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Color name
RGB 13 215 163

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 215 163 it is the complementary color RGB 242 40 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 215 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 215 163 shade: RGB 18 215 158, RGB 35 233 177, RGB 52 251 196, RGB 69 255 215 and RGB 86 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 215 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 215 163 shade: RGB 13 215 163, RGB 0 197 144, RGB 0 179 125, RGB 0 161 106 and RGB 0 143 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 215 163 shade: RGB 12 216 164, RGB 12 216 109, RGB 12 216 54, RGB 26 216 12 and RGB 81 216 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 215 163 shade: RGB 12 216 164, RGB 12 214 216, RGB 12 159 216, RGB 12 104 216 and RGB 12 49 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 215 163 shade matches the following richer shades: RGB 12 216 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 215 163 shade: RGB 12 216 164, RGB 31 198 155, RGB 49 179 146, RGB 68 161 137 and RGB 86 142 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 215 163 shade: RGB 12 216 53, RGB 12 216 107, RGB 12 216 162, RGB 12 216 216 and RGB 12 162 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 215 163 shade: RGB 8 138 105, RGB 10 177 134, RGB 12 216 164, RGB 28 241 187 and RGB 67 244 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 215 163 shade: RGB 13 215 163, RGB 12 26 216 and RGB 216 80 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 215 163 shade: RGB 13 215 163, RGB 162 12 216 and RGB 216 162 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 215 163 shade: RGB 13 215 163, RGB 12 26 216, RGB 216 12 67 and RGB 216 203 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 215 163 shade: RGB 13 215 163, RGB 60 12 216, RGB 216 12 67 and RGB 169 216 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 24 / 16

HEX #0DD7A3

RGB 13 215 163

HSL 164.55, 0.89%, 0.45%

LAB 76.88, -55.88, 13.49

 

Complementary color

CMYK 0 / 83 / 62 / 5

HEX #F2285C

RGB 242 40 92

HSL 344.55, 0.89%, 0.55%

LAB 53.13, 74.54, 22.94

 

CMYK 92 / 0 / 27 / 16

HEX #12D79E

RGB 18 215 158

HSL 162.64, 0.85%, 0.46%

LAB 76.8, -56.86, 16.03

 

CMYK 85 / 0 / 24 / 9

HEX #23E9B1

RGB 35 233 177

HSL 163.03, 0.82%, 0.53%

LAB 82.81, -58.32, 14.5

 

CMYK 79 / 0 / 22 / 2

HEX #34FBC4

RGB 52 251 196

HSL 163.42, 0.96%, 0.59%

LAB 88.79, -59.45, 13.1

 

CMYK 73 / 0 / 16 / 0

HEX #45FFD7

RGB 69 255 215

HSL 167.1, 1%, 0.64%

LAB 90.64, -54.74, 5.96

 

CMYK 66 / 0 / 8 / 0

HEX #56FFEA

RGB 86 255 234

HSL 172.54, 1%, 0.67%

LAB 91.43, -47.81, -2.68

 

CMYK 94 / 0 / 24 / 16

HEX #0DD7A3

RGB 13 215 163

HSL 164.55, 0.89%, 0.45%

LAB 76.88, -55.88, 13.49

 

CMYK 100 / 0 / 27 / 23

HEX #00C590

RGB 0 197 144

HSL 163.86, 1%, 0.39%

LAB 70.83, -53.92, 15.15

 

CMYK 100 / 0 / 30 / 30

HEX #00B37D

RGB 0 179 125

HSL 161.9, 1%, 0.35%

LAB 64.74, -51.51, 16.96

 

CMYK 100 / 0 / 34 / 37

HEX #00A16A

RGB 0 161 106

HSL 159.5, 1%, 0.32%

LAB 58.54, -49.01, 18.85

 

CMYK 100 / 0 / 39 / 44

HEX #008F57

RGB 0 143 87

HSL 156.5, 1%, 0.28%

LAB 52.21, -46.41, 20.84

 

