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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 142 216 it is the complementary color RGB 242 113 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 142 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 142 216 shade: RGB 18 142 211, RGB 35 160 230, RGB 52 178 249, RGB 69 196 255 and RGB 86 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 142 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 142 216 shade: RGB 13 142 216, RGB 0 124 197, RGB 0 106 178, RGB 0 88 159 and RGB 0 70 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 142 216 shade: RGB 12 142 216, RGB 12 87 216, RGB 12 32 216, RGB 48 12 216 and RGB 103 12 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 142 216 shade: RGB 12 142 216, RGB 12 87 216, RGB 12 32 216 and RGB 12 12 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 142 216 shade matches the following richer shades: RGB 12 142 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 142 216 shade: RGB 12 142 216, RGB 31 137 198, RGB 49 132 179, RGB 68 127 161 and RGB 86 122 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 142 216 shade: RGB 12 216 179, RGB 12 199 216, RGB 12 145 216, RGB 12 90 216 and RGB 12 36 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 142 216 shade: RGB 8 91 138, RGB 10 116 177, RGB 12 142 216, RGB 28 164 241 and RGB 67 179 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 142 216 shade: RGB 13 142 216, RGB 124 12 216 and RGB 216 206 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 142 216 shade: RGB 13 142 216, RGB 216 12 145 and RGB 145 216 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 142 216 shade: RGB 13 142 216, RGB 124 12 216, RGB 216 84 12 and RGB 104 216 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 142 216 shade: RGB 13 142 216, RGB 186 12 216, RGB 216 84 12 and RGB 43 216 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 34 / 0 / 15

HEX #0D8ED8

RGB 13 142 216

HSL 201.87, 0.89%, 0.45%

LAB 56.48, -4.32, -46.42

 

Complementary color

CMYK 0 / 53 / 84 / 5

HEX #F27127

RGB 242 113 39

HSL 21.87, 0.89%, 0.55%

LAB 62.37, 45.72, 60.69

 

CMYK 91 / 33 / 0 / 17

HEX #128ED3

RGB 18 142 211

HSL 201.45, 0.84%, 0.45%

LAB 56.27, -5.99, -43.94

 

CMYK 85 / 30 / 0 / 10

HEX #23A0E6

RGB 35 160 230

HSL 201.54, 0.8%, 0.52%

LAB 62.69, -8.28, -44.38

 

CMYK 79 / 29 / 0 / 2

HEX #34B2F9

RGB 52 178 249

HSL 201.62, 0.94%, 0.59%

LAB 69.05, -10.14, -44.75

 

CMYK 73 / 23 / 0 / 0

HEX #45C4FF

RGB 69 196 255

HSL 199.03, 1%, 0.64%

LAB 74.8, -15.94, -38.97

 

CMYK 66 / 16 / 0 / 0

HEX #56D6FF

RGB 86 214 255

HSL 194.56, 1%, 0.67%

LAB 80.34, -22.9, -30.38

 

CMYK 94 / 34 / 0 / 15

HEX #0D8ED8

RGB 13 142 216

HSL 201.87, 0.89%, 0.45%

LAB 56.48, -4.32, -46.42

 

CMYK 100 / 37 / 0 / 23

HEX #007CC5

RGB 0 124 197

HSL 202.23, 1%, 0.39%

LAB 50.03, -1.34, -45.89

 

CMYK 100 / 40 / 0 / 30

HEX #006AB2

RGB 0 106 178

HSL 204.27, 1%, 0.35%

LAB 43.54, 2.23, -45.25

 

CMYK 100 / 45 / 0 / 38

HEX #00589F

RGB 0 88 159

HSL 206.79, 1%, 0.31%

LAB 36.9, 6.03, -44.64

 

CMYK 100 / 50 / 0 / 45

HEX #00468C

RGB 0 70 140

HSL 210, 1%, 0.27%

LAB 30.09, 10.14, -44.06

 

