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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 100 220 it is the complementary color RGB 155 155 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 100 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 100 220 shade: RGB 105 100 215, RGB 122 118 234, RGB 139 136 253, RGB 156 154 255 and RGB 173 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 100 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 100 220 shade: RGB 100 100 220, RGB 83 82 201, RGB 66 64 182, RGB 49 46 163 and RGB 32 28 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 100 220 shade: RGB 101 101 220, RGB 133 101 220, RGB 165 101 220, RGB 197 101 220 and RGB 220 101 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 100 220 shade: RGB 101 101 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 100 220 shade matches the following richer shades: RGB 101 101 220, RGB 85 85 235 and RGB 70 70 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 100 220 shade: RGB 101 101 220, RGB 116 116 204, RGB 131 131 189, RGB 147 147 174 and RGB 162 162 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 100 220 shade: RGB 101 164 220, RGB 101 132 220, RGB 101 101 220, RGB 132 101 220 and RGB 164 101 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 100 220 shade: RGB 44 44 194, RGB 67 67 212, RGB 101 101 220, RGB 134 134 227 and RGB 168 168 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 100 220 shade: RGB 100 100 220, RGB 220 101 196 and RGB 148 220 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 100 220 shade: RGB 100 100 220, RGB 220 101 101 and RGB 101 220 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 100 220 shade: RGB 100 100 220, RGB 220 101 196, RGB 220 220 101 and RGB 101 220 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 100 220 shade: RGB 100 100 220, RGB 220 101 160, RGB 220 220 101 and RGB 101 220 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 55 / 0 / 14

HEX #6464DC

RGB 100 100 220

HSL 240, 0.63%, 0.63%

LAB 48.25, 33.42, -61.67

 

Complementary color

CMYK 0 / 0 / 77 / 39

HEX #9B9B23

RGB 155 155 35

HSL 60, 0.63%, 0.37%

LAB 62.11, -14.03, 57.99

 

CMYK 51 / 53 / 0 / 16

HEX #6964D7

RGB 105 100 215

HSL 242.61, 0.59%, 0.62%

LAB 48.29, 32.87, -58.74

 

CMYK 48 / 50 / 0 / 8

HEX #7A76EA

RGB 122 118 234

HSL 242.07, 0.73%, 0.69%

LAB 55.11, 31.48, -58.43

 

CMYK 45 / 46 / 0 / 1

HEX #8B88FD

RGB 139 136 253

HSL 241.54, 0.97%, 0.76%

LAB 61.82, 30.26, -58.14

 

CMYK 39 / 40 / 0 / 0

HEX #9C9AFF

RGB 156 154 255

HSL 241.19, 1%, 0.8%

LAB 67.58, 24.54, -50.01

 

CMYK 32 / 33 / 0 / 0

HEX #ADACFF

RGB 173 172 255

HSL 240.72, 1%, 0.84%

LAB 73.29, 18.85, -40.96

 

CMYK 55 / 55 / 0 / 14

HEX #6464DC

RGB 100 100 220

HSL 240, 0.63%, 0.63%

LAB 48.25, 33.42, -61.67

 

CMYK 59 / 59 / 0 / 21

HEX #5352C9

RGB 83 82 201

HSL 240.5, 0.52%, 0.55%

LAB 41.36, 35.17, -62

 

CMYK 64 / 65 / 0 / 29

HEX #4240B6

RGB 66 64 182

HSL 241.02, 0.48%, 0.48%

LAB 34.4, 37.18, -62.27

 

CMYK 70 / 72 / 0 / 36

HEX #312EA3

RGB 49 46 163

HSL 241.54, 0.56%, 0.41%

LAB 27.44, 39.42, -62.37

 

CMYK 78 / 81 / 0 / 44

HEX #201C90

RGB 32 28 144

HSL 242.07, 0.67%, 0.34%

LAB 20.64, 41.65, -61.97

 

CMYK 54 / 54 / 0 / 14

HEX #6565DC

RGB 101 101 220

HSL 240, 0.63%, 0.63%

LAB 48.56, 33.01, -61.16

 

CMYK 40 / 54 / 0 / 14

HEX #8565DC

RGB 133 101 220

HSL 256.13, 0.63%, 0.63%

LAB 51.22, 39.92, -56.74

 

CMYK 25 / 54 / 0 / 14

HEX #A565DC

RGB 165 101 220

HSL 272.27, 0.63%, 0.63%

LAB 54.53, 47.74, -51.27

 

CMYK 10 / 54 / 0 / 14

HEX #C565DC

RGB 197 101 220

HSL 288.4, 0.63%, 0.63%

LAB 58.36, 56.02, -44.94

 

CMYK 0 / 54 / 5 / 14

HEX #DC65D2

RGB 220 101 210

HSL 305.04, 0.63%, 0.63%

LAB 60.94, 60.37, -35.05

 

CMYK 54 / 54 / 0 / 14

HEX #6565DC

RGB 101 101 220

HSL 240, 0.63%, 0.63%

LAB 48.56, 33.01, -61.16

 

CMYK 54 / 54 / 0 / 14

HEX #6565DC

RGB 101 101 220

HSL 240, 0.63%, 0.63%

LAB 48.56, 33.01, -61.16

 

CMYK 64 / 64 / 0 / 8

HEX #5555EB

RGB 85 85 235

HSL 240, 0.79%, 0.63%

LAB 44.84, 44.72, -75.74

 

CMYK 72 / 72 / 0 / 2

HEX #4646FA

RGB 70 70 250

HSL 240, 0.95%, 0.63%

LAB 42.13, 56.3, -88.66

 

