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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 93 120 it is the complementary color RGB 155 162 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 93 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 93 120 shade: RGB 105 93 115, RGB 122 111 134, RGB 139 129 153, RGB 156 147 172 and RGB 173 165 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 93 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 93 120 shade: RGB 100 93 120, RGB 83 75 101, RGB 66 57 82, RGB 49 39 63 and RGB 32 21 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 93 120 shade: RGB 100 93 121, RGB 107 93 121, RGB 115 93 121, RGB 121 93 119 and RGB 121 93 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 93 120 shade: RGB 100 93 121 and RGB 93 93 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 93 120 shade matches the following richer shades: RGB 100 93 121, RGB 92 75 138, RGB 83 58 155, RGB 75 41 173 and RGB 67 23 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 93 120 shade: RGB 100 93 121, RGB 108 110 103, RGB 117 127 86, RGB 125 145 69 and RGB 133 162 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 93 120 shade: RGB 93 101 121, RGB 93 93 121, RGB 100 93 121, RGB 107 93 121 and RGB 114 93 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 93 120 shade: RGB 61 57 74, RGB 81 75 97, RGB 100 93 121, RGB 119 111 144 and RGB 141 134 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 93 120 shade: RGB 100 93 120, RGB 121 93 108 and RGB 97 121 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 93 120 shade: RGB 100 93 120, RGB 121 100 93 and RGB 93 121 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 93 120 shade: RGB 100 93 120, RGB 121 93 108, RGB 114 121 93 and RGB 93 121 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 93 120 shade: RGB 100 93 120, RGB 121 93 100, RGB 114 121 93 and RGB 93 121 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 23 / 0 / 53

HEX #645D78

RGB 100 93 120

HSL 255.56, 0.13%, 0.42%

LAB 41.05, 8.78, -14.19

 

Complementary color

CMYK 4 / 0 / 17 / 36

HEX #9BA287

RGB 155 162 135

HSL 75.56, 0.13%, 0.58%

LAB 65.4, -7.4, 13.22

 

CMYK 9 / 19 / 0 / 55

HEX #695D73

RGB 105 93 115

HSL 272.73, 0.11%, 0.41%

LAB 41.33, 9.42, -10.67

 

CMYK 9 / 17 / 0 / 47

HEX #7A6F86

RGB 122 111 134

HSL 268.7, 0.09%, 0.48%

LAB 48.55, 8.99, -11.07

 

CMYK 9 / 16 / 0 / 40

HEX #8B8199

RGB 139 129 153

HSL 265, 0.11%, 0.55%

LAB 55.57, 8.61, -11.47

 

CMYK 9 / 15 / 0 / 33

HEX #9C93AC

RGB 156 147 172

HSL 261.6, 0.13%, 0.63%

LAB 62.43, 8.26, -11.88

 

CMYK 9 / 14 / 0 / 25

HEX #ADA5BF

RGB 173 165 191

HSL 258.46, 0.17%, 0.7%

LAB 69.15, 7.95, -12.29

 

CMYK 17 / 23 / 0 / 53

HEX #645D78

RGB 100 93 120

HSL 255.56, 0.13%, 0.42%

LAB 41.05, 8.78, -14.19

 

CMYK 18 / 26 / 0 / 60

HEX #534B65

RGB 83 75 101

HSL 258.46, 0.15%, 0.35%

LAB 33.59, 9.27, -13.93

 

CMYK 20 / 30 / 0 / 68

HEX #423952

RGB 66 57 82

HSL 261.6, 0.18%, 0.27%

LAB 25.84, 9.85, -13.71

 

CMYK 22 / 38 / 0 / 75

HEX #31273F

RGB 49 39 63

HSL 265, 0.24%, 0.2%

LAB 17.75, 10.57, -13.55

 

CMYK 27 / 52 / 0 / 83

HEX #20152C

RGB 32 21 44

HSL 268.7, 0.35%, 0.13%

LAB 9.2, 11.52, -13.48

 

