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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 221 160 it is the complementary color RGB 246 34 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 221 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 221 160 shade: RGB 14 221 155, RGB 31 239 174, RGB 48 255 193, RGB 65 255 212 and RGB 82 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 221 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 221 160 shade: RGB 9 221 160, RGB 0 203 141, RGB 0 185 122, RGB 0 167 103 and RGB 0 149 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 221 160 shade: RGB 9 220 159, RGB 9 220 102, RGB 9 220 45, RGB 29 220 9 and RGB 86 220 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 221 160 shade: RGB 9 220 159, RGB 9 220 216, RGB 9 167 220, RGB 9 110 220 and RGB 9 53 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 221 160 shade matches the following richer shades: RGB 9 220 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 221 160 shade: RGB 9 220 159, RGB 27 201 151, RGB 46 183 143, RGB 64 164 135 and RGB 83 146 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 221 160 shade: RGB 9 220 44, RGB 9 220 100, RGB 9 220 156, RGB 9 220 213 and RGB 9 171 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 221 160 shade: RGB 5 141 102, RGB 7 180 130, RGB 9 220 159, RGB 25 245 182 and RGB 64 247 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 221 160 shade: RGB 9 221 160, RGB 9 30 220 and RGB 220 72 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 221 160 shade: RGB 9 221 160, RGB 156 9 220 and RGB 220 156 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 221 160 shade: RGB 9 221 160, RGB 9 30 220, RGB 220 9 72 and RGB 220 199 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 221 160 shade: RGB 9 221 160, RGB 51 9 220, RGB 220 9 72 and RGB 178 220 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 28 / 13

HEX #09DDA0

RGB 9 221 160

HSL 162.74, 0.92%, 0.45%

LAB 78.64, -58.97, 17.54

 

Complementary color

CMYK 0 / 86 / 61 / 4

HEX #F6225F

RGB 246 34 95

HSL 342.74, 0.92%, 0.55%

LAB 53.56, 76.86, 21.84

 

CMYK 94 / 0 / 30 / 13

HEX #0EDD9B

RGB 14 221 155

HSL 160.87, 0.88%, 0.46%

LAB 78.56, -59.93, 20.06

 

CMYK 87 / 0 / 27 / 6

HEX #1FEFAE

RGB 31 239 174

HSL 161.25, 0.87%, 0.53%

LAB 84.53, -61.53, 18.46

 

CMYK 81 / 0 / 24 / 0

HEX #30FFC1

RGB 48 255 193

HSL 162.03, 1%, 0.59%

LAB 89.86, -62.01, 16.15

 

CMYK 75 / 0 / 17 / 0

HEX #41FFD4

RGB 65 255 212

HSL 166.42, 1%, 0.63%

LAB 90.5, -55.92, 7.31

 

CMYK 68 / 0 / 9 / 0

HEX #52FFE7

RGB 82 255 231

HSL 171.68, 1%, 0.66%

LAB 91.27, -49.13, -1.37

 

CMYK 96 / 0 / 28 / 13

HEX #09DDA0

RGB 9 221 160

HSL 162.74, 0.92%, 0.45%

LAB 78.64, -58.97, 17.54

 

CMYK 100 / 0 / 31 / 20

HEX #00CB8D

RGB 0 203 141

HSL 161.67, 1%, 0.4%

LAB 72.65, -56.86, 19.27

 

CMYK 100 / 0 / 34 / 27

HEX #00B97A

RGB 0 185 122

HSL 159.57, 1%, 0.36%

LAB 66.6, -54.42, 21.13

 

CMYK 100 / 0 / 38 / 35

HEX #00A767

RGB 0 167 103

HSL 157.01, 1%, 0.33%

LAB 60.44, -51.89, 23.06

 

CMYK 100 / 0 / 44 / 42

HEX #009554

RGB 0 149 84

HSL 153.83, 1%, 0.29%

LAB 54.17, -49.22, 25.07

 

