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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 122 124 it is the complementary color RGB 154 133 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 122 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 122 124 shade: RGB 106 122 119, RGB 123 140 138, RGB 140 158 157, RGB 157 176 176 and RGB 174 194 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 122 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 122 124 shade: RGB 101 122 124, RGB 84 104 105, RGB 67 86 86, RGB 50 68 67 and RGB 33 50 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 122 124 shade: RGB 100 121 123, RGB 100 115 123, RGB 100 109 123, RGB 100 103 123 and RGB 104 100 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 122 124 shade: RGB 100 121 123, RGB 100 115 123, RGB 100 109 123, RGB 100 103 123 and RGB 100 100 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 122 124 shade matches the following richer shades: RGB 100 121 123, RGB 82 136 141, RGB 64 151 159, RGB 46 166 177 and RGB 28 181 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 122 124 shade: RGB 100 121 123, RGB 119 106 105, RGB 137 91 87, RGB 155 76 68 and RGB 173 61 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 122 124 shade: RGB 100 123 113, RGB 100 123 119, RGB 100 121 123, RGB 100 115 123 and RGB 100 109 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 122 124 shade: RGB 63 76 78, RGB 82 99 100, RGB 100 121 123, RGB 120 142 145 and RGB 143 161 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 122 124 shade: RGB 101 122 124, RGB 107 100 123 and RGB 123 116 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 122 124 shade: RGB 101 122 124, RGB 123 100 121 and RGB 121 123 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 122 124 shade: RGB 101 122 124, RGB 107 100 123, RGB 123 102 100 and RGB 117 123 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 122 124 shade: RGB 101 122 124, RGB 114 100 123, RGB 123 102 100 and RGB 110 123 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

Complementary color

CMYK 0 / 14 / 15 / 40

HEX #9A8583

RGB 154 133 131

HSL 5.22, 0.1%, 0.56%

LAB 57.35, 7.62, 4.01

 

CMYK 13 / 0 / 2 / 52

HEX #6A7A77

RGB 106 122 119

HSL 168.75, 0.07%, 0.45%

LAB 49.88, -6.54, -0.36

 

CMYK 12 / 0 / 1 / 45

HEX #7B8C8A

RGB 123 140 138

HSL 172.94, 0.07%, 0.52%

LAB 56.88, -6.53, -1.02

 

CMYK 11 / 0 / 1 / 38

HEX #8C9E9D

RGB 140 158 157

HSL 176.67, 0.08%, 0.58%

LAB 63.72, -6.54, -1.64

 

CMYK 11 / 0 / 0 / 31

HEX #9DB0B0

RGB 157 176 176

HSL 180, 0.11%, 0.65%

LAB 70.42, -6.56, -2.24

 

CMYK 11 / 1 / 0 / 24

HEX #AEC2C3

RGB 174 194 195

HSL 182.86, 0.15%, 0.72%

LAB 76.99, -6.58, -2.83

 

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

CMYK 20 / 1 / 0 / 59

HEX #546869

RGB 84 104 105

HSL 182.86, 0.11%, 0.37%

LAB 42.47, -7.21, -3.05

 

CMYK 22 / 0 / 0 / 66

HEX #435656

RGB 67 86 86

HSL 180, 0.12%, 0.3%

LAB 35.04, -7.27, -2.42

 

CMYK 26 / 0 / 1 / 73

HEX #324443

RGB 50 68 67

HSL 176.67, 0.15%, 0.23%

LAB 27.35, -7.36, -1.73

 

CMYK 34 / 0 / 4 / 80

HEX #213230

RGB 33 50 48

HSL 172.94, 0.2%, 0.16%

LAB 19.3, -7.5, -0.98

 

CMYK 19 / 2 / 0 / 52

HEX #64797B

RGB 100 121 123

HSL 185.22, 0.1%, 0.44%

LAB 49.27, -7.18, -3.66

 

CMYK 19 / 7 / 0 / 52

HEX #64737B

RGB 100 115 123

HSL 200.87, 0.1%, 0.44%

LAB 47.5, -3.72, -6.29

 

CMYK 19 / 11 / 0 / 52

HEX #646D7B

RGB 100 109 123

HSL 216.52, 0.1%, 0.44%

LAB 45.74, -0.19, -8.91

 

CMYK 19 / 16 / 0 / 52

HEX #64677B

RGB 100 103 123

HSL 232.17, 0.1%, 0.44%

LAB 44, 3.41, -11.53

 

CMYK 15 / 19 / 0 / 52

HEX #68647B

RGB 104 100 123

HSL 250.43, 0.1%, 0.44%

LAB 43.49, 6.64, -12.27

 

CMYK 19 / 2 / 0 / 52

HEX #64797B

RGB 100 121 123

HSL 185.22, 0.1%, 0.44%

LAB 49.27, -7.18, -3.66

 

CMYK 19 / 7 / 0 / 52

HEX #64737B

RGB 100 115 123

HSL 200.87, 0.1%, 0.44%

LAB 47.5, -3.72, -6.29

 

CMYK 19 / 11 / 0 / 52

HEX #646D7B

RGB 100 109 123

HSL 216.52, 0.1%, 0.44%

LAB 45.74, -0.19, -8.91

 

CMYK 19 / 16 / 0 / 52

HEX #64677B

RGB 100 103 123

HSL 232.17, 0.1%, 0.44%

LAB 44, 3.41, -11.53

 

CMYK 19 / 19 / 0 / 52

HEX #64647B

RGB 100 100 123

HSL 240, 0.1%, 0.44%

LAB 43.14, 5.23, -12.83

 

CMYK 19 / 2 / 0 / 52

HEX #64797B

RGB 100 121 123

HSL 185.22, 0.1%, 0.44%

LAB 49.27, -7.18, -3.66

 

