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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 169 127 it is the complementary color RGB 242 86 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 169 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 169 127 shade: RGB 18 169 122, RGB 35 187 141, RGB 52 205 160, RGB 69 223 179 and RGB 86 241 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 169 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 169 127 shade: RGB 13 169 127, RGB 0 151 108, RGB 0 133 89, RGB 0 115 70 and RGB 0 97 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 169 127 shade: RGB 12 170 128, RGB 12 170 85, RGB 12 170 43, RGB 25 170 12 and RGB 67 170 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 169 127 shade: RGB 12 170 128, RGB 12 170 170, RGB 12 128 170, RGB 12 85 170 and RGB 12 42 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 169 127 shade matches the following richer shades: RGB 12 170 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 169 127 shade: RGB 12 170 128, RGB 27 155 121, RGB 42 141 114, RGB 57 126 107 and RGB 72 111 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 169 127 shade: RGB 12 170 41, RGB 12 170 83, RGB 12 170 126, RGB 12 170 168 and RGB 12 131 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 169 127 shade: RGB 7 94 70, RGB 9 132 99, RGB 12 170 128, RGB 15 209 157 and RGB 28 237 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 169 127 shade: RGB 13 169 127, RGB 12 26 170 and RGB 170 62 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 169 127 shade: RGB 13 169 127, RGB 126 12 170 and RGB 170 126 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 169 127 shade: RGB 13 169 127, RGB 12 26 170, RGB 170 12 57 and RGB 170 157 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 169 127 shade: RGB 13 169 127, RGB 47 12 170, RGB 170 12 57 and RGB 136 170 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

Complementary color

CMYK 0 / 64 / 47 / 5

HEX #F25680

RGB 242 86 128

HSL 343.85, 0.86%, 0.64%

LAB 59.06, 62.8, 9.72

 

CMYK 89 / 0 / 28 / 34

HEX #12A97A

RGB 18 169 122

HSL 161.32, 0.81%, 0.37%

LAB 61.58, -47.51, 14.23

 

CMYK 81 / 0 / 25 / 27

HEX #23BB8D

RGB 35 187 141

HSL 161.84, 0.68%, 0.44%

LAB 67.89, -48.79, 12.68

 

CMYK 75 / 0 / 22 / 20

HEX #34CDA0

RGB 52 205 160

HSL 162.35, 0.6%, 0.5%

LAB 74.15, -49.67, 11.29

 

CMYK 69 / 0 / 20 / 13

HEX #45DFB3

RGB 69 223 179

HSL 162.86, 0.71%, 0.57%

LAB 80.35, -50.27, 10.02

 

CMYK 64 / 0 / 18 / 5

HEX #56F1C6

RGB 86 241 198

HSL 163.35, 0.85%, 0.64%

LAB 86.49, -50.66, 8.87

 

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

CMYK 100 / 0 / 28 / 41

HEX #00976C

RGB 0 151 108

HSL 162.91, 1%, 0.3%

LAB 55.29, -44.68, 13.27

 

CMYK 100 / 0 / 33 / 48

HEX #008559

RGB 0 133 89

HSL 160.15, 1%, 0.26%

LAB 48.88, -42.12, 15.2

 

CMYK 100 / 0 / 39 / 55

HEX #007346

RGB 0 115 70

HSL 156.52, 1%, 0.23%

LAB 42.31, -39.44, 17.25

 

CMYK 100 / 0 / 47 / 62

HEX #006133

RGB 0 97 51

HSL 151.55, 1%, 0.19%

LAB 35.57, -36.56, 19.41

 

CMYK 93 / 0 / 25 / 33

HEX #0CAA80

RGB 12 170 128

HSL 164.05, 0.87%, 0.36%

LAB 61.99, -46.78, 11.48

 

CMYK 93 / 0 / 50 / 33

HEX #0CAA55

RGB 12 170 85

HSL 147.72, 0.87%, 0.36%

LAB 61.21, -55.76, 33.55

 

CMYK 93 / 0 / 75 / 33

HEX #0CAA2B

RGB 12 170 43

HSL 131.77, 0.87%, 0.36%

LAB 60.78, -60.99, 51.9

 

CMYK 85 / 0 / 93 / 33

HEX #19AA0C

RGB 25 170 12

HSL 115.06, 0.87%, 0.36%

LAB 60.77, -61.64, 59.98

 

CMYK 61 / 0 / 93 / 33

HEX #43AA0C

RGB 67 170 12

HSL 99.11, 0.87%, 0.36%

LAB 61.63, -54.24, 61.05

 

CMYK 93 / 0 / 25 / 33

HEX #0CAA80

RGB 12 170 128

HSL 164.05, 0.87%, 0.36%

LAB 61.99, -46.78, 11.48

 

CMYK 93 / 0 / 0 / 33

HEX #0CAAAA

RGB 12 170 170

HSL 180, 0.87%, 0.36%

LAB 63.12, -35.05, -10.33

 

CMYK 93 / 25 / 0 / 33

HEX #0C80AA

RGB 12 128 170

HSL 195.95, 0.87%, 0.36%

LAB 50, -13.52, -30.38

 

CMYK 93 / 50 / 0 / 33

HEX #0C55AA

RGB 12 85 170

HSL 212.28, 0.87%, 0.36%

LAB 36.89, 13.13, -51.21

 

