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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 206 31 it is the complementary color RGB 242 49 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 206 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 206 31 shade: RGB 18 206 26, RGB 35 224 45, RGB 52 242 64, RGB 69 255 83 and RGB 86 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 206 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 0 188 12, RGB 0 170 0, RGB 0 152 0 and RGB 0 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 47 206 13, RGB 99 206 13, RGB 151 206 13 and RGB 203 206 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 13 206 83, RGB 13 206 135, RGB 13 206 187 and RGB 13 172 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 206 31 shade matches the following richer shades: RGB 13 206 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 30 188 45, RGB 48 170 60, RGB 66 152 74 and RGB 84 135 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 206 31 shade: RGB 100 206 13, RGB 48 206 13, RGB 13 206 29, RGB 13 206 80 and RGB 13 206 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 206 31 shade: RGB 8 128 19, RGB 10 167 25, RGB 13 206 31, RGB 20 240 41 and RGB 59 242 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 13 151 206 and RGB 206 13 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 29 13 206 and RGB 206 29 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 13 151 206, RGB 206 13 190 and RGB 206 67 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 206 31 shade: RGB 13 206 31, RGB 13 93 206, RGB 206 13 190 and RGB 206 125 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

Complementary color

CMYK 0 / 80 / 7 / 5

HEX #F231E0

RGB 242 49 224

HSL 305.6, 0.88%, 0.57%

LAB 58.47, 85.77, -46.6

 

CMYK 91 / 0 / 87 / 19

HEX #12CE1A

RGB 18 206 26

HSL 122.55, 0.84%, 0.44%

LAB 72.46, -71.95, 67.54

 

CMYK 84 / 0 / 80 / 12

HEX #23E02D

RGB 35 224 45

HSL 123.17, 0.75%, 0.51%

LAB 78.38, -74.82, 68.43

 

CMYK 79 / 0 / 74 / 5

HEX #34F240

RGB 52 242 64

HSL 123.79, 0.88%, 0.58%

LAB 84.28, -76.98, 68.41

 

CMYK 73 / 0 / 67 / 0

HEX #45FF53

RGB 69 255 83

HSL 124.52, 1%, 0.64%

LAB 88.64, -77.05, 66.24

 

CMYK 66 / 0 / 60 / 0

HEX #56FF66

RGB 86 255 102

HSL 125.68, 1%, 0.67%

LAB 89.14, -72.36, 59.25

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 100 / 0 / 94 / 26

HEX #00BC0C

RGB 0 188 12

HSL 123.83, 1%, 0.37%

LAB 66.51, -68.27, 64.73

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 77 / 0 / 94 / 19

HEX #2FCE0D

RGB 47 206 13

HSL 109.43, 0.88%, 0.43%

LAB 72.74, -69.52, 69.96

 

CMYK 52 / 0 / 94 / 19

HEX #63CE0D

RGB 99 206 13

HSL 93.26, 0.88%, 0.43%

LAB 74.08, -58.41, 71.61

 

CMYK 27 / 0 / 94 / 19

HEX #97CE0D

RGB 151 206 13

HSL 77.1, 0.88%, 0.43%

LAB 76.53, -40.76, 74.6

 

CMYK 1 / 0 / 94 / 19

HEX #CBCE0D

RGB 203 206 13

HSL 60.93, 0.88%, 0.43%

LAB 80.11, -19.5, 78.93

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 94 / 0 / 60 / 19

HEX #0DCE53

RGB 13 206 83

HSL 141.76, 0.88%, 0.43%

LAB 72.79, -67.59, 48.47

 

CMYK 94 / 0 / 34 / 19

HEX #0DCE87

RGB 13 206 135

HSL 157.93, 0.88%, 0.43%

LAB 73.53, -58.81, 23.65

 

CMYK 94 / 0 / 9 / 19

HEX #0DCEBB

RGB 13 206 187

HSL 174.09, 0.88%, 0.43%

LAB 74.71, -46.05, -2.5

 

CMYK 94 / 17 / 0 / 19

HEX #0DACCE

RGB 13 172 206

HSL 190.57, 0.88%, 0.43%

LAB 65, -24.32, -27.52

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 84 / 0 / 76 / 26

HEX #1EBC2D

RGB 30 188 45

HSL 125.7, 0.72%, 0.43%

LAB 66.85, -64.79, 57.32

 

CMYK 72 / 0 / 65 / 33

HEX #30AA3C

RGB 48 170 60

HSL 125.9, 0.56%, 0.43%

LAB 61.4, -55.2, 45.86

 

