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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 21 132 it is the complementary color RGB 154 234 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 21 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 21 132 shade: RGB 106 21 127, RGB 123 39 146, RGB 140 57 165, RGB 157 75 184 and RGB 174 93 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 21 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 21 132 shade: RGB 101 21 132, RGB 84 3 113, RGB 67 0 94, RGB 50 0 75 and RGB 33 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 21 132 shade: RGB 101 20 132, RGB 131 20 132, RGB 132 20 103, RGB 132 20 73 and RGB 132 20 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 21 132 shade: RGB 101 20 132, RGB 71 20 132, RGB 40 20 132 and RGB 20 20 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 21 132 shade matches the following richer shades: RGB 101 20 132 and RGB 106 8 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 21 132 shade: RGB 101 20 132, RGB 95 33 119, RGB 90 45 107, RGB 84 57 95 and RGB 79 70 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 21 132 shade: RGB 41 20 132, RGB 70 20 132, RGB 100 20 132, RGB 130 20 132 and RGB 132 20 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 21 132 shade: RGB 46 9 60, RGB 73 15 96, RGB 101 20 132, RGB 128 26 168 and RGB 155 31 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 21 132 shade: RGB 101 21 132, RGB 132 20 29 and RGB 20 132 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 21 132 shade: RGB 101 21 132, RGB 132 100 20 and RGB 20 132 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 21 132 shade: RGB 101 21 132, RGB 132 20 29, RGB 52 132 20 and RGB 20 132 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 21 132 shade: RGB 101 21 132, RGB 132 44 20, RGB 52 132 20 and RGB 20 108 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

Complementary color

CMYK 34 / 0 / 47 / 8

HEX #9AEA7B

RGB 154 234 123

HSL 103.24, 0.73%, 0.7%

LAB 85.58, -44.35, 46.07

 

CMYK 17 / 83 / 0 / 50

HEX #6A157F

RGB 106 21 127

HSL 288.11, 0.72%, 0.29%

LAB 27.11, 50.56, -40.38

 

CMYK 16 / 73 / 0 / 43

HEX #7B2792

RGB 123 39 146

HSL 287.1, 0.58%, 0.36%

LAB 33.43, 51.52, -41.88

 

CMYK 15 / 65 / 0 / 35

HEX #8C39A5

RGB 140 57 165

HSL 286.11, 0.49%, 0.44%

LAB 39.95, 51.57, -42.8

 

CMYK 15 / 59 / 0 / 28

HEX #9D4BB8

RGB 157 75 184

HSL 285.14, 0.43%, 0.51%

LAB 46.53, 51.16, -43.4

 

CMYK 14 / 54 / 0 / 20

HEX #AE5DCB

RGB 174 93 203

HSL 284.18, 0.51%, 0.58%

LAB 53.1, 50.52, -43.81

 

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

CMYK 26 / 97 / 0 / 56

HEX #540371

RGB 84 3 113

HSL 284.18, 0.95%, 0.23%

LAB 20.6, 48.45, -42.16

 

CMYK 29 / 100 / 0 / 63

HEX #43005E

RGB 67 0 94

HSL 282.77, 1%, 0.18%

LAB 15.49, 42.89, -38.13

 

CMYK 33 / 100 / 0 / 71

HEX #32004B

RGB 50 0 75

HSL 280, 1%, 0.15%

LAB 10.45, 36.34, -33.54

 

CMYK 41 / 100 / 0 / 78

HEX #210038

RGB 33 0 56

HSL 275.36, 1%, 0.11%

LAB 5.5, 28.15, -28.22

 

CMYK 23 / 85 / 0 / 48

HEX #651484

RGB 101 20 132

HSL 283.39, 0.74%, 0.3%

LAB 26.54, 50.94, -44.48

 

CMYK 1 / 85 / 0 / 48

HEX #831484

RGB 131 20 132

HSL 299.46, 0.74%, 0.3%

LAB 31.79, 56.66, -35.77

 

CMYK 0 / 85 / 22 / 48

HEX #841467

RGB 132 20 103

HSL 315.54, 0.74%, 0.3%

LAB 30.36, 52.47, -19.6

 

CMYK 0 / 85 / 45 / 48

HEX #841449

RGB 132 20 73

HSL 331.61, 0.74%, 0.3%

LAB 29.13, 48.92, -1.79

 

CMYK 0 / 85 / 67 / 48

HEX #84142B

RGB 132 20 43

HSL 347.68, 0.74%, 0.3%

LAB 28.33, 46.55, 17.22

 

CMYK 23 / 85 / 0 / 48

HEX #651484

RGB 101 20 132

HSL 283.39, 0.74%, 0.3%

LAB 26.54, 50.94, -44.48

 

CMYK 46 / 85 / 0 / 48

HEX #471484

RGB 71 20 132

HSL 267.32, 0.74%, 0.3%

LAB 21.97, 46.07, -52.14

 

CMYK 70 / 85 / 0 / 48

HEX #281484

RGB 40 20 132

HSL 250.71, 0.74%, 0.3%

LAB 18.44, 42.45, -58.08

 

CMYK 85 / 85 / 0 / 48

HEX #141484

RGB 20 20 132

HSL 240, 0.74%, 0.3%

LAB 17.06, 41.07, -60.41

 

