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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 186 246 it is the complementary color RGB 246 69 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 186 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 186 246 shade: RGB 14 186 241, RGB 31 204 255, RGB 48 222 255, RGB 65 240 255 and RGB 82 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 186 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 186 246 shade: RGB 9 186 246, RGB 0 168 227, RGB 0 150 208, RGB 0 132 189 and RGB 0 114 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 186 246 shade: RGB 8 186 246, RGB 8 122 246, RGB 8 58 246, RGB 23 8 246 and RGB 87 8 246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 186 246 shade: RGB 8 186 246, RGB 8 122 246, RGB 8 58 246 and RGB 8 8 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 186 246 shade matches the following richer shades: RGB 8 186 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 186 246 shade: RGB 8 186 246, RGB 29 175 225, RGB 50 165 204, RGB 70 155 184 and RGB 91 145 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 186 246 shade: RGB 8 246 178, RGB 8 246 242, RGB 8 186 246, RGB 8 123 246 and RGB 8 60 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 186 246 shade: RGB 6 125 166, RGB 7 155 206, RGB 8 186 246, RGB 48 197 247 and RGB 88 208 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 186 246 shade: RGB 9 186 246, RGB 115 8 246 and RGB 246 210 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 186 246 shade: RGB 9 186 246, RGB 246 8 186 and RGB 186 246 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 186 246 shade: RGB 9 186 246, RGB 115 8 246, RGB 246 68 8 and RGB 139 246 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 186 246 shade: RGB 9 186 246, RGB 186 8 246, RGB 246 68 8 and RGB 68 246 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 24 / 0 / 4

HEX #09BAF6

RGB 9 186 246

HSL 195.19, 0.93%, 0.5%

LAB 70.75, -17.94, -40.49

 

Complementary color

CMYK 0 / 72 / 96 / 4

HEX #F64509

RGB 246 69 9

HSL 15.19, 0.93%, 0.5%

LAB 55.96, 65.11, 65.4

 

CMYK 94 / 23 / 0 / 5

HEX #0EBAF1

RGB 14 186 241

HSL 194.54, 0.89%, 0.5%

LAB 70.57, -19.54, -38.07

 

CMYK 88 / 20 / 0 / 0

HEX #1FCCFF

RGB 31 204 255

HSL 193.66, 1%, 0.56%

LAB 76.5, -23.34, -36.39

 

CMYK 81 / 13 / 0 / 0

HEX #30DEFF

RGB 48 222 255

HSL 189.57, 1%, 0.59%

LAB 81.89, -31.11, -28.08

 

CMYK 75 / 6 / 0 / 0

HEX #41F0FF

RGB 65 240 255

HSL 184.74, 1%, 0.63%

LAB 87.32, -38.02, -19.79

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 24 / 0 / 4

HEX #09BAF6

RGB 9 186 246

HSL 195.19, 0.93%, 0.5%

LAB 70.75, -17.94, -40.49

 

CMYK 100 / 26 / 0 / 11

HEX #00A8E3

RGB 0 168 227

HSL 195.59, 1%, 0.45%

LAB 64.6, -15.27, -39.74

 

CMYK 100 / 28 / 0 / 18

HEX #0096D0

RGB 0 150 208

HSL 196.73, 1%, 0.41%

LAB 58.38, -12.27, -38.93

 

CMYK 100 / 30 / 0 / 26

HEX #0084BD

RGB 0 132 189

HSL 198.1, 1%, 0.37%

LAB 52.04, -9.16, -38.14

 

CMYK 100 / 33 / 0 / 33

HEX #0072AA

RGB 0 114 170

HSL 199.76, 1%, 0.33%

LAB 45.55, -5.89, -37.38

 

CMYK 97 / 24 / 0 / 4

HEX #08BAF6

RGB 8 186 246

HSL 195.13, 0.94%, 0.5%

LAB 70.75, -17.96, -40.5

 

CMYK 97 / 50 / 0 / 4

HEX #087AF6

RGB 8 122 246

HSL 211.26, 0.94%, 0.5%

LAB 52.54, 19.27, -69.48

 

CMYK 97 / 76 / 0 / 4

HEX #083AF6

RGB 8 58 246

HSL 227.39, 0.94%, 0.5%

LAB 37.36, 58.46, -94.38

 

CMYK 91 / 97 / 0 / 4

HEX #1708F6

RGB 23 8 246

HSL 243.78, 0.94%, 0.5%

LAB 31.83, 75.97, -103.58

 

CMYK 65 / 97 / 0 / 4

HEX #5708F6

RGB 87 8 246

HSL 259.92, 0.94%, 0.5%

LAB 35.7, 77.74, -97.02

 

CMYK 97 / 24 / 0 / 4

HEX #08BAF6

RGB 8 186 246

HSL 195.13, 0.94%, 0.5%

LAB 70.75, -17.96, -40.5

 

CMYK 97 / 50 / 0 / 4

HEX #087AF6

RGB 8 122 246

HSL 211.26, 0.94%, 0.5%

LAB 52.54, 19.27, -69.48

 

CMYK 97 / 76 / 0 / 4

HEX #083AF6

RGB 8 58 246

HSL 227.39, 0.94%, 0.5%

LAB 37.36, 58.46, -94.38

 

CMYK 97 / 97 / 0 / 4

HEX #0808F6

RGB 8 8 246

HSL 240, 0.94%, 0.5%

LAB 31.53, 75.85, -104.09

 

CMYK 97 / 24 / 0 / 4

HEX #08BAF6

RGB 8 186 246

HSL 195.13, 0.94%, 0.5%

LAB 70.75, -17.96, -40.5

 

CMYK 97 / 24 / 0 / 4

HEX #08BAF6

RGB 8 186 246

HSL 195.13, 0.94%, 0.5%

LAB 70.75, -17.96, -40.5

 

