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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 206 122 it is the complementary color RGB 242 49 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 206 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 206 122 shade: RGB 18 206 117, RGB 35 224 136, RGB 52 242 155, RGB 69 255 174 and RGB 86 255 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 206 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 0 188 103, RGB 0 170 84, RGB 0 152 65 and RGB 0 134 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 13 206 70, RGB 13 206 18, RGB 60 206 13 and RGB 112 206 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 13 206 174, RGB 13 186 206, RGB 13 133 206 and RGB 13 81 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 206 122 shade matches the following richer shades: RGB 13 206 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 30 188 119, RGB 48 170 117, RGB 66 152 115 and RGB 84 135 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 206 122 shade: RGB 13 206 16, RGB 13 206 67, RGB 13 206 119, RGB 13 206 170 and RGB 13 190 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 206 122 shade: RGB 8 128 76, RGB 10 167 99, RGB 13 206 122, RGB 20 240 144 and RGB 59 242 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 13 61 206 and RGB 206 42 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 119 13 206 and RGB 206 119 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 13 61 206, RGB 206 13 100 and RGB 206 157 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 206 122 shade: RGB 13 206 122, RGB 22 13 206, RGB 206 13 100 and RGB 196 206 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

Complementary color

CMYK 0 / 80 / 45 / 5

HEX #F23185

RGB 242 49 133

HSL 333.89, 0.88%, 0.57%

LAB 54.83, 75.38, 0.69

 

CMYK 91 / 0 / 43 / 19

HEX #12CE75

RGB 18 206 117

HSL 151.6, 0.84%, 0.44%

LAB 73.26, -62.11, 32.61

 

CMYK 84 / 0 / 39 / 12

HEX #23E088

RGB 35 224 136

HSL 152.06, 0.75%, 0.51%

LAB 79.3, -63.68, 30.89

 

CMYK 79 / 0 / 36 / 5

HEX #34F29B

RGB 52 242 155

HSL 152.53, 0.88%, 0.58%

LAB 85.3, -64.83, 29.3

 

CMYK 73 / 0 / 32 / 0

HEX #45FFAE

RGB 69 255 174

HSL 153.87, 1%, 0.64%

LAB 89.79, -63.82, 25.79

 

CMYK 66 / 0 / 24 / 0

HEX #56FFC1

RGB 86 255 193

HSL 157.99, 1%, 0.67%

LAB 90.48, -57.45, 17.12

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 100 / 0 / 45 / 26

HEX #00BC67

RGB 0 188 103

HSL 152.87, 1%, 0.37%

LAB 67.24, -59.26, 31.97

 

CMYK 100 / 0 / 51 / 33

HEX #00AA54

RGB 0 170 84

HSL 149.65, 1%, 0.33%

LAB 61.12, -56.5, 33.94

 

CMYK 100 / 0 / 57 / 40

HEX #009841

RGB 0 152 65

HSL 145.66, 1%, 0.3%

LAB 54.91, -53.53, 35.89

 

CMYK 100 / 0 / 66 / 47

HEX #00862E

RGB 0 134 46

HSL 140.6, 1%, 0.26%

LAB 48.57, -50.27, 37.67

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 94 / 0 / 66 / 19

HEX #0DCE46

RGB 13 206 70

HSL 137.72, 0.88%, 0.43%

LAB 72.67, -69.1, 53.94

 

CMYK 94 / 0 / 91 / 19

HEX #0DCE12

RGB 13 206 18

HSL 121.55, 0.88%, 0.43%

LAB 72.41, -72.48, 68.87

 

CMYK 71 / 0 / 94 / 19

HEX #3CCE0D

RGB 60 206 13

HSL 105.39, 0.88%, 0.43%

LAB 72.98, -67.47, 70.25

 

CMYK 46 / 0 / 94 / 19

HEX #70CE0D

RGB 112 206 13

HSL 89.22, 0.88%, 0.43%

LAB 74.58, -54.51, 72.23

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 94 / 0 / 16 / 19

HEX #0DCEAE

RGB 13 206 174

HSL 170.05, 0.88%, 0.43%

LAB 74.37, -49.56, 4.03

 

CMYK 94 / 10 / 0 / 19

HEX #0DBACE

RGB 13 186 206

HSL 186.22, 0.88%, 0.43%

LAB 69.23, -31.27, -21.05

 

CMYK 94 / 35 / 0 / 19

HEX #0D85CE

RGB 13 133 206

HSL 202.69, 0.88%, 0.43%

LAB 53.29, -2.81, -45.82

 

CMYK 94 / 61 / 0 / 19

HEX #0D51CE

RGB 13 81 206

HSL 218.86, 0.88%, 0.43%

LAB 38.6, 30.28, -69.52

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 84 / 0 / 37 / 26

HEX #1EBC77

RGB 30 188 119

HSL 153.8, 0.72%, 0.43%

LAB 67.71, -54.51, 24.26

 

