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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 162 164 it is the complementary color RGB 242 93 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 162 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 162 164 shade: RGB 18 162 159, RGB 35 180 178, RGB 52 198 197, RGB 69 216 216 and RGB 86 234 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 162 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 162 164 shade: RGB 13 162 164, RGB 0 144 145, RGB 0 126 126, RGB 0 108 107 and RGB 0 90 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 162 164 shade: RGB 13 163 165, RGB 13 122 165, RGB 13 81 165, RGB 13 40 165 and RGB 27 13 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 162 164 shade: RGB 13 163 165, RGB 13 122 165, RGB 13 81 165, RGB 13 40 165 and RGB 13 13 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 162 164 shade matches the following richer shades: RGB 13 163 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 162 164 shade: RGB 13 163 165, RGB 27 149 150, RGB 42 134 136, RGB 56 120 121 and RGB 71 106 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 162 164 shade: RGB 13 165 84, RGB 13 165 124, RGB 13 165 165, RGB 13 124 165 and RGB 13 84 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 162 164 shade: RGB 7 87 88, RGB 10 125 126, RGB 13 163 165, RGB 16 200 203 and RGB 24 233 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 162 164 shade: RGB 13 162 164, RGB 43 13 165 and RGB 165 104 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 162 164 shade: RGB 13 162 164, RGB 165 13 165 and RGB 165 165 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 162 164 shade: RGB 13 162 164, RGB 43 13 165, RGB 165 13 13 and RGB 134 165 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 162 164 shade: RGB 13 162 164, RGB 89 13 165, RGB 165 13 13 and RGB 89 165 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 1 / 0 / 36

HEX #0DA2A4

RGB 13 162 164

HSL 180.79, 0.85%, 0.35%

LAB 60.43, -33.12, -10.98

 

Complementary color

CMYK 0 / 62 / 62 / 5

HEX #F25D5B

RGB 242 93 91

HSL 0.79, 0.85%, 0.65%

LAB 59.4, 57.11, 31.61

 

CMYK 89 / 0 / 2 / 36

HEX #12A29F

RGB 18 162 159

HSL 178.75, 0.8%, 0.35%

LAB 60.31, -34.4, -8.33

 

CMYK 81 / 0 / 1 / 29

HEX #23B4B2

RGB 35 180 178

HSL 179.17, 0.67%, 0.42%

LAB 66.68, -35.82, -9.43

 

CMYK 74 / 0 / 1 / 22

HEX #34C6C5

RGB 52 198 197

HSL 179.59, 0.58%, 0.49%

LAB 72.99, -36.88, -10.42

 

CMYK 68 / 0 / 0 / 15

HEX #45D8D8

RGB 69 216 216

HSL 180, 0.65%, 0.56%

LAB 79.23, -37.66, -11.3

 

CMYK 63 / 0 / 0 / 8

HEX #56EAEB

RGB 86 234 235

HSL 180.4, 0.79%, 0.63%

LAB 85.41, -38.25, -12.11

 

CMYK 92 / 1 / 0 / 36

HEX #0DA2A4

RGB 13 162 164

HSL 180.79, 0.85%, 0.35%

LAB 60.43, -33.12, -10.98

 

CMYK 100 / 1 / 0 / 43

HEX #009091

RGB 0 144 145

HSL 180.41, 1%, 0.28%

LAB 54.02, -31.09, -9.77

 

CMYK 100 / 0 / 0 / 51

HEX #007E7E

RGB 0 126 126

HSL 180, 1%, 0.25%

LAB 47.53, -28.52, -8.39

 

CMYK 100 / 0 / 1 / 58

HEX #006C6B

RGB 0 108 107

HSL 179.44, 1%, 0.21%

LAB 40.88, -25.88, -6.95

 

CMYK 100 / 0 / 2 / 65

HEX #005A58

RGB 0 90 88

HSL 178.67, 1%, 0.18%

LAB 34.02, -23.17, -5.46

 

