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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 184 47 it is the complementary color RGB 246 71 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 184 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 184 47 shade: RGB 14 184 42, RGB 31 202 61, RGB 48 220 80, RGB 65 238 99 and RGB 82 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 184 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 184 47 shade: RGB 9 184 47, RGB 0 166 28, RGB 0 148 9, RGB 0 130 0 and RGB 0 112 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 184 47 shade: RGB 8 185 47, RGB 17 185 8, RGB 65 185 8, RGB 113 185 8 and RGB 160 185 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 184 47 shade: RGB 8 185 47, RGB 8 185 94, RGB 8 185 142, RGB 8 180 185 and RGB 8 132 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 184 47 shade matches the following richer shades: RGB 8 185 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 184 47 shade: RGB 8 185 47, RGB 24 169 55, RGB 40 153 64, RGB 55 138 73 and RGB 71 122 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 184 47 shade: RGB 64 185 8, RGB 17 185 8, RGB 8 185 46, RGB 8 185 93 and RGB 8 185 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 184 47 shade: RGB 5 106 26, RGB 6 145 37, RGB 8 185 47, RGB 10 224 57 and RGB 31 244 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 184 47 shade: RGB 9 184 47, RGB 8 111 185 and RGB 185 8 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 184 47 shade: RGB 9 184 47, RGB 46 8 185 and RGB 185 46 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 184 47 shade: RGB 9 184 47, RGB 8 111 185, RGB 185 8 146 and RGB 185 82 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 184 47 shade: RGB 9 184 47, RGB 8 58 185, RGB 185 8 146 and RGB 185 135 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 74 / 28

HEX #09B82F

RGB 9 184 47

HSL 133.03, 0.91%, 0.38%

LAB 65.39, -64.95, 55.12

 

Complementary color

CMYK 0 / 71 / 15 / 4

HEX #F647D0

RGB 246 71 208

HSL 313.03, 0.91%, 0.62%

LAB 60.47, 78.37, -34.35

 

CMYK 92 / 0 / 77 / 28

HEX #0EB82A

RGB 14 184 42

HSL 129.88, 0.86%, 0.39%

LAB 65.39, -65.08, 56.83

 

CMYK 85 / 0 / 70 / 21

HEX #1FCA3D

RGB 31 202 61

HSL 130.53, 0.73%, 0.46%

LAB 71.47, -67.58, 56.26

 

CMYK 78 / 0 / 64 / 14

HEX #30DC50

RGB 48 220 80

HSL 131.16, 0.71%, 0.53%

LAB 77.52, -69.37, 55.23

 

CMYK 73 / 0 / 58 / 7

HEX #41EE63

RGB 65 238 99

HSL 131.79, 0.84%, 0.59%

LAB 83.53, -70.62, 53.98

 

CMYK 68 / 0 / 54 / 0

HEX #52FF76

RGB 82 255 118

HSL 132.49, 1%, 0.66%

LAB 89.22, -71.14, 52.28

 

CMYK 95 / 0 / 74 / 28

HEX #09B82F

RGB 9 184 47

HSL 133.03, 0.91%, 0.38%

LAB 65.39, -64.95, 55.12

 

CMYK 100 / 0 / 83 / 35

HEX #00A61C

RGB 0 166 28

HSL 130.12, 1%, 0.33%

LAB 59.3, -61.5, 55.24

 

CMYK 100 / 0 / 94 / 42

HEX #009409

RGB 0 148 9

HSL 123.65, 1%, 0.29%

LAB 53.17, -57.17, 53.95

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 96 / 0 / 75 / 27

HEX #08B92F

RGB 8 185 47

HSL 133.22, 0.92%, 0.38%

LAB 65.71, -65.28, 55.44

 

CMYK 91 / 0 / 96 / 27

HEX #11B908

RGB 17 185 8

HSL 116.95, 0.92%, 0.38%

LAB 65.62, -66.69, 64.51

 

CMYK 65 / 0 / 96 / 27

HEX #41B908

RGB 65 185 8

HSL 100.68, 0.92%, 0.38%

LAB 66.4, -59.9, 65.47

 

CMYK 39 / 0 / 96 / 27

HEX #71B908

RGB 113 185 8

HSL 84.41, 0.92%, 0.38%

LAB 68.19, -45.96, 67.66

 

CMYK 14 / 0 / 96 / 27

HEX #A0B908

RGB 160 185 8

HSL 68.47, 0.92%, 0.38%

LAB 71, -27.57, 71.07

 

CMYK 96 / 0 / 75 / 27

HEX #08B92F

RGB 8 185 47

HSL 133.22, 0.92%, 0.38%

LAB 65.71, -65.28, 55.44

 

CMYK 96 / 0 / 49 / 27

HEX #08B95E

RGB 8 185 94

HSL 149.15, 0.92%, 0.38%

LAB 66.18, -59.48, 35.22

 

CMYK 96 / 0 / 23 / 27

HEX #08B98E

RGB 8 185 142

HSL 165.42, 0.92%, 0.38%

LAB 67.05, -49.46, 10.92

 

CMYK 96 / 3 / 0 / 27

HEX #08B4B9

RGB 8 180 185

HSL 181.69, 0.92%, 0.38%

LAB 66.67, -35.22, -13.35

 

CMYK 96 / 29 / 0 / 27

HEX #0884B9

RGB 8 132 185

HSL 197.97, 0.92%, 0.38%

LAB 51.9, -10.37, -36.06

 

CMYK 96 / 0 / 75 / 27

HEX #08B92F

RGB 8 185 47

HSL 133.22, 0.92%, 0.38%

LAB 65.71, -65.28, 55.44

 

