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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 134 54 it is the complementary color RGB 246 121 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 134 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 134 54 shade: RGB 14 134 49, RGB 31 152 68, RGB 48 170 87, RGB 65 188 106 and RGB 82 206 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 134 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 134 54 shade: RGB 9 134 54, RGB 0 116 35, RGB 0 98 16, RGB 0 80 0 and RGB 0 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 134 54 shade: RGB 9 133 54, RGB 9 133 20, RGB 31 133 9, RGB 65 133 9 and RGB 98 133 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 134 54 shade: RGB 9 133 54, RGB 9 133 87, RGB 9 133 121, RGB 9 112 133 and RGB 9 79 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 134 54 shade matches the following richer shades: RGB 9 133 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 134 54 shade: RGB 9 133 54, RGB 20 121 57, RGB 32 110 60, RGB 43 98 63 and RGB 55 87 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 134 54 shade: RGB 32 133 9, RGB 9 133 19, RGB 9 133 52, RGB 9 133 85 and RGB 9 133 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 134 54 shade: RGB 3 56 22, RGB 6 94 38, RGB 9 133 54, RGB 11 172 69 and RGB 14 210 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 134 54 shade: RGB 9 134 54, RGB 9 65 133 and RGB 133 9 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 134 54 shade: RGB 9 134 54, RGB 52 9 133 and RGB 133 52 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 134 54 shade: RGB 9 134 54, RGB 9 65 133, RGB 133 9 90 and RGB 133 77 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 134 54 shade: RGB 9 134 54, RGB 9 27 133, RGB 133 9 90 and RGB 133 114 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 60 / 47

HEX #098636

RGB 9 134 54

HSL 141.6, 0.87%, 0.28%

LAB 48.73, -48.57, 34.03

 

Complementary color

CMYK 0 / 51 / 18 / 4

HEX #F679C9

RGB 246 121 201

HSL 321.6, 0.87%, 0.72%

LAB 67.64, 57.12, -19.37

 

CMYK 90 / 0 / 63 / 47

HEX #0E8631

RGB 14 134 49

HSL 137.5, 0.81%, 0.29%

LAB 48.72, -48.88, 36.46

 

CMYK 80 / 0 / 55 / 40

HEX #1F9844

RGB 31 152 68

HSL 138.35, 0.66%, 0.36%

LAB 55.24, -50.55, 34.87

 

CMYK 72 / 0 / 49 / 33

HEX #30AA57

RGB 48 170 87

HSL 139.18, 0.56%, 0.43%

LAB 61.71, -51.52, 33.26

 

CMYK 65 / 0 / 44 / 26

HEX #41BC6A

RGB 65 188 106

HSL 140, 0.49%, 0.5%

LAB 68.12, -52.06, 31.73

 

CMYK 60 / 0 / 39 / 19

HEX #52CE7D

RGB 82 206 125

HSL 140.81, 0.56%, 0.56%

LAB 74.46, -52.31, 30.29

 

CMYK 93 / 0 / 60 / 47

HEX #098636

RGB 9 134 54

HSL 141.6, 0.87%, 0.28%

LAB 48.73, -48.57, 34.03

 

CMYK 100 / 0 / 70 / 55

HEX #007423

RGB 0 116 35

HSL 138.1, 1%, 0.23%

LAB 42.17, -45.77, 35.64

 

CMYK 100 / 0 / 84 / 62

HEX #006210

RGB 0 98 16

HSL 129.8, 1%, 0.19%

LAB 35.54, -41.81, 36.56

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 93 / 0 / 59 / 48

HEX #098536

RGB 9 133 54

HSL 141.77, 0.87%, 0.28%

LAB 48.39, -48.23, 33.62

 

CMYK 93 / 0 / 85 / 48

HEX #098514

RGB 9 133 20

HSL 125.32, 0.87%, 0.28%

LAB 48.11, -51.65, 47.15

 

CMYK 77 / 0 / 93 / 48

HEX #1F8509

RGB 31 133 9

HSL 109.35, 0.87%, 0.28%

LAB 48.37, -49.54, 50.03

 

CMYK 51 / 0 / 93 / 48

HEX #418509

RGB 65 133 9

HSL 92.9, 0.87%, 0.28%

LAB 49.4, -41.09, 51.31

 

CMYK 26 / 0 / 93 / 48

HEX #628509

RGB 98 133 9

HSL 76.94, 0.87%, 0.28%

LAB 51.14, -28.7, 53.46

 

CMYK 93 / 0 / 59 / 48

HEX #098536

RGB 9 133 54

HSL 141.77, 0.87%, 0.28%

LAB 48.39, -48.23, 33.62

 

CMYK 93 / 0 / 35 / 48

HEX #098557

RGB 9 133 87

HSL 157.74, 0.87%, 0.28%

LAB 48.91, -42.02, 16.4

 

CMYK 93 / 0 / 9 / 48

HEX #098579

RGB 9 133 121

HSL 174.19, 0.87%, 0.28%

LAB 49.75, -32.93, -2.14

 

CMYK 93 / 16 / 0 / 48

HEX #097085

RGB 9 112 133

HSL 190.16, 0.87%, 0.28%

LAB 43.27, -18.34, -19.01

 

CMYK 93 / 41 / 0 / 48

HEX #094F85

RGB 9 79 133

HSL 206.13, 0.87%, 0.28%

LAB 32.58, 1.61, -35.76

 

CMYK 93 / 0 / 59 / 48

HEX #098536

RGB 9 133 54

HSL 141.77, 0.87%, 0.28%

LAB 48.39, -48.23, 33.62

 