CMYK 92 / 1 / 0 / 35

HEX #0DA3A5

RGB 13 163 165

HSL 180.79, 0.85%, 0.35%

LAB 60.78, -33.28, -11.03

 

CMYK 92 / 26 / 0 / 35

HEX #0D7AA5

RGB 13 122 165

HSL 196.97, 0.85%, 0.35%

LAB 47.91, -11.92, -30.74

 

CMYK 92 / 51 / 0 / 35

HEX #0D51A5

RGB 13 81 165

HSL 213.16, 0.85%, 0.35%

LAB 35.37, 13.81, -50.68

 

CMYK 92 / 76 / 0 / 35

HEX #0D28A5

RGB 13 40 165

HSL 229.34, 0.85%, 0.35%

LAB 24.7, 41.06, -68.15

 

CMYK 84 / 92 / 0 / 35

HEX #1B0DA5

RGB 27 13 165

HSL 245.53, 0.85%, 0.35%

LAB 20.97, 54.02, -74.34

 

CMYK 92 / 1 / 0 / 35

HEX #0DA3A5

RGB 13 163 165

HSL 180.79, 0.85%, 0.35%

LAB 60.78, -33.28, -11.03

 

CMYK 92 / 26 / 0 / 35

HEX #0D7AA5

RGB 13 122 165

HSL 196.97, 0.85%, 0.35%

LAB 47.91, -11.92, -30.74

 

CMYK 92 / 51 / 0 / 35

HEX #0D51A5

RGB 13 81 165

HSL 213.16, 0.85%, 0.35%

LAB 35.37, 13.81, -50.68

 

CMYK 92 / 76 / 0 / 35

HEX #0D28A5

RGB 13 40 165

HSL 229.34, 0.85%, 0.35%

LAB 24.7, 41.06, -68.15

 

CMYK 92 / 92 / 0 / 35

HEX #0D0DA5

RGB 13 13 165

HSL 240, 0.85%, 0.35%

LAB 20.4, 53.69, -75.3

 

CMYK 92 / 1 / 0 / 35

HEX #0DA3A5

RGB 13 163 165

HSL 180.79, 0.85%, 0.35%

LAB 60.78, -33.28, -11.03

 

CMYK 92 / 1 / 0 / 35

HEX #0DA3A5

RGB 13 163 165

HSL 180.79, 0.85%, 0.35%

LAB 60.78, -33.28, -11.03

 

CMYK 82 / 1 / 0 / 41

HEX #1B9596

RGB 27 149 150

HSL 180.49, 0.69%, 0.35%

LAB 56.02, -30.35, -9.62

 

CMYK 69 / 1 / 0 / 47

HEX #2A8688

RGB 42 134 136

HSL 181.28, 0.53%, 0.35%

LAB 51.06, -25.47, -8.92

 

CMYK 54 / 1 / 0 / 53

HEX #387879

RGB 56 120 121

HSL 180.92, 0.37%, 0.35%

LAB 46.52, -20.05, -6.82

 

CMYK 34 / 1 / 0 / 58

HEX #476A6B

RGB 71 106 107

HSL 181.67, 0.2%, 0.35%

LAB 42.32, -12.19, -4.58

 

CMYK 92 / 0 / 49 / 35

HEX #0DA554

RGB 13 165 84

HSL 148.03, 0.85%, 0.35%

LAB 59.56, -54.16, 31.99

 

CMYK 92 / 0 / 25 / 35

HEX #0DA57C

RGB 13 165 124

HSL 163.82, 0.85%, 0.35%

LAB 60.29, -45.72, 11.32

 

CMYK 92 / 0 / 0 / 35

HEX #0DA5A5

RGB 13 165 165

HSL 180, 0.85%, 0.35%

LAB 61.41, -34.22, -10.09

 

CMYK 92 / 25 / 0 / 35

HEX #0D7CA5

RGB 13 124 165

HSL 196.18, 0.85%, 0.35%

LAB 48.53, -13.07, -29.76

 

