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Color name
RGB 100 11 20

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 11 20 it is the complementary color RGB 155 244 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 11 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 11 20 shade: RGB 105 11 15, RGB 122 29 34, RGB 139 47 53, RGB 156 65 72 and RGB 173 83 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 11 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 83 0 1, RGB 66 0 0, RGB 49 0 0 and RGB 32 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 11 20 shade: RGB 100 11 20 and RGB 100 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 100 11 44, RGB 100 11 68, RGB 100 11 92 and RGB 84 11 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 11 20 shade matches the following richer shades: RGB 100 11 20 and RGB 110 2 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 91 20 27, RGB 82 29 34, RGB 73 38 42 and RGB 64 47 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 11 20 shade: RGB 100 11 69, RGB 100 11 45, RGB 100 11 21, RGB 100 24 11 and RGB 100 48 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 11 20 shade: RGB 26 2 5, RGB 63 7 12, RGB 100 11 20, RGB 138 15 27 and RGB 175 19 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 93 100 11 and RGB 11 57 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 21 100 11 and RGB 11 21 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 93 100 11, RGB 11 100 90 and RGB 18 11 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 11 20 shade: RGB 100 11 20, RGB 66 100 11, RGB 11 100 90 and RGB 45 11 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

Complementary color

CMYK 36 / 0 / 4 / 4

HEX #9BF4EB

RGB 155 244 235

HSL 173.93, 0.8%, 0.78%

LAB 90.63, -28.64, -4.12

 

CMYK 0 / 90 / 86 / 59

HEX #690B0F

RGB 105 11 15

HSL 357.45, 0.81%, 0.23%

LAB 21.12, 39.43, 25.45

 

CMYK 0 / 76 / 72 / 52

HEX #7A1D22

RGB 122 29 34

HSL 356.77, 0.62%, 0.3%

LAB 27.11, 40, 21.18

 

CMYK 0 / 66 / 62 / 45

HEX #8B2F35

RGB 139 47 53

HSL 356.09, 0.49%, 0.36%

LAB 33.52, 39.51, 17.69

 

CMYK 0 / 58 / 54 / 39

HEX #9C4148

RGB 156 65 72

HSL 355.38, 0.41%, 0.43%

LAB 40.11, 38.59, 15.01

 

CMYK 0 / 52 / 47 / 32

HEX #AD535B

RGB 173 83 91

HSL 354.67, 0.35%, 0.5%

LAB 46.75, 37.54, 12.88

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 0 / 100 / 99 / 67

HEX #530001

RGB 83 0 1

HSL 359.28, 1%, 0.16%

LAB 14.63, 35.46, 22.42

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 0 / 89 / 89 / 61

HEX #640B0B

RGB 100 11 11

HSL 0, 0.8%, 0.22%

LAB 19.93, 37.75, 25.73

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 0 / 89 / 56 / 61

HEX #640B2C

RGB 100 11 44

HSL 337.75, 0.8%, 0.22%

LAB 20.56, 39.6, 4.86

 

CMYK 0 / 89 / 32 / 61

HEX #640B44

RGB 100 11 68

HSL 321.57, 0.8%, 0.22%

LAB 21.45, 42.17, -10.59

 

CMYK 0 / 89 / 8 / 61

HEX #640B5C

RGB 100 11 92

HSL 305.39, 0.8%, 0.22%

LAB 22.73, 45.67, -24.82

 

CMYK 16 / 89 / 0 / 61

HEX #540B64

RGB 84 11 100

HSL 289.21, 0.8%, 0.22%

LAB 20.22, 43.8, -34.3

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 0 / 98 / 88 / 57

HEX #6E020D

RGB 110 2 13

HSL 353.89, 0.96%, 0.22%

LAB 21.53, 42.95, 27.25

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 0 / 78 / 70 / 64

HEX #5B141B

RGB 91 20 27

HSL 354.08, 0.64%, 0.22%

LAB 19.24, 32.44, 14.73

 

CMYK 0 / 65 / 59 / 68

HEX #521D22

RGB 82 29 34

HSL 354.34, 0.48%, 0.22%

LAB 19.17, 25.26, 9.42

 

CMYK 0 / 48 / 42 / 71

HEX #49262A

RGB 73 38 42

HSL 353.14, 0.32%, 0.22%

LAB 19.92, 17.01, 4.64

 