CMYK 94 / 0 / 24 / 15

HEX #0CD8A4

RGB 12 216 164

HSL 164.71, 0.89%, 0.45%

LAB 77.2, -56.06, 13.42

 

CMYK 94 / 0 / 50 / 15

HEX #0CD86D

RGB 12 216 109

HSL 148.53, 0.89%, 0.45%

LAB 76.25, -67.06, 40.41

 

CMYK 94 / 0 / 75 / 15

HEX #0CD836

RGB 12 216 54

HSL 132.35, 0.89%, 0.45%

LAB 75.73, -73.46, 63.08

 

CMYK 88 / 0 / 94 / 15

HEX #1AD80C

RGB 26 216 12

HSL 115.88, 0.89%, 0.45%

LAB 75.67, -74.58, 72.4

 

CMYK 63 / 0 / 94 / 15

HEX #51D80C

RGB 81 216 12

HSL 99.71, 0.89%, 0.45%

LAB 76.61, -66.43, 73.55

 

CMYK 94 / 0 / 24 / 15

HEX #0CD8A4

RGB 12 216 164

HSL 164.71, 0.89%, 0.45%

LAB 77.2, -56.06, 13.42

 

CMYK 94 / 1 / 0 / 15

HEX #0CD6D8

RGB 12 214 216

HSL 180.59, 0.89%, 0.45%

LAB 77.95, -41.22, -13.29

 

CMYK 94 / 26 / 0 / 15

HEX #0C9FD8

RGB 12 159 216

HSL 196.76, 0.89%, 0.45%

LAB 61.51, -13.97, -38.49

 

CMYK 94 / 52 / 0 / 15

HEX #0C68D8

RGB 12 104 216

HSL 212.94, 0.89%, 0.45%

LAB 45.55, 19.14, -63.93

 

CMYK 94 / 77 / 0 / 15

HEX #0C31D8

RGB 12 49 216

HSL 229.12, 0.89%, 0.45%

LAB 32.33, 53.48, -85.63

 

CMYK 94 / 0 / 24 / 15

HEX #0CD8A4

RGB 12 216 164

HSL 164.71, 0.89%, 0.45%

LAB 77.2, -56.06, 13.42

 

CMYK 94 / 0 / 24 / 15

HEX #0CD8A4

RGB 12 216 164

HSL 164.71, 0.89%, 0.45%

LAB 77.2, -56.06, 13.42

 

CMYK 84 / 0 / 22 / 22

HEX #1FC69B

RGB 31 198 155

HSL 164.55, 0.73%, 0.45%

LAB 71.59, -50.16, 10.31

 

CMYK 73 / 0 / 18 / 30

HEX #31B392

RGB 49 179 146

HSL 164.77, 0.57%, 0.45%

LAB 65.72, -42.61, 6.9

 

CMYK 58 / 0 / 15 / 37

HEX #44A189

RGB 68 161 137

HSL 164.52, 0.41%, 0.45%

LAB 60.36, -33.52, 4.26

 

CMYK 39 / 0 / 10 / 44

HEX #568E80

RGB 86 142 128

HSL 165, 0.25%, 0.45%

LAB 54.95, -21.88, 1.65

 

CMYK 94 / 0 / 75 / 15

HEX #0CD835

RGB 12 216 53

HSL 132.06, 0.89%, 0.45%

LAB 75.73, -73.53, 63.41

 

CMYK 94 / 0 / 50 / 15

HEX #0CD86B

RGB 12 216 107

HSL 147.94, 0.89%, 0.45%

LAB 76.22, -67.37, 41.35

 

CMYK 94 / 0 / 25 / 15

HEX #0CD8A2

RGB 12 216 162

HSL 164.12, 0.89%, 0.45%

LAB 77.16, -56.53, 14.42

 

