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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 160 62 it is the complementary color RGB 242 95 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 160 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 160 62 shade: RGB 18 160 57, RGB 35 178 76, RGB 52 196 95, RGB 69 214 114 and RGB 86 232 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 160 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 0 142 43, RGB 0 124 24, RGB 0 106 5 and RGB 0 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 13 160 22, RGB 43 160 13, RGB 83 160 13 and RGB 122 160 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 13 160 101, RGB 13 160 141, RGB 13 139 160 and RGB 13 99 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 160 62 shade matches the following richer shades: RGB 13 160 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 27 146 66, RGB 41 132 71, RGB 55 118 76 and RGB 69 104 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 160 62 shade: RGB 42 160 13, RGB 13 160 22, RGB 13 160 62, RGB 13 160 101 and RGB 13 160 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 160 62 shade: RGB 6 84 32, RGB 9 122 47, RGB 13 160 62, RGB 16 198 76 and RGB 19 235 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 13 81 160 and RGB 160 13 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 62 13 160 and RGB 160 62 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 13 81 160, RGB 160 13 111 and RGB 160 91 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 160 62 shade: RGB 13 160 62, RGB 13 37 160, RGB 160 13 111 and RGB 160 135 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

Complementary color

CMYK 0 / 61 / 20 / 5

HEX #F25FC1

RGB 242 95 193

HSL 320, 0.85%, 0.66%

LAB 62.43, 66.45, -22.85

 

CMYK 89 / 0 / 64 / 37

HEX #12A039

RGB 18 160 57

HSL 136.48, 0.8%, 0.35%

LAB 57.62, -56.08, 42.85

 

CMYK 80 / 0 / 57 / 30

HEX #23B24C

RGB 35 178 76

HSL 137.2, 0.67%, 0.42%

LAB 63.93, -57.85, 41.37

 

CMYK 73 / 0 / 52 / 23

HEX #34C45F

RGB 52 196 95

HSL 137.92, 0.58%, 0.49%

LAB 70.2, -58.98, 39.83

 

CMYK 68 / 0 / 47 / 16

HEX #45D672

RGB 69 214 114

HSL 138.62, 0.64%, 0.55%

LAB 76.42, -59.68, 38.32

 

CMYK 63 / 0 / 43 / 9

HEX #56E885

RGB 86 232 133

HSL 139.32, 0.76%, 0.62%

LAB 82.59, -60.09, 36.87

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 100 / 0 / 70 / 44

HEX #008E2B

RGB 0 142 43

HSL 138.17, 1%, 0.28%

LAB 51.29, -53.15, 41.99

 

CMYK 100 / 0 / 81 / 51

HEX #007C18

RGB 0 124 24

HSL 131.61, 1%, 0.24%

LAB 44.92, -49.33, 42.85

 

CMYK 100 / 0 / 95 / 58

HEX #006A05

RGB 0 106 5

HSL 122.83, 1%, 0.21%

LAB 38.41, -44.94, 42.28

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 0 / 86 / 37

HEX #0DA016

RGB 13 160 22

HSL 123.67, 0.85%, 0.34%

LAB 57.35, -59.34, 55.04

 

CMYK 73 / 0 / 92 / 37

HEX #2BA00D

RGB 43 160 13

HSL 107.76, 0.85%, 0.34%

LAB 57.74, -56.05, 57.38

 

CMYK 48 / 0 / 92 / 37

HEX #53A00D

RGB 83 160 13

HSL 91.43, 0.85%, 0.34%

LAB 58.98, -45.92, 58.93

 

CMYK 24 / 0 / 92 / 37

HEX #7AA00D

RGB 122 160 13

HSL 75.51, 0.85%, 0.34%

LAB 61.05, -31.45, 61.48

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 0 / 37 / 37

HEX #0DA065

RGB 13 160 101

HSL 155.92, 0.85%, 0.34%

LAB 58.2, -49.09, 21.15

 

CMYK 92 / 0 / 12 / 37

HEX #0DA08D

RGB 13 160 141

HSL 172.24, 0.85%, 0.34%

LAB 59.11, -39.07, 0.07

 

CMYK 92 / 13 / 0 / 37

HEX #0D8BA0

RGB 13 139 160

HSL 188.57, 0.85%, 0.34%

LAB 53.05, -23.02, -19.89

 

CMYK 92 / 38 / 0 / 37

HEX #0D63A0

RGB 13 99 160

HSL 204.9, 0.85%, 0.34%

LAB 40.49, -0.02, -39.49

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 82 / 0 / 55 / 43

HEX #1B9242

RGB 27 146 66

HSL 139.66, 0.69%, 0.34%

LAB 53.15, -49.24, 33.33

 

