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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 241 137 it is the complementary color RGB 242 14 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 241 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 241 137 shade: RGB 18 241 132, RGB 35 255 151, RGB 52 255 170, RGB 69 255 189 and RGB 86 255 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 241 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 241 137 shade: RGB 13 241 137, RGB 0 223 118, RGB 0 205 99, RGB 0 187 80 and RGB 0 169 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 241 137 shade: RGB 12 242 137, RGB 12 242 75, RGB 12 242 13, RGB 73 242 12 and RGB 135 242 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 241 137 shade: RGB 12 242 137, RGB 12 242 199, RGB 12 223 242, RGB 12 161 242 and RGB 12 99 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 241 137 shade matches the following richer shades: RGB 12 242 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 241 137 shade: RGB 12 242 137, RGB 33 221 135, RGB 54 200 133, RGB 74 180 132 and RGB 95 159 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 241 137 shade: RGB 12 242 12, RGB 12 242 73, RGB 12 242 135, RGB 12 242 196 and RGB 12 226 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 241 137 shade: RGB 8 163 93, RGB 10 203 115, RGB 12 242 137, RGB 51 244 156 and RGB 91 246 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 241 137 shade: RGB 13 241 137, RGB 12 73 242 and RGB 242 43 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 241 137 shade: RGB 13 241 137, RGB 135 12 242 and RGB 242 135 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 241 137 shade: RGB 13 241 137, RGB 12 73 242, RGB 242 12 119 and RGB 242 181 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 241 137 shade: RGB 13 241 137, RGB 20 12 242, RGB 242 12 119 and RGB 234 242 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 43 / 5

HEX #0DF189

RGB 13 241 137

HSL 152.63, 0.9%, 0.5%

LAB 84.38, -70.46, 37.03

 

Complementary color

CMYK 0 / 94 / 51 / 5

HEX #F20E76

RGB 242 14 118

HSL 332.63, 0.9%, 0.5%

LAB 52.4, 80.02, 6.19

 

CMYK 93 / 0 / 45 / 5

HEX #12F184

RGB 18 241 132

HSL 150.67, 0.89%, 0.51%

LAB 84.33, -71.14, 39.42

 

CMYK 86 / 0 / 41 / 0

HEX #23FF97

RGB 35 255 151

HSL 151.64, 1%, 0.57%

LAB 88.98, -71.52, 36.14

 

CMYK 80 / 0 / 33 / 0

HEX #34FFAA

RGB 52 255 170

HSL 154.88, 1%, 0.6%

LAB 89.46, -66.54, 27.34

 

CMYK 73 / 0 / 26 / 0

HEX #45FFBD

RGB 69 255 189

HSL 158.71, 1%, 0.64%

LAB 90.07, -60.7, 18.55

 

CMYK 66 / 0 / 18 / 0

HEX #56FFD0

RGB 86 255 208

HSL 163.31, 1%, 0.67%

LAB 90.8, -54.11, 9.86

 

CMYK 95 / 0 / 43 / 5

HEX #0DF189

RGB 13 241 137

HSL 152.63, 0.9%, 0.5%

LAB 84.38, -70.46, 37.03

 

CMYK 100 / 0 / 47 / 13

HEX #00DF76

RGB 0 223 118

HSL 151.75, 1%, 0.44%

LAB 78.51, -68.24, 38.84

 

CMYK 100 / 0 / 52 / 20

HEX #00CD63

RGB 0 205 99

HSL 148.98, 1%, 0.4%

LAB 72.6, -65.52, 40.74

 

CMYK 100 / 0 / 57 / 27

HEX #00BB50

RGB 0 187 80

HSL 145.67, 1%, 0.37%

LAB 66.61, -62.61, 42.59

 

CMYK 100 / 0 / 64 / 34

HEX #00A93D

RGB 0 169 61

HSL 141.66, 1%, 0.33%

LAB 60.53, -59.48, 44.29

 