CMYK 94 / 34 / 0 / 15

HEX #0C8ED8

RGB 12 142 216

HSL 201.76, 0.89%, 0.45%

LAB 56.47, -4.35, -46.43

 

CMYK 94 / 60 / 0 / 15

HEX #0C57D8

RGB 12 87 216

HSL 217.94, 0.89%, 0.45%

LAB 40.98, 30.21, -71.37

 

CMYK 94 / 85 / 0 / 15

HEX #0C20D8

RGB 12 32 216

HSL 234.12, 0.89%, 0.45%

LAB 29.59, 61.54, -90.19

 

CMYK 78 / 94 / 0 / 15

HEX #300CD8

RGB 48 12 216

HSL 250.59, 0.89%, 0.45%

LAB 29.03, 68.36, -91.09

 

CMYK 52 / 94 / 0 / 15

HEX #670CD8

RGB 103 12 216

HSL 266.76, 0.89%, 0.45%

LAB 34.2, 71.39, -82.35

 

CMYK 94 / 34 / 0 / 15

HEX #0C8ED8

RGB 12 142 216

HSL 201.76, 0.89%, 0.45%

LAB 56.47, -4.35, -46.43

 

CMYK 94 / 60 / 0 / 15

HEX #0C57D8

RGB 12 87 216

HSL 217.94, 0.89%, 0.45%

LAB 40.98, 30.21, -71.37

 

CMYK 94 / 85 / 0 / 15

HEX #0C20D8

RGB 12 32 216

HSL 234.12, 0.89%, 0.45%

LAB 29.59, 61.54, -90.19

 

CMYK 94 / 94 / 0 / 15

HEX #0C0CD8

RGB 12 12 216

HSL 240, 0.89%, 0.45%

LAB 27.57, 67.67, -93.56

 

CMYK 94 / 34 / 0 / 15

HEX #0C8ED8

RGB 12 142 216

HSL 201.76, 0.89%, 0.45%

LAB 56.47, -4.35, -46.43

 

CMYK 94 / 34 / 0 / 15

HEX #0C8ED8

RGB 12 142 216

HSL 201.76, 0.89%, 0.45%

LAB 56.47, -4.35, -46.43

 

CMYK 84 / 31 / 0 / 22

HEX #1F89C6

RGB 31 137 198

HSL 201.92, 0.73%, 0.45%

LAB 54.3, -7.1, -39.68

 

CMYK 73 / 26 / 0 / 30

HEX #3184B3

RGB 49 132 179

HSL 201.69, 0.57%, 0.45%

LAB 52.3, -9.1, -31.94

 

CMYK 58 / 21 / 0 / 37

HEX #447FA1

RGB 68 127 161

HSL 201.94, 0.41%, 0.45%

LAB 50.66, -8.95, -24.02

 

CMYK 39 / 14 / 0 / 44

HEX #567A8E

RGB 86 122 142

HSL 201.43, 0.25%, 0.45%

LAB 49.31, -7.3, -14.89

 

CMYK 94 / 0 / 17 / 15

HEX #0CD8B3

RGB 12 216 179

HSL 169.12, 0.89%, 0.45%

LAB 77.55, -52.35, 5.92

 

CMYK 94 / 8 / 0 / 15

HEX #0CC7D8

RGB 12 199 216

HSL 185, 0.89%, 0.45%

LAB 73.47, -34.33, -20.05

 

CMYK 94 / 33 / 0 / 15

HEX #0C91D8

RGB 12 145 216

HSL 200.88, 0.89%, 0.45%

LAB 57.35, -6.09, -45.03

 

CMYK 94 / 58 / 0 / 15

HEX #0C5AD8

RGB 12 90 216

HSL 217.06, 0.89%, 0.45%

LAB 41.76, 28.25, -70.09

 

CMYK 94 / 83 / 0 / 15

HEX #0C24D8

RGB 12 36 216

HSL 232.94, 0.89%, 0.45%

LAB 30.15, 59.85, -89.25

 

