 0 / 60 / 44

HEX #1F8E39

RGB 31 142 57

HSL 134.05, 0.64%, 0.34%

LAB 51.76, -48.58, 36.18

 

CMYK 28 / 78 / 0 / 45

HEX #651F8C

RGB 101 31 140

HSL 278.53, 0.64%, 0.34%

LAB 28.49, 48.85, -46.32

 

CMYK 0 / 29 / 78 / 44

HEX #8E651F

RGB 142 101 31

HSL 37.84, 0.64%, 0.34%

LAB 45.85, 9.81, 43.81

 

CMYK 78 / 0 / 29 / 44

HEX #1F8E65

RGB 31 142 101

HSL 157.84, 0.64%, 0.34%

LAB 52.48, -40.33, 13.38

 

CMYK 28 / 78 / 0 / 45

HEX #651F8C

RGB 101 31 140

HSL 278.53, 0.64%, 0.34%

LAB 28.49, 48.85, -46.32

 

CMYK 0 / 78 / 65 / 44

HEX #8E1F31

RGB 142 31 49

HSL 350.27, 0.64%, 0.34%

LAB 31.7, 46.62, 18.02

 

CMYK 50 / 0 / 78 / 44

HEX #478E1F

RGB 71 142 31

HSL 98.38, 0.64%, 0.34%

LAB 52.71, -41.78, 48.57

 

CMYK 78 / 0 / 13 / 44

HEX #1F8E7B

RGB 31 142 123

HSL 169.73, 0.64%, 0.34%

LAB 53.02, -34.63, 1.51

 

CMYK 28 / 78 / 0 / 45

HEX #651F8C

RGB 101 31 140

HSL 278.53, 0.64%, 0.34%

LAB 28.49, 48.85, -46.32

 

CMYK 0 / 68 / 78 / 44

HEX #8E2E1F

RGB 142 46 31

HSL 8.11, 0.64%, 0.34%

LAB 33.57, 39.78, 31.41

 

CMYK 50 / 0 / 78 / 44

HEX #478E1F

RGB 71 142 31

HSL 98.38, 0.64%, 0.34%

LAB 52.71, -41.78, 48.57

 

CMYK 78 / 11 / 0 / 44

HEX #1F7F8E

RGB 31 127 142

HSL 188.11, 0.64%, 0.34%

LAB 48.79, -21.4, -15.88

 

Description

Color code: RGB 101 31 140 | qconv.com Color code: RGB 101 31 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 31 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 31 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 78 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 78% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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