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Color name
RGB 100 215 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 215 142 it is the complementary color RGB 155 40 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 215 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 215 142 shade: RGB 105 215 137, RGB 122 233 156, RGB 139 251 175, RGB 156 255 194 and RGB 173 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 215 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 83 197 123, RGB 66 179 104, RGB 49 161 85 and RGB 32 143 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 100 215 111, RGB 120 215 100, RGB 151 215 100 and RGB 182 215 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 100 215 173, RGB 100 215 204, RGB 100 195 215 and RGB 100 164 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 215 142 shade matches the following richer shades: RGB 100 215 142, RGB 85 230 138 and RGB 69 246 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 116 199 146, RGB 132 183 151, RGB 147 168 155 and RGB 163 152 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 215 142 shade: RGB 121 215 100, RGB 100 215 110, RGB 100 215 140, RGB 100 215 171 and RGB 100 215 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 215 142 shade: RGB 47 185 98, RGB 68 206 118, RGB 100 215 142, RGB 133 223 166 and RGB 166 232 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 100 152 215 and RGB 215 100 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 140 100 215 and RGB 215 140 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 100 152 215, RGB 215 100 175 and RGB 215 163 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 215 142 shade: RGB 100 215 142, RGB 100 118 215, RGB 215 100 175 and RGB 215 198 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

Complementary color

CMYK 0 / 74 / 27 / 39

HEX #9B2871

RGB 155 40 113

HSL 321.91, 0.59%, 0.38%

LAB 37.26, 53.56, -14.98

 

CMYK 51 / 0 / 36 / 16

HEX #69D789

RGB 105 215 137

HSL 137.45, 0.58%, 0.63%

LAB 78.12, -48.52, 29.09

 

CMYK 48 / 0 / 33 / 9

HEX #7AE99C

RGB 122 233 156

HSL 138.38, 0.72%, 0.7%

LAB 84.39, -48.38, 27.86

 

CMYK 45 / 0 / 30 / 2

HEX #8BFBAF

RGB 139 251 175

HSL 139.29, 0.93%, 0.76%

LAB 90.59, -48.19, 26.7

 

CMYK 39 / 0 / 24 / 0

HEX #9CFFC2

RGB 156 255 194

HSL 143.03, 1%, 0.81%

LAB 92.79, -41.89, 20.17

 

CMYK 32 / 0 / 16 / 0

HEX #ADFFD5

RGB 173 255 213

HSL 149.27, 1%, 0.84%

LAB 93.97, -33.5, 12.22

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 58 / 0 / 38 / 23

HEX #53C57B

RGB 83 197 123

HSL 141.05, 0.5%, 0.55%

LAB 71.69, -48.86, 27.67

 

CMYK 63 / 0 / 42 / 30

HEX #42B368

RGB 66 179 104

HSL 140.18, 0.46%, 0.48%

LAB 65.28, -48.71, 29.09

 

CMYK 70 / 0 / 47 / 37

HEX #31A155

RGB 49 161 85

HSL 139.29, 0.53%, 0.41%

LAB 58.79, -48.3, 30.61

 

CMYK 78 / 0 / 54 / 44

HEX #208F42

RGB 32 143 66

HSL 138.38, 0.63%, 0.34%

LAB 52.23, -47.48, 32.22

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 53 / 0 / 48 / 16

HEX #64D76F

RGB 100 215 111

HSL 125.74, 0.59%, 0.62%

LAB 77.55, -53.88, 41.41

 

CMYK 44 / 0 / 53 / 16

HEX #78D764

RGB 120 215 100

HSL 109.57, 0.59%, 0.62%

LAB 78.18, -49.8, 47.61

 

CMYK 30 / 0 / 53 / 16

HEX #97D764

RGB 151 215 100

HSL 93.39, 0.59%, 0.62%

LAB 79.67, -39.68, 49.75

 

CMYK 15 / 0 / 53 / 16

HEX #B6D764

RGB 182 215 100

HSL 77.22, 0.59%, 0.62%

LAB 81.55, -28.21, 52.42

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 53 / 0 / 20 / 16

HEX #64D7AD

RGB 100 215 173

HSL 158.09, 0.59%, 0.62%

LAB 78.65, -42.58, 10.91

 

CMYK 53 / 0 / 5 / 16

HEX #64D7CC

RGB 100 215 204

HSL 174.26, 0.59%, 0.62%

LAB 79.43, -35.21, -4.51

 

CMYK 53 / 9 / 0 / 16

HEX #64C3D7

RGB 100 195 215

HSL 190.43, 0.59%, 0.62%

LAB 73.96, -22.57, -18.6

 

CMYK 53 / 24 / 0 / 16

HEX #64A4D7

RGB 100 164 215

HSL 206.61, 0.59%, 0.62%

LAB 65.09, -6.13, -32.19

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 63 / 0 / 40 / 10

HEX #55E68A

RGB 85 230 138

HSL 141.93, 0.74%, 0.62%

LAB 82.03, -58.69, 33.65

 

