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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 127 195 it is the complementary color RGB 242 128 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 127 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 127 195 shade: RGB 18 127 190, RGB 35 145 209, RGB 52 163 228, RGB 69 181 247 and RGB 86 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 127 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 127 195 shade: RGB 13 127 195, RGB 0 109 176, RGB 0 91 157, RGB 0 73 138 and RGB 0 55 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 127 195 shade: RGB 12 127 196, RGB 12 78 196, RGB 12 28 196, RGB 46 12 196 and RGB 95 12 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 127 195 shade: RGB 12 127 196, RGB 12 78 196, RGB 12 28 196 and RGB 12 12 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 127 195 shade matches the following richer shades: RGB 12 127 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 127 195 shade: RGB 12 127 196, RGB 29 123 179, RGB 46 119 162, RGB 63 114 145 and RGB 80 110 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 127 195 shade: RGB 12 196 165, RGB 12 178 196, RGB 12 129 196, RGB 12 80 196 and RGB 12 30 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 127 195 shade: RGB 7 77 118, RGB 10 102 157, RGB 12 127 196, RGB 15 153 235 and RGB 49 170 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 127 195 shade: RGB 13 127 195, RGB 116 12 196 and RGB 196 190 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 127 195 shade: RGB 13 127 195, RGB 196 12 129 and RGB 129 196 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 127 195 shade: RGB 13 127 195, RGB 116 12 196, RGB 196 80 12 and RGB 92 196 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 127 195 shade: RGB 13 127 195, RGB 172 12 196, RGB 196 80 12 and RGB 37 196 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 35 / 0 / 24

HEX #0D7FC3

RGB 13 127 195

HSL 202.42, 0.88%, 0.41%

LAB 50.93, -3.45, -43.32

 

Complementary color

CMYK 0 / 47 / 75 / 5

HEX #F2803C

RGB 242 128 60

HSL 22.42, 0.88%, 0.59%

LAB 65.47, 38.98, 54.71

 

CMYK 91 / 33 / 0 / 25

HEX #127FBE

RGB 18 127 190

HSL 201.98, 0.83%, 0.41%

LAB 50.72, -5.12, -40.78

 

CMYK 83 / 31 / 0 / 18

HEX #2391D1

RGB 35 145 209

HSL 202.07, 0.71%, 0.48%

LAB 57.28, -7.36, -41.2

 

CMYK 77 / 29 / 0 / 11

HEX #34A3E4

RGB 52 163 228

HSL 202.16, 0.77%, 0.55%

LAB 63.78, -9.13, -41.54

 

CMYK 72 / 27 / 0 / 3

HEX #45B5F7

RGB 69 181 247

HSL 202.25, 0.92%, 0.62%

LAB 70.2, -10.55, -41.84

 

CMYK 66 / 22 / 0 / 0

HEX #56C7FF

RGB 86 199 255

HSL 199.88, 1%, 0.67%

LAB 76.1, -15.19, -36.93

 

CMYK 93 / 35 / 0 / 24

HEX #0D7FC3

RGB 13 127 195

HSL 202.42, 0.88%, 0.41%

LAB 50.93, -3.45, -43.32

 

CMYK 100 / 38 / 0 / 31

HEX #006DB0

RGB 0 109 176

HSL 202.84, 1%, 0.35%

LAB 44.34, -0.45, -42.81

 

CMYK 100 / 42 / 0 / 38

HEX #005B9D

RGB 0 91 157

HSL 205.22, 1%, 0.31%

LAB 37.69, 3.24, -42.17

 

CMYK 100 / 47 / 0 / 46

HEX #00498A

RGB 0 73 138

HSL 208.26, 1%, 0.27%

LAB 30.88, 7.22, -41.56

 

CMYK 100 / 54 / 0 / 53

HEX #003777

RGB 0 55 119

HSL 212.27, 1%, 0.23%

LAB 23.88, 11.56, -40.98

 