CMYK 94 / 0 / 0 / 15

HEX #0CD8D8

RGB 12 216 216

HSL 180, 0.89%, 0.45%

LAB 78.55, -42.12, -12.4

 

CMYK 94 / 25 / 0 / 15

HEX #0CA2D8

RGB 12 162 216

HSL 195.88, 0.89%, 0.45%

LAB 62.4, -15.61, -37.09

 

CMYK 94 / 0 / 24 / 46

HEX #088A69

RGB 8 138 105

HSL 164.77, 0.89%, 0.29%

LAB 50.98, -39.7, 8.93

 

CMYK 94 / 0 / 24 / 31

HEX #0AB186

RGB 10 177 134

HSL 164.55, 0.89%, 0.37%

LAB 64.35, -48.18, 11.49

 

CMYK 94 / 0 / 24 / 15

HEX #0CD8A4

RGB 12 216 164

HSL 164.71, 0.89%, 0.45%

LAB 77.2, -56.06, 13.42

 

CMYK 88 / 0 / 22 / 5

HEX #1CF1BB

RGB 28 241 187

HSL 164.79, 0.88%, 0.53%

LAB 85.38, -59.47, 12.9

 

CMYK 73 / 0 / 19 / 4

HEX #43F4C6

RGB 67 244 198

HSL 164.41, 0.89%, 0.61%

LAB 86.98, -54.6, 9.53

 

CMYK 94 / 0 / 24 / 16

HEX #0DD7A3

RGB 13 215 163

HSL 164.55, 0.89%, 0.45%

LAB 76.88, -55.88, 13.49

 

CMYK 94 / 88 / 0 / 15

HEX #0C1AD8

RGB 12 26 216

HSL 235.88, 0.89%, 0.45%

LAB 28.84, 63.79, -91.44

 

CMYK 0 / 63 / 94 / 15

HEX #D8500C

RGB 216 80 12

HSL 20, 0.89%, 0.45%

LAB 52.24, 50.95, 59.84

 

CMYK 94 / 0 / 24 / 16

HEX #0DD7A3

RGB 13 215 163

HSL 164.55, 0.89%, 0.45%

LAB 76.88, -55.88, 13.49

 

CMYK 25 / 94 / 0 / 15

HEX #A20CD8

RGB 162 12 216

HSL 284.12, 0.89%, 0.45%

LAB 42.62, 77.75, -68.21

 

CMYK 0 / 25 / 94 / 15

HEX #D8A20C

RGB 216 162 12

HSL 44.12, 0.89%, 0.45%

LAB 69.8, 8.9, 71.9

 

CMYK 94 / 0 / 24 / 16

HEX #0DD7A3

RGB 13 215 163

HSL 164.55, 0.89%, 0.45%

LAB 76.88, -55.88, 13.49

 

CMYK 94 / 88 / 0 / 15

HEX #0C1AD8

RGB 12 26 216

HSL 235.88, 0.89%, 0.45%

LAB 28.84, 63.79, -91.44

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 0 / 6 / 94 / 15

HEX #D8CB0C

RGB 216 203 12

HSL 56.18, 0.89%, 0.45%

LAB 80.37, -12.45, 79.7

 

CMYK 94 / 0 / 24 / 16

HEX #0DD7A3

RGB 13 215 163

HSL 164.55, 0.89%, 0.45%

LAB 76.88, -55.88, 13.49

 

CMYK 72 / 94 / 0 / 15

HEX #3C0CD8

RGB 60 12 216

HSL 254.12, 0.89%, 0.45%

LAB 29.87, 68.79, -89.67

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 22 / 0 / 94 / 15

HEX #A9D80C

RGB 169 216 12

HSL 73.82, 0.89%, 0.45%

LAB 80.5, -38.21, 78.3

 

Description

Color code: RGB 13 215 163 | qconv.com Color code: RGB 13 215 163 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 215 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 215 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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