CMYK 95 / 0 / 43 / 5

HEX #0CF289

RGB 12 242 137

HSL 152.61, 0.91%, 0.5%

LAB 84.68, -70.82, 37.42

 

CMYK 95 / 0 / 69 / 5

HEX #0CF24B

RGB 12 242 75

HSL 136.43, 0.91%, 0.5%

LAB 84.01, -79.05, 64.16

 

CMYK 95 / 0 / 95 / 5

HEX #0CF20D

RGB 12 242 13

HSL 120.26, 0.91%, 0.5%

LAB 83.76, -82.26, 78.93

 

CMYK 70 / 0 / 95 / 5

HEX #49F20C

RGB 73 242 12

HSL 104.09, 0.91%, 0.5%

LAB 84.46, -76.11, 79.88

 

CMYK 44 / 0 / 95 / 5

HEX #87F20C

RGB 135 242 12

HSL 87.91, 0.91%, 0.5%

LAB 86.35, -60.88, 82.19

 

CMYK 95 / 0 / 43 / 5

HEX #0CF289

RGB 12 242 137

HSL 152.61, 0.91%, 0.5%

LAB 84.68, -70.82, 37.42

 

CMYK 95 / 0 / 18 / 5

HEX #0CF2C7

RGB 12 242 199

HSL 168.78, 0.91%, 0.5%

LAB 85.86, -57.57, 7.32

 

CMYK 95 / 8 / 0 / 5

HEX #0CDFF2

RGB 12 223 242

HSL 184.96, 0.91%, 0.5%

LAB 81.44, -37.44, -21.9

 

CMYK 95 / 33 / 0 / 5

HEX #0CA1F2

RGB 12 161 242

HSL 201.13, 0.91%, 0.5%

LAB 63.33, -5.61, -49.99

 

CMYK 95 / 59 / 0 / 5

HEX #0C63F2

RGB 12 99 242

HSL 217.3, 0.91%, 0.5%

LAB 46.19, 32.46, -77.56

 

CMYK 95 / 0 / 43 / 5

HEX #0CF289

RGB 12 242 137

HSL 152.61, 0.91%, 0.5%

LAB 84.68, -70.82, 37.42

 

CMYK 95 / 0 / 43 / 5

HEX #0CF289

RGB 12 242 137

HSL 152.61, 0.91%, 0.5%

LAB 84.68, -70.82, 37.42

 

CMYK 85 / 0 / 39 / 13

HEX #21DD87

RGB 33 221 135

HSL 152.55, 0.74%, 0.5%

LAB 78.34, -62.98, 30.13

 

CMYK 73 / 0 / 34 / 22

HEX #36C885

RGB 54 200 133

HSL 152.47, 0.57%, 0.5%

LAB 72.09, -53.41, 22.82

 

CMYK 59 / 0 / 27 / 29

HEX #4AB484

RGB 74 180 132

HSL 152.83, 0.42%, 0.5%

LAB 66.34, -41.94, 15.54

 

CMYK 40 / 0 / 18 / 38

HEX #5F9F82

RGB 95 159 130

HSL 152.81, 0.25%, 0.5%

LAB 60.64, -27.38, 8.75

 

CMYK 95 / 0 / 95 / 5

HEX #0CF20C

RGB 12 242 12

HSL 120, 0.91%, 0.5%

LAB 83.76, -82.28, 79.02

 

CMYK 95 / 0 / 70 / 5

HEX #0CF249

RGB 12 242 73

HSL 135.91, 0.91%, 0.5%

LAB 84, -79.23, 64.88

 

CMYK 95 / 0 / 44 / 5

HEX #0CF287

RGB 12 242 135

HSL 152.09, 0.91%, 0.5%

LAB 84.65, -71.17, 38.36

 

CMYK 95 / 0 / 19 / 5

HEX #0CF2C4

RGB 12 242 196

HSL 168, 0.91%, 0.5%

LAB 85.79, -58.31, 8.79

 