CMYK 17 / 23 / 0 / 53

HEX #645D79

RGB 100 93 121

HSL 255, 0.13%, 0.42%

LAB 41.09, 9.03, -14.74

 

CMYK 12 / 23 / 0 / 53

HEX #6B5D79

RGB 107 93 121

HSL 270, 0.13%, 0.42%

LAB 41.74, 11.52, -13.68

 

CMYK 5 / 23 / 0 / 53

HEX #735D79

RGB 115 93 121

HSL 287.14, 0.13%, 0.42%

LAB 42.54, 14.43, -12.39

 

CMYK 0 / 23 / 2 / 53

HEX #795D77

RGB 121 93 119

HSL 304.29, 0.13%, 0.42%

LAB 43.1, 16.23, -10.27

 

CMYK 0 / 23 / 8 / 53

HEX #795D6F

RGB 121 93 111

HSL 321.43, 0.13%, 0.42%

LAB 42.83, 14.64, -5.81

 

CMYK 17 / 23 / 0 / 53

HEX #645D79

RGB 100 93 121

HSL 255, 0.13%, 0.42%

LAB 41.09, 9.03, -14.74

 

CMYK 23 / 23 / 0 / 53

HEX #5D5D79

RGB 93 93 121

HSL 240, 0.13%, 0.42%

LAB 40.47, 6.59, -15.74

 

CMYK 17 / 23 / 0 / 53

HEX #645D79

RGB 100 93 121

HSL 255, 0.13%, 0.42%

LAB 41.09, 9.03, -14.74

 

CMYK 33 / 46 / 0 / 46

HEX #5C4B8A

RGB 92 75 138

HSL 256.19, 0.3%, 0.42%

LAB 36.26, 22.18, -32.7

 

CMYK 46 / 63 / 0 / 39

HEX #533A9B

RGB 83 58 155

HSL 255.46, 0.46%, 0.42%

LAB 32.33, 35.33, -49.41

 

CMYK 57 / 76 / 0 / 32

HEX #4B29AD

RGB 75 41 173

HSL 255.45, 0.62%, 0.42%

LAB 29.66, 48.59, -64.66

 

CMYK 65 / 88 / 0 / 25

HEX #4317BE

RGB 67 23 190

HSL 255.81, 0.78%, 0.42%

LAB 28.18, 59.82, -77.26

 

CMYK 17 / 23 / 0 / 53

HEX #645D79

RGB 100 93 121

HSL 255, 0.13%, 0.42%

LAB 41.09, 9.03, -14.74

 

CMYK 2 / 0 / 6 / 57

HEX #6C6E67

RGB 108 110 103

HSL 77.14, 0.03%, 0.42%

LAB 46.07, -2.17, 3.63

 

CMYK 8 / 0 / 32 / 50

HEX #757F56

RGB 117 127 86

HSL 74.63, 0.19%, 0.42%

LAB 51.42, -11.08, 21.11

 

CMYK 14 / 0 / 52 / 43

HEX #7D9145

RGB 125 145 69

HSL 75.79, 0.36%, 0.42%

LAB 57.11, -19.46, 37.58

 

CMYK 18 / 0 / 69 / 36

HEX #85A233

RGB 133 162 51

HSL 75.68, 0.52%, 0.42%

LAB 62.56, -26.2, 52.02

 

CMYK 23 / 17 / 0 / 53

HEX #5D6579

RGB 93 101 121

HSL 222.86, 0.13%, 0.42%

LAB 42.79, 1.69, -12.21

 

CMYK 23 / 23 / 0 / 53

HEX #5D5D79

RGB 93 93 121

HSL 240, 0.13%, 0.42%

LAB 40.47, 6.59, -15.74

 

CMYK 17 / 23 / 0 / 53

HEX #645D79

RGB 100 93 121

HSL 255, 0.13%, 0.42%

LAB 41.09, 9.03, -14.74

 

CMYK 12 / 23 / 0 / 53

HEX #6B5D79

RGB 107 93 121

HSL 270, 0.13%, 0.42%

LAB 41.74, 11.52, -13.68

 

