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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 123 64 it is the complementary color RGB 155 132 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 123 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 123 64 shade: RGB 105 123 59, RGB 122 141 78, RGB 139 159 97, RGB 156 177 116 and RGB 173 195 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 123 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 123 64 shade: RGB 100 123 64, RGB 83 105 45, RGB 66 87 26, RGB 49 69 7 and RGB 32 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 123 64 shade: RGB 101 124 64, RGB 117 124 64, RGB 124 115 64, RGB 124 99 64 and RGB 124 82 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 123 64 shade: RGB 101 124 64, RGB 84 124 64, RGB 68 124 64, RGB 64 124 76 and RGB 64 124 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 123 64 shade matches the following richer shades: RGB 101 124 64, RGB 104 139 48, RGB 107 155 33, RGB 111 170 18 and RGB 114 185 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 123 64 shade: RGB 101 124 64, RGB 97 109 79, RGB 94 94 94, RGB 90 78 109 and RGB 87 63 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 123 64 shade: RGB 124 115 64, RGB 117 124 64, RGB 101 124 64, RGB 85 124 64 and RGB 69 124 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 123 64 shade: RGB 56 70 36, RGB 78 97 50, RGB 101 124 64, RGB 123 151 78 and RGB 144 173 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 123 64 shade: RGB 100 123 64, RGB 64 124 99 and RGB 123 64 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 123 64 shade: RGB 100 123 64, RGB 64 101 124 and RGB 124 64 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 123 64 shade: RGB 100 123 64, RGB 64 124 99, RGB 87 64 124 and RGB 124 64 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 123 64 shade: RGB 100 123 64, RGB 64 124 117, RGB 87 64 124 and RGB 124 64 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 48 / 52

HEX #647B40

RGB 100 123 64

HSL 83.39, 0.32%, 0.37%

LAB 48.57, -18.96, 29.41

 

Complementary color

CMYK 19 / 31 / 0 / 25

HEX #9B84BF

RGB 155 132 191

HSL 263.39, 0.32%, 0.63%

LAB 59.19, 20.72, -27.59

 

CMYK 15 / 0 / 52 / 52

HEX #697B3B

RGB 105 123 59

HSL 76.88, 0.35%, 0.36%

LAB 48.87, -17.45, 32.52

 

CMYK 13 / 0 / 45 / 45

HEX #7A8D4E

RGB 122 141 78

HSL 78.1, 0.29%, 0.43%

LAB 55.82, -17.61, 31.28

 

CMYK 13 / 0 / 39 / 38

HEX #8B9F61

RGB 139 159 97

HSL 79.35, 0.24%, 0.5%

LAB 62.63, -17.71, 30.05

 

CMYK 12 / 0 / 34 / 31

HEX #9CB174

RGB 156 177 116

HSL 80.66, 0.28%, 0.57%

LAB 69.31, -17.76, 28.87

 

CMYK 11 / 0 / 31 / 24

HEX #ADC387

RGB 173 195 135

HSL 82, 0.33%, 0.65%

LAB 75.86, -17.79, 27.75

 

CMYK 19 / 0 / 48 / 52

HEX #647B40

RGB 100 123 64

HSL 83.39, 0.32%, 0.37%

LAB 48.57, -18.96, 29.41

 

CMYK 21 / 0 / 57 / 59

HEX #53692D

RGB 83 105 45

HSL 82, 0.4%, 0.29%

LAB 41.42, -18.84, 30.66

 

CMYK 24 / 0 / 70 / 66

HEX #42571A

RGB 66 87 26

HSL 80.66, 0.54%, 0.22%

LAB 34.09, -18.57, 31.69

 

CMYK 29 / 0 / 90 / 73

HEX #314507

RGB 49 69 7

HSL 79.35, 0.82%, 0.15%

LAB 26.52, -17.99, 31.84

 

CMYK 37 / 0 / 100 / 80

HEX #203300

RGB 32 51 0

HSL 82.35, 1%, 0.1%

LAB 18.69, -16.76, 26.18

 

CMYK 19 / 0 / 48 / 51

HEX #657C40

RGB 101 124 64

HSL 83, 0.32%, 0.37%

LAB 48.95, -19.07, 29.9

 

