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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 142 206 it is the complementary color RGB 242 113 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 142 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 142 206 shade: RGB 18 142 201, RGB 35 160 220, RGB 52 178 239, RGB 69 196 255 and RGB 86 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 142 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 0 124 187, RGB 0 106 168, RGB 0 88 149 and RGB 0 70 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 13 90 206, RGB 13 38 206, RGB 40 13 206 and RGB 92 13 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 13 90 206, RGB 13 38 206 and RGB 13 13 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 142 206 shade matches the following richer shades: RGB 13 142 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 30 136 188, RGB 48 130 170, RGB 66 124 152 and RGB 84 118 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 142 206 shade: RGB 13 206 164, RGB 13 196 206, RGB 13 145 206, RGB 13 93 206 and RGB 13 42 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 142 206 shade: RGB 8 88 128, RGB 10 115 167, RGB 13 142 206, RGB 20 167 240 and RGB 59 181 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 112 13 206 and RGB 206 190 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 206 13 145 and RGB 145 206 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 112 13 206, RGB 206 74 13 and RGB 106 206 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 142 206 shade: RGB 13 142 206, RGB 170 13 206, RGB 206 74 13 and RGB 48 206 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

Complementary color

CMYK 0 / 53 / 80 / 5

HEX #F27131

RGB 242 113 49

HSL 19.9, 0.88%, 0.57%

LAB 62.43, 46, 56.66

 

CMYK 91 / 29 / 0 / 21

HEX #128EC9

RGB 18 142 201

HSL 199.34, 0.84%, 0.43%

LAB 55.78, -9.7, -39.07

 

CMYK 84 / 27 / 0 / 14

HEX #23A0DC

RGB 35 160 220

HSL 199.46, 0.73%, 0.5%

LAB 62.22, -11.84, -39.57

 

CMYK 78 / 26 / 0 / 6

HEX #34B2EF

RGB 52 178 239

HSL 199.57, 0.85%, 0.57%

LAB 68.61, -13.57, -40.01

 

CMYK 73 / 23 / 0 / 0

HEX #45C4FF

RGB 69 196 255

HSL 199.03, 1%, 0.64%

LAB 74.8, -15.94, -38.97

 

CMYK 66 / 16 / 0 / 0

HEX #56D6FF

RGB 86 214 255

HSL 194.56, 1%, 0.67%

LAB 80.34, -22.9, -30.38

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 100 / 34 / 0 / 27

HEX #007CBB

RGB 0 124 187

HSL 200.21, 1%, 0.37%

LAB 49.5, -5.23, -40.99

 

CMYK 100 / 37 / 0 / 34

HEX #006AA8

RGB 0 106 168

HSL 202.14, 1%, 0.33%

LAB 42.97, -1.8, -40.29

 

CMYK 100 / 41 / 0 / 42

HEX #005895

RGB 0 88 149

HSL 204.56, 1%, 0.29%

LAB 36.27, 1.87, -39.63

 

CMYK 100 / 46 / 0 / 49

HEX #004682

RGB 0 70 130

HSL 207.69, 1%, 0.25%

LAB 29.39, 5.83, -39

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 94 / 56 / 0 / 19

HEX #0D5ACE

RGB 13 90 206

HSL 216.06, 0.88%, 0.43%

LAB 40.98, 24.36, -65.62

 

CMYK 94 / 82 / 0 / 19

HEX #0D26CE

RGB 13 38 206

HSL 232.23, 0.88%, 0.43%

LAB 29.23, 55.87, -84.98

 

CMYK 81 / 94 / 0 / 19

HEX #280DCE

RGB 40 13 206

HSL 248.39, 0.88%, 0.43%

LAB 27.28, 65.37, -88.2

 

CMYK 55 / 94 / 0 / 19

HEX #5C0DCE

RGB 92 13 206

HSL 264.56, 0.88%, 0.43%

LAB 31.85, 68.08, -80.48

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 94 / 56 / 0 / 19

HEX #0D5ACE

RGB 13 90 206

HSL 216.06, 0.88%, 0.43%

LAB 40.98, 24.36, -65.62

 

CMYK 94 / 82 / 0 / 19

HEX #0D26CE

RGB 13 38 206

HSL 232.23, 0.88%, 0.43%

LAB 29.23, 55.87, -84.98

 

CMYK 94 / 94 / 0 / 19

HEX #0D0DCE

RGB 13 13 206

HSL 240, 0.88%, 0.43%

LAB 26.24, 64.86, -89.96

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 84 / 28 / 0 / 26

HEX #1E88BC

RGB 30 136 188

HSL 199.75, 0.72%, 0.43%

LAB 53.51, -10.28, -35.23

 

