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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 224 215 it is the complementary color RGB 246 31 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 224 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 224 215 shade: RGB 14 224 210, RGB 31 242 229, RGB 48 255 248, RGB 65 255 255 and RGB 82 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 224 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 224 215 shade: RGB 9 224 215, RGB 0 206 196, RGB 0 188 177, RGB 0 170 158 and RGB 0 152 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 224 215 shade: RGB 9 225 216, RGB 9 225 157, RGB 9 225 99, RGB 9 225 41 and RGB 35 225 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 224 215 shade: RGB 9 225 216, RGB 9 176 225, RGB 9 117 225, RGB 9 59 225 and RGB 9 9 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 224 215 shade matches the following richer shades: RGB 9 225 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 224 215 shade: RGB 9 225 216, RGB 28 206 198, RGB 47 187 181, RGB 66 168 164 and RGB 85 149 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 224 215 shade: RGB 9 225 99, RGB 9 225 156, RGB 9 225 214, RGB 9 178 225 and RGB 9 120 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 224 215 shade: RGB 6 145 140, RGB 7 185 178, RGB 9 225 216, RGB 30 245 236 and RGB 69 247 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 224 215 shade: RGB 9 224 215, RGB 41 9 225 and RGB 225 128 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 224 215 shade: RGB 9 224 215, RGB 214 9 225 and RGB 225 214 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 224 215 shade: RGB 9 224 215, RGB 41 9 225, RGB 225 9 20 and RGB 192 225 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 224 215 shade: RGB 9 224 215, RGB 106 9 225, RGB 225 9 20 and RGB 128 225 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 4 / 12

HEX #09E0D7

RGB 9 224 215

HSL 177.49, 0.92%, 0.46%

LAB 80.89, -45.98, -8.37

 

Complementary color

CMYK 0 / 87 / 84 / 4

HEX #F61F28

RGB 246 31 40

HSL 357.49, 0.92%, 0.54%

LAB 52.65, 75.26, 52.1

 

CMYK 94 / 0 / 6 / 12

HEX #0EE0D2

RGB 14 224 210

HSL 176, 0.88%, 0.47%

LAB 80.77, -47.26, -5.89

 

CMYK 87 / 0 / 5 / 5

HEX #1FF2E5

RGB 31 242 229

HSL 176.3, 0.89%, 0.54%

LAB 86.73, -48.92, -7.1

 

CMYK 81 / 0 / 3 / 0

HEX #30FFF8

RGB 48 255 248

HSL 177.97, 1%, 0.59%

LAB 91.2, -48.15, -10.35

 

CMYK 75 / 0 / 0 / 0

HEX #41FFFF

RGB 65 255 255

HSL 180, 1%, 0.63%

LAB 91.62, -44.75, -13.33

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 0 / 4 / 12

HEX #09E0D7

RGB 9 224 215

HSL 177.49, 0.92%, 0.46%

LAB 80.89, -45.98, -8.37

 

CMYK 100 / 0 / 5 / 19

HEX #00CEC4

RGB 0 206 196

HSL 177.09, 1%, 0.4%

LAB 74.91, -43.87, -7.08

 

CMYK 100 / 0 / 6 / 26

HEX #00BCB1

RGB 0 188 177

HSL 176.49, 1%, 0.37%

LAB 68.85, -41.51, -5.69

 

CMYK 100 / 0 / 7 / 33

HEX #00AA9E

RGB 0 170 158

HSL 175.76, 1%, 0.33%

LAB 62.69, -39.11, -4.25

 

CMYK 100 / 0 / 9 / 40

HEX #00988B

RGB 0 152 139

HSL 174.87, 1%, 0.3%

LAB 56.41, -36.67, -2.77

 

CMYK 96 / 0 / 4 / 12

HEX #09E1D8

RGB 9 225 216

HSL 177.5, 0.92%, 0.46%

LAB 81.22, -46.13, -8.42

 