CMYK 0 / 27 / 23 / 75

HEX #402F31

RGB 64 47 49

HSL 352.94, 0.15%, 0.22%

LAB 21.37, 8.13, 1.73

 

CMYK 0 / 89 / 31 / 61

HEX #640B45

RGB 100 11 69

HSL 320.9, 0.8%, 0.22%

LAB 21.5, 42.3, -11.21

 

CMYK 0 / 89 / 55 / 61

HEX #640B2D

RGB 100 11 45

HSL 337.08, 0.8%, 0.22%

LAB 20.59, 39.69, 4.19

 

CMYK 0 / 89 / 79 / 61

HEX #640B15

RGB 100 11 21

HSL 353.26, 0.8%, 0.22%

LAB 20.06, 38.11, 20.3

 

CMYK 0 / 76 / 89 / 61

HEX #64180B

RGB 100 24 11

HSL 8.76, 0.8%, 0.22%

LAB 21.53, 33.28, 27.5

 

CMYK 0 / 52 / 89 / 61

HEX #64300B

RGB 100 48 11

HSL 24.94, 0.8%, 0.22%

LAB 26.3, 20.82, 32.23

 

CMYK 0 / 92 / 81 / 90

HEX #1A0205

RGB 26 2 5

HSL 352.5, 0.86%, 0.05%

LAB 2.47, 8.79, 1.82

 

CMYK 0 / 89 / 81 / 75

HEX #3F070C

RGB 63 7 12

HSL 354.64, 0.8%, 0.14%

LAB 10.82, 26.74, 11.91

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 0 / 89 / 80 / 46

HEX #8A0F1B

RGB 138 15 27

HSL 354.15, 0.8%, 0.3%

LAB 28.96, 48.74, 28.65

 

CMYK 0 / 89 / 80 / 31

HEX #AF1323

RGB 175 19 35

HSL 353.85, 0.8%, 0.38%

LAB 37.3, 58.53, 35.03

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 7 / 0 / 89 / 61

HEX #5D640B

RGB 93 100 11

HSL 64.72, 0.8%, 0.22%

LAB 40.35, -13.9, 43.97

 

CMYK 89 / 43 / 0 / 61

HEX #0B3964

RGB 11 57 100

HSL 208.99, 0.8%, 0.22%

LAB 23.4, 2.66, -29.55

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 79 / 0 / 89 / 61

HEX #15640B

RGB 21 100 11

HSL 113.26, 0.8%, 0.22%

LAB 36.55, -40.09, 39.18

 

CMYK 89 / 79 / 0 / 61

HEX #0B1564

RGB 11 21 100

HSL 233.26, 0.8%, 0.22%

LAB 12.78, 28.62, -46.82

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 7 / 0 / 89 / 61

HEX #5D640B

RGB 93 100 11

HSL 64.72, 0.8%, 0.22%

LAB 40.35, -13.9, 43.97

 

CMYK 89 / 0 / 10 / 61

HEX #0B645A

RGB 11 100 90

HSL 173.26, 0.8%, 0.22%

LAB 37.71, -26.59, -1.24

 

CMYK 82 / 89 / 0 / 61

HEX #120B64

RGB 18 11 100

HSL 244.72, 0.8%, 0.22%

LAB 11.19, 34.78, -49.44

 

CMYK 0 / 89 / 80 / 61

HEX #640B14

RGB 100 11 20

HSL 353.93, 0.8%, 0.22%

LAB 20.04, 38.06, 20.95

 

CMYK 34 / 0 / 89 / 61

HEX #42640B

RGB 66 100 11

HSL 82.92, 0.8%, 0.22%

LAB 38.37, -26.13, 41.48

 

CMYK 89 / 0 / 10 / 61

HEX #0B645A

RGB 11 100 90

HSL 173.26, 0.8%, 0.22%

LAB 37.71, -26.59, -1.24

 

CMYK 55 / 89 / 0 / 61

HEX #2D0B64

RGB 45 11 100

HSL 262.92, 0.8%, 0.22%

LAB 13.93, 37.38, -44.83

 

Description

Color code: RGB 100 11 20 | qconv.com Color code: RGB 100 11 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 11 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 11 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 80 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 80% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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