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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 178 110 it is the complementary color RGB 255 77 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 178 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 178 110 shade: RGB 5 178 105, RGB 22 196 124, RGB 39 214 143, RGB 56 232 162 and RGB 73 250 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 178 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 0 160 91, RGB 0 142 72, RGB 0 124 53 and RGB 0 106 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 0 178 62, RGB 0 178 14, RGB 34 178 0 and RGB 82 178 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 0 178 158, RGB 0 150 178, RGB 0 102 178 and RGB 0 54 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 178 110 shade matches the following richer shades: RGB 0 178 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 14 164 106, RGB 28 149 103, RGB 43 135 100 and RGB 57 120 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 178 110 shade: RGB 0 178 14, RGB 0 178 62, RGB 0 178 110, RGB 0 178 157 and RGB 0 151 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 178 110 shade: RGB 0 95 59, RGB 0 137 84, RGB 0 178 110, RGB 0 219 135 and RGB 6 255 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 0 32 178 and RGB 178 38 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 110 0 178 and RGB 178 110 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 0 32 178, RGB 178 0 68 and RGB 178 145 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 178 110 shade: RGB 0 178 110, RGB 20 0 178, RGB 178 0 68 and RGB 157 178 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

Complementary color

CMYK 0 / 70 / 43 / 0

HEX #FF4D91

RGB 255 77 145

HSL 337.08, 1%, 0.65%

LAB 60.44, 71.46, 2.04

 

CMYK 97 / 0 / 41 / 30

HEX #05B269

RGB 5 178 105

HSL 154.68, 0.95%, 0.36%

LAB 64.07, -55.21, 26.82

 

CMYK 89 / 0 / 37 / 23

HEX #16C47C

RGB 22 196 124

HSL 155.17, 0.8%, 0.43%

LAB 70.25, -57.02, 25.02

 

CMYK 82 / 0 / 33 / 16

HEX #27D68F

RGB 39 214 143

HSL 155.66, 0.69%, 0.5%

LAB 76.38, -58.36, 23.37

 

CMYK 76 / 0 / 30 / 9

HEX #38E8A2

RGB 56 232 162

HSL 156.14, 0.79%, 0.56%

LAB 82.47, -59.31, 21.86

 

CMYK 71 / 0 / 28 / 2

HEX #49FAB5

RGB 73 250 181

HSL 156.61, 0.95%, 0.63%

LAB 88.51, -59.97, 20.48

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 0 / 43 / 37

HEX #00A05B

RGB 0 160 91

HSL 154.13, 1%, 0.31%

LAB 57.94, -51.79, 26.21

 

CMYK 100 / 0 / 49 / 44

HEX #008E48

RGB 0 142 72

HSL 150.42, 1%, 0.28%

LAB 51.63, -49, 28.25

 

CMYK 100 / 0 / 57 / 51

HEX #007C35

RGB 0 124 53

HSL 145.65, 1%, 0.24%

LAB 45.18, -45.97, 30.29

 

CMYK 100 / 0 / 68 / 58

HEX #006A22

RGB 0 106 34

HSL 139.25, 1%, 0.21%

LAB 38.59, -42.59, 32.16

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 0 / 65 / 30

HEX #00B23E

RGB 0 178 62

HSL 140.9, 1%, 0.35%

LAB 63.5, -62.12, 47.18

 

CMYK 100 / 0 / 92 / 30

HEX #00B20E

RGB 0 178 14

HSL 124.72, 1%, 0.35%

LAB 63.24, -65.47, 61.69

 

CMYK 81 / 0 / 100 / 30

HEX #22B200

RGB 34 178 0

HSL 108.54, 1%, 0.35%

LAB 63.49, -63.26, 63.86

 

CMYK 54 / 0 / 100 / 30

HEX #52B200

RGB 82 178 0

HSL 92.36, 1%, 0.35%

LAB 64.67, -53.33, 65.29

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 0 / 11 / 30

HEX #00B29E

RGB 0 178 158

HSL 173.26, 1%, 0.35%

LAB 65.21, -42.61, -0.56

 

CMYK 100 / 16 / 0 / 30

HEX #0096B2

RGB 0 150 178

HSL 189.44, 1%, 0.35%

LAB 57.1, -23.04, -23.98

 

CMYK 100 / 43 / 0 / 30

HEX #0066B2

RGB 0 102 178

HSL 205.62, 1%, 0.35%

LAB 42.33, 4.76, -47.18

 