CMYK 42 / 4 / 0 / 45

HEX #52888D

RGB 82 136 141

HSL 185.08, 0.26%, 0.44%

LAB 53.3, -16.5, -8.32

 

CMYK 60 / 5 / 0 / 38

HEX #40979F

RGB 64 151 159

HSL 185.05, 0.43%, 0.44%

LAB 57.78, -23.41, -12.04

 

CMYK 74 / 6 / 0 / 31

HEX #2EA6B1

RGB 46 166 177

HSL 185.04, 0.59%, 0.44%

LAB 62.53, -28.28, -15.09

 

CMYK 86 / 8 / 0 / 23

HEX #1CB5C4

RGB 28 181 196

HSL 185.36, 0.75%, 0.44%

LAB 67.49, -31.31, -18.18

 

CMYK 19 / 2 / 0 / 52

HEX #64797B

RGB 100 121 123

HSL 185.22, 0.1%, 0.44%

LAB 49.27, -7.18, -3.66

 

CMYK 0 / 11 / 12 / 53

HEX #776A69

RGB 119 106 105

HSL 4.29, 0.06%, 0.44%

LAB 45.97, 4.93, 2.42

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 0 / 51 / 56 / 39

HEX #9B4C44

RGB 155 76 68

HSL 5.52, 0.39%, 0.44%

LAB 42.08, 32.15, 20.07

 

CMYK 0 / 65 / 71 / 32

HEX #AD3D32

RGB 173 61 50

HSL 5.37, 0.55%, 0.44%

LAB 41.93, 45.11, 31.27

 

CMYK 19 / 0 / 8 / 52

HEX #647B71

RGB 100 123 113

HSL 153.91, 0.1%, 0.44%

LAB 49.58, -10.56, 2.69

 

CMYK 19 / 0 / 3 / 52

HEX #647B77

RGB 100 123 119

HSL 169.57, 0.1%, 0.44%

LAB 49.75, -9.23, -0.6

 

CMYK 19 / 2 / 0 / 52

HEX #64797B

RGB 100 121 123

HSL 185.22, 0.1%, 0.44%

LAB 49.27, -7.18, -3.66

 

CMYK 19 / 7 / 0 / 52

HEX #64737B

RGB 100 115 123

HSL 200.87, 0.1%, 0.44%

LAB 47.5, -3.72, -6.29

 

CMYK 19 / 11 / 0 / 52

HEX #646D7B

RGB 100 109 123

HSL 216.52, 0.1%, 0.44%

LAB 45.74, -0.19, -8.91

 

CMYK 19 / 3 / 0 / 69

HEX #3F4C4E

RGB 63 76 78

HSL 188, 0.11%, 0.28%

LAB 31.29, -4.65, -2.92

 

CMYK 18 / 1 / 0 / 61

HEX #526364

RGB 82 99 100

HSL 183.33, 0.1%, 0.36%

LAB 40.63, -6.18, -2.73

 

CMYK 19 / 2 / 0 / 52

HEX #64797B

RGB 100 121 123

HSL 185.22, 0.1%, 0.44%

LAB 49.27, -7.18, -3.66

 

CMYK 17 / 2 / 0 / 43

HEX #788E91

RGB 120 142 145

HSL 187.2, 0.1%, 0.52%

LAB 57.45, -7.14, -4.23

 

CMYK 12 / 1 / 0 / 36

HEX #8FA1A3

RGB 143 161 163

HSL 186, 0.1%, 0.6%

LAB 64.94, -5.89, -3.19

 

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

CMYK 13 / 19 / 0 / 52

HEX #6B647B

RGB 107 100 123

HSL 258.26, 0.1%, 0.44%

LAB 43.76, 7.71, -11.84

 

CMYK 0 / 6 / 19 / 52

HEX #7B7464

RGB 123 116 100

HSL 41.74, 0.1%, 0.44%

LAB 49.03, -0.2, 9.81

 

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

CMYK 0 / 19 / 2 / 52

HEX #7B6479

RGB 123 100 121

HSL 305.22, 0.1%, 0.44%

LAB 45.23, 13.17, -8.26

 

CMYK 2 / 0 / 19 / 52

HEX #797B64

RGB 121 123 100

HSL 65.22, 0.1%, 0.44%

LAB 50.86, -5.02, 12.35

 

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

CMYK 13 / 19 / 0 / 52

HEX #6B647B

RGB 107 100 123

HSL 258.26, 0.1%, 0.44%

LAB 43.76, 7.71, -11.84

 

CMYK 0 / 17 / 19 / 52

HEX #7B6664

RGB 123 102 100

HSL 5.22, 0.1%, 0.44%

LAB 45.13, 8.03, 4.26

 

CMYK 5 / 0 / 19 / 52

HEX #757B64

RGB 117 123 100

HSL 75.65, 0.1%, 0.44%

LAB 50.53, -6.62, 11.84

 

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

CMYK 7 / 19 / 0 / 52

HEX #72647B

RGB 114 100 123

HSL 276.52, 0.1%, 0.44%

LAB 44.41, 10.26, -10.8

 

CMYK 0 / 17 / 19 / 52

HEX #7B6664

RGB 123 102 100

HSL 5.22, 0.1%, 0.44%

LAB 45.13, 8.03, 4.26

 

CMYK 11 / 0 / 19 / 52

HEX #6E7B64

RGB 110 123 100

HSL 93.91, 0.1%, 0.44%

LAB 49.98, -9.39, 10.98

 

Description

Color code: RGB 101 122 124 | qconv.com Color code: RGB 101 122 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 122 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 122 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 2 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 2% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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