CMYK 96 / 0 / 30 / 12

HEX #09E19D

RGB 9 225 157

HSL 161.11, 0.92%, 0.46%

LAB 79.81, -61.11, 20.73

 

CMYK 96 / 0 / 56 / 12

HEX #09E163

RGB 9 225 99

HSL 145, 0.92%, 0.46%

LAB 78.93, -71.46, 48.42

 

CMYK 96 / 0 / 82 / 12

HEX #09E129

RGB 9 225 41

HSL 128.89, 0.92%, 0.46%

LAB 78.5, -76.88, 69.54

 

CMYK 84 / 0 / 96 / 12

HEX #23E109

RGB 35 225 9

HSL 112.78, 0.92%, 0.46%

LAB 78.59, -76.36, 75.12

 

CMYK 96 / 0 / 4 / 12

HEX #09E1D8

RGB 9 225 216

HSL 177.5, 0.92%, 0.46%

LAB 81.22, -46.13, -8.42

 

CMYK 96 / 22 / 0 / 12

HEX #09B0E1

RGB 9 176 225

HSL 193.61, 0.92%, 0.46%

LAB 66.93, -19.99, -35

 

CMYK 96 / 48 / 0 / 12

HEX #0975E1

RGB 9 117 225

HSL 210, 0.92%, 0.46%

LAB 49.76, 14.27, -62.22

 

CMYK 96 / 74 / 0 / 12

HEX #093BE1

RGB 9 59 225

HSL 226.11, 0.92%, 0.46%

LAB 35.25, 50.91, -85.96

 

CMYK 96 / 96 / 0 / 12

HEX #0909E1

RGB 9 9 225

HSL 240, 0.92%, 0.46%

LAB 28.62, 70.49, -97

 

CMYK 96 / 0 / 4 / 12

HEX #09E1D8

RGB 9 225 216

HSL 177.5, 0.92%, 0.46%

LAB 81.22, -46.13, -8.42

 

CMYK 96 / 0 / 4 / 12

HEX #09E1D8

RGB 9 225 216

HSL 177.5, 0.92%, 0.46%

LAB 81.22, -46.13, -8.42

 

CMYK 86 / 0 / 4 / 19

HEX #1CCEC6

RGB 28 206 198

HSL 177.3, 0.76%, 0.46%

LAB 75.12, -42.24, -7.82

 

CMYK 75 / 0 / 3 / 27

HEX #2FBBB5

RGB 47 187 181

HSL 177.43, 0.6%, 0.46%

LAB 69.1, -36.97, -7.47

 

CMYK 61 / 0 / 2 / 34

HEX #42A8A4

RGB 66 168 164

HSL 177.65, 0.44%, 0.46%

LAB 63.21, -30.09, -6.73

 

CMYK 43 / 0 / 2 / 42

HEX #559592

RGB 85 149 146

HSL 177.19, 0.27%, 0.46%

LAB 57.56, -21.26, -4.85

 

CMYK 96 / 0 / 56 / 12

HEX #09E163

RGB 9 225 99

HSL 145, 0.92%, 0.46%

LAB 78.93, -71.46, 48.42

 

CMYK 96 / 0 / 31 / 12

HEX #09E19C

RGB 9 225 156

HSL 160.83, 0.92%, 0.46%

LAB 79.79, -61.33, 21.23

 

CMYK 96 / 0 / 5 / 12

HEX #09E1D6

RGB 9 225 214

HSL 176.94, 0.92%, 0.46%

LAB 81.16, -46.7, -7.44

 

CMYK 96 / 21 / 0 / 12

HEX #09B2E1

RGB 9 178 225

HSL 193.06, 0.92%, 0.46%

LAB 67.53, -21.03, -34.08

 

CMYK 96 / 47 / 0 / 12

HEX #0978E1

RGB 9 120 225

HSL 209.17, 0.92%, 0.46%

LAB 50.6, 12.38, -60.86

 