CMYK 93 / 75 / 0 / 33

HEX #0C2AAA

RGB 12 42 170

HSL 228.61, 0.87%, 0.36%

LAB 25.67, 41.63, -69.57

 

CMYK 93 / 0 / 25 / 33

HEX #0CAA80

RGB 12 170 128

HSL 164.05, 0.87%, 0.36%

LAB 61.99, -46.78, 11.48

 

CMYK 93 / 0 / 25 / 33

HEX #0CAA80

RGB 12 170 128

HSL 164.05, 0.87%, 0.36%

LAB 61.99, -46.78, 11.48

 

CMYK 83 / 0 / 22 / 39

HEX #1B9B79

RGB 27 155 121

HSL 164.06, 0.7%, 0.36%

LAB 57.13, -41.32, 8.55

 

CMYK 70 / 0 / 19 / 45

HEX #2A8D72

RGB 42 141 114

HSL 163.64, 0.54%, 0.36%

LAB 52.68, -35.06, 6.24

 

CMYK 55 / 0 / 15 / 51

HEX #397E6B

RGB 57 126 107

HSL 163.48, 0.38%, 0.36%

LAB 48.07, -26.74, 3.76

 

CMYK 35 / 0 / 10 / 56

HEX #486F64

RGB 72 111 100

HSL 163.08, 0.21%, 0.36%

LAB 43.75, -16.44, 1.76

 

CMYK 93 / 0 / 76 / 33

HEX #0CAA29

RGB 12 170 41

HSL 131.01, 0.87%, 0.36%

LAB 60.77, -61.15, 52.6

 

CMYK 93 / 0 / 51 / 33

HEX #0CAA53

RGB 12 170 83

HSL 146.96, 0.87%, 0.36%

LAB 61.18, -56.09, 34.53

 

CMYK 93 / 0 / 26 / 33

HEX #0CAA7E

RGB 12 170 126

HSL 163.29, 0.87%, 0.36%

LAB 61.94, -47.28, 12.52

 

CMYK 93 / 0 / 1 / 33

HEX #0CAAA8

RGB 12 170 168

HSL 179.24, 0.87%, 0.36%

LAB 63.06, -35.66, -9.3

 

CMYK 93 / 23 / 0 / 33

HEX #0C83AA

RGB 12 131 170

HSL 194.81, 0.87%, 0.36%

LAB 50.94, -15.21, -28.92

 

CMYK 93 / 0 / 26 / 63

HEX #075E46

RGB 7 94 70

HSL 163.45, 0.86%, 0.2%

LAB 34.99, -30.02, 7.19

 

CMYK 93 / 0 / 25 / 48

HEX #098463

RGB 9 132 99

HSL 163.9, 0.87%, 0.28%

LAB 48.84, -38.67, 9.38

 

CMYK 93 / 0 / 25 / 33

HEX #0CAA80

RGB 12 170 128

HSL 164.05, 0.87%, 0.36%

LAB 61.99, -46.78, 11.48

 

CMYK 93 / 0 / 25 / 18

HEX #0FD19D

RGB 15 209 157

HSL 163.92, 0.87%, 0.44%

LAB 74.91, -54.93, 13.91

 

CMYK 88 / 0 / 24 / 7

HEX #1CEDB5

RGB 28 237 181

HSL 163.92, 0.85%, 0.52%

LAB 84.04, -59.35, 14.14

 

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

CMYK 93 / 85 / 0 / 33

HEX #0C1AAA

RGB 12 26 170

HSL 234.68, 0.87%, 0.36%

LAB 22.72, 50.17, -74.47

 

CMYK 0 / 64 / 93 / 33

HEX #AA3E0C

RGB 170 62 12

HSL 18.99, 0.87%, 0.36%

LAB 41.24, 42.32, 48.72

 

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 0 / 26 / 93 / 33

HEX #AA7E0C

RGB 170 126 12

HSL 43.29, 0.87%, 0.36%

LAB 55.58, 7.96, 59.15

 

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

CMYK 93 / 85 / 0 / 33

HEX #0C1AAA

RGB 12 26 170

HSL 234.68, 0.87%, 0.36%

LAB 22.72, 50.17, -74.47

 

CMYK 0 / 93 / 66 / 33

HEX #AA0C39

RGB 170 12 57

HSL 342.91, 0.87%, 0.36%

LAB 36.18, 59.23, 19.77

 

CMYK 0 / 8 / 93 / 33

HEX #AA9D0C

RGB 170 157 12

HSL 55.06, 0.87%, 0.36%

LAB 63.91, -8.98, 65.47

 

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

CMYK 72 / 93 / 0 / 33

HEX #2F0CAA

RGB 47 12 170

HSL 253.29, 0.87%, 0.36%

LAB 22.89, 56.47, -74.13

 

CMYK 0 / 93 / 66 / 33

HEX #AA0C39

RGB 170 12 57

HSL 342.91, 0.87%, 0.36%

LAB 36.18, 59.23, 19.77

 

CMYK 20 / 0 / 93 / 33

HEX #88AA0C

RGB 136 170 12

HSL 72.91, 0.87%, 0.36%

LAB 64.97, -30.39, 65.16

 

Description

Color code: RGB 13 169 127 | qconv.com Color code: RGB 13 169 127 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 169 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 169 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 25 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 25% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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