CMYK 6 / 0 / 48 / 51

HEX #757C40

RGB 117 124 64

HSL 67, 0.32%, 0.37%

LAB 50.18, -12.26, 31.68

 

CMYK 0 / 7 / 48 / 51

HEX #7C7340

RGB 124 115 64

HSL 51, 0.32%, 0.37%

LAB 48.15, -4.13, 29.34

 

CMYK 0 / 20 / 48 / 51

HEX #7C6340

RGB 124 99 64

HSL 35, 0.32%, 0.37%

LAB 43.62, 5.16, 23.65

 

CMYK 0 / 34 / 48 / 51

HEX #7C5240

RGB 124 82 64

HSL 18, 0.32%, 0.37%

LAB 39.05, 15.3, 17.7

 

CMYK 19 / 0 / 48 / 51

HEX #657C40

RGB 101 124 64

HSL 83, 0.32%, 0.37%

LAB 48.95, -19.07, 29.9

 

CMYK 32 / 0 / 48 / 51

HEX #547C40

RGB 84 124 64

HSL 100, 0.32%, 0.37%

LAB 47.84, -25.83, 28.28

 

CMYK 45 / 0 / 48 / 51

HEX #447C40

RGB 68 124 64

HSL 116, 0.32%, 0.37%

LAB 46.99, -31.48, 27.04

 

CMYK 48 / 0 / 39 / 51

HEX #407C4C

RGB 64 124 76

HSL 132, 0.32%, 0.37%

LAB 47.01, -30.72, 20.34

 

CMYK 48 / 0 / 26 / 51

HEX #407C5C

RGB 64 124 92

HSL 148, 0.32%, 0.37%

LAB 47.34, -27.48, 11.55

 

CMYK 19 / 0 / 48 / 51

HEX #657C40

RGB 101 124 64

HSL 83, 0.32%, 0.37%

LAB 48.95, -19.07, 29.9

 

CMYK 25 / 0 / 65 / 45

HEX #688B30

RGB 104 139 48

HSL 83.08, 0.49%, 0.37%

LAB 53.62, -27.08, 43.29

 

CMYK 31 / 0 / 79 / 39

HEX #6B9B21

RGB 107 155 33

HSL 83.61, 0.65%, 0.37%

LAB 58.68, -34.43, 54.21

 

CMYK 35 / 0 / 89 / 33

HEX #6FAA12

RGB 111 170 18

HSL 83.29, 0.81%, 0.37%

LAB 63.49, -40.15, 62.34

 

CMYK 38 / 0 / 98 / 27

HEX #72B903

RGB 114 185 3

HSL 83.41, 0.97%, 0.37%

LAB 68.23, -45.69, 68.3

 

CMYK 19 / 0 / 48 / 51

HEX #657C40

RGB 101 124 64

HSL 83, 0.32%, 0.37%

LAB 48.95, -19.07, 29.9

 

CMYK 11 / 0 / 28 / 57

HEX #616D4F

RGB 97 109 79

HSL 84, 0.16%, 0.37%

LAB 44.29, -10.39, 15.3

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 17 / 28 / 0 / 57

HEX #5A4E6D

RGB 90 78 109

HSL 263.23, 0.17%, 0.37%

LAB 35.45, 11.89, -16.03

 

CMYK 30 / 50 / 0 / 51

HEX #573F7D

RGB 87 63 125

HSL 263.23, 0.33%, 0.37%

LAB 31.95, 24.63, -31.53

 

CMYK 0 / 7 / 48 / 51

HEX #7C7340

RGB 124 115 64

HSL 51, 0.32%, 0.37%

LAB 48.15, -4.13, 29.34

 

CMYK 6 / 0 / 48 / 51

HEX #757C40

RGB 117 124 64

HSL 67, 0.32%, 0.37%

LAB 50.18, -12.26, 31.68

 

CMYK 19 / 0 / 48 / 51

HEX #657C40

RGB 101 124 64

HSL 83, 0.32%, 0.37%

LAB 48.95, -19.07, 29.9

 