CMYK 69 / 0 / 46 / 48

HEX #298447

RGB 41 132 71

HSL 139.78, 0.53%, 0.34%

LAB 48.8, -40.89, 25.3

 

CMYK 53 / 0 / 36 / 54

HEX #37764C

RGB 55 118 76

HSL 140, 0.36%, 0.34%

LAB 44.65, -30.53, 17.11

 

CMYK 34 / 0 / 23 / 59

HEX #456850

RGB 69 104 80

HSL 138.86, 0.2%, 0.34%

LAB 40.81, -18.22, 9.58

 

CMYK 74 / 0 / 92 / 37

HEX #2AA00D

RGB 42 160 13

HSL 108.16, 0.85%, 0.34%

LAB 57.72, -56.23, 57.35

 

CMYK 92 / 0 / 86 / 37

HEX #0DA016

RGB 13 160 22

HSL 123.67, 0.85%, 0.34%

LAB 57.35, -59.34, 55.04

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 0 / 37 / 37

HEX #0DA065

RGB 13 160 101

HSL 155.92, 0.85%, 0.34%

LAB 58.2, -49.09, 21.15

 

CMYK 92 / 0 / 13 / 37

HEX #0DA08C

RGB 13 160 140

HSL 171.84, 0.85%, 0.34%

LAB 59.09, -39.36, 0.59

 

CMYK 93 / 0 / 62 / 67

HEX #065420

RGB 6 84 32

HSL 140, 0.87%, 0.18%

LAB 30.6, -34.42, 24.01

 

CMYK 93 / 0 / 61 / 52

HEX #097A2F

RGB 9 122 47

HSL 140.18, 0.86%, 0.26%

LAB 44.49, -45.48, 32.55

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 0 / 62 / 22

HEX #10C64C

RGB 16 198 76

HSL 139.78, 0.85%, 0.42%

LAB 70.19, -65.86, 48.6

 

CMYK 92 / 0 / 61 / 8

HEX #13EB5B

RGB 19 235 91

HSL 140, 0.85%, 0.5%

LAB 82.01, -75.1, 55.56

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 49 / 0 / 37

HEX #0D51A0

RGB 13 81 160

HSL 212.24, 0.85%, 0.34%

LAB 35.02, 11.75, -48.25

 

CMYK 0 / 92 / 86 / 37

HEX #A00D16

RGB 160 13 22

HSL 356.33, 0.85%, 0.34%

LAB 33.6, 55.1, 37.7

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 61 / 92 / 0 / 37

HEX #3E0DA0

RGB 62 13 160

HSL 260, 0.85%, 0.34%

LAB 23.17, 54.55, -67.56

 

CMYK 0 / 61 / 92 / 37

HEX #A03E0D

RGB 160 62 13

HSL 20, 0.85%, 0.34%

LAB 39.49, 38.56, 46.33

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 49 / 0 / 37

HEX #0D51A0

RGB 13 81 160

HSL 212.24, 0.85%, 0.34%

LAB 35.02, 11.75, -48.25

 

CMYK 0 / 92 / 31 / 37

HEX #A00D6F

RGB 160 13 111

HSL 320, 0.85%, 0.34%

LAB 35.81, 61.19, -15.85

 

CMYK 0 / 43 / 92 / 37

HEX #A05B0D

RGB 160 91 13

HSL 31.84, 0.85%, 0.34%

LAB 45.61, 23.2, 50.88

 

CMYK 92 / 0 / 61 / 37

HEX #0DA03E

RGB 13 160 62

HSL 140, 0.85%, 0.34%

LAB 57.63, -55.82, 40.56

 

CMYK 92 / 77 / 0 / 37

HEX #0D25A0

RGB 13 37 160

HSL 230.2, 0.85%, 0.34%

LAB 23.49, 41.06, -67.11

 

CMYK 0 / 92 / 31 / 37

HEX #A00D6F

RGB 160 13 111

HSL 320, 0.85%, 0.34%

LAB 35.81, 61.19, -15.85

 

CMYK 0 / 16 / 92 / 37

HEX #A0870D

RGB 160 135 13

HSL 49.8, 0.85%, 0.34%

LAB 56.91, -1.64, 59.5

 

Description

Color code: RGB 13 160 62 | qconv.com Color code: RGB 13 160 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 160 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 160 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 61 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 61% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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