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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 91 202 it is the complementary color RGB 242 164 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 91 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 91 202 shade: RGB 18 91 197, RGB 35 109 216, RGB 52 127 235, RGB 69 145 254 and RGB 86 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 91 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 91 202 shade: RGB 13 91 202, RGB 0 73 183, RGB 0 55 164, RGB 0 37 145 and RGB 0 19 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 91 202 shade: RGB 12 90 201, RGB 12 39 201, RGB 36 12 201, RGB 87 12 201 and RGB 138 12 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 91 202 shade: RGB 12 90 201, RGB 12 39 201 and RGB 12 12 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 91 202 shade matches the following richer shades: RGB 12 90 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 91 202 shade: RGB 12 90 201, RGB 30 93 184, RGB 47 96 166, RGB 64 99 149 and RGB 82 102 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 91 202 shade: RGB 12 191 201, RGB 12 141 201, RGB 12 91 201, RGB 12 41 201 and RGB 34 12 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 91 202 shade: RGB 7 55 123, RGB 10 73 162, RGB 12 90 201, RGB 15 108 239 and RGB 54 131 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 91 202 shade: RGB 13 91 202, RGB 160 12 201 and RGB 166 201 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 91 202 shade: RGB 13 91 202, RGB 201 12 91 and RGB 91 201 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 91 202 shade: RGB 13 91 202, RGB 160 12 201, RGB 201 122 12 and RGB 53 201 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 91 202 shade: RGB 13 91 202, RGB 201 12 185, RGB 201 122 12 and RGB 12 201 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 55 / 0 / 21

HEX #0D5BCA

RGB 13 91 202

HSL 215.24, 0.88%, 0.42%

LAB 40.95, 22.12, -63.37

 

Complementary color

CMYK 0 / 32 / 78 / 5

HEX #F2A435

RGB 242 164 53

HSL 35.24, 0.88%, 0.58%

LAB 73.34, 19.97, 65.26

 

CMYK 91 / 54 / 0 / 23

HEX #125BC5

RGB 18 91 197

HSL 215.53, 0.83%, 0.42%

LAB 40.64, 20.35, -60.97

 

CMYK 84 / 50 / 0 / 15

HEX #236DD8

RGB 35 109 216

HSL 215.47, 0.72%, 0.49%

LAB 47.3, 17.2, -61.07

 

CMYK 78 / 46 / 0 / 8

HEX #347FEB

RGB 52 127 235

HSL 215.41, 0.82%, 0.56%

LAB 53.93, 14.62, -61.07

 

CMYK 73 / 43 / 0 / 0

HEX #4591FE

RGB 69 145 254

HSL 215.35, 0.99%, 0.63%

LAB 60.49, 12.5, -61.02

 

CMYK 66 / 36 / 0 / 0

HEX #56A3FF

RGB 86 163 255

HSL 212.66, 1%, 0.67%

LAB 66.05, 4.65, -52.67

 

CMYK 94 / 55 / 0 / 21

HEX #0D5BCA

RGB 13 91 202

HSL 215.24, 0.88%, 0.42%

LAB 40.95, 22.12, -63.37

 

CMYK 100 / 60 / 0 / 28

HEX #0049B7

RGB 0 73 183

HSL 216.07, 1%, 0.36%

LAB 34.36, 26.06, -63.02

 

CMYK 100 / 66 / 0 / 36

HEX #0037A4

RGB 0 55 164

HSL 219.88, 1%, 0.32%

LAB 27.88, 30.6, -62.31

 

CMYK 100 / 74 / 0 / 43

HEX #002591

RGB 0 37 145

HSL 224.69, 1%, 0.28%

LAB 21.46, 35.07, -61.27

 

CMYK 100 / 85 / 0 / 51

HEX #00137E

RGB 0 19 126

HSL 230.95, 1%, 0.25%

LAB 15.34, 38.81, -59.48

 

CMYK 94 / 55 / 0 / 21

HEX #0C5AC9

RGB 12 90 201

HSL 215.24, 0.89%, 0.42%

LAB 40.59, 22.34, -63.38

 

CMYK 94 / 81 / 0 / 21

HEX #0C27C9

RGB 12 39 201

HSL 231.43, 0.89%, 0.42%

LAB 28.76, 53.78, -82.84

 

CMYK 82 / 94 / 0 / 21

HEX #240CC9

RGB 36 12 201

HSL 247.62, 0.89%, 0.42%

LAB 26.32, 64.19, -86.89

 

CMYK 57 / 94 / 0 / 21

HEX #570CC9

RGB 87 12 201

HSL 263.81, 0.89%, 0.42%

LAB 30.66, 66.71, -79.56

 

CMYK 31 / 94 / 0 / 21

HEX #8A0CC9

RGB 138 12 201

HSL 280, 0.89%, 0.42%

LAB 37.63, 71.84, -67.82

 

CMYK 94 / 55 / 0 / 21

HEX #0C5AC9

RGB 12 90 201

HSL 215.24, 0.89%, 0.42%

LAB 40.59, 22.34, -63.38

 

CMYK 94 / 81 / 0 / 21

HEX #0C27C9

RGB 12 39 201

HSL 231.43, 0.89%, 0.42%

LAB 28.76, 53.78, -82.84

 

CMYK 94 / 94 / 0 / 21

HEX #0C0CC9

RGB 12 12 201

HSL 240, 0.89%, 0.42%

LAB 25.44, 63.76, -88.38

 

CMYK 94 / 55 / 0 / 21

HEX #0C5AC9

RGB 12 90 201

HSL 215.24, 0.89%, 0.42%

LAB 40.59, 22.34, -63.38

 

CMYK 94 / 55 / 0 / 21

HEX #0C5AC9

RGB 12 90 201

HSL 215.24, 0.89%, 0.42%

LAB 40.59, 22.34, -63.38

 

