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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 201 50 it is the complementary color RGB 246 54 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 201 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 201 50 shade: RGB 14 201 45, RGB 31 219 64, RGB 48 237 83, RGB 65 255 102 and RGB 82 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 201 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 201 50 shade: RGB 9 201 50, RGB 0 183 31, RGB 0 165 12, RGB 0 147 0 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 201 50 shade: RGB 9 199 50, RGB 20 199 9, RGB 71 199 9, RGB 122 199 9 and RGB 174 199 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 201 50 shade: RGB 9 199 50, RGB 9 199 101, RGB 9 199 152, RGB 9 195 199 and RGB 9 144 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 201 50 shade matches the following richer shades: RGB 9 199 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 201 50 shade: RGB 9 199 50, RGB 26 182 59, RGB 43 165 69, RGB 60 148 79 and RGB 77 132 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 201 50 shade: RGB 72 199 9, RGB 22 199 9, RGB 9 199 47, RGB 9 199 98 and RGB 9 199 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 201 50 shade: RGB 5 120 30, RGB 7 160 40, RGB 9 199 50, RGB 11 239 59 and RGB 46 245 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 201 50 shade: RGB 9 201 50, RGB 9 123 199 and RGB 199 9 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 201 50 shade: RGB 9 201 50, RGB 47 9 199 and RGB 199 47 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 201 50 shade: RGB 9 201 50, RGB 9 123 199, RGB 199 9 161 and RGB 199 85 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 201 50 shade: RGB 9 201 50, RGB 9 66 199, RGB 199 9 161 and RGB 199 142 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 75 / 21

HEX #09C932

RGB 9 201 50

HSL 132.81, 0.91%, 0.41%

LAB 70.91, -69.62, 59.62

 

Complementary color

CMYK 0 / 78 / 17 / 4

HEX #F636CD

RGB 246 54 205

HSL 312.81, 0.91%, 0.59%

LAB 58.64, 82.83, -35.5

 

CMYK 93 / 0 / 78 / 21

HEX #0EC92D

RGB 14 201 45

HSL 129.95, 0.87%, 0.42%

LAB 70.91, -69.76, 61.25

 

CMYK 86 / 0 / 71 / 14

HEX #1FDB40

RGB 31 219 64

HSL 130.53, 0.75%, 0.49%

LAB 76.88, -72.36, 60.79

 

CMYK 80 / 0 / 65 / 7

HEX #30ED53

RGB 48 237 83

HSL 131.11, 0.84%, 0.56%

LAB 82.82, -74.29, 59.86

 

CMYK 75 / 0 / 60 / 0

HEX #41FF66

RGB 65 255 102

HSL 131.68, 1%, 0.63%

LAB 88.73, -75.69, 58.68

 

CMYK 68 / 0 / 53 / 0

HEX #52FF79

RGB 82 255 121

HSL 133.53, 1%, 0.66%

LAB 89.25, -70.75, 50.95

 

CMYK 96 / 0 / 75 / 21

HEX #09C932

RGB 9 201 50

HSL 132.81, 0.91%, 0.41%

LAB 70.91, -69.62, 59.62

 

CMYK 100 / 0 / 83 / 28

HEX #00B71F

RGB 0 183 31

HSL 130.16, 1%, 0.36%

LAB 64.94, -66.15, 59.63

 

CMYK 100 / 0 / 93 / 35

HEX #00A50C

RGB 0 165 12

HSL 124.36, 1%, 0.32%

LAB 58.92, -61.9, 58.34

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 95 / 0 / 75 / 22

HEX #09C732

RGB 9 199 50

HSL 132.95, 0.91%, 0.41%

LAB 70.27, -69.05, 58.98

 

CMYK 90 / 0 / 95 / 22

HEX #14C709

RGB 20 199 9

HSL 116.53, 0.91%, 0.41%

LAB 70.19, -70.37, 68.17

 

CMYK 64 / 0 / 95 / 22

HEX #47C709

RGB 71 199 9

HSL 100.42, 0.91%, 0.41%

LAB 71.01, -63.16, 69.19

 

CMYK 39 / 0 / 95 / 22

HEX #7AC709

RGB 122 199 9

HSL 84.32, 0.91%, 0.41%

LAB 72.89, -48.51, 71.49

 

CMYK 13 / 0 / 95 / 22

HEX #AEC709

RGB 174 199 9

HSL 67.89, 0.91%, 0.41%

LAB 75.99, -28.38, 75.24

 

CMYK 95 / 0 / 75 / 22

HEX #09C732

RGB 9 199 50

HSL 132.95, 0.91%, 0.41%

LAB 70.27, -69.05, 58.98

 

CMYK 95 / 0 / 49 / 22

HEX #09C765

RGB 9 199 101

HSL 149.05, 0.91%, 0.41%

LAB 70.76, -62.92, 37.47

 

CMYK 95 / 0 / 24 / 22

HEX #09C798

RGB 9 199 152

HSL 165.16, 0.91%, 0.41%

LAB 71.67, -52.47, 12.02

 

CMYK 95 / 2 / 0 / 22

HEX #09C3C7

RGB 9 195 199

HSL 181.26, 0.91%, 0.41%

LAB 71.7, -37.82, -13.49

 

CMYK 95 / 28 / 0 / 22

HEX #0990C7

RGB 9 144 199

HSL 197.37, 0.91%, 0.41%

LAB 56.22, -11.94, -37.26

 

CMYK 95 / 0 / 75 / 22

HEX #09C732

RGB 9 199 50

HSL 132.95, 0.91%, 0.41%

LAB 70.27, -69.05, 58.98

 

