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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 158 238 it is the complementary color RGB 255 97 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 158 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 158 238 shade: RGB 5 158 233, RGB 22 176 252, RGB 39 194 255, RGB 56 212 255 and RGB 73 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 158 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 158 238 shade: RGB 0 158 238, RGB 0 140 219, RGB 0 122 200, RGB 0 104 181 and RGB 0 86 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 158 238 shade: RGB 0 159 239, RGB 0 94 239, RGB 0 29 239, RGB 34 0 239 and RGB 99 0 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 158 238 shade: RGB 0 159 239, RGB 0 94 239, RGB 0 29 239 and RGB 0 0 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 158 238 shade matches the following richer shades: RGB 0 159 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 158 238 shade: RGB 0 159 239, RGB 19 152 220, RGB 38 146 200, RGB 58 140 181 and RGB 77 133 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 158 238 shade: RGB 0 239 191, RGB 0 223 239, RGB 0 159 239, RGB 0 95 239 and RGB 0 31 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 158 238 shade: RGB 0 104 157, RGB 0 131 198, RGB 0 159 239, RGB 25 178 255 and RGB 67 191 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 158 238 shade: RGB 0 158 238, RGB 127 0 239 and RGB 239 223 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 158 238 shade: RGB 0 158 238, RGB 239 0 159 and RGB 159 239 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 158 238 shade: RGB 0 158 238, RGB 127 0 239, RGB 239 79 0 and RGB 111 239 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 158 238 shade: RGB 0 158 238, RGB 199 0 239, RGB 239 79 0 and RGB 39 239 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 34 / 0 / 7

HEX #009EEE

RGB 0 158 238

HSL 200.17, 1%, 0.47%

LAB 62.19, -5.69, -49.59

 

Complementary color

CMYK 0 / 62 / 93 / 0

HEX #FF6111

RGB 255 97 17

HSL 20.17, 1%, 0.53%

LAB 61.52, 57.31, 67.81

 

CMYK 98 / 32 / 0 / 9

HEX #059EE9

RGB 5 158 233

HSL 199.74, 0.96%, 0.47%

LAB 61.97, -7.41, -47.18

 

CMYK 91 / 30 / 0 / 1

HEX #16B0FC

RGB 22 176 252

HSL 199.83, 0.97%, 0.54%

LAB 68.2, -10.02, -47.74

 

CMYK 85 / 24 / 0 / 0

HEX #27C2FF

RGB 39 194 255

HSL 196.94, 1%, 0.58%

LAB 73.7, -17.71, -40.73

 

CMYK 78 / 17 / 0 / 0

HEX #38D4FF

RGB 56 212 255

HSL 192.96, 1%, 0.61%

LAB 79.13, -25.52, -32.3

 

CMYK 71 / 10 / 0 / 0

HEX #49E6FF

RGB 73 230 255

HSL 188.24, 1%, 0.64%

LAB 84.6, -32.45, -23.9

 

CMYK 100 / 34 / 0 / 7

HEX #009EEE

RGB 0 158 238

HSL 200.17, 1%, 0.47%

LAB 62.19, -5.69, -49.59

 

CMYK 100 / 36 / 0 / 14

HEX #008CDB

RGB 0 140 219

HSL 201.64, 1%, 0.43%

LAB 55.96, -2.41, -48.92

 

CMYK 100 / 39 / 0 / 22

HEX #007AC8

RGB 0 122 200

HSL 203.4, 1%, 0.39%

LAB 49.6, 1.05, -48.28

 

CMYK 100 / 43 / 0 / 29

HEX #0068B5

RGB 0 104 181

HSL 205.52, 1%, 0.35%

LAB 43.12, 4.7, -47.67

 

CMYK 100 / 47 / 0 / 36

HEX #0056A2

RGB 0 86 162

HSL 208.15, 1%, 0.32%

LAB 36.49, 8.61, -47.09

 

CMYK 100 / 33 / 0 / 6

HEX #009FEF

RGB 0 159 239

HSL 200.08, 1%, 0.47%

LAB 62.53, -5.89, -49.6

 

CMYK 100 / 61 / 0 / 6

HEX #005EEF

RGB 0 94 239

HSL 216.4, 1%, 0.47%

LAB 44.57, 34.23, -78.54

 

CMYK 100 / 88 / 0 / 6

HEX #001DEF

RGB 0 29 239

HSL 232.72, 1%, 0.47%

LAB 32.06, 69.04, -99.24

 

CMYK 86 / 100 / 0 / 6

HEX #2200EF

RGB 34 0 239

HSL 248.54, 1%, 0.47%

LAB 30.81, 75.67, -101.31

 

CMYK 59 / 100 / 0 / 6

HEX #6300EF

RGB 99 0 239

HSL 264.85, 1%, 0.47%

LAB 35.76, 77.84, -92.93

 

CMYK 100 / 33 / 0 / 6

HEX #009FEF

RGB 0 159 239

HSL 200.08, 1%, 0.47%

LAB 62.53, -5.89, -49.6

 

CMYK 100 / 61 / 0 / 6

HEX #005EEF

RGB 0 94 239

HSL 216.4, 1%, 0.47%

LAB 44.57, 34.23, -78.54

 

CMYK 100 / 88 / 0 / 6

HEX #001DEF

RGB 0 29 239

HSL 232.72, 1%, 0.47%

LAB 32.06, 69.04, -99.24

 

CMYK 100 / 100 / 0 / 6

HEX #0000EF

RGB 0 0 239

HSL 240, 1%, 0.47%

LAB 29.99, 75.41, -102.7

 

CMYK 100 / 33 / 0 / 6

HEX #009FEF

RGB 0 159 239

HSL 200.08, 1%, 0.47%

LAB 62.53, -5.89, -49.6

 