CMYK 84 / 49 / 0 / 28

HEX #1E5DB8

RGB 30 93 184

HSL 215.45, 0.72%, 0.42%

LAB 40.52, 14.68, -53.59

 

CMYK 72 / 42 / 0 / 35

HEX #2F60A6

RGB 47 96 166

HSL 215.29, 0.56%, 0.42%

LAB 40.77, 7.77, -42.55

 

CMYK 57 / 34 / 0 / 42

HEX #406395

RGB 64 99 149

HSL 215.29, 0.4%, 0.42%

LAB 41.51, 2.97, -31.21

 

CMYK 38 / 23 / 0 / 48

HEX #526684

RGB 82 102 132

HSL 216, 0.23%, 0.42%

LAB 42.71, 0.52, -19.05

 

CMYK 94 / 5 / 0 / 21

HEX #0CBFC9

RGB 12 191 201

HSL 183.17, 0.89%, 0.42%

LAB 70.56, -35.26, -16.28

 

CMYK 94 / 30 / 0 / 21

HEX #0C8DC9

RGB 12 141 201

HSL 199.05, 0.89%, 0.42%

LAB 55.43, -9.39, -39.63

 

CMYK 94 / 55 / 0 / 21

HEX #0C5BC9

RGB 12 91 201

HSL 214.92, 0.89%, 0.42%

LAB 40.86, 21.68, -62.94

 

CMYK 94 / 80 / 0 / 21

HEX #0C29C9

RGB 12 41 201

HSL 230.79, 0.89%, 0.42%

LAB 29.11, 52.77, -82.26

 

CMYK 83 / 94 / 0 / 21

HEX #220CC9

RGB 34 12 201

HSL 246.98, 0.89%, 0.42%

LAB 26.22, 64.14, -87.06

 

CMYK 94 / 55 / 0 / 52

HEX #07377B

RGB 7 55 123

HSL 215.17, 0.89%, 0.25%

LAB 24.35, 13.8, -42.76

 

CMYK 94 / 55 / 0 / 36

HEX #0A49A2

RGB 10 73 162

HSL 215.13, 0.88%, 0.34%

LAB 32.78, 17.87, -53.08

 

CMYK 94 / 55 / 0 / 21

HEX #0C5AC9

RGB 12 90 201

HSL 215.24, 0.89%, 0.42%

LAB 40.59, 22.34, -63.38

 

CMYK 94 / 55 / 0 / 6

HEX #0F6CEF

RGB 15 108 239

HSL 215.09, 0.88%, 0.5%

LAB 48.33, 25.64, -72.39

 

CMYK 78 / 46 / 0 / 5

HEX #3683F2

RGB 54 131 242

HSL 215.43, 0.88%, 0.58%

LAB 55.51, 14.94, -62.42

 

CMYK 94 / 55 / 0 / 21

HEX #0D5BCA

RGB 13 91 202

HSL 215.24, 0.88%, 0.42%

LAB 40.95, 22.12, -63.37

 

CMYK 20 / 94 / 0 / 21

HEX #A00CC9

RGB 160 12 201

HSL 286.98, 0.89%, 0.42%

LAB 41.14, 74.79, -61.95

 

CMYK 17 / 0 / 94 / 21

HEX #A6C90C

RGB 166 201 12

HSL 71.11, 0.89%, 0.42%

LAB 76.01, -32.58, 74.71

 

CMYK 94 / 55 / 0 / 21

HEX #0D5BCA

RGB 13 91 202

HSL 215.24, 0.88%, 0.42%

LAB 40.95, 22.12, -63.37

 

CMYK 0 / 94 / 55 / 21

HEX #C90C5B

RGB 201 12 91

HSL 334.92, 0.89%, 0.42%

LAB 43.41, 68.93, 8.96

 

CMYK 55 / 0 / 94 / 21

HEX #5BC90C

RGB 91 201 12

HSL 94.92, 0.89%, 0.42%

LAB 72.24, -58.87, 70.11

 

CMYK 94 / 55 / 0 / 21

HEX #0D5BCA

RGB 13 91 202

HSL 215.24, 0.88%, 0.42%

LAB 40.95, 22.12, -63.37

 

CMYK 20 / 94 / 0 / 21

HEX #A00CC9

RGB 160 12 201

HSL 286.98, 0.89%, 0.42%

LAB 41.14, 74.79, -61.95

 

CMYK 0 / 39 / 94 / 21

HEX #C97A0C

RGB 201 122 12

HSL 34.92, 0.89%, 0.42%

LAB 58.38, 23.99, 62.9

 

CMYK 74 / 0 / 94 / 21

HEX #35C90C

RGB 53 201 12

HSL 106.98, 0.89%, 0.42%

LAB 71.25, -67.15, 68.89

 

CMYK 94 / 55 / 0 / 21

HEX #0D5BCA

RGB 13 91 202

HSL 215.24, 0.88%, 0.42%

LAB 40.95, 22.12, -63.37

 

CMYK 0 / 94 / 8 / 21

HEX #C90CB9

RGB 201 12 185

HSL 305.08, 0.89%, 0.42%

LAB 47.21, 78.86, -42.47

 

CMYK 0 / 39 / 94 / 21

HEX #C97A0C

RGB 201 122 12

HSL 34.92, 0.89%, 0.42%

LAB 58.38, 23.99, 62.9

 

CMYK 94 / 0 / 86 / 21

HEX #0CC91C

RGB 12 201 28

HSL 125.08, 0.89%, 0.42%

LAB 70.83, -70.8, 65.68

 

Description

Color code: RGB 13 91 202 | qconv.com Color code: RGB 13 91 202 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 91 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 91 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 55 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 55% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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