CMYK 72 / 24 / 0 / 33

HEX #3082AA

RGB 48 130 170

HSL 199.67, 0.56%, 0.43%

LAB 51.26, -11.24, -28.37

 

CMYK 57 / 18 / 0 / 40

HEX #427C98

RGB 66 124 152

HSL 199.53, 0.39%, 0.43%

LAB 49.3, -10.54, -20.87

 

CMYK 38 / 13 / 0 / 47

HEX #547687

RGB 84 118 135

HSL 200, 0.23%, 0.43%

LAB 47.74, -7.53, -13.15

 

CMYK 94 / 0 / 20 / 19

HEX #0DCEA4

RGB 13 206 164

HSL 166.94, 0.88%, 0.43%

LAB 74.13, -52.13, 9.06

 

CMYK 94 / 5 / 0 / 19

HEX #0DC4CE

RGB 13 196 206

HSL 183.11, 0.88%, 0.43%

LAB 72.24, -36.01, -16.48

 

CMYK 94 / 30 / 0 / 19

HEX #0D91CE

RGB 13 145 206

HSL 198.96, 0.88%, 0.43%

LAB 56.87, -9.78, -40.17

 

CMYK 94 / 55 / 0 / 19

HEX #0D5DCE

RGB 13 93 206

HSL 215.13, 0.88%, 0.43%

LAB 41.8, 22.39, -64.3

 

CMYK 94 / 80 / 0 / 19

HEX #0D2ACE

RGB 13 42 206

HSL 230.98, 0.88%, 0.43%

LAB 29.91, 53.9, -83.86

 

CMYK 94 / 31 / 0 / 50

HEX #085880

RGB 8 88 128

HSL 200, 0.88%, 0.27%

LAB 35.18, -6.28, -28.55

 

CMYK 94 / 31 / 0 / 35

HEX #0A73A7

RGB 10 115 167

HSL 199.87, 0.89%, 0.35%

LAB 45.79, -7.22, -35.23

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 92 / 30 / 0 / 6

HEX #14A7F0

RGB 20 167 240

HSL 199.91, 0.88%, 0.51%

LAB 65.02, -9.43, -46.21

 

CMYK 76 / 25 / 0 / 5

HEX #3BB5F2

RGB 59 181 242

HSL 200, 0.88%, 0.59%

LAB 69.75, -13.43, -39.85

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 46 / 94 / 0 / 19

HEX #700DCE

RGB 112 13 206

HSL 270.78, 0.88%, 0.43%

LAB 34.37, 69.83, -76.23

 

CMYK 0 / 8 / 94 / 19

HEX #CEBE0D

RGB 206 190 13

HSL 55.03, 0.88%, 0.43%

LAB 76.06, -10.18, 75.97

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 0 / 94 / 30 / 19

HEX #CE0D91

RGB 206 13 145

HSL 318.96, 0.88%, 0.43%

LAB 46.25, 74.77, -20.09

 

CMYK 30 / 0 / 94 / 19

HEX #91CE0D

RGB 145 206 13

HSL 78.96, 0.88%, 0.43%

LAB 76.19, -43.04, 74.19

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 46 / 94 / 0 / 19

HEX #700DCE

RGB 112 13 206

HSL 270.78, 0.88%, 0.43%

LAB 34.37, 69.83, -76.23

 

CMYK 0 / 64 / 94 / 19

HEX #CE4A0D

RGB 206 74 13

HSL 18.96, 0.88%, 0.43%

LAB 49.55, 50.03, 57.03

 

CMYK 49 / 0 / 94 / 19

HEX #6ACE0D

RGB 106 206 13

HSL 91.09, 0.88%, 0.43%

LAB 74.34, -56.36, 71.93

 

CMYK 94 / 31 / 0 / 19

HEX #0D8ECE

RGB 13 142 206

HSL 199.9, 0.88%, 0.43%

LAB 55.98, -8.07, -41.58

 

CMYK 17 / 94 / 0 / 19

HEX #AA0DCE

RGB 170 13 206

HSL 288.81, 0.88%, 0.43%

LAB 43.2, 76.99, -61.44

 

CMYK 0 / 64 / 94 / 19

HEX #CE4A0D

RGB 206 74 13

HSL 18.96, 0.88%, 0.43%

LAB 49.55, 50.03, 57.03

 

CMYK 77 / 0 / 94 / 19

HEX #30CE0D

RGB 48 206 13

HSL 109.12, 0.88%, 0.43%

LAB 72.76, -69.38, 69.98

 

Description

Color code: RGB 13 142 206 | qconv.com Color code: RGB 13 142 206 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 31% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - Programming And Linu...
Link: http://www.nicosphere.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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