CMYK 94 / 34 / 0 / 46

HEX #085B8A

RGB 8 91 138

HSL 201.69, 0.89%, 0.29%

LAB 36.68, -4.12, -32.3

 

CMYK 94 / 34 / 0 / 31

HEX #0A74B1

RGB 10 116 177

HSL 201.92, 0.89%, 0.37%

LAB 46.62, -3.93, -39.76

 

CMYK 94 / 34 / 0 / 15

HEX #0C8ED8

RGB 12 142 216

HSL 201.76, 0.89%, 0.45%

LAB 56.47, -4.35, -46.43

 

CMYK 88 / 32 / 0 / 5

HEX #1CA4F1

RGB 28 164 241

HSL 201.69, 0.88%, 0.53%

LAB 64.28, -7.01, -47.92

 

CMYK 73 / 27 / 0 / 4

HEX #43B3F4

RGB 67 179 244

HSL 202.03, 0.89%, 0.61%

LAB 69.44, -10.72, -41.39

 

CMYK 94 / 34 / 0 / 15

HEX #0D8ED8

RGB 13 142 216

HSL 201.87, 0.89%, 0.45%

LAB 56.48, -4.32, -46.42

 

CMYK 43 / 94 / 0 / 15

HEX #7C0CD8

RGB 124 12 216

HSL 272.94, 0.89%, 0.45%

LAB 36.94, 73.3, -77.73

 

CMYK 0 / 5 / 94 / 15

HEX #D8CE0C

RGB 216 206 12

HSL 57.06, 0.89%, 0.45%

LAB 81.16, -13.96, 80.3

 

CMYK 94 / 34 / 0 / 15

HEX #0D8ED8

RGB 13 142 216

HSL 201.87, 0.89%, 0.45%

LAB 56.48, -4.32, -46.42

 

CMYK 0 / 94 / 33 / 15

HEX #D80C91

RGB 216 12 145

HSL 320.88, 0.89%, 0.45%

LAB 48.14, 76.93, -17.02

 

CMYK 33 / 0 / 94 / 15

HEX #91D80C

RGB 145 216 12

HSL 80.88, 0.89%, 0.45%

LAB 79.13, -47.29, 76.64

 

CMYK 94 / 34 / 0 / 15

HEX #0D8ED8

RGB 13 142 216

HSL 201.87, 0.89%, 0.45%

LAB 56.48, -4.32, -46.42

 

CMYK 43 / 94 / 0 / 15

HEX #7C0CD8

RGB 124 12 216

HSL 272.94, 0.89%, 0.45%

LAB 36.94, 73.3, -77.73

 

CMYK 0 / 61 / 94 / 15

HEX #D8540C

RGB 216 84 12

HSL 21.18, 0.89%, 0.45%

LAB 52.91, 49.18, 60.27

 

CMYK 52 / 0 / 94 / 15

HEX #68D80C

RGB 104 216 12

HSL 92.94, 0.89%, 0.45%

LAB 77.33, -60.6, 74.44

 

CMYK 94 / 34 / 0 / 15

HEX #0D8ED8

RGB 13 142 216

HSL 201.87, 0.89%, 0.45%

LAB 56.48, -4.32, -46.42

 

CMYK 14 / 94 / 0 / 15

HEX #BA0CD8

RGB 186 12 216

HSL 291.18, 0.89%, 0.45%

LAB 46.53, 81.12, -61.68

 

CMYK 0 / 61 / 94 / 15

HEX #D8540C

RGB 216 84 12

HSL 21.18, 0.89%, 0.45%

LAB 52.91, 49.18, 60.27

 

CMYK 80 / 0 / 94 / 15

HEX #2BD80C

RGB 43 216 12

HSL 110.88, 0.89%, 0.45%

LAB 75.86, -72.95, 72.62

 

Description

Color code: RGB 13 142 216 | qconv.com Color code: RGB 13 142 216 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 142 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 142 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 34 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 34% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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