CMYK 100 / 70 / 0 / 30

HEX #0036B2

RGB 0 54 178

HSL 221.8, 1%, 0.35%

LAB 29.04, 36.73, -68.81

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 91 / 0 / 35 / 36

HEX #0EA46A

RGB 14 164 106

HSL 156.8, 0.84%, 0.35%

LAB 59.6, -49.46, 20.31

 

CMYK 81 / 0 / 31 / 42

HEX #1C9567

RGB 28 149 103

HSL 157.19, 0.68%, 0.35%

LAB 54.78, -43.11, 15.42

 

CMYK 68 / 0 / 26 / 47

HEX #2B8764

RGB 43 135 100

HSL 157.17, 0.52%, 0.35%

LAB 50.41, -35.68, 11.09

 

CMYK 53 / 0 / 20 / 53

HEX #397860

RGB 57 120 96

HSL 157.14, 0.36%, 0.35%

LAB 45.84, -26.5, 7.04

 

CMYK 100 / 0 / 92 / 30

HEX #00B20E

RGB 0 178 14

HSL 124.72, 1%, 0.35%

LAB 63.24, -65.47, 61.69

 

CMYK 100 / 0 / 65 / 30

HEX #00B23E

RGB 0 178 62

HSL 140.9, 1%, 0.35%

LAB 63.5, -62.12, 47.18

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 0 / 12 / 30

HEX #00B29D

RGB 0 178 157

HSL 172.92, 1%, 0.35%

LAB 65.18, -42.89, -0.04

 

CMYK 100 / 15 / 0 / 30

HEX #0097B2

RGB 0 151 178

HSL 189.1, 1%, 0.35%

LAB 57.41, -23.55, -23.5

 

CMYK 100 / 0 / 38 / 63

HEX #005F3B

RGB 0 95 59

HSL 157.26, 1%, 0.19%

LAB 35, -33.99, 13.91

 

CMYK 100 / 0 / 39 / 46

HEX #008954

RGB 0 137 84

HSL 156.79, 1%, 0.27%

LAB 50.13, -44.8, 19.74

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 0 / 38 / 14

HEX #00DB87

RGB 0 219 135

HSL 156.99, 1%, 0.43%

LAB 77.53, -63.82, 29.02

 

CMYK 98 / 0 / 38 / 0

HEX #06FF9F

RGB 6 255 159

HSL 156.87, 1%, 0.51%

LAB 88.95, -71.26, 32.11

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 82 / 0 / 30

HEX #0020B2

RGB 0 32 178

HSL 229.21, 1%, 0.35%

LAB 24.47, 49.6, -76.37

 

CMYK 0 / 79 / 100 / 30

HEX #B22600

RGB 178 38 0

HSL 12.81, 1%, 0.35%

LAB 39.33, 54.14, 52.29

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 38 / 100 / 0 / 30

HEX #6E00B2

RGB 110 0 178

HSL 277.08, 1%, 0.35%

LAB 30.71, 65.62, -65.76

 

CMYK 0 / 38 / 100 / 30

HEX #B26E00

RGB 178 110 0

HSL 37.08, 1%, 0.35%

LAB 52.53, 20.37, 59.7

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 100 / 82 / 0 / 30

HEX #0020B2

RGB 0 32 178

HSL 229.21, 1%, 0.35%

LAB 24.47, 49.6, -76.37

 

CMYK 0 / 100 / 62 / 30

HEX #B20044

RGB 178 0 68

HSL 337.08, 1%, 0.35%

LAB 37.63, 63.24, 14.89

 

CMYK 0 / 19 / 100 / 30

HEX #B29100

RGB 178 145 0

HSL 48.88, 1%, 0.35%

LAB 61.41, 0.95, 65.7

 

CMYK 100 / 0 / 38 / 30

HEX #00B26E

RGB 0 178 110

HSL 157.08, 1%, 0.35%

LAB 64.13, -54.42, 24.23

 

CMYK 89 / 100 / 0 / 30

HEX #1400B2

RGB 20 0 178

HSL 246.74, 1%, 0.35%

LAB 21.44, 60.65, -81.41

 

CMYK 0 / 100 / 62 / 30

HEX #B20044

RGB 178 0 68

HSL 337.08, 1%, 0.35%

LAB 37.63, 63.24, 14.89

 

CMYK 12 / 0 / 100 / 30

HEX #9DB200

RGB 157 178 0

HSL 67.08, 1%, 0.35%

LAB 68.76, -25.57, 70.21

 

Description

Color code: RGB 0 178 110 | qconv.com Color code: RGB 0 178 110 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 178 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 178 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 38 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 38% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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