CMYK 95 / 0 / 75 / 22

HEX #09C732

RGB 9 199 50

HSL 132.95, 0.91%, 0.41%

LAB 70.27, -69.05, 58.98

 

CMYK 86 / 0 / 68 / 29

HEX #1AB63B

RGB 26 182 59

HSL 132.69, 0.75%, 0.41%

LAB 64.96, -62.12, 50.09

 

CMYK 74 / 0 / 58 / 35

HEX #2BA545

RGB 43 165 69

HSL 132.79, 0.59%, 0.41%

LAB 59.76, -53.21, 39.82

 

CMYK 59 / 0 / 47 / 42

HEX #3C944F

RGB 60 148 79

HSL 132.95, 0.42%, 0.41%

LAB 54.77, -41.83, 28.73

 

CMYK 42 / 0 / 33 / 48

HEX #4D8458

RGB 77 132 88

HSL 132, 0.26%, 0.41%

LAB 50.43, -28.26, 18.2

 

CMYK 64 / 0 / 95 / 22

HEX #48C709

RGB 72 199 9

HSL 100.11, 0.91%, 0.41%

LAB 71.04, -62.94, 69.22

 

CMYK 89 / 0 / 95 / 22

HEX #16C709

RGB 22 199 9

HSL 115.89, 0.91%, 0.41%

LAB 70.2, -70.23, 68.19

 

CMYK 95 / 0 / 76 / 22

HEX #09C72F

RGB 9 199 47

HSL 132, 0.91%, 0.41%

LAB 70.25, -69.27, 59.96

 

CMYK 95 / 0 / 51 / 22

HEX #09C762

RGB 9 199 98

HSL 148.11, 0.91%, 0.41%

LAB 70.72, -63.41, 38.91

 

CMYK 95 / 0 / 26 / 22

HEX #09C794

RGB 9 199 148

HSL 163.89, 0.91%, 0.41%

LAB 71.58, -53.44, 14.05

 

CMYK 96 / 0 / 75 / 53

HEX #05781E

RGB 5 120 30

HSL 133.04, 0.92%, 0.25%

LAB 43.59, -47.15, 39.3

 

CMYK 96 / 0 / 75 / 37

HEX #07A028

RGB 7 160 40

HSL 132.94, 0.92%, 0.33%

LAB 57.41, -58.51, 49.57

 

CMYK 95 / 0 / 75 / 22

HEX #09C732

RGB 9 199 50

HSL 132.95, 0.91%, 0.41%

LAB 70.27, -69.05, 58.98

 

CMYK 95 / 0 / 75 / 6

HEX #0BEF3B

RGB 11 239 59

HSL 132.63, 0.91%, 0.49%

LAB 82.98, -79.54, 68.63

 

CMYK 81 / 0 / 64 / 4

HEX #2EF558

RGB 46 245 88

HSL 132.66, 0.91%, 0.57%

LAB 85.3, -76.41, 60.56

 

CMYK 96 / 0 / 75 / 21

HEX #09C932

RGB 9 201 50

HSL 132.81, 0.91%, 0.41%

LAB 70.91, -69.62, 59.62

 

CMYK 95 / 38 / 0 / 22

HEX #097BC7

RGB 9 123 199

HSL 204, 0.91%, 0.41%

LAB 49.91, 0.36, -47.21

 

CMYK 0 / 95 / 76 / 22

HEX #C7092F

RGB 199 9 47

HSL 348, 0.91%, 0.41%

LAB 42.07, 66.46, 34.55

 

CMYK 96 / 0 / 75 / 21

HEX #09C932

RGB 9 201 50

HSL 132.81, 0.91%, 0.41%

LAB 70.91, -69.62, 59.62

 

CMYK 76 / 95 / 0 / 22

HEX #2F09C7

RGB 47 9 199

HSL 252, 0.91%, 0.41%

LAB 26.51, 64.61, -85.37

 

CMYK 0 / 76 / 95 / 22

HEX #C72F09

RGB 199 47 9

HSL 12, 0.91%, 0.41%

LAB 44.51, 57.9, 54.33

 

CMYK 96 / 0 / 75 / 21

HEX #09C932

RGB 9 201 50

HSL 132.81, 0.91%, 0.41%

LAB 70.91, -69.62, 59.62

 

CMYK 95 / 38 / 0 / 22

HEX #097BC7

RGB 9 123 199

HSL 204, 0.91%, 0.41%

LAB 49.91, 0.36, -47.21

 

CMYK 0 / 95 / 19 / 22

HEX #C709A1

RGB 199 9 161

HSL 312, 0.91%, 0.41%

LAB 45.51, 75.61, -30.96

 

CMYK 0 / 57 / 95 / 22

HEX #C75509

RGB 199 85 9

HSL 24, 0.91%, 0.41%

LAB 50.29, 42.36, 57.86

 

CMYK 96 / 0 / 75 / 21

HEX #09C932

RGB 9 201 50

HSL 132.81, 0.91%, 0.41%

LAB 70.91, -69.62, 59.62

 

CMYK 95 / 67 / 0 / 22

HEX #0942C7

RGB 9 66 199

HSL 222, 0.91%, 0.41%

LAB 34.14, 37.24, -72.77

 

CMYK 0 / 95 / 19 / 22

HEX #C709A1

RGB 199 9 161

HSL 312, 0.91%, 0.41%

LAB 45.51, 75.61, -30.96

 

CMYK 0 / 29 / 95 / 22

HEX #C78E09

RGB 199 142 9

HSL 42, 0.91%, 0.41%

LAB 62.93, 12.16, 66.51

 

Description

Color code: RGB 9 201 50 | qconv.com Color code: RGB 9 201 50 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 201 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 201 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 75 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 75% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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