CMYK 72 / 0 / 31 / 33

HEX #30AA75

RGB 48 170 117

HSL 153.93, 0.56%, 0.43%

LAB 62.22, -45.81, 17.94

 

CMYK 57 / 0 / 24 / 40

HEX #429873

RGB 66 152 115

HSL 154.19, 0.39%, 0.43%

LAB 56.93, -35.04, 11.78

 

CMYK 38 / 0 / 17 / 47

HEX #548770

RGB 84 135 112

HSL 152.94, 0.23%, 0.43%

LAB 52.27, -22.59, 7.01

 

CMYK 94 / 0 / 92 / 19

HEX #0DCE10

RGB 13 206 16

HSL 120.93, 0.88%, 0.43%

LAB 72.41, -72.53, 69.16

 

CMYK 94 / 0 / 67 / 19

HEX #0DCE43

RGB 13 206 67

HSL 136.79, 0.88%, 0.43%

LAB 72.65, -69.41, 55.13

 

CMYK 94 / 0 / 42 / 19

HEX #0DCE77

RGB 13 206 119

HSL 152.95, 0.88%, 0.43%

LAB 73.26, -61.97, 31.59

 

CMYK 94 / 0 / 17 / 19

HEX #0DCEAA

RGB 13 206 170

HSL 168.81, 0.88%, 0.43%

LAB 74.27, -50.6, 6.04

 

CMYK 94 / 8 / 0 / 19

HEX #0DBECE

RGB 13 190 206

HSL 184.97, 0.88%, 0.43%

LAB 70.43, -33.19, -19.22

 

CMYK 94 / 0 / 41 / 50

HEX #08804C

RGB 8 128 76

HSL 154, 0.88%, 0.27%

LAB 46.99, -42.57, 20.06

 

CMYK 94 / 0 / 41 / 35

HEX #0AA763

RGB 10 167 99

HSL 154.01, 0.89%, 0.35%

LAB 60.43, -52.24, 25.21

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 92 / 0 / 40 / 6

HEX #14F090

RGB 20 240 144

HSL 153.82, 0.88%, 0.51%

LAB 84.22, -68.59, 33.34

 

CMYK 76 / 0 / 33 / 5

HEX #3BF2A2

RGB 59 242 162

HSL 153.77, 0.88%, 0.59%

LAB 85.53, -62.67, 26.06

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 94 / 70 / 0 / 19

HEX #0D3DCE

RGB 13 61 206

HSL 225.08, 0.88%, 0.43%

LAB 33.73, 43.1, -77.52

 

CMYK 0 / 80 / 94 / 19

HEX #CE2A0D

RGB 206 42 13

HSL 9.02, 0.88%, 0.43%

LAB 45.37, 61.52, 54.39

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 42 / 94 / 0 / 19

HEX #770DCE

RGB 119 13 206

HSL 272.95, 0.88%, 0.43%

LAB 35.33, 70.54, -74.61

 

CMYK 0 / 42 / 94 / 19

HEX #CE770D

RGB 206 119 13

HSL 32.95, 0.88%, 0.43%

LAB 58.36, 27.75, 63.01

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 94 / 70 / 0 / 19

HEX #0D3DCE

RGB 13 61 206

HSL 225.08, 0.88%, 0.43%

LAB 33.73, 43.1, -77.52

 

CMYK 0 / 94 / 51 / 19

HEX #CE0D64

RGB 206 13 100

HSL 332.95, 0.88%, 0.43%

LAB 44.7, 70.64, 5.3

 

CMYK 0 / 24 / 94 / 19

HEX #CE9D0D

RGB 206 157 13

HSL 44.77, 0.88%, 0.43%

LAB 67.48, 7.18, 69.58

 

CMYK 94 / 0 / 41 / 19

HEX #0DCE7A

RGB 13 206 122

HSL 153.89, 0.88%, 0.43%

LAB 73.31, -61.41, 30.12

 

CMYK 89 / 94 / 0 / 19

HEX #160DCE

RGB 22 13 206

HSL 242.8, 0.88%, 0.43%

LAB 26.49, 64.98, -89.54

 

CMYK 0 / 94 / 51 / 19

HEX #CE0D64

RGB 206 13 100

HSL 332.95, 0.88%, 0.43%

LAB 44.7, 70.64, 5.3

 

CMYK 5 / 0 / 94 / 19

HEX #C4CE0D

RGB 196 206 13

HSL 63.11, 0.88%, 0.43%

LAB 79.56, -22.47, 78.27

 

Description

Color code: RGB 13 206 122 | qconv.com Color code: RGB 13 206 122 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 206 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 206 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 41% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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