CMYK 72 / 0 / 46 / 4

HEX #45F686

RGB 69 246 134

HSL 142.03, 0.91%, 0.62%

LAB 86.45, -67.81, 41.28

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 42 / 0 / 27 / 22

HEX #74C792

RGB 116 199 146

HSL 141.69, 0.43%, 0.62%

LAB 73.96, -36.98, 18.79

 

CMYK 28 / 0 / 17 / 28

HEX #84B797

RGB 132 183 151

HSL 142.35, 0.26%, 0.62%

LAB 70.18, -23.51, 10.93

 

CMYK 13 / 0 / 8 / 34

HEX #93A89B

RGB 147 168 155

HSL 142.86, 0.11%, 0.62%

LAB 66.96, -9.91, 4.24

 

CMYK 0 / 7 / 2 / 36

HEX #A3989F

RGB 163 152 159

HSL 321.82, 0.06%, 0.62%

LAB 63.95, 5.33, -2.22

 

CMYK 44 / 0 / 53 / 16

HEX #79D764

RGB 121 215 100

HSL 109.04, 0.59%, 0.62%

LAB 78.22, -49.5, 47.67

 

CMYK 53 / 0 / 49 / 16

HEX #64D76E

RGB 100 215 110

HSL 125.22, 0.59%, 0.62%

LAB 77.54, -54.02, 41.88

 

CMYK 53 / 0 / 35 / 16

HEX #64D78C

RGB 100 215 140

HSL 140.87, 0.59%, 0.62%

LAB 78, -49.21, 27.35

 

CMYK 53 / 0 / 20 / 16

HEX #64D7AB

RGB 100 215 171

HSL 157.04, 0.59%, 0.62%

LAB 78.61, -43.02, 11.91

 

CMYK 53 / 0 / 7 / 16

HEX #64D7C9

RGB 100 215 201

HSL 172.7, 0.59%, 0.62%

LAB 79.34, -35.96, -3.03

 

CMYK 75 / 0 / 47 / 27

HEX #2FB962

RGB 47 185 98

HSL 142.17, 0.59%, 0.45%

LAB 66.66, -55.34, 33.89

 

CMYK 67 / 0 / 43 / 19

HEX #44CE76

RGB 68 206 118

HSL 141.74, 0.58%, 0.54%

LAB 73.98, -56.26, 33.19

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 40 / 0 / 26 / 13

HEX #85DFA6

RGB 133 223 166

HSL 142, 0.58%, 0.7%

LAB 82.12, -39.25, 19.65

 

CMYK 28 / 0 / 18 / 9

HEX #A6E8BE

RGB 166 232 190

HSL 141.82, 0.59%, 0.78%

LAB 86.77, -29.17, 13.86

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 53 / 29 / 0 / 16

HEX #6498D7

RGB 100 152 215

HSL 212.87, 0.59%, 0.62%

LAB 61.72, 0.65, -37.44

 

CMYK 0 / 53 / 51 / 16

HEX #D7646A

RGB 215 100 106

HSL 356.87, 0.59%, 0.62%

LAB 56.69, 45.71, 18.63

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 35 / 53 / 0 / 16

HEX #8C64D7

RGB 140 100 215

HSL 260.87, 0.59%, 0.62%

LAB 51.38, 40.83, -53.62

 

CMYK 0 / 35 / 53 / 16

HEX #D78C64

RGB 215 140 100

HSL 20.87, 0.59%, 0.62%

LAB 65.06, 24.37, 33.02

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 53 / 29 / 0 / 16

HEX #6498D7

RGB 100 152 215

HSL 212.87, 0.59%, 0.62%

LAB 61.72, 0.65, -37.44

 

CMYK 0 / 53 / 19 / 16

HEX #D764AF

RGB 215 100 175

HSL 320.87, 0.59%, 0.62%

LAB 58.66, 53.9, -18.67

 

CMYK 0 / 24 / 53 / 16

HEX #D7A364

RGB 215 163 100

HSL 32.87, 0.59%, 0.62%

LAB 70.57, 11.95, 39.92

 

CMYK 53 / 0 / 34 / 16

HEX #64D78E

RGB 100 215 142

HSL 141.91, 0.59%, 0.62%

LAB 78.03, -48.85, 26.36

 

CMYK 53 / 45 / 0 / 16

HEX #6476D7

RGB 100 118 215

HSL 230.61, 0.59%, 0.62%

LAB 52.48, 20.86, -52.04

 

CMYK 0 / 53 / 19 / 16

HEX #D764AF

RGB 215 100 175

HSL 320.87, 0.59%, 0.62%

LAB 58.66, 53.9, -18.67

 

CMYK 0 / 8 / 53 / 16

HEX #D7C664

RGB 215 198 100

HSL 51.13, 0.59%, 0.62%

LAB 79.47, -6.51, 50.63

 

Description

Color code: RGB 100 215 142 | qconv.com Color code: RGB 100 215 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 215 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 215 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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