CMYK 87 / 22 / 0 / 12

HEX #1DAFE1

RGB 29 175 225

HSL 195.31, 0.77%, 0.5%

LAB 66.79, -18.61, -35.21

 

CMYK 75 / 19 / 0 / 20

HEX #32A5CC

RGB 50 165 204

HSL 195.19, 0.61%, 0.5%

LAB 63.3, -18.62, -28.99

 

CMYK 62 / 16 / 0 / 28

HEX #469BB8

RGB 70 155 184

HSL 195.26, 0.45%, 0.5%

LAB 60.07, -16.78, -22.71

 

CMYK 44 / 11 / 0 / 36

HEX #5B91A3

RGB 91 145 163

HSL 195, 0.28%, 0.5%

LAB 57.19, -12.97, -15.1

 

CMYK 97 / 0 / 28 / 4

HEX #08F6B2

RGB 8 246 178

HSL 162.86, 0.94%, 0.5%

LAB 86.59, -64.13, 19.25

 

CMYK 97 / 0 / 2 / 4

HEX #08F6F2

RGB 8 246 242

HSL 178.99, 0.94%, 0.5%

LAB 88.15, -47.77, -11.8

 

CMYK 97 / 24 / 0 / 4

HEX #08BAF6

RGB 8 186 246

HSL 195.13, 0.94%, 0.5%

LAB 70.75, -17.96, -40.5

 

CMYK 97 / 50 / 0 / 4

HEX #087BF6

RGB 8 123 246

HSL 211.01, 0.94%, 0.5%

LAB 52.81, 18.64, -69.04

 

CMYK 97 / 76 / 0 / 4

HEX #083CF6

RGB 8 60 246

HSL 226.89, 0.94%, 0.5%

LAB 37.73, 57.39, -93.76

 

CMYK 96 / 25 / 0 / 35

HEX #067DA6

RGB 6 125 166

HSL 195.38, 0.93%, 0.34%

LAB 48.83, -13.57, -29.88

 

CMYK 97 / 25 / 0 / 19

HEX #079BCE

RGB 7 155 206

HSL 195.38, 0.93%, 0.42%

LAB 59.84, -15.54, -35.53

 

CMYK 97 / 24 / 0 / 4

HEX #08BAF6

RGB 8 186 246

HSL 195.13, 0.94%, 0.5%

LAB 70.75, -17.96, -40.5

 

CMYK 81 / 20 / 0 / 3

HEX #30C5F7

RGB 48 197 247

HSL 195.08, 0.93%, 0.58%

LAB 74.37, -21.25, -35.39

 

CMYK 65 / 16 / 0 / 3

HEX #58D0F8

RGB 88 208 248

HSL 195, 0.92%, 0.66%

LAB 78.44, -21.68, -29.57

 

CMYK 96 / 24 / 0 / 4

HEX #09BAF6

RGB 9 186 246

HSL 195.19, 0.93%, 0.5%

LAB 70.75, -17.94, -40.49

 

CMYK 53 / 97 / 0 / 4

HEX #7308F6

RGB 115 8 246

HSL 266.97, 0.94%, 0.5%

LAB 38.68, 79.43, -91.99

 

CMYK 0 / 15 / 97 / 4

HEX #F6D208

RGB 246 210 8

HSL 50.92, 0.94%, 0.5%

LAB 84.84, -3.16, 84.57

 

CMYK 96 / 24 / 0 / 4

HEX #09BAF6

RGB 9 186 246

HSL 195.19, 0.93%, 0.5%

LAB 70.75, -17.94, -40.49

 

CMYK 0 / 97 / 24 / 4

HEX #F608BA

RGB 246 8 186

HSL 315.13, 0.94%, 0.5%

LAB 55.39, 87.54, -29.63

 

CMYK 24 / 0 / 97 / 4

HEX #BAF608

RGB 186 246 8

HSL 75.13, 0.94%, 0.5%

LAB 90.03, -44.84, 86.49

 

CMYK 96 / 24 / 0 / 4

HEX #09BAF6

RGB 9 186 246

HSL 195.19, 0.93%, 0.5%

LAB 70.75, -17.94, -40.49

 

CMYK 53 / 97 / 0 / 4

HEX #7308F6

RGB 115 8 246

HSL 266.97, 0.94%, 0.5%

LAB 38.68, 79.43, -91.99

 

CMYK 0 / 72 / 97 / 4

HEX #F64408

RGB 246 68 8

HSL 15.13, 0.94%, 0.5%

LAB 55.83, 65.44, 65.54

 

CMYK 43 / 0 / 97 / 4

HEX #8BF608

RGB 139 246 8

HSL 86.97, 0.94%, 0.5%

LAB 87.69, -61.18, 83.65

 

CMYK 96 / 24 / 0 / 4

HEX #09BAF6

RGB 9 186 246

HSL 195.19, 0.93%, 0.5%

LAB 70.75, -17.94, -40.49

 

CMYK 24 / 97 / 0 / 4

HEX #BA08F6

RGB 186 8 246

HSL 284.87, 0.94%, 0.5%

LAB 48.59, 86.56, -75.33

 

CMYK 0 / 72 / 97 / 4

HEX #F64408

RGB 246 68 8

HSL 15.13, 0.94%, 0.5%

LAB 55.83, 65.44, 65.54

 

CMYK 72 / 0 / 97 / 4

HEX #44F608

RGB 68 246 8

HSL 104.87, 0.94%, 0.5%

LAB 85.58, -78.17, 81.08

 

Description

Color code: RGB 9 186 246 | qconv.com Color code: RGB 9 186 246 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 186 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 186 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 24 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 24% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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