CMYK 54 / 54 / 0 / 14

HEX #6565DC

RGB 101 101 220

HSL 240, 0.63%, 0.63%

LAB 48.56, 33.01, -61.16

 

CMYK 43 / 43 / 0 / 20

HEX #7474CC

RGB 116 116 204

HSL 240, 0.46%, 0.63%

LAB 52.47, 22.42, -45.75

 

CMYK 31 / 31 / 0 / 26

HEX #8383BD

RGB 131 131 189

HSL 240, 0.31%, 0.63%

LAB 56.81, 13.45, -30.3

 

CMYK 16 / 16 / 0 / 32

HEX #9393AE

RGB 147 147 174

HSL 240, 0.14%, 0.63%

LAB 61.76, 5.65, -14.09

 

CMYK 0 / 0 / 2 / 36

HEX #A2A29F

RGB 162 162 159

HSL 60, 0.02%, 0.63%

LAB 66.54, -0.56, 1.55

 

CMYK 54 / 25 / 0 / 14

HEX #65A4DC

RGB 101 164 220

HSL 208.24, 0.63%, 0.63%

LAB 65.35, -4.39, -34.56

 

CMYK 54 / 40 / 0 / 14

HEX #6584DC

RGB 101 132 220

HSL 224.37, 0.63%, 0.63%

LAB 56.52, 14.2, -48.42

 

CMYK 54 / 54 / 0 / 14

HEX #6565DC

RGB 101 101 220

HSL 240, 0.63%, 0.63%

LAB 48.56, 33.01, -61.16

 

CMYK 40 / 54 / 0 / 14

HEX #8465DC

RGB 132 101 220

HSL 255.63, 0.63%, 0.63%

LAB 51.13, 39.69, -56.89

 

CMYK 25 / 54 / 0 / 14

HEX #A465DC

RGB 164 101 220

HSL 271.76, 0.63%, 0.63%

LAB 54.41, 47.49, -51.45

 

CMYK 77 / 77 / 0 / 24

HEX #2C2CC2

RGB 44 44 194

HSL 240, 0.63%, 0.47%

LAB 29.99, 50.33, -76.66

 

CMYK 68 / 68 / 0 / 17

HEX #4343D4

RGB 67 67 212

HSL 240, 0.63%, 0.55%

LAB 37.77, 45.48, -74.26

 

CMYK 54 / 54 / 0 / 14

HEX #6565DC

RGB 101 101 220

HSL 240, 0.63%, 0.63%

LAB 48.56, 33.01, -61.16

 

CMYK 41 / 41 / 0 / 11

HEX #8686E3

RGB 134 134 227

HSL 240, 0.62%, 0.71%

LAB 59.58, 22.84, -47.34

 

CMYK 29 / 29 / 0 / 8

HEX #A8A8EB

RGB 168 168 235

HSL 240, 0.63%, 0.79%

LAB 71.1, 14.7, -33.55

 

CMYK 55 / 55 / 0 / 14

HEX #6464DC

RGB 100 100 220

HSL 240, 0.63%, 0.63%

LAB 48.25, 33.42, -61.67

 

CMYK 0 / 54 / 11 / 14

HEX #DC65C4

RGB 220 101 196

HSL 312.1, 0.63%, 0.63%

LAB 60.35, 58.1, -28.04

 

CMYK 33 / 0 / 54 / 14

HEX #94DC65

RGB 148 220 101

HSL 96.3, 0.63%, 0.63%

LAB 80.97, -42.81, 50.78

 

CMYK 55 / 55 / 0 / 14

HEX #6464DC

RGB 100 100 220

HSL 240, 0.63%, 0.63%

LAB 48.25, 33.42, -61.67

 

CMYK 0 / 54 / 54 / 14

HEX #DC6565

RGB 220 101 101

HSL 0, 0.63%, 0.63%

LAB 57.52, 46.58, 22.78

 

CMYK 54 / 0 / 54 / 14

HEX #65DC65

RGB 101 220 101

HSL 120, 0.63%, 0.63%

LAB 78.98, -56.88, 47.93

 

CMYK 55 / 55 / 0 / 14

HEX #6464DC

RGB 100 100 220

HSL 240, 0.63%, 0.63%

LAB 48.25, 33.42, -61.67

 

CMYK 0 / 54 / 11 / 14

HEX #DC65C4

RGB 220 101 196

HSL 312.1, 0.63%, 0.63%

LAB 60.35, 58.1, -28.04

 

CMYK 0 / 0 / 54 / 14

HEX #DCDC65

RGB 220 220 101

HSL 60, 0.63%, 0.63%

LAB 85.68, -15.49, 57.45

 

CMYK 54 / 0 / 44 / 14

HEX #65DC7C

RGB 101 220 124

HSL 131.6, 0.63%, 0.63%

LAB 79.28, -53.67, 37.18

 

CMYK 55 / 55 / 0 / 14

HEX #6464DC

RGB 100 100 220

HSL 240, 0.63%, 0.63%

LAB 48.25, 33.42, -61.67

 

CMYK 0 / 54 / 27 / 14

HEX #DC65A0

RGB 220 101 160

HSL 330.25, 0.63%, 0.63%

LAB 59.03, 52.88, -9.37

 

CMYK 0 / 0 / 54 / 14

HEX #DCDC65

RGB 220 220 101

HSL 60, 0.63%, 0.63%

LAB 85.68, -15.49, 57.45

 

CMYK 54 / 0 / 27 / 14

HEX #65DCA0

RGB 101 220 160

HSL 149.75, 0.63%, 0.63%

LAB 79.89, -47.25, 19.52

 

Description

Color code: RGB 100 100 220 | qconv.com Color code: RGB 100 100 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 100 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 100 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 55 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 55% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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