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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 223 67 it is the complementary color RGB 255 32 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 223 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 223 67 shade: RGB 5 223 62, RGB 22 241 81, RGB 39 255 100, RGB 56 255 119 and RGB 73 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 223 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 223 67 shade: RGB 0 223 67, RGB 0 205 48, RGB 0 187 29, RGB 0 169 10 and RGB 0 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 223 67 shade: RGB 0 224 67, RGB 0 224 6, RGB 53 224 0, RGB 114 224 0 and RGB 174 224 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 223 67 shade: RGB 0 224 67, RGB 0 224 127, RGB 0 224 188, RGB 0 199 224 and RGB 0 139 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 223 67 shade matches the following richer shades: RGB 0 224 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 223 67 shade: RGB 0 224 67, RGB 18 206 74, RGB 36 188 81, RGB 54 169 89 and RGB 72 151 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 223 67 shade: RGB 52 224 0, RGB 0 224 7, RGB 0 224 67, RGB 0 224 127 and RGB 0 224 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 223 67 shade: RGB 0 141 42, RGB 0 183 55, RGB 0 224 67, RGB 10 255 84 and RGB 51 255 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 223 67 shade: RGB 0 223 67, RGB 0 112 224 and RGB 224 0 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 223 67 shade: RGB 0 223 67, RGB 67 0 224 and RGB 224 67 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 223 67 shade: RGB 0 223 67, RGB 0 112 224, RGB 224 0 157 and RGB 224 112 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 223 67 shade: RGB 0 223 67, RGB 0 44 224, RGB 224 0 157 and RGB 224 179 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 70 / 13

HEX #00DF43

RGB 0 223 67

HSL 138.03, 1%, 0.44%

LAB 77.98, -74.79, 60.78

 

Complementary color

CMYK 0 / 87 / 26 / 0

HEX #FF20BC

RGB 255 32 188

HSL 318.03, 1%, 0.56%

LAB 57.96, 87.04, -26.67

 

CMYK 98 / 0 / 72 / 13

HEX #05DF3E

RGB 5 223 62

HSL 135.69, 0.96%, 0.45%

LAB 77.97, -75.05, 62.58

 

CMYK 91 / 0 / 66 / 5

HEX #16F151

RGB 22 241 81

HSL 136.16, 0.89%, 0.52%

LAB 83.8, -77.77, 61.65

 

CMYK 85 / 0 / 61 / 0

HEX #27FF64

RGB 39 255 100

HSL 136.94, 1%, 0.58%

LAB 88.39, -78.72, 59.04

 

CMYK 78 / 0 / 53 / 0

HEX #38FF77

RGB 56 255 119

HSL 138.99, 1%, 0.61%

LAB 88.78, -74.69, 51.19

 

CMYK 71 / 0 / 46 / 0

HEX #49FF8A

RGB 73 255 138

HSL 141.43, 1%, 0.64%

LAB 89.29, -69.7, 42.97

 

CMYK 100 / 0 / 70 / 13

HEX #00DF43

RGB 0 223 67

HSL 138.03, 1%, 0.44%

LAB 77.98, -74.79, 60.78

 

CMYK 100 / 0 / 77 / 20

HEX #00CD30

RGB 0 205 48

HSL 134.05, 1%, 0.4%

LAB 72.15, -71.26, 61.48

 

CMYK 100 / 0 / 84 / 27

HEX #00BB1D

RGB 0 187 29

HSL 129.3, 1%, 0.37%

LAB 66.24, -67.37, 61.32

 

CMYK 100 / 0 / 94 / 34

HEX #00A90A

RGB 0 169 10

HSL 123.55, 1%, 0.33%

LAB 60.25, -63.07, 59.75

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 70 / 12

HEX #00E043

RGB 0 224 67

HSL 137.95, 1%, 0.44%

LAB 78.3, -75.07, 61.11

 

CMYK 100 / 0 / 97 / 12

HEX #00E006

RGB 0 224 6

HSL 121.61, 1%, 0.44%

LAB 78.07, -78.04, 74.87

 

CMYK 76 / 0 / 100 / 12

HEX #35E000

RGB 53 224 0

HSL 105.8, 1%, 0.44%

LAB 78.5, -74.15, 75.96

 

CMYK 49 / 0 / 100 / 12

HEX #72E000

RGB 114 224 0

HSL 89.46, 1%, 0.44%

LAB 80.12, -60.78, 77.93

 

CMYK 22 / 0 / 100 / 12

HEX #AEE000

RGB 174 224 0

HSL 73.39, 1%, 0.44%

LAB 83.08, -39.95, 81.49

 

CMYK 100 / 0 / 70 / 12

HEX #00E043

RGB 0 224 67

HSL 137.95, 1%, 0.44%

LAB 78.3, -75.07, 61.11

 

CMYK 100 / 0 / 43 / 12

HEX #00E07F

RGB 0 224 127

HSL 154.02, 1%, 0.44%

LAB 78.95, -67.01, 34.94

 

CMYK 100 / 0 / 16 / 12

HEX #00E0BC

RGB 0 224 188

HSL 170.36, 1%, 0.44%

LAB 80.15, -53.56, 4.88

 

CMYK 100 / 11 / 0 / 12

HEX #00C7E0

RGB 0 199 224

HSL 186.7, 1%, 0.44%

LAB 73.69, -32.1, -24.05

 

CMYK 100 / 38 / 0 / 12

HEX #008BE0

RGB 0 139 224

HSL 202.77, 1%, 0.44%

LAB 55.93, 0.1, -51.76

 

CMYK 100 / 0 / 70 / 12

HEX #00E043

RGB 0 224 67

HSL 137.95, 1%, 0.44%

LAB 78.3, -75.07, 61.11

 