CMYK 6 / 23 / 0 / 53

HEX #725D79

RGB 114 93 121

HSL 285, 0.13%, 0.42%

LAB 42.44, 14.07, -12.56

 

CMYK 18 / 23 / 0 / 71

HEX #3D394A

RGB 61 57 74

HSL 254.12, 0.13%, 0.26%

LAB 24.99, 5.84, -9.77

 

CMYK 16 / 23 / 0 / 62

HEX #514B61

RGB 81 75 97

HSL 256.36, 0.13%, 0.34%

LAB 33.23, 7.53, -11.96

 

CMYK 17 / 23 / 0 / 53

HEX #645D79

RGB 100 93 121

HSL 255, 0.13%, 0.42%

LAB 41.09, 9.03, -14.74

 

CMYK 17 / 23 / 0 / 44

HEX #776F90

RGB 119 111 144

HSL 254.55, 0.13%, 0.5%

LAB 48.64, 10.23, -16.87

 

CMYK 13 / 17 / 0 / 36

HEX #8D86A2

RGB 141 134 162

HSL 255, 0.13%, 0.58%

LAB 57.39, 8.38, -13.91

 

CMYK 17 / 23 / 0 / 53

HEX #645D78

RGB 100 93 120

HSL 255.56, 0.13%, 0.42%

LAB 41.05, 8.78, -14.19

 

CMYK 0 / 23 / 11 / 53

HEX #795D6C

RGB 121 93 108

HSL 327.86, 0.13%, 0.42%

LAB 42.73, 14.07, -4.13

 

CMYK 20 / 0 / 23 / 53

HEX #61795D

RGB 97 121 93

HSL 111.43, 0.13%, 0.42%

LAB 48.27, -14.59, 12.54

 

CMYK 17 / 23 / 0 / 53

HEX #645D78

RGB 100 93 120

HSL 255.56, 0.13%, 0.42%

LAB 41.05, 8.78, -14.19

 

CMYK 0 / 17 / 23 / 53

HEX #79645D

RGB 121 100 93

HSL 15, 0.13%, 0.42%

LAB 44.19, 7.22, 7.11

 

CMYK 23 / 0 / 17 / 53

HEX #5D7964

RGB 93 121 100

HSL 135, 0.13%, 0.42%

LAB 48.16, -14.71, 8.25

 

CMYK 17 / 23 / 0 / 53

HEX #645D78

RGB 100 93 120

HSL 255.56, 0.13%, 0.42%

LAB 41.05, 8.78, -14.19

 

CMYK 0 / 23 / 11 / 53

HEX #795D6C

RGB 121 93 108

HSL 327.86, 0.13%, 0.42%

LAB 42.73, 14.07, -4.13

 

CMYK 6 / 0 / 23 / 53

HEX #72795D

RGB 114 121 93

HSL 75, 0.13%, 0.42%

LAB 49.55, -7.89, 14.51

 

CMYK 23 / 0 / 13 / 53

HEX #5D7969

RGB 93 121 105

HSL 145.71, 0.13%, 0.42%

LAB 48.29, -13.66, 5.48

 

CMYK 17 / 23 / 0 / 53

HEX #645D78

RGB 100 93 120

HSL 255.56, 0.13%, 0.42%

LAB 41.05, 8.78, -14.19

 

CMYK 0 / 23 / 17 / 53

HEX #795D64

RGB 121 93 100

HSL 345, 0.13%, 0.42%

LAB 42.48, 12.61, 0.4

 

CMYK 6 / 0 / 23 / 53

HEX #72795D

RGB 114 121 93

HSL 75, 0.13%, 0.42%

LAB 49.55, -7.89, 14.51

 

CMYK 23 / 0 / 6 / 53

HEX #5D7972

RGB 93 121 114

HSL 165, 0.13%, 0.42%

LAB 48.53, -11.67, 0.52

 

Description

Color code: RGB 100 93 120 | qconv.com Color code: RGB 100 93 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 93 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 93 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 23 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 23% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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