CMYK 96 / 0 / 28 / 14

HEX #09DC9F

RGB 9 220 159

HSL 162.65, 0.92%, 0.45%

LAB 78.31, -58.82, 17.61

 

CMYK 96 / 0 / 54 / 14

HEX #09DC66

RGB 9 220 102

HSL 146.45, 0.92%, 0.45%

LAB 77.4, -69.49, 45.18

 

CMYK 96 / 0 / 80 / 14

HEX #09DC2D

RGB 9 220 45

HSL 130.24, 0.92%, 0.45%

LAB 76.94, -75.29, 67.01

 

CMYK 87 / 0 / 96 / 14

HEX #1DDC09

RGB 29 220 9

HSL 114.31, 0.92%, 0.45%

LAB 76.96, -75.5, 73.76

 

CMYK 61 / 0 / 96 / 14

HEX #56DC09

RGB 86 220 9

HSL 98.1, 0.92%, 0.45%

LAB 77.98, -66.65, 75.02

 

CMYK 96 / 0 / 28 / 14

HEX #09DC9F

RGB 9 220 159

HSL 162.65, 0.92%, 0.45%

LAB 78.31, -58.82, 17.61

 

CMYK 96 / 0 / 2 / 14

HEX #09DCD8

RGB 9 220 216

HSL 178.86, 0.92%, 0.45%

LAB 79.73, -43.96, -10.64

 

CMYK 96 / 24 / 0 / 14

HEX #09A7DC

RGB 9 167 220

HSL 195.07, 0.92%, 0.45%

LAB 64.05, -16.97, -36.74

 

CMYK 96 / 50 / 0 / 14

HEX #096EDC

RGB 9 110 220

HSL 211.28, 0.92%, 0.45%

LAB 47.47, 16.76, -63.1

 

CMYK 96 / 76 / 0 / 14

HEX #0935DC

RGB 9 53 220

HSL 227.49, 0.92%, 0.45%

LAB 33.5, 52.58, -85.99

 

CMYK 96 / 0 / 28 / 14

HEX #09DC9F

RGB 9 220 159

HSL 162.65, 0.92%, 0.45%

LAB 78.31, -58.82, 17.61

 

CMYK 96 / 0 / 28 / 14

HEX #09DC9F

RGB 9 220 159

HSL 162.65, 0.92%, 0.45%

LAB 78.31, -58.82, 17.61

 

CMYK 87 / 0 / 25 / 21

HEX #1BC997

RGB 27 201 151

HSL 162.76, 0.76%, 0.45%

LAB 72.39, -52.61, 13.59

 

CMYK 75 / 0 / 22 / 28

HEX #2EB78F

RGB 46 183 143

HSL 162.48, 0.6%, 0.45%

LAB 66.85, -45.44, 10.14

 

CMYK 61 / 0 / 18 / 36

HEX #40A487

RGB 64 164 135

HSL 162.6, 0.44%, 0.45%

LAB 61.12, -36.22, 6.47

 

CMYK 43 / 0 / 12 / 43

HEX #539280

RGB 83 146 128

HSL 162.86, 0.28%, 0.45%

LAB 56.04, -24.77, 3.21

 

CMYK 96 / 0 / 80 / 14

HEX #09DC2C

RGB 9 220 44

HSL 129.95, 0.92%, 0.45%

LAB 76.94, -75.35, 67.28

 

CMYK 96 / 0 / 55 / 14

HEX #09DC64

RGB 9 220 100

HSL 145.88, 0.92%, 0.45%

LAB 77.38, -69.78, 46.09

 

CMYK 96 / 0 / 29 / 14

HEX #09DC9C

RGB 9 220 156

HSL 161.8, 0.92%, 0.45%

LAB 78.25, -59.5, 19.11

 

CMYK 96 / 0 / 3 / 14

HEX #09DCD5

RGB 9 220 213

HSL 178.01, 0.92%, 0.45%

LAB 79.64, -44.82, -9.17

 