CMYK 57 / 0 / 51 / 40

HEX #42984A

RGB 66 152 74

HSL 125.58, 0.39%, 0.43%

LAB 56.2, -42.74, 33.18

 

CMYK 38 / 0 / 35 / 47

HEX #548758

RGB 84 135 88

HSL 124.71, 0.23%, 0.43%

LAB 51.74, -27.43, 20.03

 

CMYK 51 / 0 / 94 / 19

HEX #64CE0D

RGB 100 206 13

HSL 92.95, 0.88%, 0.43%

LAB 74.11, -58.12, 71.65

 

CMYK 77 / 0 / 94 / 19

HEX #30CE0D

RGB 48 206 13

HSL 109.12, 0.88%, 0.43%

LAB 72.76, -69.38, 69.98

 

CMYK 94 / 0 / 86 / 19

HEX #0DCE1D

RGB 13 206 29

HSL 124.97, 0.88%, 0.43%

LAB 72.44, -72.09, 66.9

 

CMYK 94 / 0 / 61 / 19

HEX #0DCE50

RGB 13 206 80

HSL 140.83, 0.88%, 0.43%

LAB 72.76, -67.97, 49.77

 

CMYK 94 / 0 / 36 / 19

HEX #0DCE84

RGB 13 206 132

HSL 156.99, 0.88%, 0.43%

LAB 73.48, -59.44, 25.15

 

CMYK 94 / 0 / 85 / 50

HEX #088013

RGB 8 128 19

HSL 125.5, 0.88%, 0.27%

LAB 46.36, -50.25, 45.82

 

CMYK 94 / 0 / 85 / 35

HEX #0AA719

RGB 10 167 25

HSL 125.73, 0.89%, 0.35%

LAB 59.68, -61.41, 56.39

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 92 / 0 / 83 / 6

HEX #14F029

RGB 20 240 41

HSL 125.73, 0.88%, 0.51%

LAB 83.25, -80.5, 73.89

 

CMYK 76 / 0 / 69 / 5

HEX #3BF24C

RGB 59 242 76

HSL 125.57, 0.88%, 0.59%

LAB 84.46, -75.12, 64.39

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 94 / 27 / 0 / 19

HEX #0D97CE

RGB 13 151 206

HSL 197.1, 0.88%, 0.43%

LAB 58.67, -13.14, -37.35

 

CMYK 0 / 94 / 64 / 19

HEX #CE0D4A

RGB 206 13 74

HSL 341.04, 0.88%, 0.43%

LAB 44.1, 68.98, 20.73

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 86 / 94 / 0 / 19

HEX #1D0DCE

RGB 29 13 206

HSL 244.97, 0.88%, 0.43%

LAB 26.75, 65.1, -89.1

 

CMYK 0 / 86 / 94 / 19

HEX #CE1D0D

RGB 206 29 13

HSL 4.97, 0.88%, 0.43%

LAB 44.28, 64.62, 53.74

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 94 / 27 / 0 / 19

HEX #0D97CE

RGB 13 151 206

HSL 197.1, 0.88%, 0.43%

LAB 58.67, -13.14, -37.35

 

CMYK 0 / 94 / 8 / 19

HEX #CE0DBE

RGB 206 13 190

HSL 304.97, 0.88%, 0.43%

LAB 48.42, 80.34, -43.42

 

CMYK 0 / 67 / 94 / 19

HEX #CE430D

RGB 206 67 13

HSL 16.79, 0.88%, 0.43%

LAB 48.47, 52.96, 56.33

 

CMYK 94 / 0 / 85 / 19

HEX #0DCE1F

RGB 13 206 31

HSL 125.6, 0.88%, 0.43%

LAB 72.45, -72, 66.46

 

CMYK 94 / 55 / 0 / 19

HEX #0D5DCE

RGB 13 93 206

HSL 215.13, 0.88%, 0.43%

LAB 41.8, 22.39, -64.3

 

CMYK 0 / 94 / 8 / 19

HEX #CE0DBE

RGB 206 13 190

HSL 304.97, 0.88%, 0.43%

LAB 48.42, 80.34, -43.42

 

CMYK 0 / 39 / 94 / 19

HEX #CE7D0D

RGB 206 125 13

HSL 34.82, 0.88%, 0.43%

LAB 59.72, 24.53, 63.97

 

Description

Color code: RGB 13 206 31 | qconv.com Color code: RGB 13 206 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 206 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 206 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 85 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 85% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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