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Color name
RGB 100 59 10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 59 10 it is the complementary color RGB 155 196 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 59 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 59 10 shade: RGB 105 59 5, RGB 122 77 24, RGB 139 95 43, RGB 156 113 62 and RGB 173 131 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 59 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 59 10 shade: RGB 100 59 10, RGB 83 41 0, RGB 66 23 0, RGB 49 5 0 and RGB 32 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 59 10 shade: RGB 102 60 10, RGB 102 35 10, RGB 102 10 10 and RGB 102 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 59 10 shade: RGB 102 60 10, RGB 102 85 10, RGB 94 102 10, RGB 69 102 10 and RGB 44 102 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 59 10 shade matches the following richer shades: RGB 102 60 10 and RGB 111 61 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 59 10 shade: RGB 102 60 10, RGB 93 59 19, RGB 83 58 28, RGB 74 57 37 and RGB 65 56 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 59 10 shade: RGB 102 10 10, RGB 102 34 10, RGB 102 59 10, RGB 102 83 10 and RGB 95 102 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 59 10 shade: RGB 27 15 2, RGB 64 38 6, RGB 102 60 10, RGB 139 82 13 and RGB 177 104 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 59 10 shade: RGB 100 59 10, RGB 34 102 10 and RGB 22 10 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 59 10 shade: RGB 100 59 10, RGB 10 102 59 and RGB 59 10 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 59 10 shade: RGB 100 59 10, RGB 34 102 10, RGB 10 53 102 and RGB 77 10 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 59 10 shade: RGB 100 59 10, RGB 10 102 13, RGB 10 53 102 and RGB 102 10 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 90 / 61

HEX #643B0A

RGB 100 59 10

HSL 32.67, 0.82%, 0.22%

LAB 29.05, 14.12, 35.03

 

Complementary color

CMYK 37 / 20 / 0 / 4

HEX #9BC4F5

RGB 155 196 245

HSL 212.67, 0.82%, 0.78%

LAB 77.9, -1.81, -28.54

 

CMYK 0 / 44 / 95 / 59

HEX #693B05

RGB 105 59 5

HSL 32.4, 0.91%, 0.22%

LAB 29.77, 16.39, 37.91

 

CMYK 0 / 37 / 80 / 52

HEX #7A4D18

RGB 122 77 24

HSL 32.45, 0.67%, 0.29%

LAB 36.95, 14.28, 37.42

 

CMYK 0 / 32 / 69 / 45

HEX #8B5F2B

RGB 139 95 43

HSL 32.5, 0.53%, 0.36%

LAB 44.01, 12.57, 36.12

 

CMYK 0 / 28 / 60 / 39

HEX #9C713E

RGB 156 113 62

HSL 32.55, 0.43%, 0.43%

LAB 50.95, 11.2, 34.6

 

CMYK 0 / 24 / 53 / 32

HEX #AD8351

RGB 173 131 81

HSL 32.61, 0.36%, 0.5%

LAB 57.76, 10.08, 33.1

 

CMYK 0 / 41 / 90 / 61

HEX #643B0A

RGB 100 59 10

HSL 32.67, 0.82%, 0.22%

LAB 29.05, 14.12, 35.03

 

CMYK 0 / 51 / 100 / 67

HEX #532900

RGB 83 41 0

HSL 29.64, 1%, 0.16%

LAB 21.67, 16.61, 31.2

 

CMYK 0 / 65 / 100 / 74

HEX #421700

RGB 66 23 0

HSL 20.91, 1%, 0.13%

LAB 14.24, 19.41, 21.58

 

CMYK 0 / 90 / 100 / 81

HEX #310500

RGB 49 5 0

HSL 6.12, 1%, 0.1%

LAB 6.88, 21.6, 10.75

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 41 / 90 / 60

HEX #663C0A

RGB 102 60 10

HSL 32.61, 0.82%, 0.22%

LAB 29.61, 14.48, 35.62

 