CMYK 23 / 85 / 0 / 48

HEX #651484

RGB 101 20 132

HSL 283.39, 0.74%, 0.3%

LAB 26.54, 50.94, -44.48

 

CMYK 26 / 94 / 0 / 44

HEX #6A0890

RGB 106 8 144

HSL 283.24, 0.89%, 0.3%

LAB 27.44, 56.9, -50.47

 

CMYK 23 / 85 / 0 / 48

HEX #651484

RGB 101 20 132

HSL 283.39, 0.74%, 0.3%

LAB 26.54, 50.94, -44.48

 

CMYK 20 / 72 / 0 / 53

HEX #5F2177

RGB 95 33 119

HSL 283.26, 0.57%, 0.3%

LAB 26.31, 42.04, -36.69

 

CMYK 16 / 58 / 0 / 58

HEX #5A2D6B

RGB 90 45 107

HSL 283.55, 0.41%, 0.3%

LAB 27.05, 31.8, -27.87

 

CMYK 12 / 40 / 0 / 63

HEX #54395F

RGB 84 57 95

HSL 282.63, 0.25%, 0.3%

LAB 28.48, 19.7, -17.95

 

CMYK 4 / 15 / 0 / 68

HEX #4F4652

RGB 79 70 82

HSL 285, 0.08%, 0.3%

LAB 31, 6.37, -5.76

 

CMYK 69 / 85 / 0 / 48

HEX #291484

RGB 41 20 132

HSL 251.25, 0.74%, 0.3%

LAB 18.53, 42.54, -57.93

 

CMYK 47 / 85 / 0 / 48

HEX #461484

RGB 70 20 132

HSL 266.79, 0.74%, 0.3%

LAB 21.83, 45.93, -52.37

 

CMYK 24 / 85 / 0 / 48

HEX #641484

RGB 100 20 132

HSL 282.86, 0.74%, 0.3%

LAB 26.38, 50.76, -44.76

 

CMYK 2 / 85 / 0 / 48

HEX #821484

RGB 130 20 132

HSL 298.93, 0.74%, 0.3%

LAB 31.61, 56.46, -36.07

 

CMYK 0 / 85 / 21 / 48

HEX #841468

RGB 132 20 104

HSL 315, 0.74%, 0.3%

LAB 30.41, 52.61, -20.16

 

CMYK 23 / 85 / 0 / 76

HEX #2E093C

RGB 46 9 60

HSL 283.53, 0.74%, 0.14%

LAB 9.82, 27.67, -24.02

 

CMYK 24 / 84 / 0 / 62

HEX #490F60

RGB 73 15 96

HSL 282.96, 0.73%, 0.22%

LAB 18.38, 39.54, -34.73

 

CMYK 23 / 85 / 0 / 48

HEX #651484

RGB 101 20 132

HSL 283.39, 0.74%, 0.3%

LAB 26.54, 50.94, -44.48

 

CMYK 24 / 85 / 0 / 34

HEX #801AA8

RGB 128 26 168

HSL 283.1, 0.73%, 0.38%

LAB 34.3, 61.19, -53.78

 

CMYK 24 / 85 / 0 / 20

HEX #9B1FCB

RGB 155 31 203

HSL 283.26, 0.74%, 0.46%

LAB 41.63, 71.06, -62.36

 

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

CMYK 0 / 85 / 78 / 48

HEX #84141D

RGB 132 20 29

HSL 355.18, 0.74%, 0.3%

LAB 28.1, 45.86, 26.08

 

CMYK 85 / 0 / 58 / 48

HEX #148438

RGB 20 132 56

HSL 139.29, 0.74%, 0.3%

LAB 48.18, -46.62, 32.4

 

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

CMYK 0 / 24 / 85 / 48

HEX #846414

RGB 132 100 20

HSL 42.86, 0.74%, 0.3%

LAB 44.33, 5.25, 46.22

 

CMYK 85 / 0 / 24 / 48

HEX #148464

RGB 20 132 100

HSL 162.86, 0.74%, 0.3%

LAB 48.97, -37.58, 9.01

 

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

CMYK 0 / 85 / 78 / 48

HEX #84141D

RGB 132 20 29

HSL 355.18, 0.74%, 0.3%

LAB 28.1, 45.86, 26.08

 

CMYK 61 / 0 / 85 / 48

HEX #348414

RGB 52 132 20

HSL 102.86, 0.74%, 0.3%

LAB 48.61, -44.1, 47.92

 

CMYK 85 / 0 / 7 / 48

HEX #14847B

RGB 20 132 123

HSL 175.18, 0.74%, 0.3%

LAB 49.59, -31.1, -3.53

 

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

CMYK 0 / 67 / 85 / 48

HEX #842C14

RGB 132 44 20

HSL 12.86, 0.74%, 0.3%

LAB 31.25, 36.58, 34.49

 

CMYK 61 / 0 / 85 / 48

HEX #348414

RGB 52 132 20

HSL 102.86, 0.74%, 0.3%

LAB 48.61, -44.1, 47.92

 

CMYK 85 / 18 / 0 / 48

HEX #146C84

RGB 20 108 132

HSL 192.86, 0.74%, 0.3%

LAB 42.06, -15.68, -20.26

 

Description

Color code: RGB 101 21 132 | qconv.com Color code: RGB 101 21 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 21 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 21 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 84 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 84% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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