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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 41 158 it is the complementary color RGB 242 214 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 41 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 41 158 shade: RGB 18 41 153, RGB 35 59 172, RGB 52 77 191, RGB 69 95 210 and RGB 86 113 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 41 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 41 158 shade: RGB 13 41 158, RGB 0 23 139, RGB 0 5 120, RGB 0 0 101 and RGB 0 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 41 158 shade: RGB 13 41 160, RGB 24 13 160, RGB 64 13 160, RGB 103 13 160 and RGB 143 13 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 41 158 shade: RGB 13 41 160 and RGB 13 13 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 41 158 shade matches the following richer shades: RGB 13 41 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 41 158 shade: RGB 13 41 160, RGB 27 50 146, RGB 41 58 132, RGB 55 67 118 and RGB 69 75 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 41 158 shade: RGB 13 121 160, RGB 13 81 160, RGB 13 42 160, RGB 22 13 160 and RGB 62 13 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 41 158 shade: RGB 6 21 84, RGB 9 31 122, RGB 13 41 160, RGB 16 51 198 and RGB 19 61 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 41 158 shade: RGB 13 41 158, RGB 160 13 160 and RGB 101 160 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 41 158 shade: RGB 13 41 158, RGB 160 13 42 and RGB 42 160 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 41 158 shade: RGB 13 41 158, RGB 160 13 160, RGB 160 130 13 and RGB 13 160 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 41 158 shade: RGB 13 41 158, RGB 160 13 116, RGB 160 130 13 and RGB 13 160 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 74 / 0 / 38

HEX #0D299E

RGB 13 41 158

HSL 228.41, 0.85%, 0.34%

LAB 24.13, 37.91, -64.84

 

Complementary color

CMYK 0 / 12 / 60 / 5

HEX #F2D661

RGB 242 214 97

HSL 48.41, 0.85%, 0.66%

LAB 85.92, -3.78, 60.01

 

CMYK 88 / 73 / 0 / 40

HEX #122999

RGB 18 41 153

HSL 229.78, 0.79%, 0.34%

LAB 23.72, 36.29, -62.46

 

CMYK 80 / 66 / 0 / 33

HEX #233BAC

RGB 35 59 172

HSL 229.49, 0.66%, 0.41%

LAB 30.55, 33.02, -62.69

 

CMYK 73 / 60 / 0 / 25

HEX #344DBF

RGB 52 77 191

HSL 229.21, 0.57%, 0.48%

LAB 37.48, 30.19, -62.58

 

CMYK 67 / 55 / 0 / 18

HEX #455FD2

RGB 69 95 210

HSL 228.94, 0.61%, 0.55%

LAB 44.38, 27.82, -62.32

 

CMYK 62 / 51 / 0 / 10

HEX #5671E5

RGB 86 113 229

HSL 228.67, 0.73%, 0.62%

LAB 51.2, 25.85, -62.02

 

CMYK 92 / 74 / 0 / 38

HEX #0D299E

RGB 13 41 158

HSL 228.41, 0.85%, 0.34%

LAB 24.13, 37.91, -64.84

 

CMYK 100 / 83 / 0 / 45

HEX #00178B

RGB 0 23 139

HSL 230.07, 1%, 0.27%

LAB 17.81, 41.18, -63.58

 

CMYK 100 / 96 / 0 / 53

HEX #000578

RGB 0 5 120

HSL 237.5, 1%, 0.24%

LAB 12.38, 43.13, -60.57

 

CMYK 100 / 100 / 0 / 60

HEX #000065

RGB 0 0 101

HSL 240, 1%, 0.2%

LAB 8.48, 40.13, -54.66

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 92 / 74 / 0 / 37

HEX #0D29A0

RGB 13 41 160

HSL 228.57, 0.85%, 0.34%

LAB 24.35, 38.64, -65.69

 

CMYK 85 / 92 / 0 / 37

HEX #180DA0

RGB 24 13 160

HSL 244.49, 0.85%, 0.34%

LAB 20.12, 52.53, -72.71

 

CMYK 60 / 92 / 0 / 37

HEX #400DA0

RGB 64 13 160

HSL 260.82, 0.85%, 0.34%

LAB 23.39, 54.71, -67.18

 

CMYK 36 / 92 / 0 / 37

HEX #670DA0

RGB 103 13 160

HSL 276.73, 0.85%, 0.34%

LAB 28.67, 58.88, -58.3

 

CMYK 11 / 92 / 0 / 37

HEX #8F0DA0

RGB 143 13 160

HSL 293.06, 0.85%, 0.34%

LAB 35.33, 64.89, -47.17

 

CMYK 92 / 74 / 0 / 37

HEX #0D29A0

RGB 13 41 160

HSL 228.57, 0.85%, 0.34%

LAB 24.35, 38.64, -65.69

 

CMYK 92 / 92 / 0 / 37

HEX #0D0DA0

RGB 13 13 160

HSL 240, 0.85%, 0.34%

LAB 19.69, 52.26, -73.45

 

CMYK 92 / 74 / 0 / 37

HEX #0D29A0

RGB 13 41 160

HSL 228.57, 0.85%, 0.34%

LAB 24.35, 38.64, -65.69

 

CMYK 92 / 74 / 0 / 37

HEX #0D29A0

RGB 13 41 160

HSL 228.57, 0.85%, 0.34%

LAB 24.35, 38.64, -65.69

 

CMYK 82 / 66 / 0 / 43

HEX #1B3292

RGB 27 50 146

HSL 228.4, 0.69%, 0.34%

LAB 25.53, 28.36, -55.16

 

