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Color name
RGB 13 161 17

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 161 17 it is the complementary color RGB 242 94 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 161 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 161 17 shade: RGB 18 161 12, RGB 35 179 31, RGB 52 197 50, RGB 69 215 69 and RGB 86 233 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 161 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 161 17 shade: RGB 13 161 17, RGB 0 143 0, RGB 0 125 0, RGB 0 107 0 and RGB 0 89 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 161 17 shade: RGB 13 160 16, RGB 48 160 13, RGB 88 160 13, RGB 128 160 13 and RGB 160 152 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 161 17 shade: RGB 13 160 16, RGB 13 160 56, RGB 13 160 96, RGB 13 160 136 and RGB 13 144 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 161 17 shade matches the following richer shades: RGB 13 160 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 161 17 shade: RGB 13 160 16, RGB 27 146 30, RGB 41 132 43, RGB 55 118 56 and RGB 69 104 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 161 17 shade: RGB 89 160 13, RGB 49 160 13, RGB 13 160 15, RGB 13 160 54 and RGB 13 160 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 161 17 shade: RGB 6 84 8, RGB 9 122 12, RGB 13 160 16, RGB 16 198 21 and RGB 19 235 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 161 17 shade: RGB 13 161 17, RGB 13 128 160 and RGB 160 13 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 161 17 shade: RGB 13 161 17, RGB 15 13 160 and RGB 160 15 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 161 17 shade: RGB 13 161 17, RGB 13 128 160, RGB 160 13 157 and RGB 160 44 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 161 17 shade: RGB 13 161 17, RGB 13 84 160, RGB 160 13 157 and RGB 160 89 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 89 / 37

HEX #0DA111

RGB 13 161 17

HSL 121.62, 0.85%, 0.34%

LAB 57.67, -59.85, 56.42

 

Complementary color

CMYK 0 / 61 / 2 / 5

HEX #F25EEE

RGB 242 94 238

HSL 301.62, 0.85%, 0.66%

LAB 64.21, 73.58, -45.37

 

CMYK 89 / 0 / 93 / 37

HEX #12A10C

RGB 18 161 12

HSL 117.58, 0.86%, 0.34%

LAB 57.7, -59.65, 57.36

 

CMYK 80 / 0 / 83 / 30

HEX #23B31F

RGB 35 179 31

HSL 118.38, 0.7%, 0.41%

LAB 63.91, -62.41, 58.79

 

CMYK 74 / 0 / 75 / 23

HEX #34C532

RGB 52 197 50

HSL 119.18, 0.6%, 0.48%

LAB 70.1, -64.32, 58.96

 

CMYK 68 / 0 / 68 / 16

HEX #45D745

RGB 69 215 69

HSL 120, 0.65%, 0.56%

LAB 76.25, -65.62, 58.42

 

CMYK 63 / 0 / 62 / 9

HEX #56E958

RGB 86 233 88

HSL 120.82, 0.77%, 0.63%

LAB 82.36, -66.47, 57.49

 

CMYK 92 / 0 / 89 / 37

HEX #0DA111

RGB 13 161 17

HSL 121.62, 0.85%, 0.34%

LAB 57.67, -59.85, 56.42

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 92 / 0 / 90 / 37

HEX #0DA010

RGB 13 160 16

HSL 121.22, 0.85%, 0.34%

LAB 57.33, -59.6, 56.32

 

CMYK 70 / 0 / 92 / 37

HEX #30A00D

RGB 48 160 13

HSL 105.71, 0.85%, 0.34%

LAB 57.85, -55.11, 57.51

 

CMYK 45 / 0 / 92 / 37

HEX #58A00D

RGB 88 160 13

HSL 89.39, 0.85%, 0.34%

LAB 59.2, -44.27, 59.2

 

CMYK 20 / 0 / 92 / 37

HEX #80A00D

RGB 128 160 13

HSL 73.06, 0.85%, 0.34%

LAB 61.45, -28.95, 61.96

 

CMYK 0 / 5 / 92 / 37

HEX #A0980D

RGB 160 152 13

HSL 56.73, 0.85%, 0.34%

LAB 61.62, -10.83, 63.16

 

CMYK 92 / 0 / 90 / 37

HEX #0DA010

RGB 13 160 16

HSL 121.22, 0.85%, 0.34%

LAB 57.33, -59.6, 56.32

 

CMYK 92 / 0 / 65 / 37

HEX #0DA038

RGB 13 160 56

HSL 137.55, 0.85%, 0.34%

LAB 57.57, -56.56, 43.23

 

CMYK 92 / 0 / 40 / 37

HEX #0DA060

RGB 13 160 96

HSL 153.88, 0.85%, 0.34%

LAB 58.11, -50.13, 23.75

 

CMYK 92 / 0 / 15 / 37

HEX #0DA088

RGB 13 160 136

HSL 170.2, 0.85%, 0.34%

LAB 58.98, -40.48, 2.7

 

CMYK 92 / 10 / 0 / 37

HEX #0D90A0

RGB 13 144 160

HSL 186.53, 0.85%, 0.34%

LAB 54.63, -25.59, -17.47

 

CMYK 92 / 0 / 90 / 37

HEX #0DA010

RGB 13 160 16

HSL 121.22, 0.85%, 0.34%

LAB 57.33, -59.6, 56.32

 

CMYK 92 / 0 / 90 / 37

HEX #0DA010

RGB 13 160 16

HSL 121.22, 0.85%, 0.34%

LAB 57.33, -59.6, 56.32

 