CMYK 96 / 0 / 3 / 43

HEX #06918C

RGB 6 145 140

HSL 177.84, 0.92%, 0.3%

LAB 54.22, -32.87, -6.57

 

CMYK 96 / 0 / 4 / 27

HEX #07B9B2

RGB 7 185 178

HSL 177.64, 0.93%, 0.38%

LAB 67.99, -39.66, -7.52

 

CMYK 96 / 0 / 4 / 12

HEX #09E1D8

RGB 9 225 216

HSL 177.5, 0.92%, 0.46%

LAB 81.22, -46.13, -8.42

 

CMYK 88 / 0 / 4 / 4

HEX #1EF5EC

RGB 30 245 236

HSL 177.49, 0.91%, 0.54%

LAB 87.79, -48.31, -9.18

 

CMYK 72 / 0 / 3 / 3

HEX #45F7EF

RGB 69 247 239

HSL 177.3, 0.92%, 0.62%

LAB 88.93, -45.21, -9.01

 

CMYK 96 / 0 / 4 / 12

HEX #09E0D7

RGB 9 224 215

HSL 177.49, 0.92%, 0.46%

LAB 80.89, -45.98, -8.37

 

CMYK 82 / 96 / 0 / 12

HEX #2909E1

RGB 41 9 225

HSL 248.89, 0.92%, 0.46%

LAB 29.67, 70.94, -95.21

 

CMYK 0 / 43 / 96 / 12

HEX #E18009

RGB 225 128 9

HSL 33.06, 0.92%, 0.46%

LAB 62.9, 30.89, 68

 

CMYK 96 / 0 / 4 / 12

HEX #09E0D7

RGB 9 224 215

HSL 177.49, 0.92%, 0.46%

LAB 80.89, -45.98, -8.37

 

CMYK 5 / 96 / 0 / 12

HEX #D609E1

RGB 214 9 225

HSL 296.94, 0.92%, 0.46%

LAB 51.76, 87.03, -58.14

 

CMYK 0 / 5 / 96 / 12

HEX #E1D609

RGB 225 214 9

HSL 56.94, 0.92%, 0.46%

LAB 84.03, -14.13, 83.05

 

CMYK 96 / 0 / 4 / 12

HEX #09E0D7

RGB 9 224 215

HSL 177.49, 0.92%, 0.46%

LAB 80.89, -45.98, -8.37

 

CMYK 82 / 96 / 0 / 12

HEX #2909E1

RGB 41 9 225

HSL 248.89, 0.92%, 0.46%

LAB 29.67, 70.94, -95.21

 

CMYK 0 / 96 / 91 / 12

HEX #E10914

RGB 225 9 20

HSL 356.94, 0.92%, 0.46%

LAB 47.31, 72.32, 55.08

 

CMYK 15 / 0 / 96 / 12

HEX #C0E109

RGB 192 225 9

HSL 69.17, 0.92%, 0.46%

LAB 84.52, -33.16, 82.33

 

CMYK 96 / 0 / 4 / 12

HEX #09E0D7

RGB 9 224 215

HSL 177.49, 0.92%, 0.46%

LAB 80.89, -45.98, -8.37

 

CMYK 53 / 96 / 0 / 12

HEX #6A09E1

RGB 106 9 225

HSL 266.94, 0.92%, 0.46%

LAB 35.39, 74.04, -85.54

 

CMYK 0 / 96 / 91 / 12

HEX #E10914

RGB 225 9 20

HSL 356.94, 0.92%, 0.46%

LAB 47.31, 72.32, 55.08

 

CMYK 43 / 0 / 96 / 12

HEX #80E109

RGB 128 225 9

HSL 86.94, 0.92%, 0.46%

LAB 80.99, -56.73, 78.06

 

Description

Color code: RGB 9 224 215 | qconv.com Color code: RGB 9 224 215 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 224 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 224 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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