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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 195 136 it is the complementary color RGB 155 60 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 195 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 195 136 shade: RGB 105 195 131, RGB 122 213 150, RGB 139 231 169, RGB 156 249 188 and RGB 173 255 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 195 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 83 177 117, RGB 66 159 98, RGB 49 141 79 and RGB 32 123 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 100 195 111, RGB 115 195 100, RGB 141 195 100 and RGB 166 195 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 100 195 161, RGB 100 195 187, RGB 100 177 195 and RGB 100 151 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 195 136 shade matches the following richer shades: RGB 100 195 136, RGB 83 212 132, RGB 66 229 128 and RGB 48 247 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 118 177 140, RGB 135 160 144, RGB 152 143 149 and RGB 170 125 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 195 136 shade: RGB 116 195 100, RGB 100 195 110, RGB 100 195 135, RGB 100 195 160 and RGB 100 195 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 195 136 shade: RGB 59 153 95, RGB 71 183 113, RGB 100 195 136, RGB 130 206 159 and RGB 160 218 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 100 141 195 and RGB 195 100 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 135 100 195 and RGB 195 135 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 100 141 195, RGB 195 100 160 and RGB 195 154 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 195 136 shade: RGB 100 195 136, RGB 100 113 195, RGB 195 100 160 and RGB 195 182 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

Complementary color

CMYK 0 / 61 / 23 / 39

HEX #9B3C77

RGB 155 60 119

HSL 322.74, 0.44%, 0.42%

LAB 40.46, 46.2, -13.83

 

CMYK 46 / 0 / 33 / 24

HEX #69C383

RGB 105 195 131

HSL 137.33, 0.43%, 0.59%

LAB 72.01, -41.06, 24.03

 

CMYK 43 / 0 / 30 / 16

HEX #7AD596

RGB 122 213 150

HSL 138.46, 0.52%, 0.66%

LAB 78.42, -40.83, 22.86

 

CMYK 40 / 0 / 27 / 9

HEX #8BE7A9

RGB 139 231 169

HSL 139.57, 0.66%, 0.73%

LAB 84.74, -40.58, 21.76

 

CMYK 37 / 0 / 24 / 2

HEX #9CF9BC

RGB 156 249 188

HSL 140.65, 0.89%, 0.79%

LAB 90.98, -40.33, 20.73

 

CMYK 32 / 0 / 19 / 0

HEX #ADFFCF

RGB 173 255 207

HSL 144.88, 1%, 0.84%

LAB 93.84, -34.64, 15.12

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 53 / 0 / 34 / 31

HEX #53B175

RGB 83 177 117

HSL 141.7, 0.38%, 0.51%

LAB 65.41, -41.6, 22.44

 

CMYK 58 / 0 / 38 / 38

HEX #429F62

RGB 66 159 98

HSL 140.65, 0.41%, 0.44%

LAB 58.82, -41.63, 23.8

 

CMYK 65 / 0 / 44 / 45

HEX #318D4F

RGB 49 141 79

HSL 139.57, 0.48%, 0.37%

LAB 52.14, -41.46, 25.28

 

CMYK 74 / 0 / 51 / 52

HEX #207B3C

RGB 32 123 60

HSL 138.46, 0.59%, 0.3%

LAB 45.36, -40.93, 26.89

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 49 / 0 / 43 / 24

HEX #64C36F

RGB 100 195 111

HSL 126.95, 0.44%, 0.58%

LAB 71.48, -45.8, 33.71

 

CMYK 41 / 0 / 49 / 24

HEX #73C364

RGB 115 195 100

HSL 110.53, 0.44%, 0.58%

LAB 71.96, -42.96, 39.99

 

CMYK 28 / 0 / 49 / 24

HEX #8DC364

RGB 141 195 100

HSL 94.11, 0.44%, 0.58%

LAB 73.29, -34.18, 41.93

 

CMYK 15 / 0 / 49 / 24

HEX #A6C364

RGB 166 195 100

HSL 78.32, 0.44%, 0.58%

LAB 74.86, -24.79, 44.21

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 49 / 0 / 17 / 24

HEX #64C3A1

RGB 100 195 161

HSL 158.53, 0.44%, 0.58%

LAB 72.44, -36.27, 8.49

 

CMYK 49 / 0 / 4 / 24

HEX #64C3BB

RGB 100 195 187

HSL 174.95, 0.44%, 0.58%

LAB 73.11, -30.05, -4.66

 

CMYK 49 / 9 / 0 / 24

HEX #64B1C3

RGB 100 177 195

HSL 191.37, 0.44%, 0.58%

LAB 68.09, -18.92, -16.54

 

CMYK 49 / 23 / 0 / 24

HEX #6497C3

RGB 100 151 195

HSL 207.79, 0.44%, 0.58%

LAB 60.59, -4.84, -28

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 61 / 0 / 38 / 17

HEX #53D484

RGB 83 212 132

HSL 142.79, 0.6%, 0.58%

LAB 76.43, -53.22, 29.3

 