CMYK 69 / 56 / 0 / 48

HEX #293A84

RGB 41 58 132

HSL 228.79, 0.53%, 0.34%

LAB 27.2, 19.25, -43.73

 

CMYK 53 / 43 / 0 / 54

HEX #374376

RGB 55 67 118

HSL 228.57, 0.36%, 0.34%

LAB 29.75, 10.91, -30.81

 

CMYK 34 / 28 / 0 / 59

HEX #454B68

RGB 69 75 104

HSL 229.71, 0.2%, 0.34%

LAB 32.47, 5.23, -17.64

 

CMYK 92 / 24 / 0 / 37

HEX #0D79A0

RGB 13 121 160

HSL 195.92, 0.85%, 0.34%

LAB 47.36, -13.22, -28.66

 

CMYK 92 / 49 / 0 / 37

HEX #0D51A0

RGB 13 81 160

HSL 212.24, 0.85%, 0.34%

LAB 35.02, 11.75, -48.25

 

CMYK 92 / 74 / 0 / 37

HEX #0D2AA0

RGB 13 42 160

HSL 228.16, 0.85%, 0.34%

LAB 24.57, 38.02, -65.33

 

CMYK 86 / 92 / 0 / 37

HEX #160DA0

RGB 22 13 160

HSL 243.67, 0.85%, 0.34%

LAB 20.03, 52.47, -72.87

 

CMYK 61 / 92 / 0 / 37

HEX #3E0DA0

RGB 62 13 160

HSL 260, 0.85%, 0.34%

LAB 23.17, 54.55, -67.56

 

CMYK 93 / 75 / 0 / 67

HEX #061554

RGB 6 21 84

HSL 228.46, 0.87%, 0.18%

LAB 10.67, 21.78, -39.56

 

CMYK 93 / 75 / 0 / 52

HEX #091F7A

RGB 9 31 122

HSL 228.32, 0.86%, 0.26%

LAB 17.66, 30.49, -53.07

 

CMYK 92 / 74 / 0 / 37

HEX #0D29A0

RGB 13 41 160

HSL 228.57, 0.85%, 0.34%

LAB 24.35, 38.64, -65.69

 

CMYK 92 / 74 / 0 / 22

HEX #1033C6

RGB 16 51 198

HSL 228.46, 0.85%, 0.42%

LAB 30.77, 46.34, -77.75

 

CMYK 92 / 74 / 0 / 8

HEX #133DEB

RGB 19 61 235

HSL 228.33, 0.85%, 0.5%

LAB 36.88, 53.4, -88.94

 

CMYK 92 / 74 / 0 / 38

HEX #0D299E

RGB 13 41 158

HSL 228.41, 0.85%, 0.34%

LAB 24.13, 37.91, -64.84

 

CMYK 0 / 92 / 0 / 37

HEX #A00DA0

RGB 160 13 160

HSL 300, 0.85%, 0.34%

LAB 38.37, 67.83, -42.12

 

CMYK 37 / 0 / 92 / 37

HEX #65A00D

RGB 101 160 13

HSL 84.08, 0.85%, 0.34%

LAB 59.83, -39.68, 59.98

 

CMYK 92 / 74 / 0 / 38

HEX #0D299E

RGB 13 41 158

HSL 228.41, 0.85%, 0.34%

LAB 24.13, 37.91, -64.84

 

CMYK 0 / 92 / 74 / 37

HEX #A00D2A

RGB 160 13 42

HSL 348.16, 0.85%, 0.34%

LAB 33.83, 55.75, 26.01

 

CMYK 74 / 0 / 92 / 37

HEX #2AA00D

RGB 42 160 13

HSL 108.16, 0.85%, 0.34%

LAB 57.72, -56.23, 57.35

 

CMYK 92 / 74 / 0 / 38

HEX #0D299E

RGB 13 41 158

HSL 228.41, 0.85%, 0.34%

LAB 24.13, 37.91, -64.84

 

CMYK 0 / 92 / 0 / 37

HEX #A00DA0

RGB 160 13 160

HSL 300, 0.85%, 0.34%

LAB 38.37, 67.83, -42.12

 

CMYK 0 / 19 / 92 / 37

HEX #A0820D

RGB 160 130 13

HSL 47.76, 0.85%, 0.34%

LAB 55.55, 1.13, 58.46

 

CMYK 92 / 0 / 92 / 37

HEX #0DA00D

RGB 13 160 13

HSL 120, 0.85%, 0.34%

LAB 57.32, -59.7, 56.86

 

CMYK 92 / 74 / 0 / 38

HEX #0D299E

RGB 13 41 158

HSL 228.41, 0.85%, 0.34%

LAB 24.13, 37.91, -64.84

 

CMYK 0 / 92 / 28 / 37

HEX #A00D74

RGB 160 13 116

HSL 317.96, 0.85%, 0.34%

LAB 36.03, 61.77, -18.68

 

CMYK 0 / 19 / 92 / 37

HEX #A0820D

RGB 160 130 13

HSL 47.76, 0.85%, 0.34%

LAB 55.55, 1.13, 58.46

 

CMYK 92 / 0 / 64 / 37

HEX #0DA039

RGB 13 160 57

HSL 137.96, 0.85%, 0.34%

LAB 57.58, -56.44, 42.79

 

Description

Color code: RGB 13 41 158 | qconv.com Color code: RGB 13 41 158 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 41 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 41 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 74 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 74% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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