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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 164 30 it is the complementary color RGB 255 91 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 164 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 164 30 shade: RGB 5 164 25, RGB 22 182 44, RGB 39 200 63, RGB 56 218 82 and RGB 73 236 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 164 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 164 30 shade: RGB 0 164 30, RGB 0 146 11, RGB 0 128 0, RGB 0 110 0 and RGB 0 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 164 30 shade: RGB 0 163 29, RGB 14 163 0, RGB 58 163 0, RGB 102 163 0 and RGB 146 163 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 164 30 shade: RGB 0 163 29, RGB 0 163 73, RGB 0 163 117, RGB 0 163 161 and RGB 0 120 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 164 30 shade matches the following richer shades: RGB 0 163 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 164 30 shade: RGB 0 163 29, RGB 13 149 38, RGB 26 136 46, RGB 39 123 54 and RGB 52 110 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 164 30 shade: RGB 59 163 0, RGB 16 163 0, RGB 0 163 27, RGB 0 163 70 and RGB 0 163 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 164 30 shade: RGB 0 80 14, RGB 0 121 22, RGB 0 163 29, RGB 0 204 37 and RGB 0 245 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 164 30 shade: RGB 0 164 30, RGB 0 103 163 and RGB 163 0 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 164 30 shade: RGB 0 164 30, RGB 27 0 163 and RGB 163 27 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 164 30 shade: RGB 0 164 30, RGB 0 103 163, RGB 163 0 135 and RGB 163 59 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 164 30 shade: RGB 0 164 30, RGB 0 54 163, RGB 163 0 135 and RGB 163 108 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 82 / 36

HEX #00A41E

RGB 0 164 30

HSL 130.98, 1%, 0.32%

LAB 58.64, -60.8, 54.06

 

Complementary color

CMYK 0 / 64 / 12 / 0

HEX #FF5BE1

RGB 255 91 225

HSL 310.98, 1%, 0.68%

LAB 65.1, 75.9, -36.59

 

CMYK 97 / 0 / 85 / 36

HEX #05A419

RGB 5 164 25

HSL 127.55, 0.94%, 0.33%

LAB 58.65, -60.81, 55.45

 

CMYK 88 / 0 / 76 / 29

HEX #16B62C

RGB 22 182 44

HSL 128.25, 0.78%, 0.4%

LAB 64.81, -63.8, 55.61

 

CMYK 81 / 0 / 69 / 22

HEX #27C83F

RGB 39 200 63

HSL 128.94, 0.67%, 0.47%

LAB 70.94, -65.95, 54.95

 

CMYK 74 / 0 / 62 / 15

HEX #38DA52

RGB 56 218 82

HSL 129.63, 0.69%, 0.54%

LAB 77.04, -67.44, 53.88

 

CMYK 69 / 0 / 57 / 7

HEX #49EC65

RGB 73 236 101

HSL 130.31, 0.81%, 0.61%

LAB 83.1, -68.45, 52.62

 

CMYK 100 / 0 / 82 / 36

HEX #00A41E

RGB 0 164 30

HSL 130.98, 1%, 0.32%

LAB 58.64, -60.8, 54.06

 

CMYK 100 / 0 / 92 / 43

HEX #00920B

RGB 0 146 11

HSL 124.52, 1%, 0.29%

LAB 52.49, -56.53, 53.05

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 91 / 0 / 100 / 36

HEX #0EA300

RGB 14 163 0

HSL 114.85, 1%, 0.32%

LAB 58.31, -60.86, 59.62

 

CMYK 64 / 0 / 100 / 36

HEX #3AA300

RGB 58 163 0

HSL 98.65, 1%, 0.32%

LAB 59.06, -54.29, 60.54

 

CMYK 37 / 0 / 100 / 36

HEX #66A300

RGB 102 163 0

HSL 82.45, 1%, 0.32%

LAB 60.8, -40.86, 62.64

 

CMYK 10 / 0 / 100 / 36

HEX #92A300

RGB 146 163 0

HSL 66.26, 1%, 0.32%

LAB 63.59, -22.93, 65.99

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 100 / 0 / 55 / 36

HEX #00A349

RGB 0 163 73

HSL 146.87, 1%, 0.32%

LAB 58.67, -55.94, 36.46

 

CMYK 100 / 0 / 28 / 36

HEX #00A375

RGB 0 163 117

HSL 163.07, 1%, 0.32%

LAB 59.41, -47.23, 13.97

 

CMYK 100 / 0 / 1 / 36

HEX #00A3A1

RGB 0 163 161

HSL 179.26, 1%, 0.32%

LAB 60.58, -35.02, -9.08

 

CMYK 100 / 26 / 0 / 36

HEX #0078A3

RGB 0 120 163

HSL 195.83, 1%, 0.32%

LAB 47.08, -12.12, -30.88

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 91 / 0 / 74 / 42

HEX #0D9526

RGB 13 149 38

HSL 131.03, 0.84%, 0.32%

LAB 53.73, -54.97, 46.59

 