CMYK 71 / 0 / 44 / 10

HEX #42E580

RGB 66 229 128

HSL 142.82, 0.76%, 0.58%

LAB 81.16, -63.28, 37.42

 

CMYK 81 / 0 / 50 / 3

HEX #30F77B

RGB 48 247 123

HSL 142.61, 0.93%, 0.58%

LAB 86.3, -72.41, 46.27

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 33 / 0 / 21 / 31

HEX #76B18C

RGB 118 177 140

HSL 142.37, 0.27%, 0.58%

LAB 67.42, -27.16, 12.94

 

CMYK 16 / 0 / 10 / 37

HEX #87A090

RGB 135 160 144

HSL 141.6, 0.12%, 0.58%

LAB 63.6, -12, 5.43

 

CMYK 0 / 6 / 2 / 40

HEX #988F95

RGB 152 143 149

HSL 320, 0.04%, 0.58%

LAB 60.33, 4.46, -1.99

 

CMYK 0 / 26 / 10 / 33

HEX #AA7D99

RGB 170 125 153

HSL 322.67, 0.21%, 0.58%

LAB 57.57, 22.02, -8.17

 

CMYK 41 / 0 / 49 / 24

HEX #74C364

RGB 116 195 100

HSL 109.89, 0.44%, 0.58%

LAB 72, -42.65, 40.06

 

CMYK 49 / 0 / 44 / 24

HEX #64C36E

RGB 100 195 110

HSL 126.32, 0.44%, 0.58%

LAB 71.46, -45.96, 34.21

 

CMYK 49 / 0 / 31 / 24

HEX #64C387

RGB 100 195 135

HSL 142.11, 0.44%, 0.58%

LAB 71.89, -41.65, 21.7

 

CMYK 49 / 0 / 18 / 24

HEX #64C3A0

RGB 100 195 160

HSL 157.89, 0.44%, 0.58%

LAB 72.41, -36.49, 9

 

CMYK 49 / 0 / 5 / 24

HEX #64C3B9

RGB 100 195 185

HSL 173.68, 0.44%, 0.58%

LAB 73.05, -30.56, -3.66

 

CMYK 61 / 0 / 38 / 40

HEX #3B995F

RGB 59 153 95

HSL 142.98, 0.44%, 0.42%

LAB 56.62, -41.27, 22.48

 

CMYK 61 / 0 / 38 / 28

HEX #47B771

RGB 71 183 113

HSL 142.5, 0.44%, 0.5%

LAB 66.82, -47.64, 26.4

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 37 / 0 / 23 / 19

HEX #82CE9F

RGB 130 206 159

HSL 142.89, 0.44%, 0.66%

LAB 76.92, -33.66, 16.08

 

CMYK 27 / 0 / 17 / 15

HEX #A0DAB6

RGB 160 218 182

HSL 142.76, 0.44%, 0.74%

LAB 82.38, -25.83, 11.79

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 49 / 28 / 0 / 24

HEX #648DC3

RGB 100 141 195

HSL 214.11, 0.44%, 0.58%

LAB 57.75, 0.88, -32.41

 

CMYK 0 / 49 / 47 / 24

HEX #C36467

RGB 195 100 103

HSL 358.11, 0.44%, 0.58%

LAB 53.7, 38.13, 15.83

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 31 / 49 / 0 / 24

HEX #8764C3

RGB 135 100 195

HSL 262.11, 0.44%, 0.58%

LAB 49.74, 34.39, -44.82

 

CMYK 0 / 31 / 49 / 24

HEX #C38764

RGB 195 135 100

HSL 22.11, 0.44%, 0.58%

LAB 61.52, 18.92, 28

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 49 / 28 / 0 / 24

HEX #648DC3

RGB 100 141 195

HSL 214.11, 0.44%, 0.58%

LAB 57.75, 0.88, -32.41

 

CMYK 0 / 49 / 18 / 24

HEX #C364A0

RGB 195 100 160

HSL 322.11, 0.44%, 0.58%

LAB 55.33, 45.39, -15.29

 

CMYK 0 / 21 / 49 / 24

HEX #C39A64

RGB 195 154 100

HSL 34.11, 0.44%, 0.58%

LAB 66.24, 8.49, 34.06

 

CMYK 49 / 0 / 30 / 24

HEX #64C388

RGB 100 195 136

HSL 142.74, 0.44%, 0.58%

LAB 71.9, -41.46, 21.2

 

CMYK 49 / 42 / 0 / 24

HEX #6471C3

RGB 100 113 195

HSL 231.79, 0.44%, 0.58%

LAB 50.05, 17.63, -44.52

 

CMYK 0 / 49 / 18 / 24

HEX #C364A0

RGB 195 100 160

HSL 322.11, 0.44%, 0.58%

LAB 55.33, 45.39, -15.29

 

CMYK 0 / 7 / 49 / 24

HEX #C3B664

RGB 195 182 100

HSL 51.79, 0.44%, 0.58%

LAB 73.53, -6.49, 43.11

 

Description

Color code: RGB 100 195 136 | qconv.com Color code: RGB 100 195 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 195 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 195 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 30 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 30% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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