CMYK 94 / 35 / 0 / 23

HEX #0C7FC4

RGB 12 127 196

HSL 202.5, 0.88%, 0.41%

LAB 50.97, -3.11, -43.82

 

CMYK 94 / 60 / 0 / 23

HEX #0C4EC4

RGB 12 78 196

HSL 218.48, 0.88%, 0.41%

LAB 36.95, 28.31, -66.41

 

CMYK 94 / 86 / 0 / 23

HEX #0C1CC4

RGB 12 28 196

HSL 234.78, 0.88%, 0.41%

LAB 26.43, 57.25, -83.79

 

CMYK 77 / 94 / 0 / 23

HEX #2E0CC4

RGB 46 12 196

HSL 251.09, 0.88%, 0.41%

LAB 26.24, 63.21, -84.06

 

CMYK 52 / 94 / 0 / 23

HEX #5F0CC4

RGB 95 12 196

HSL 267.07, 0.88%, 0.41%

LAB 31.07, 66.19, -75.91

 

CMYK 94 / 35 / 0 / 23

HEX #0C7FC4

RGB 12 127 196

HSL 202.5, 0.88%, 0.41%

LAB 50.97, -3.11, -43.82

 

CMYK 94 / 60 / 0 / 23

HEX #0C4EC4

RGB 12 78 196

HSL 218.48, 0.88%, 0.41%

LAB 36.95, 28.31, -66.41

 

CMYK 94 / 86 / 0 / 23

HEX #0C1CC4

RGB 12 28 196

HSL 234.78, 0.88%, 0.41%

LAB 26.43, 57.25, -83.79

 

CMYK 94 / 94 / 0 / 23

HEX #0C0CC4

RGB 12 12 196

HSL 240, 0.88%, 0.41%

LAB 24.72, 62.44, -86.64

 

CMYK 94 / 35 / 0 / 23

HEX #0C7FC4

RGB 12 127 196

HSL 202.5, 0.88%, 0.41%

LAB 50.97, -3.11, -43.82

 

CMYK 94 / 35 / 0 / 23

HEX #0C7FC4

RGB 12 127 196

HSL 202.5, 0.88%, 0.41%

LAB 50.97, -3.11, -43.82

 

CMYK 84 / 31 / 0 / 30

HEX #1D7BB3

RGB 29 123 179

HSL 202.4, 0.72%, 0.41%

LAB 49.11, -6.14, -36.98

 

CMYK 72 / 27 / 0 / 36

HEX #2E77A2

RGB 46 119 162

HSL 202.24, 0.56%, 0.41%

LAB 47.47, -8, -29.62

 

CMYK 57 / 21 / 0 / 43

HEX #3F7291

RGB 63 114 145

HSL 202.68, 0.39%, 0.41%

LAB 45.82, -7.68, -22.12

 

CMYK 38 / 14 / 0 / 50

HEX #506E80

RGB 80 110 128

HSL 202.5, 0.23%, 0.41%

LAB 44.82, -6.01, -13.43

 

CMYK 94 / 0 / 16 / 23

HEX #0CC4A5

RGB 12 196 165

HSL 169.89, 0.88%, 0.41%

LAB 71.06, -47.87, 4.11

 

CMYK 94 / 9 / 0 / 23

HEX #0CB2C4

RGB 12 178 196

HSL 185.87, 0.88%, 0.41%

LAB 66.45, -30.65, -19.77

 

CMYK 94 / 34 / 0 / 23

HEX #0C81C4

RGB 12 129 196

HSL 201.85, 0.88%, 0.41%

LAB 51.57, -4.3, -42.87

 

CMYK 94 / 59 / 0 / 23

HEX #0C50C4

RGB 12 80 196

HSL 217.83, 0.88%, 0.41%

LAB 37.48, 26.98, -65.54

 

CMYK 94 / 85 / 0 / 23

HEX #0C1EC4

RGB 12 30 196

HSL 234.13, 0.88%, 0.41%

LAB 26.71, 56.41, -83.32

 