CMYK 95 / 7 / 0 / 5

HEX #0CE2F2

RGB 12 226 242

HSL 184.17, 0.91%, 0.5%

LAB 82.32, -38.82, -20.57

 

CMYK 95 / 0 / 43 / 36

HEX #08A35D

RGB 8 163 93

HSL 152.9, 0.91%, 0.34%

LAB 59.01, -52.07, 26.55

 

CMYK 95 / 0 / 43 / 20

HEX #0ACB73

RGB 10 203 115

HSL 152.64, 0.91%, 0.42%

LAB 72.24, -61.8, 32.3

 

CMYK 95 / 0 / 43 / 5

HEX #0CF289

RGB 12 242 137

HSL 152.61, 0.91%, 0.5%

LAB 84.68, -70.82, 37.42

 

CMYK 79 / 0 / 36 / 4

HEX #33F49C

RGB 51 244 156

HSL 152.64, 0.9%, 0.58%

LAB 85.91, -65.46, 29.6

 

CMYK 63 / 0 / 29 / 4

HEX #5BF6AF

RGB 91 246 175

HSL 152.52, 0.9%, 0.66%

LAB 87.6, -56.82, 22.35

 

CMYK 95 / 0 / 43 / 5

HEX #0DF189

RGB 13 241 137

HSL 152.63, 0.9%, 0.5%

LAB 84.38, -70.46, 37.03

 

CMYK 95 / 70 / 0 / 5

HEX #0C49F2

RGB 12 73 242

HSL 224.09, 0.91%, 0.5%

LAB 40.01, 48.68, -87.74

 

CMYK 0 / 82 / 95 / 5

HEX #F22B0C

RGB 242 43 12

HSL 8.09, 0.91%, 0.5%

LAB 52.54, 71.43, 62.49

 

CMYK 95 / 0 / 43 / 5

HEX #0DF189

RGB 13 241 137

HSL 152.63, 0.9%, 0.5%

LAB 84.38, -70.46, 37.03

 

CMYK 44 / 95 / 0 / 5

HEX #870CF2

RGB 135 12 242

HSL 272.09, 0.91%, 0.5%

LAB 40.94, 79.78, -85.92

 

CMYK 0 / 44 / 95 / 5

HEX #F2870C

RGB 242 135 12

HSL 32.09, 0.91%, 0.5%

LAB 66.7, 34.25, 71.19

 

CMYK 95 / 0 / 43 / 5

HEX #0DF189

RGB 13 241 137

HSL 152.63, 0.9%, 0.5%

LAB 84.38, -70.46, 37.03

 

CMYK 95 / 70 / 0 / 5

HEX #0C49F2

RGB 12 73 242

HSL 224.09, 0.91%, 0.5%

LAB 40.01, 48.68, -87.74

 

CMYK 0 / 95 / 51 / 5

HEX #F20C77

RGB 242 12 119

HSL 332.09, 0.91%, 0.5%

LAB 52.37, 80.26, 5.54

 

CMYK 0 / 25 / 95 / 5

HEX #F2B50C

RGB 242 181 12

HSL 44.09, 0.91%, 0.5%

LAB 77.25, 10.13, 78.54

 

CMYK 95 / 0 / 43 / 5

HEX #0DF189

RGB 13 241 137

HSL 152.63, 0.9%, 0.5%

LAB 84.38, -70.46, 37.03

 

CMYK 92 / 95 / 0 / 5

HEX #140CF2

RGB 20 12 242

HSL 242.09, 0.91%, 0.5%

LAB 31.4, 74.32, -102.04

 

CMYK 0 / 95 / 51 / 5

HEX #F20C77

RGB 242 12 119

HSL 332.09, 0.91%, 0.5%

LAB 52.37, 80.26, 5.54

 

CMYK 3 / 0 / 95 / 5

HEX #EAF20C

RGB 234 242 12

HSL 62.09, 0.91%, 0.5%

LAB 92.14, -23.93, 89.19

 

Description

Color code: RGB 13 241 137 | qconv.com Color code: RGB 13 241 137 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 241 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 241 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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