CMYK 100 / 0 / 70 / 12

HEX #00E043

RGB 0 224 67

HSL 137.95, 1%, 0.44%

LAB 78.3, -75.07, 61.11

 

CMYK 91 / 0 / 64 / 19

HEX #12CE4A

RGB 18 206 74

HSL 137.87, 0.84%, 0.44%

LAB 72.74, -68.42, 52.35

 

CMYK 81 / 0 / 57 / 26

HEX #24BC51

RGB 36 188 81

HSL 137.76, 0.68%, 0.44%

LAB 67.23, -60.38, 42.92

 

CMYK 68 / 0 / 47 / 34

HEX #36A959

RGB 54 169 89

HSL 138.26, 0.52%, 0.44%

LAB 61.55, -49.76, 32.06

 

CMYK 52 / 0 / 36 / 41

HEX #489760

RGB 72 151 96

HSL 138.23, 0.35%, 0.44%

LAB 56.44, -37.04, 21.76

 

CMYK 77 / 0 / 100 / 12

HEX #34E000

RGB 52 224 0

HSL 106.07, 1%, 0.44%

LAB 78.49, -74.29, 75.94

 

CMYK 100 / 0 / 97 / 12

HEX #00E007

RGB 0 224 7

HSL 121.88, 1%, 0.44%

LAB 78.07, -78.03, 74.78

 

CMYK 100 / 0 / 70 / 12

HEX #00E043

RGB 0 224 67

HSL 137.95, 1%, 0.44%

LAB 78.3, -75.07, 61.11

 

CMYK 100 / 0 / 43 / 12

HEX #00E07F

RGB 0 224 127

HSL 154.02, 1%, 0.44%

LAB 78.95, -67.01, 34.94

 

CMYK 100 / 0 / 17 / 12

HEX #00E0BB

RGB 0 224 187

HSL 170.09, 1%, 0.44%

LAB 80.12, -53.82, 5.38

 

CMYK 100 / 0 / 70 / 45

HEX #008D2A

RGB 0 141 42

HSL 137.87, 1%, 0.28%

LAB 50.94, -52.94, 42.04

 

CMYK 100 / 0 / 70 / 28

HEX #00B737

RGB 0 183 55

HSL 138.03, 1%, 0.36%

LAB 65.08, -64.35, 51.78

 

CMYK 100 / 0 / 70 / 12

HEX #00E043

RGB 0 224 67

HSL 137.95, 1%, 0.44%

LAB 78.3, -75.07, 61.11

 

CMYK 96 / 0 / 67 / 0

HEX #0AFF54

RGB 10 255 84

HSL 138.12, 1%, 0.52%

LAB 88.08, -81.93, 65.09

 

CMYK 80 / 0 / 56 / 0

HEX #33FF70

RGB 51 255 112

HSL 137.94, 1%, 0.6%

LAB 88.64, -76.16, 54.16

 

CMYK 100 / 0 / 70 / 13

HEX #00DF43

RGB 0 223 67

HSL 138.03, 1%, 0.44%

LAB 77.98, -74.79, 60.78

 

CMYK 100 / 50 / 0 / 12

HEX #0070E0

RGB 0 112 224

HSL 210, 1%, 0.44%

LAB 48.22, 16.8, -64.14

 

CMYK 0 / 100 / 90 / 12

HEX #E00016

RGB 224 0 22

HSL 354.11, 1%, 0.44%

LAB 46.85, 72.84, 53.88

 

CMYK 100 / 0 / 70 / 13

HEX #00DF43

RGB 0 223 67

HSL 138.03, 1%, 0.44%

LAB 77.98, -74.79, 60.78

 

CMYK 70 / 100 / 0 / 12

HEX #4300E0

RGB 67 0 224

HSL 257.95, 1%, 0.44%

LAB 30.82, 72.94, -92.68

 

CMYK 0 / 70 / 100 / 12

HEX #E04300

RGB 224 67 0

HSL 17.95, 1%, 0.44%

LAB 51.68, 58.8, 62.99

 

CMYK 100 / 0 / 70 / 13

HEX #00DF43

RGB 0 223 67

HSL 138.03, 1%, 0.44%

LAB 77.98, -74.79, 60.78

 

CMYK 100 / 50 / 0 / 12

HEX #0070E0

RGB 0 112 224

HSL 210, 1%, 0.44%

LAB 48.22, 16.8, -64.14

 

CMYK 0 / 100 / 30 / 12

HEX #E0009D

RGB 224 0 157

HSL 317.95, 1%, 0.44%

LAB 49.84, 80.73, -21.49

 

CMYK 0 / 50 / 100 / 12

HEX #E07000

RGB 224 112 0

HSL 30, 1%, 0.44%

LAB 59.38, 38.65, 67.16

 

CMYK 100 / 0 / 70 / 13

HEX #00DF43

RGB 0 223 67

HSL 138.03, 1%, 0.44%

LAB 77.98, -74.79, 60.78

 

CMYK 100 / 80 / 0 / 12

HEX #002CE0

RGB 0 44 224

HSL 228.21, 1%, 0.44%

LAB 32.22, 58.43, -90.42

 

CMYK 0 / 100 / 30 / 12

HEX #E0009D

RGB 224 0 157

HSL 317.95, 1%, 0.44%

LAB 49.84, 80.73, -21.49

 

CMYK 0 / 20 / 100 / 12

HEX #E0B300

RGB 224 179 0

HSL 47.95, 1%, 0.44%

LAB 74.88, 3.27, 77.29

 

Description

Color code: RGB 0 223 67 | qconv.com Color code: RGB 0 223 67 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 223 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 223 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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