CMYK 81 / 0 / 66 / 47

HEX #1A882E

RGB 26 136 46

HSL 130.91, 0.68%, 0.32%

LAB 49.53, -48.6, 38.82

 

CMYK 68 / 0 / 56 / 52

HEX #277B36

RGB 39 123 54

HSL 130.71, 0.52%, 0.32%

LAB 45.45, -40.51, 30.23

 

CMYK 53 / 0 / 43 / 57

HEX #346E3F

RGB 52 110 63

HSL 131.38, 0.36%, 0.32%

LAB 41.6, -30.15, 20.54

 

CMYK 64 / 0 / 100 / 36

HEX #3BA300

RGB 59 163 0

HSL 98.28, 1%, 0.32%

LAB 59.09, -54.06, 60.57

 

CMYK 90 / 0 / 100 / 36

HEX #10A300

RGB 16 163 0

HSL 114.11, 1%, 0.32%

LAB 58.33, -60.71, 59.64

 

CMYK 100 / 0 / 83 / 36

HEX #00A31B

RGB 0 163 27

HSL 129.94, 1%, 0.32%

LAB 58.3, -60.69, 54.58

 

CMYK 100 / 0 / 57 / 36

HEX #00A346

RGB 0 163 70

HSL 145.77, 1%, 0.32%

LAB 58.64, -56.38, 37.89

 

CMYK 100 / 0 / 30 / 36

HEX #00A372

RGB 0 163 114

HSL 161.96, 1%, 0.32%

LAB 59.35, -47.94, 15.55

 

CMYK 100 / 0 / 83 / 69

HEX #00500E

RGB 0 80 14

HSL 130.5, 1%, 0.16%

LAB 28.82, -36.1, 30.72

 

CMYK 100 / 0 / 82 / 53

HEX #007916

RGB 0 121 22

HSL 130.91, 1%, 0.24%

LAB 43.85, -48.56, 42.5

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 100 / 0 / 82 / 20

HEX #00CC25

RGB 0 204 37

HSL 130.88, 1%, 0.4%

LAB 71.77, -71.67, 64.35

 

CMYK 100 / 0 / 82 / 4

HEX #00F52C

RGB 0 245 44

HSL 130.78, 1%, 0.48%

LAB 84.73, -82.4, 74.5

 

CMYK 100 / 0 / 82 / 36

HEX #00A41E

RGB 0 164 30

HSL 130.98, 1%, 0.32%

LAB 58.64, -60.8, 54.06

 

CMYK 100 / 37 / 0 / 36

HEX #0067A3

RGB 0 103 163

HSL 202.09, 1%, 0.32%

LAB 41.76, -1.94, -39.26

 

CMYK 0 / 100 / 77 / 36

HEX #A30026

RGB 163 0 38

HSL 346.01, 1%, 0.32%

LAB 33.83, 58.12, 28.7

 

CMYK 100 / 0 / 82 / 36

HEX #00A41E

RGB 0 164 30

HSL 130.98, 1%, 0.32%

LAB 58.64, -60.8, 54.06

 

CMYK 83 / 100 / 0 / 36

HEX #1B00A3

RGB 27 0 163

HSL 249.94, 1%, 0.32%

LAB 19.55, 56.99, -75.5

 

CMYK 0 / 83 / 100 / 36

HEX #A31B00

RGB 163 27 0

HSL 9.94, 1%, 0.32%

LAB 35.14, 52.7, 48.61

 

CMYK 100 / 0 / 82 / 36

HEX #00A41E

RGB 0 164 30

HSL 130.98, 1%, 0.32%

LAB 58.64, -60.8, 54.06

 

CMYK 100 / 37 / 0 / 36

HEX #0067A3

RGB 0 103 163

HSL 202.09, 1%, 0.32%

LAB 41.76, -1.94, -39.26

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 64 / 100 / 36

HEX #A33B00

RGB 163 59 0

HSL 21.72, 1%, 0.32%

LAB 39.44, 40.92, 50.73

 

CMYK 100 / 0 / 82 / 36

HEX #00A41E

RGB 0 164 30

HSL 130.98, 1%, 0.32%

LAB 58.64, -60.8, 54.06

 

CMYK 100 / 67 / 0 / 36

HEX #0036A3

RGB 0 54 163

HSL 220.12, 1%, 0.32%

LAB 27.53, 30.87, -62.29

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 34 / 100 / 36

HEX #A36C00

RGB 163 108 0

HSL 39.75, 1%, 0.32%

LAB 50.11, 14.73, 57.18

 

Description

Color code: RGB 0 164 30 | qconv.com Color code: RGB 0 164 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 164 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 164 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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