CMYK 0 / 66 / 90 / 60

HEX #66230A

RGB 102 35 10

HSL 16.3, 0.82%, 0.22%

LAB 23.83, 28.88, 30.43

 

CMYK 0 / 90 / 90 / 60

HEX #660A0A

RGB 102 10 10

HSL 0, 0.82%, 0.22%

LAB 20.3, 38.6, 26.68

 

CMYK 0 / 90 / 90 / 60

HEX #660A0A

RGB 102 10 10

HSL 0, 0.82%, 0.22%

LAB 20.3, 38.6, 26.68

 

CMYK 0 / 41 / 90 / 60

HEX #663C0A

RGB 102 60 10

HSL 32.61, 0.82%, 0.22%

LAB 29.61, 14.48, 35.62

 

CMYK 0 / 17 / 90 / 60

HEX #66550A

RGB 102 85 10

HSL 48.91, 0.82%, 0.22%

LAB 36.64, -0.84, 41.49

 

CMYK 8 / 0 / 90 / 60

HEX #5E660A

RGB 94 102 10

HSL 65.22, 0.82%, 0.22%

LAB 41.06, -14.56, 44.85

 

CMYK 32 / 0 / 90 / 60

HEX #45660A

RGB 69 102 10

HSL 81.52, 0.82%, 0.22%

LAB 39.22, -25.89, 42.56

 

CMYK 57 / 0 / 90 / 60

HEX #2C660A

RGB 44 102 10

HSL 97.83, 0.82%, 0.22%

LAB 37.95, -35.19, 40.95

 

CMYK 0 / 41 / 90 / 60

HEX #663C0A

RGB 102 60 10

HSL 32.61, 0.82%, 0.22%

LAB 29.61, 14.48, 35.62

 

CMYK 0 / 45 / 99 / 56

HEX #6F3D01

RGB 111 61 1

HSL 32.73, 0.98%, 0.22%

LAB 31.16, 17.93, 40.97

 

CMYK 0 / 41 / 90 / 60

HEX #663C0A

RGB 102 60 10

HSL 32.61, 0.82%, 0.22%

LAB 29.61, 14.48, 35.62

 

CMYK 0 / 37 / 80 / 64

HEX #5D3B13

RGB 93 59 19

HSL 32.43, 0.66%, 0.22%

LAB 28.12, 11.06, 29.76

 

CMYK 0 / 30 / 66 / 67

HEX #533A1C

RGB 83 58 28

HSL 32.73, 0.5%, 0.22%

LAB 26.59, 7.33, 22.72

 

CMYK 0 / 23 / 50 / 71

HEX #4A3925

RGB 74 57 37

HSL 32.43, 0.33%, 0.22%

LAB 25.31, 4.44, 15.31

 

CMYK 0 / 14 / 29 / 75

HEX #41382E

RGB 65 56 46

HSL 31.58, 0.17%, 0.22%

LAB 24.16, 2.07, 7.71

 

CMYK 0 / 90 / 90 / 60

HEX #660A0A

RGB 102 10 10

HSL 0, 0.82%, 0.22%

LAB 20.3, 38.6, 26.68

 

CMYK 0 / 67 / 90 / 60

HEX #66220A

RGB 102 34 10

HSL 15.65, 0.82%, 0.22%

LAB 23.64, 29.39, 30.24

 

CMYK 0 / 42 / 90 / 60

HEX #663B0A

RGB 102 59 10

HSL 31.96, 0.82%, 0.22%

LAB 29.35, 15.09, 35.4

 

CMYK 0 / 19 / 90 / 60

HEX #66530A

RGB 102 83 10

HSL 47.61, 0.82%, 0.22%

LAB 36.05, 0.36, 41

 

CMYK 7 / 0 / 90 / 60

HEX #5F660A

RGB 95 102 10

HSL 64.57, 0.82%, 0.22%

LAB 41.15, -14.08, 44.96

 