CMYK 96 / 0 / 75 / 27

HEX #08B92F

RGB 8 185 47

HSL 133.22, 0.92%, 0.38%

LAB 65.71, -65.28, 55.44

 

CMYK 86 / 0 / 67 / 34

HEX #18A937

RGB 24 169 55

HSL 132.83, 0.75%, 0.38%

LAB 60.65, -58.65, 47.08

 

CMYK 74 / 0 / 58 / 40

HEX #289940

RGB 40 153 64

HSL 132.74, 0.59%, 0.38%

LAB 55.69, -50.13, 37.42

 

CMYK 60 / 0 / 47 / 46

HEX #378A49

RGB 55 138 73

HSL 133.01, 0.43%, 0.38%

LAB 51.23, -39.9, 27.41

 

CMYK 42 / 0 / 33 / 52

HEX #477A52

RGB 71 122 82

HSL 132.94, 0.26%, 0.38%

LAB 46.8, -26.43, 16.67

 

CMYK 65 / 0 / 96 / 27

HEX #40B908

RGB 64 185 8

HSL 101.02, 0.92%, 0.38%

LAB 66.37, -60.12, 65.44

 

CMYK 91 / 0 / 96 / 27

HEX #11B908

RGB 17 185 8

HSL 116.95, 0.92%, 0.38%

LAB 65.62, -66.69, 64.51

 

CMYK 96 / 0 / 75 / 27

HEX #08B92E

RGB 8 185 46

HSL 132.88, 0.92%, 0.38%

LAB 65.71, -65.36, 55.79

 

CMYK 96 / 0 / 50 / 27

HEX #08B95D

RGB 8 185 93

HSL 148.81, 0.92%, 0.38%

LAB 66.17, -59.65, 35.71

 

CMYK 96 / 0 / 24 / 27

HEX #08B98C

RGB 8 185 140

HSL 164.75, 0.92%, 0.38%

LAB 67.01, -49.95, 11.95

 

CMYK 95 / 0 / 75 / 58

HEX #056A1A

RGB 5 106 26

HSL 132.48, 0.91%, 0.22%

LAB 38.58, -42.99, 35.76

 

CMYK 96 / 0 / 74 / 43

HEX #069125

RGB 6 145 37

HSL 133.38, 0.92%, 0.3%

LAB 52.31, -54.27, 45.51

 

CMYK 96 / 0 / 75 / 27

HEX #08B92F

RGB 8 185 47

HSL 133.22, 0.92%, 0.38%

LAB 65.71, -65.28, 55.44

 

CMYK 96 / 0 / 75 / 12

HEX #0AE039

RGB 10 224 57

HSL 133.18, 0.91%, 0.46%

LAB 78.27, -75.56, 64.61

 

CMYK 87 / 0 / 68 / 4

HEX #1FF44E

RGB 31 244 78

HSL 133.24, 0.91%, 0.54%

LAB 84.76, -78.38, 63.86

 

CMYK 95 / 0 / 74 / 28

HEX #09B82F

RGB 9 184 47

HSL 133.03, 0.91%, 0.38%

LAB 65.39, -64.95, 55.12

 

CMYK 96 / 40 / 0 / 27

HEX #086FB9

RGB 8 111 185

HSL 205.08, 0.92%, 0.38%

LAB 45.53, 2.21, -46.14

 

CMYK 0 / 96 / 78 / 27

HEX #B90829

RGB 185 8 41

HSL 348.81, 0.92%, 0.38%

LAB 38.98, 62.84, 33.9

 

CMYK 95 / 0 / 74 / 28

HEX #09B82F

RGB 9 184 47

HSL 133.03, 0.91%, 0.38%

LAB 65.39, -64.95, 55.12

 

CMYK 75 / 96 / 0 / 27

HEX #2E08B9

RGB 46 8 185

HSL 252.88, 0.92%, 0.38%

LAB 24.5, 61.22, -80.45

 

CMYK 0 / 75 / 96 / 27

HEX #B92E08

RGB 185 46 8

HSL 12.88, 0.92%, 0.38%

LAB 41.67, 53.84, 51.56

 

CMYK 95 / 0 / 74 / 28

HEX #09B82F

RGB 9 184 47

HSL 133.03, 0.91%, 0.38%

LAB 65.39, -64.95, 55.12

 

CMYK 96 / 40 / 0 / 27

HEX #086FB9

RGB 8 111 185

HSL 205.08, 0.92%, 0.38%

LAB 45.53, 2.21, -46.14

 

CMYK 0 / 96 / 21 / 27

HEX #B90892

RGB 185 8 146

HSL 313.22, 0.92%, 0.38%

LAB 42.1, 71.14, -27.45

 

CMYK 0 / 56 / 96 / 27

HEX #B95208

RGB 185 82 8

HSL 25.08, 0.92%, 0.38%

LAB 47.45, 38.39, 55.15

 

CMYK 95 / 0 / 74 / 28

HEX #09B82F

RGB 9 184 47

HSL 133.03, 0.91%, 0.38%

LAB 65.39, -64.95, 55.12

 

CMYK 96 / 69 / 0 / 27

HEX #083AB9

RGB 8 58 185

HSL 223.05, 0.92%, 0.38%

LAB 30.83, 37.06, -70

 

CMYK 0 / 96 / 21 / 27

HEX #B90892

RGB 185 8 146

HSL 313.22, 0.92%, 0.38%

LAB 42.1, 71.14, -27.45

 

CMYK 0 / 27 / 96 / 27

HEX #B98708

RGB 185 135 8

HSL 43.05, 0.92%, 0.38%

LAB 59.58, 9.73, 63.52

 

Description

Color code: RGB 9 184 47 | qconv.com Color code: RGB 9 184 47 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 184 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 184 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 74 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 74% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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