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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 41 39 it is the complementary color RGB 242 214 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 41 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 41 39 shade: RGB 18 41 34, RGB 35 59 53, RGB 52 77 72, RGB 69 95 91 and RGB 86 113 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 41 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 41 39 shade: RGB 13 41 39, RGB 0 23 20 and RGB 0 5 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 41 39 shade: RGB 13 42 40, RGB 13 42 32, RGB 13 42 24, RGB 13 42 16 and RGB 17 42 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 41 39 shade: RGB 13 42 40, RGB 13 36 42, RGB 13 28 42, RGB 13 21 42 and RGB 13 13 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 41 39 shade matches the following richer shades: RGB 13 42 40, RGB 8 47 44 and RGB 4 51 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 41 39 shade: RGB 13 42 40, RGB 18 38 36, RGB 22 33 32, RGB 27 29 28 and RGB 31 24 24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 41 39 shade: RGB 13 42 24, RGB 13 42 32, RGB 13 42 40, RGB 13 37 42 and RGB 13 29 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 41 39 shade: RGB 13 41 39, RGB 16 13 42 and RGB 42 28 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 41 39 shade: RGB 13 41 39, RGB 40 13 42 and RGB 42 40 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 41 39 shade: RGB 13 41 39, RGB 16 13 42, RGB 42 13 15 and RGB 39 42 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 41 39 shade: RGB 13 41 39, RGB 25 13 42, RGB 42 13 15 and RGB 30 42 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 5 / 84

HEX #0D2927

RGB 13 41 39

HSL 175.71, 0.52%, 0.11%

LAB 14.5, -11.13, -1.89

 

Complementary color

CMYK 0 / 12 / 11 / 5

HEX #F2D6D8

RGB 242 214 216

HSL 355.71, 0.52%, 0.89%

LAB 87.93, 10.03, 2.57

 

CMYK 56 / 0 / 17 / 84

HEX #122922

RGB 18 41 34

HSL 161.74, 0.39%, 0.12%

LAB 14.57, -11.24, 1.79

 

CMYK 41 / 0 / 10 / 77

HEX #233B35

RGB 35 59 53

HSL 165, 0.26%, 0.18%

LAB 22.8, -11.01, 0.76

 

CMYK 32 / 0 / 6 / 70

HEX #344D48

RGB 52 77 72

HSL 168, 0.19%, 0.25%

LAB 30.65, -10.8, -0.1

 

CMYK 27 / 0 / 4 / 63

HEX #455F5B

RGB 69 95 91

HSL 170.77, 0.16%, 0.32%

LAB 38.21, -10.63, -0.86

 

CMYK 24 / 0 / 3 / 56

HEX #56716E

RGB 86 113 110

HSL 173.33, 0.14%, 0.39%

LAB 45.52, -10.5, -1.56

 

CMYK 68 / 0 / 5 / 84

HEX #0D2927

RGB 13 41 39

HSL 175.71, 0.52%, 0.11%

LAB 14.5, -11.13, -1.89

 

CMYK 100 / 0 / 13 / 91

HEX #001714

RGB 0 23 20

HSL 172.17, 1%, 0.05%

LAB 5.99, -8.1, -0.64

 

CMYK 100 / 0 / 80 / 98

HEX #000501

RGB 0 5 1

HSL 132, 1%, 0.01%

LAB 1, -1.86, 1.05

 

CMYK 69 / 0 / 5 / 84

HEX #0D2A28

RGB 13 42 40

HSL 175.86, 0.53%, 0.11%

LAB 14.92, -11.41, -1.97

 

CMYK 69 / 0 / 24 / 84

HEX #0D2A20

RGB 13 42 32

HSL 159.31, 0.53%, 0.11%

LAB 14.66, -13.97, 3.3

 

CMYK 69 / 0 / 43 / 84

HEX #0D2A18

RGB 13 42 24

HSL 142.76, 0.53%, 0.11%

LAB 14.44, -16.14, 8.58

 

CMYK 69 / 0 / 62 / 84

HEX #0D2A10

RGB 13 42 16

HSL 126.21, 0.53%, 0.11%

LAB 14.28, -17.86, 13.52

 

CMYK 60 / 0 / 69 / 84

HEX #112A0D

RGB 17 42 13

HSL 111.72, 0.53%, 0.11%

LAB 14.42, -16.96, 15.29

 

CMYK 69 / 0 / 5 / 84

HEX #0D2A28

RGB 13 42 40

HSL 175.86, 0.53%, 0.11%

LAB 14.92, -11.41, -1.97

 

CMYK 69 / 14 / 0 / 84

HEX #0D242A

RGB 13 36 42

HSL 192.41, 0.53%, 0.11%

LAB 12.7, -6.8, -6.74

 

CMYK 69 / 33 / 0 / 84

HEX #0D1C2A

RGB 13 28 42

HSL 208.97, 0.53%, 0.11%

LAB 9.67, -1.1, -11.41

 

CMYK 69 / 50 / 0 / 84

HEX #0D152A

RGB 13 21 42

HSL 223.45, 0.53%, 0.11%

LAB 7.13, 4.18, -15.39

 

CMYK 69 / 69 / 0 / 84

HEX #0D0D2A

RGB 13 13 42

HSL 240, 0.53%, 0.11%

LAB 4.88, 8.77, -18.93

 