CMYK 93 / 0 / 59 / 48

HEX #098536

RGB 9 133 54

HSL 141.77, 0.87%, 0.28%

LAB 48.39, -48.23, 33.62

 

CMYK 83 / 0 / 53 / 53

HEX #147939

RGB 20 121 57

HSL 141.98, 0.72%, 0.28%

LAB 44.4, -42.48, 27.28

 

CMYK 71 / 0 / 45 / 57

HEX #206E3C

RGB 32 110 60

HSL 141.54, 0.55%, 0.28%

LAB 40.87, -35.69, 21.19

 

CMYK 56 / 0 / 36 / 62

HEX #2B623F

RGB 43 98 63

HSL 141.82, 0.39%, 0.28%

LAB 37.13, -27.07, 14.55

 

CMYK 37 / 0 / 24 / 66

HEX #375742

RGB 55 87 66

HSL 140.63, 0.23%, 0.28%

LAB 34.03, -16.92, 8.54

 

CMYK 76 / 0 / 93 / 48

HEX #208509

RGB 32 133 9

HSL 108.87, 0.87%, 0.28%

LAB 48.39, -49.36, 50.05

 

CMYK 93 / 0 / 86 / 48

HEX #098513

RGB 9 133 19

HSL 124.84, 0.87%, 0.28%

LAB 48.11, -51.71, 47.43

 

CMYK 93 / 0 / 61 / 48

HEX #098534

RGB 9 133 52

HSL 140.81, 0.87%, 0.28%

LAB 48.36, -48.52, 34.59

 

CMYK 93 / 0 / 36 / 48

HEX #098555

RGB 9 133 85

HSL 156.77, 0.87%, 0.28%

LAB 48.87, -42.48, 17.48

 

CMYK 93 / 0 / 11 / 48

HEX #098577

RGB 9 133 119

HSL 173.23, 0.87%, 0.28%

LAB 49.7, -33.53, -1.05

 

CMYK 95 / 0 / 61 / 78

HEX #033816

RGB 3 56 22

HSL 141.51, 0.9%, 0.12%

LAB 19.66, -25.66, 16.54

 

CMYK 94 / 0 / 60 / 63

HEX #065E26

RGB 6 94 38

HSL 141.82, 0.88%, 0.2%

LAB 34.36, -37.18, 25.24

 

CMYK 93 / 0 / 59 / 48

HEX #098536

RGB 9 133 54

HSL 141.77, 0.87%, 0.28%

LAB 48.39, -48.23, 33.62

 

CMYK 94 / 0 / 60 / 33

HEX #0BAC45

RGB 11 172 69

HSL 141.61, 0.88%, 0.36%

LAB 61.66, -58.86, 41.95

 

CMYK 93 / 0 / 60 / 18

HEX #0ED255

RGB 14 210 85

HSL 141.73, 0.88%, 0.44%

LAB 74.09, -68.52, 49.08

 

CMYK 93 / 0 / 60 / 47

HEX #098636

RGB 9 134 54

HSL 141.6, 0.87%, 0.28%

LAB 48.73, -48.57, 34.03

 

CMYK 93 / 51 / 0 / 48

HEX #094185

RGB 9 65 133

HSL 212.9, 0.87%, 0.28%

LAB 28.2, 11.15, -42.78

 

CMYK 0 / 93 / 89 / 48

HEX #85090F

RGB 133 9 15

HSL 357.1, 0.87%, 0.28%

LAB 27.34, 48.09, 33.71

 

CMYK 93 / 0 / 60 / 47

HEX #098636

RGB 9 134 54

HSL 141.6, 0.87%, 0.28%

LAB 48.73, -48.57, 34.03

 

CMYK 61 / 93 / 0 / 48

HEX #340985

RGB 52 9 133

HSL 260.81, 0.87%, 0.28%

LAB 18.45, 47.77, -58.66

 

CMYK 0 / 61 / 93 / 48

HEX #853409

RGB 133 52 9

HSL 20.81, 0.87%, 0.28%

LAB 32.84, 32.79, 40.68

 

CMYK 93 / 0 / 60 / 47

HEX #098636

RGB 9 134 54

HSL 141.6, 0.87%, 0.28%

LAB 48.73, -48.57, 34.03

 

CMYK 93 / 51 / 0 / 48

HEX #094185

RGB 9 65 133

HSL 212.9, 0.87%, 0.28%

LAB 28.2, 11.15, -42.78

 

CMYK 0 / 93 / 32 / 48

HEX #85095A

RGB 133 9 90

HSL 320.81, 0.87%, 0.28%

LAB 29.21, 53.26, -12.89

 

CMYK 0 / 42 / 93 / 48

HEX #854D09

RGB 133 77 9

HSL 32.9, 0.87%, 0.28%

LAB 38.4, 18.94, 44.84

 

CMYK 93 / 0 / 60 / 47

HEX #098636

RGB 9 134 54

HSL 141.6, 0.87%, 0.28%

LAB 48.73, -48.57, 34.03

 

CMYK 93 / 80 / 0 / 48

HEX #091B85

RGB 9 27 133

HSL 231.29, 0.87%, 0.28%

LAB 18.08, 37.13, -59.36

 

CMYK 0 / 93 / 32 / 48

HEX #85095A

RGB 133 9 90

HSL 320.81, 0.87%, 0.28%

LAB 29.21, 53.26, -12.89

 

CMYK 0 / 14 / 93 / 48

HEX #857209

RGB 133 114 9

HSL 50.81, 0.87%, 0.28%

LAB 48.31, -2.63, 52.43

 

Description

Color code: RGB 9 134 54 | qconv.com Color code: RGB 9 134 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 134 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 134 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 60 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 60% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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