CMYK 92 / 49 / 0 / 35

HEX #0D54A5

RGB 13 84 165

HSL 211.97, 0.85%, 0.35%

LAB 36.26, 11.79, -49.25

 

CMYK 92 / 1 / 0 / 65

HEX #075758

RGB 7 87 88

HSL 180.74, 0.85%, 0.19%

LAB 33.06, -20.97, -6.88

 

CMYK 92 / 1 / 0 / 51

HEX #0A7D7E

RGB 10 125 126

HSL 180.52, 0.85%, 0.27%

LAB 47.29, -27.47, -8.74

 

CMYK 92 / 1 / 0 / 35

HEX #0DA3A5

RGB 13 163 165

HSL 180.79, 0.85%, 0.35%

LAB 60.78, -33.28, -11.03

 

CMYK 92 / 1 / 0 / 20

HEX #10C8CB

RGB 16 200 203

HSL 180.96, 0.85%, 0.43%

LAB 73.37, -38.66, -13.15

 

CMYK 90 / 1 / 0 / 7

HEX #18E9EC

RGB 24 233 236

HSL 180.85, 0.85%, 0.51%

LAB 84.24, -43.37, -14.49

 

CMYK 92 / 1 / 0 / 36

HEX #0DA2A4

RGB 13 162 164

HSL 180.79, 0.85%, 0.35%

LAB 60.43, -33.12, -10.98

 

CMYK 74 / 92 / 0 / 35

HEX #2B0DA5

RGB 43 13 165

HSL 251.84, 0.85%, 0.35%

LAB 22.01, 54.66, -72.58

 

CMYK 0 / 37 / 92 / 35

HEX #A5680D

RGB 165 104 13

HSL 35.92, 0.85%, 0.35%

LAB 49.41, 18.11, 54.03

 

CMYK 92 / 1 / 0 / 36

HEX #0DA2A4

RGB 13 162 164

HSL 180.79, 0.85%, 0.35%

LAB 60.43, -33.12, -10.98

 

CMYK 0 / 92 / 0 / 35

HEX #A50DA5

RGB 165 13 165

HSL 300, 0.85%, 0.35%

LAB 39.59, 69.49, -43.14

 

CMYK 0 / 0 / 92 / 35

HEX #A5A50D

RGB 165 165 13

HSL 60, 0.85%, 0.35%

LAB 65.7, -15.38, 66.51

 

CMYK 92 / 1 / 0 / 36

HEX #0DA2A4

RGB 13 162 164

HSL 180.79, 0.85%, 0.35%

LAB 60.43, -33.12, -10.98

 

CMYK 74 / 92 / 0 / 35

HEX #2B0DA5

RGB 43 13 165

HSL 251.84, 0.85%, 0.35%

LAB 22.01, 54.66, -72.58

 

CMYK 0 / 92 / 92 / 35

HEX #A50D0D

RGB 165 13 13

HSL 0, 0.85%, 0.35%

LAB 34.63, 56.29, 43.33

 

CMYK 19 / 0 / 92 / 35

HEX #86A50D

RGB 134 165 13

HSL 72.24, 0.85%, 0.35%

LAB 63.35, -28.83, 63.66

 

CMYK 92 / 1 / 0 / 36

HEX #0DA2A4

RGB 13 162 164

HSL 180.79, 0.85%, 0.35%

LAB 60.43, -33.12, -10.98

 

CMYK 46 / 92 / 0 / 35

HEX #590DA5

RGB 89 13 165

HSL 270, 0.85%, 0.35%

LAB 27.1, 58.31, -64

 

CMYK 0 / 92 / 92 / 35

HEX #A50D0D

RGB 165 13 13

HSL 0, 0.85%, 0.35%

LAB 34.63, 56.29, 43.33

 

CMYK 46 / 0 / 92 / 35

HEX #59A50D

RGB 89 165 13

HSL 90, 0.85%, 0.35%

LAB 60.84, -45.95, 60.57

 

Description

Color code: RGB 13 162 164 | qconv.com Color code: RGB 13 162 164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 162 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 162 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 1 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 1% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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