CMYK 31 / 0 / 48 / 51

HEX #557C40

RGB 85 124 64

HSL 99, 0.32%, 0.37%

LAB 47.9, -25.45, 28.37

 

CMYK 44 / 0 / 48 / 51

HEX #457C40

RGB 69 124 64

HSL 115, 0.32%, 0.37%

LAB 47.04, -31.15, 27.11

 

CMYK 20 / 0 / 49 / 73

HEX #384624

RGB 56 70 36

HSL 84.71, 0.32%, 0.21%

LAB 27.71, -12.47, 18.64

 

CMYK 20 / 0 / 48 / 62

HEX #4E6132

RGB 78 97 50

HSL 84.26, 0.32%, 0.29%

LAB 38.55, -16.08, 24.38

 

CMYK 19 / 0 / 48 / 51

HEX #657C40

RGB 101 124 64

HSL 83, 0.32%, 0.37%

LAB 48.95, -19.07, 29.9

 

CMYK 19 / 0 / 48 / 41

HEX #7B974E

RGB 123 151 78

HSL 83.01, 0.32%, 0.45%

LAB 58.88, -22.35, 35.07

 

CMYK 17 / 0 / 44 / 32

HEX #90AD61

RGB 144 173 97

HSL 82.89, 0.32%, 0.53%

LAB 67.04, -22.85, 35.72

 

CMYK 19 / 0 / 48 / 52

HEX #647B40

RGB 100 123 64

HSL 83.39, 0.32%, 0.37%

LAB 48.57, -18.96, 29.41

 

CMYK 48 / 0 / 20 / 51

HEX #407C63

RGB 64 124 99

HSL 155, 0.32%, 0.37%

LAB 47.5, -25.89, 7.68

 

CMYK 1 / 48 / 0 / 51

HEX #7B407C

RGB 123 64 124

HSL 299, 0.32%, 0.37%

LAB 36.62, 34.97, -23.26

 

CMYK 19 / 0 / 48 / 52

HEX #647B40

RGB 100 123 64

HSL 83.39, 0.32%, 0.37%

LAB 48.57, -18.96, 29.41

 

CMYK 48 / 19 / 0 / 51

HEX #40657C

RGB 64 101 124

HSL 203, 0.32%, 0.37%

LAB 40.98, -6.41, -16.96

 

CMYK 0 / 48 / 19 / 51

HEX #7C4065

RGB 124 64 101

HSL 323, 0.32%, 0.37%

LAB 35.77, 31.07, -10.14

 

CMYK 19 / 0 / 48 / 52

HEX #647B40

RGB 100 123 64

HSL 83.39, 0.32%, 0.37%

LAB 48.57, -18.96, 29.41

 

CMYK 48 / 0 / 20 / 51

HEX #407C63

RGB 64 124 99

HSL 155, 0.32%, 0.37%

LAB 47.5, -25.89, 7.68

 

CMYK 30 / 48 / 0 / 51

HEX #57407C

RGB 87 64 124

HSL 263, 0.32%, 0.37%

LAB 32.14, 23.73, -30.6

 

CMYK 0 / 48 / 28 / 51

HEX #7C4059

RGB 124 64 89

HSL 335, 0.32%, 0.37%

LAB 35.35, 29.15, -3.17

 

CMYK 19 / 0 / 48 / 52

HEX #647B40

RGB 100 123 64

HSL 83.39, 0.32%, 0.37%

LAB 48.57, -18.96, 29.41

 

CMYK 48 / 0 / 6 / 51

HEX #407C75

RGB 64 124 117

HSL 173, 0.32%, 0.37%

LAB 47.99, -21.34, -2.23

 

CMYK 30 / 48 / 0 / 51

HEX #57407C

RGB 87 64 124

HSL 263, 0.32%, 0.37%

LAB 32.14, 23.73, -30.6

 

CMYK 0 / 48 / 43 / 51

HEX #7C4047

RGB 124 64 71

HSL 353, 0.32%, 0.37%

LAB 34.82, 26.7, 7.53

 

Description

Color code: RGB 100 123 64 | qconv.com Color code: RGB 100 123 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 123 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 123 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 48 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 48% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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