CMYK 100 / 33 / 0 / 6

HEX #009FEF

RGB 0 159 239

HSL 200.08, 1%, 0.47%

LAB 62.53, -5.89, -49.6

 

CMYK 91 / 31 / 0 / 14

HEX #1398DC

RGB 19 152 220

HSL 200.3, 0.84%, 0.47%

LAB 59.67, -8.34, -43.6

 

CMYK 81 / 27 / 0 / 22

HEX #2692C8

RGB 38 146 200

HSL 200, 0.68%, 0.47%

LAB 57.21, -10.9, -36.24

 

CMYK 68 / 23 / 0 / 29

HEX #3A8CB5

RGB 58 140 181

HSL 200, 0.51%, 0.47%

LAB 55.06, -11.6, -28.76

 

CMYK 52 / 18 / 0 / 36

HEX #4D85A2

RGB 77 133 162

HSL 200.47, 0.36%, 0.47%

LAB 52.91, -10.04, -21.11

 

CMYK 100 / 0 / 20 / 6

HEX #00EFBF

RGB 0 239 191

HSL 167.95, 1%, 0.47%

LAB 84.74, -58.68, 9.89

 

CMYK 100 / 7 / 0 / 6

HEX #00DFEF

RGB 0 223 239

HSL 184.02, 1%, 0.47%

LAB 81.3, -38.64, -20.53

 

CMYK 100 / 33 / 0 / 6

HEX #009FEF

RGB 0 159 239

HSL 200.08, 1%, 0.47%

LAB 62.53, -5.89, -49.6

 

CMYK 100 / 60 / 0 / 6

HEX #005FEF

RGB 0 95 239

HSL 216.15, 1%, 0.47%

LAB 44.82, 33.59, -78.13

 

CMYK 100 / 87 / 0 / 6

HEX #001FEF

RGB 0 31 239

HSL 232.22, 1%, 0.47%

LAB 32.28, 68.36, -98.87

 

CMYK 100 / 34 / 0 / 38

HEX #00689D

RGB 0 104 157

HSL 200.25, 1%, 0.31%

LAB 41.74, -4.97, -35.72

 

CMYK 100 / 34 / 0 / 22

HEX #0083C6

RGB 0 131 198

HSL 200.3, 1%, 0.39%

LAB 52.19, -5.14, -43.04

 

CMYK 100 / 33 / 0 / 6

HEX #009FEF

RGB 0 159 239

HSL 200.08, 1%, 0.47%

LAB 62.53, -5.89, -49.6

 

CMYK 90 / 30 / 0 / 0

HEX #19B2FF

RGB 25 178 255

HSL 200.09, 1%, 0.55%

LAB 68.94, -9.92, -48.19

 

CMYK 74 / 25 / 0 / 0

HEX #43BFFF

RGB 67 191 255

HSL 200.43, 1%, 0.63%

LAB 73.33, -13.53, -41.26

 

CMYK 100 / 34 / 0 / 7

HEX #009EEE

RGB 0 158 238

HSL 200.17, 1%, 0.47%

LAB 62.19, -5.69, -49.59

 

CMYK 47 / 100 / 0 / 6

HEX #7F00EF

RGB 127 0 239

HSL 271.88, 1%, 0.47%

LAB 39.15, 79.78, -87.22

 

CMYK 0 / 7 / 100 / 6

HEX #EFDF00

RGB 239 223 0

HSL 55.98, 1%, 0.47%

LAB 87.55, -12.72, 86.92

RGB 239 223 0

CMYK 100 / 34 / 0 / 7

HEX #009EEE

RGB 0 158 238

HSL 200.17, 1%, 0.47%

LAB 62.19, -5.69, -49.59

 

CMYK 0 / 100 / 33 / 6

HEX #EF009F

RGB 239 0 159

HSL 320.08, 1%, 0.47%

LAB 52.79, 83.89, -17.9

 

CMYK 33 / 0 / 100 / 6

HEX #9FEF00

RGB 159 239 0

HSL 80.08, 1%, 0.47%

LAB 86.56, -51.88, 83.79

 

CMYK 100 / 34 / 0 / 7

HEX #009EEE

RGB 0 158 238

HSL 200.17, 1%, 0.47%

LAB 62.19, -5.69, -49.59

 

CMYK 47 / 100 / 0 / 6

HEX #7F00EF

RGB 127 0 239

HSL 271.88, 1%, 0.47%

LAB 39.15, 79.78, -87.22

 

CMYK 0 / 67 / 100 / 6

HEX #EF4F00

RGB 239 79 0

HSL 19.83, 1%, 0.47%

LAB 56.03, 59.13, 66.61

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 100 / 34 / 0 / 7

HEX #009EEE

RGB 0 158 238

HSL 200.17, 1%, 0.47%

LAB 62.19, -5.69, -49.59

 

CMYK 17 / 100 / 0 / 6

HEX #C700EF

RGB 199 0 239

HSL 289.96, 1%, 0.47%

LAB 49.95, 87.71, -69.1

 

CMYK 0 / 67 / 100 / 6

HEX #EF4F00

RGB 239 79 0

HSL 19.83, 1%, 0.47%

LAB 56.03, 59.13, 66.61

 

CMYK 84 / 0 / 100 / 6

HEX #27EF00

RGB 39 239 0

HSL 110.21, 1%, 0.47%

LAB 83, -79.97, 79.48

 

Description

Color code: RGB 0 158 238 | qconv.com Color code: RGB 0 158 238 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 158 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 158 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 34 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 34% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Desdoc .. live the d...
Link: http://www.desdoc.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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