CMYK 96 / 22 / 0 / 14

HEX #09ABDC

RGB 9 171 220

HSL 193.93, 0.92%, 0.45%

LAB 65.24, -19.1, -34.88

 

CMYK 96 / 0 / 28 / 45

HEX #058D66

RGB 5 141 102

HSL 162.79, 0.93%, 0.29%

LAB 51.88, -41.87, 11.93

 

CMYK 96 / 0 / 28 / 29

HEX #07B482

RGB 7 180 130

HSL 162.66, 0.93%, 0.37%

LAB 65.2, -50.45, 14.87

 

CMYK 96 / 0 / 28 / 14

HEX #09DC9F

RGB 9 220 159

HSL 162.65, 0.92%, 0.45%

LAB 78.31, -58.82, 17.61

 

CMYK 90 / 0 / 26 / 4

HEX #19F5B6

RGB 25 245 182

HSL 162.82, 0.92%, 0.53%

LAB 86.45, -62.28, 17

 

CMYK 74 / 0 / 21 / 3

HEX #40F7C2

RGB 64 247 194

HSL 162.62, 0.92%, 0.61%

LAB 87.73, -57.09, 12.66

 

CMYK 96 / 0 / 28 / 13

HEX #09DDA0

RGB 9 221 160

HSL 162.74, 0.92%, 0.45%

LAB 78.64, -58.97, 17.54

 

CMYK 96 / 86 / 0 / 14

HEX #091EDC

RGB 9 30 220

HSL 234.03, 0.92%, 0.45%

LAB 29.8, 63.44, -92.15

 

CMYK 0 / 67 / 96 / 14

HEX #DC4809

RGB 220 72 9

HSL 17.91, 0.92%, 0.45%

LAB 51.69, 55.64, 60.53

 

CMYK 96 / 0 / 28 / 13

HEX #09DDA0

RGB 9 221 160

HSL 162.74, 0.92%, 0.45%

LAB 78.64, -58.97, 17.54

 

CMYK 29 / 96 / 0 / 14

HEX #9C09DC

RGB 156 9 220

HSL 281.8, 0.92%, 0.45%

LAB 41.89, 78.03, -71.72

 

CMYK 0 / 29 / 96 / 14

HEX #DC9C09

RGB 220 156 9

HSL 41.8, 0.92%, 0.45%

LAB 68.76, 13.83, 71.74

 

CMYK 96 / 0 / 28 / 13

HEX #09DDA0

RGB 9 221 160

HSL 162.74, 0.92%, 0.45%

LAB 78.64, -58.97, 17.54

 

CMYK 96 / 86 / 0 / 14

HEX #091EDC

RGB 9 30 220

HSL 234.03, 0.92%, 0.45%

LAB 29.8, 63.44, -92.15

 

CMYK 0 / 96 / 67 / 14

HEX #DC0948

RGB 220 9 72

HSL 342.09, 0.92%, 0.45%

LAB 46.82, 72.61, 26.05

 

CMYK 0 / 10 / 96 / 14

HEX #DCC709

RGB 220 199 9

HSL 54.03, 0.92%, 0.45%

LAB 79.66, -8.74, 79.63

 

CMYK 96 / 0 / 28 / 13

HEX #09DDA0

RGB 9 221 160

HSL 162.74, 0.92%, 0.45%

LAB 78.64, -58.97, 17.54

 

CMYK 77 / 96 / 0 / 14

HEX #3309DC

RGB 51 9 220

HSL 251.94, 0.92%, 0.45%

LAB 29.58, 69.97, -92.47

 

CMYK 0 / 96 / 67 / 14

HEX #DC0948

RGB 220 9 72

HSL 342.09, 0.92%, 0.45%

LAB 46.82, 72.61, 26.05

 

CMYK 19 / 0 / 96 / 14

HEX #B2DC09

RGB 178 220 9

HSL 71.94, 0.92%, 0.45%

LAB 82.2, -36.49, 80.14

 

Description

Color code: RGB 9 221 160 | qconv.com Color code: RGB 9 221 160 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 221 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 221 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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