CMYK 0 / 44 / 93 / 89

HEX #1B0F02

RGB 27 15 2

HSL 31.2, 0.86%, 0.06%

LAB 5.23, 3.42, 7.08

 

CMYK 0 / 41 / 91 / 75

HEX #402606

RGB 64 38 6

HSL 33.1, 0.83%, 0.14%

LAB 17.87, 9.17, 23.62

 

CMYK 0 / 41 / 90 / 60

HEX #663C0A

RGB 102 60 10

HSL 32.61, 0.82%, 0.22%

LAB 29.61, 14.48, 35.62

 

CMYK 0 / 41 / 91 / 45

HEX #8B520D

RGB 139 82 13

HSL 32.86, 0.83%, 0.3%

LAB 40.5, 18.88, 45.65

 

CMYK 0 / 41 / 90 / 31

HEX #B16811

RGB 177 104 17

HSL 32.63, 0.82%, 0.38%

LAB 51.02, 23.51, 54.94

 

CMYK 0 / 41 / 90 / 61

HEX #643B0A

RGB 100 59 10

HSL 32.67, 0.82%, 0.22%

LAB 29.05, 14.12, 35.03

 

CMYK 67 / 0 / 90 / 60

HEX #22660A

RGB 34 102 10

HSL 104.35, 0.82%, 0.22%

LAB 37.6, -38.03, 40.51

 

CMYK 78 / 90 / 0 / 60

HEX #160A66

RGB 22 10 102

HSL 247.83, 0.82%, 0.22%

LAB 11.6, 36.15, -50.08

 

CMYK 0 / 41 / 90 / 61

HEX #643B0A

RGB 100 59 10

HSL 32.67, 0.82%, 0.22%

LAB 29.05, 14.12, 35.03

 

CMYK 90 / 0 / 42 / 60

HEX #0A663B

RGB 10 102 59

HSL 151.96, 0.82%, 0.22%

LAB 37.63, -35.85, 17.45

 

CMYK 42 / 90 / 0 / 60

HEX #3B0A66

RGB 59 10 102

HSL 271.96, 0.82%, 0.22%

LAB 16.03, 40.22, -42.61

 

CMYK 0 / 41 / 90 / 61

HEX #643B0A

RGB 100 59 10

HSL 32.67, 0.82%, 0.22%

LAB 29.05, 14.12, 35.03

 

CMYK 67 / 0 / 90 / 60

HEX #22660A

RGB 34 102 10

HSL 104.35, 0.82%, 0.22%

LAB 37.6, -38.03, 40.51

 

CMYK 90 / 48 / 0 / 60

HEX #0A3566

RGB 10 53 102

HSL 211.96, 0.82%, 0.22%

LAB 22.2, 6.28, -32.78

 

CMYK 25 / 90 / 0 / 60

HEX #4D0A66

RGB 77 10 102

HSL 283.7, 0.82%, 0.22%

LAB 19.03, 43.18, -37.6

 

CMYK 0 / 41 / 90 / 61

HEX #643B0A

RGB 100 59 10

HSL 32.67, 0.82%, 0.22%

LAB 29.05, 14.12, 35.03

 

CMYK 90 / 0 / 87 / 60

HEX #0A660D

RGB 10 102 13

HSL 121.96, 0.82%, 0.22%

LAB 37.11, -42.2, 39.04

 

CMYK 90 / 48 / 0 / 60

HEX #0A3566

RGB 10 53 102

HSL 211.96, 0.82%, 0.22%

LAB 22.2, 6.28, -32.78

 

CMYK 0 / 90 / 3 / 60

HEX #660A63

RGB 102 10 99

HSL 301.96, 0.82%, 0.22%

LAB 23.48, 47.48, -28.22

 

Description

Color code: RGB 100 59 10 | qconv.com Color code: RGB 100 59 10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 59 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 59 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 90 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 90% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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