CMYK 82 / 0 / 79 / 43

HEX #1B921E

RGB 27 146 30

HSL 121.51, 0.69%, 0.34%

LAB 52.82, -53.25, 48.59

 

CMYK 69 / 0 / 67 / 48

HEX #29842B

RGB 41 132 43

HSL 121.32, 0.53%, 0.34%

LAB 48.45, -44.92, 39.07

 

CMYK 53 / 0 / 53 / 54

HEX #377638

RGB 55 118 56

HSL 120.95, 0.36%, 0.34%

LAB 44.31, -34.04, 27.91

 

CMYK 34 / 0 / 33 / 59

HEX #456846

RGB 69 104 70

HSL 121.71, 0.2%, 0.34%

LAB 40.59, -20.22, 15.26

 

CMYK 44 / 0 / 92 / 37

HEX #59A00D

RGB 89 160 13

HSL 88.98, 0.85%, 0.34%

LAB 59.25, -43.94, 59.25

 

CMYK 69 / 0 / 92 / 37

HEX #31A00D

RGB 49 160 13

HSL 105.31, 0.85%, 0.34%

LAB 57.87, -54.91, 57.54

 

CMYK 92 / 0 / 91 / 37

HEX #0DA00F

RGB 13 160 15

HSL 120.82, 0.85%, 0.34%

LAB 57.33, -59.63, 56.51

 

CMYK 92 / 0 / 66 / 37

HEX #0DA036

RGB 13 160 54

HSL 136.73, 0.85%, 0.34%

LAB 57.55, -56.79, 44.09

 

CMYK 92 / 0 / 41 / 37

HEX #0DA05E

RGB 13 160 94

HSL 153.06, 0.85%, 0.34%

LAB 58.07, -50.53, 24.79

 

CMYK 93 / 0 / 90 / 67

HEX #065408

RGB 6 84 8

HSL 121.54, 0.87%, 0.18%

LAB 30.39, -37.03, 34.38

 

CMYK 93 / 0 / 90 / 52

HEX #097A0C

RGB 9 122 12

HSL 121.59, 0.86%, 0.26%

LAB 44.24, -48.69, 45.72

 

CMYK 92 / 0 / 90 / 37

HEX #0DA010

RGB 13 160 16

HSL 121.22, 0.85%, 0.34%

LAB 57.33, -59.6, 56.32

 

CMYK 92 / 0 / 89 / 22

HEX #10C615

RGB 16 198 21

HSL 121.65, 0.85%, 0.42%

LAB 69.86, -70.03, 66.22

 

CMYK 92 / 0 / 89 / 8

HEX #13EB19

RGB 19 235 25

HSL 121.67, 0.85%, 0.5%

LAB 81.63, -79.83, 75.64

 

CMYK 92 / 0 / 89 / 37

HEX #0DA111

RGB 13 161 17

HSL 121.62, 0.85%, 0.34%

LAB 57.67, -59.85, 56.42

 

CMYK 92 / 20 / 0 / 37

HEX #0D80A0

RGB 13 128 160

HSL 193.06, 0.85%, 0.34%

LAB 49.57, -17.14, -25.23

 

CMYK 0 / 92 / 57 / 37

HEX #A00D45

RGB 160 13 69

HSL 337.14, 0.85%, 0.34%

LAB 34.38, 57.28, 9.16

 

CMYK 92 / 0 / 89 / 37

HEX #0DA111

RGB 13 161 17

HSL 121.62, 0.85%, 0.34%

LAB 57.67, -59.85, 56.42

 

CMYK 91 / 92 / 0 / 37

HEX #0F0DA0

RGB 15 13 160

HSL 240.82, 0.85%, 0.34%

LAB 19.75, 52.3, -73.34

 

CMYK 0 / 91 / 92 / 37

HEX #A00F0D

RGB 160 15 13

HSL 0.82, 0.85%, 0.34%

LAB 33.66, 54.6, 42.15

 

CMYK 92 / 0 / 89 / 37

HEX #0DA111

RGB 13 161 17

HSL 121.62, 0.85%, 0.34%

LAB 57.67, -59.85, 56.42

 

CMYK 92 / 20 / 0 / 37

HEX #0D80A0

RGB 13 128 160

HSL 193.06, 0.85%, 0.34%

LAB 49.57, -17.14, -25.23

 

CMYK 0 / 92 / 2 / 37

HEX #A00D9D

RGB 160 13 157

HSL 301.22, 0.85%, 0.34%

LAB 38.19, 67.37, -40.6

 

CMYK 0 / 73 / 92 / 37

HEX #A02C0D

RGB 160 44 13

HSL 12.65, 0.85%, 0.34%

LAB 36.56, 46.43, 44.21

 

CMYK 92 / 0 / 89 / 37

HEX #0DA111

RGB 13 161 17

HSL 121.62, 0.85%, 0.34%

LAB 57.67, -59.85, 56.42

 

CMYK 92 / 48 / 0 / 37

HEX #0D54A0

RGB 13 84 160

HSL 211.02, 0.85%, 0.34%

LAB 35.92, 9.74, -46.81

 

CMYK 0 / 92 / 2 / 37

HEX #A00D9D

RGB 160 13 157

HSL 301.22, 0.85%, 0.34%

LAB 38.19, 67.37, -40.6

 

CMYK 0 / 44 / 92 / 37

HEX #A0590D

RGB 160 89 13

HSL 31.02, 0.85%, 0.34%

LAB 45.15, 24.32, 50.53

 

Description

Color code: RGB 13 161 17 | qconv.com Color code: RGB 13 161 17 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 161 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 161 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 89 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 89% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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