CMYK 69 / 0 / 5 / 84

HEX #0D2A28

RGB 13 42 40

HSL 175.86, 0.53%, 0.11%

LAB 14.92, -11.41, -1.97

 

CMYK 83 / 0 / 6 / 82

HEX #082F2C

RGB 8 47 44

HSL 175.38, 0.71%, 0.11%

LAB 16.83, -14.13, -1.99

 

CMYK 92 / 0 / 6 / 80

HEX #043330

RGB 4 51 48

HSL 176.17, 0.85%, 0.11%

LAB 18.4, -15.79, -2.46

 

CMYK 69 / 0 / 5 / 84

HEX #0D2A28

RGB 13 42 40

HSL 175.86, 0.53%, 0.11%

LAB 14.92, -11.41, -1.97

 

CMYK 53 / 0 / 5 / 85

HEX #122624

RGB 18 38 36

HSL 174, 0.36%, 0.11%

LAB 13.48, -8.72, -1.22

 

CMYK 33 / 0 / 3 / 87

HEX #162120

RGB 22 33 32

HSL 174.55, 0.2%, 0.11%

LAB 11.71, -5.12, -0.91

 

CMYK 7 / 0 / 3 / 89

HEX #1B1D1C

RGB 27 29 28

HSL 150, 0.04%, 0.11%

LAB 10.52, -1.2, 0.36

 

CMYK 0 / 23 / 23 / 88

HEX #1F1818

RGB 31 24 24

HSL 0, 0.13%, 0.11%

LAB 9.08, 3.49, 1.31

 

CMYK 69 / 0 / 43 / 84

HEX #0D2A18

RGB 13 42 24

HSL 142.76, 0.53%, 0.11%

LAB 14.44, -16.14, 8.58

 

CMYK 69 / 0 / 24 / 84

HEX #0D2A20

RGB 13 42 32

HSL 159.31, 0.53%, 0.11%

LAB 14.66, -13.97, 3.3

 

CMYK 69 / 0 / 5 / 84

HEX #0D2A28

RGB 13 42 40

HSL 175.86, 0.53%, 0.11%

LAB 14.92, -11.41, -1.97

 

CMYK 69 / 12 / 0 / 84

HEX #0D252A

RGB 13 37 42

HSL 190.34, 0.53%, 0.11%

LAB 13.08, -7.48, -6.16

 

CMYK 69 / 31 / 0 / 84

HEX #0D1D2A

RGB 13 29 42

HSL 206.9, 0.53%, 0.11%

LAB 10.04, -1.84, -10.82

 

CMYK 68 / 0 / 5 / 84

HEX #0D2927

RGB 13 41 39

HSL 175.71, 0.52%, 0.11%

LAB 14.5, -11.13, -1.89

 

CMYK 62 / 69 / 0 / 84

HEX #100D2A

RGB 16 13 42

HSL 246.21, 0.53%, 0.11%

LAB 5.11, 9.76, -18.57

 

CMYK 0 / 33 / 69 / 84

HEX #2A1C0D

RGB 42 28 13

HSL 31.03, 0.53%, 0.11%

LAB 11.63, 4.69, 11.97

 

CMYK 68 / 0 / 5 / 84

HEX #0D2927

RGB 13 41 39

HSL 175.71, 0.52%, 0.11%

LAB 14.5, -11.13, -1.89

 

CMYK 5 / 69 / 0 / 84

HEX #280D2A

RGB 40 13 42

HSL 295.86, 0.53%, 0.11%

LAB 8.18, 19.39, -13.51

 

CMYK 0 / 5 / 69 / 84

HEX #2A280D

RGB 42 40 13

HSL 55.86, 0.53%, 0.11%

LAB 15.69, -3.66, 17.32

 

CMYK 68 / 0 / 5 / 84

HEX #0D2927

RGB 13 41 39

HSL 175.71, 0.52%, 0.11%

LAB 14.5, -11.13, -1.89

 

CMYK 62 / 69 / 0 / 84

HEX #100D2A

RGB 16 13 42

HSL 246.21, 0.53%, 0.11%

LAB 5.11, 9.76, -18.57

 

CMYK 0 / 69 / 64 / 84

HEX #2A0D0F

RGB 42 13 15

HSL 355.86, 0.53%, 0.11%

LAB 7.36, 15.26, 4.87

 

CMYK 7 / 0 / 69 / 84

HEX #272A0D

RGB 39 42 13

HSL 66.21, 0.53%, 0.11%

LAB 16.09, -6.59, 17.76

 

CMYK 68 / 0 / 5 / 84

HEX #0D2927

RGB 13 41 39

HSL 175.71, 0.52%, 0.11%

LAB 14.5, -11.13, -1.89

 

CMYK 40 / 69 / 0 / 84

HEX #190D2A

RGB 25 13 42

HSL 264.83, 0.53%, 0.11%

LAB 5.98, 13.46, -17.13

 

CMYK 0 / 69 / 64 / 84

HEX #2A0D0F

RGB 42 13 15

HSL 355.86, 0.53%, 0.11%

LAB 7.36, 15.26, 4.87

 

CMYK 29 / 0 / 69 / 84

HEX #1E2A0D

RGB 30 42 13

HSL 84.83, 0.53%, 0.11%

LAB 15.28, -11.23, 16.57

 

Description

Color code: RGB 13 41 39 | qconv.com Color code: RGB 13 41 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 41 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 41 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 5 yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 5% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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