CMYK 94 / 35 / 0 / 54

HEX #074D76

RGB 7 77 118

HSL 202.16, 0.89%, 0.25%

LAB 31.02, -3.47, -28.91

 

CMYK 94 / 35 / 0 / 38

HEX #0A669D

RGB 10 102 157

HSL 202.45, 0.88%, 0.33%

LAB 41.22, -3.25, -36.55

 

CMYK 94 / 35 / 0 / 23

HEX #0C7FC4

RGB 12 127 196

HSL 202.5, 0.88%, 0.41%

LAB 50.97, -3.11, -43.82

 

CMYK 94 / 35 / 0 / 8

HEX #0F99EB

RGB 15 153 235

HSL 202.36, 0.88%, 0.49%

LAB 60.68, -3.52, -50.33

 

CMYK 80 / 29 / 0 / 5

HEX #31AAF1

RGB 49 170 241

HSL 202.19, 0.87%, 0.57%

LAB 66.33, -8.79, -44.67

 

CMYK 93 / 35 / 0 / 24

HEX #0D7FC3

RGB 13 127 195

HSL 202.42, 0.88%, 0.41%

LAB 50.93, -3.45, -43.32

 

CMYK 41 / 94 / 0 / 23

HEX #740CC4

RGB 116 12 196

HSL 273.91, 0.88%, 0.41%

LAB 33.9, 68.25, -71.14

 

CMYK 0 / 3 / 94 / 23

HEX #C4BE0C

RGB 196 190 12

HSL 58.04, 0.88%, 0.41%

LAB 75.2, -14.54, 75.06

 

CMYK 93 / 35 / 0 / 24

HEX #0D7FC3

RGB 13 127 195

HSL 202.42, 0.88%, 0.41%

LAB 50.93, -3.45, -43.32

 

CMYK 0 / 94 / 34 / 23

HEX #C40C81

RGB 196 12 129

HSL 321.85, 0.88%, 0.41%

LAB 43.63, 71.08, -14.51

 

CMYK 34 / 0 / 94 / 23

HEX #81C40C

RGB 129 196 12

HSL 81.85, 0.88%, 0.41%

LAB 72.34, -44.73, 70.87

 

CMYK 93 / 35 / 0 / 24

HEX #0D7FC3

RGB 13 127 195

HSL 202.42, 0.88%, 0.41%

LAB 50.93, -3.45, -43.32

 

CMYK 41 / 94 / 0 / 23

HEX #740CC4

RGB 116 12 196

HSL 273.91, 0.88%, 0.41%

LAB 33.9, 68.25, -71.14

 

CMYK 0 / 59 / 94 / 23

HEX #C4500C

RGB 196 80 12

HSL 22.17, 0.88%, 0.41%

LAB 48.88, 43.65, 56.02

 

CMYK 53 / 0 / 94 / 23

HEX #5CC40C

RGB 92 196 12

HSL 93.91, 0.88%, 0.41%

LAB 70.72, -56.8, 68.88

 

CMYK 93 / 35 / 0 / 24

HEX #0D7FC3

RGB 13 127 195

HSL 202.42, 0.88%, 0.41%

LAB 50.93, -3.45, -43.32

 

CMYK 12 / 94 / 0 / 23

HEX #AC0CC4

RGB 172 12 196

HSL 292.17, 0.88%, 0.41%

LAB 42.79, 75.71, -56.27

 

CMYK 0 / 59 / 94 / 23

HEX #C4500C

RGB 196 80 12

HSL 22.17, 0.88%, 0.41%

LAB 48.88, 43.65, 56.02

 

CMYK 81 / 0 / 94 / 23

HEX #25C40C

RGB 37 196 12

HSL 111.85, 0.88%, 0.41%

LAB 69.4, -67.9, 67.25

 

Description

Color code: RGB 13 127 195 | qconv.com Color code: RGB 13 127 195 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 127 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 127 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 35 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 35% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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