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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 179 17 it is the complementary color RGB 246 76 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 179 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 179 17 shade: RGB 14 179 12, RGB 31 197 31, RGB 48 215 50, RGB 65 233 69 and RGB 82 251 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 179 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 0 161 0, RGB 0 143 0, RGB 0 125 0 and RGB 0 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 47 179 9, RGB 93 179 9, RGB 138 179 9 and RGB 179 173 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 9 179 63, RGB 9 179 109, RGB 9 179 154 and RGB 9 157 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 179 17 shade matches the following richer shades: RGB 9 179 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 24 163 31, RGB 39 148 45, RGB 55 133 58 and RGB 70 118 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 179 17 shade: RGB 94 179 9, RGB 49 179 9, RGB 9 179 15, RGB 9 179 60 and RGB 9 179 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 179 17 shade: RGB 5 100 9, RGB 7 140 13, RGB 9 179 17, RGB 11 218 21 and RGB 28 243 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 9 139 179 and RGB 179 9 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 15 9 179 and RGB 179 15 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 9 139 179, RGB 179 9 173 and RGB 179 49 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 179 17 shade: RGB 9 179 17, RGB 9 88 179, RGB 179 9 173 and RGB 179 100 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

Complementary color

CMYK 0 / 69 / 3 / 4

HEX #F64CEE

RGB 246 76 238

HSL 302.82, 0.9%, 0.63%

LAB 62.45, 81.07, -48.1

 

CMYK 92 / 0 / 93 / 30

HEX #0EB30C

RGB 14 179 12

HSL 119.28, 0.87%, 0.37%

LAB 63.64, -65.1, 62.36

 

CMYK 84 / 0 / 84 / 23

HEX #1FC51F

RGB 31 197 31

HSL 120, 0.73%, 0.45%

LAB 69.7, -68.19, 64.04

 

CMYK 78 / 0 / 77 / 16

HEX #30D732

RGB 48 215 50

HSL 120.72, 0.68%, 0.52%

LAB 75.74, -70.45, 64.49

 

CMYK 72 / 0 / 70 / 9

HEX #41E945

RGB 65 233 69

HSL 121.43, 0.79%, 0.58%

LAB 81.75, -72.07, 64.16

 

CMYK 67 / 0 / 65 / 2

HEX #52FB58

RGB 82 251 88

HSL 122.13, 0.95%, 0.65%

LAB 87.72, -73.21, 63.4

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 74 / 0 / 95 / 30

HEX #2FB309

RGB 47 179 9

HSL 106.59, 0.9%, 0.37%

LAB 64.05, -61.46, 63.25

 

CMYK 48 / 0 / 95 / 30

HEX #5DB309

RGB 93 179 9

HSL 90.35, 0.9%, 0.37%

LAB 65.43, -50.23, 64.95

 

CMYK 23 / 0 / 95 / 30

HEX #8AB309

RGB 138 179 9

HSL 74.47, 0.9%, 0.37%

LAB 67.77, -33.82, 67.81

 

CMYK 0 / 3 / 95 / 30

HEX #B3AD09

RGB 179 173 9

HSL 57.88, 0.9%, 0.37%

LAB 69.11, -13.35, 70.16

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 95 / 0 / 65 / 30

HEX #09B33F

RGB 9 179 63

HSL 139.06, 0.9%, 0.37%

LAB 63.88, -61.89, 47.18

 

CMYK 95 / 0 / 39 / 30

HEX #09B36D

RGB 9 179 109

HSL 155.29, 0.9%, 0.37%

LAB 64.49, -54.6, 25.24

 

CMYK 95 / 0 / 14 / 30

HEX #09B39A

RGB 9 179 154

HSL 171.18, 0.9%, 0.37%

LAB 65.46, -43.82, 2.03

 

CMYK 95 / 12 / 0 / 30

HEX #099DB3

RGB 9 157 179

HSL 187.76, 0.9%, 0.37%

LAB 59.37, -25.95, -21.07

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 85 / 0 / 81 / 36

HEX #18A31F

RGB 24 163 31

HSL 123.02, 0.74%, 0.37%

LAB 58.5, -58.81, 53.69

 

CMYK 74 / 0 / 70 / 42

HEX #27942D

RGB 39 148 45

HSL 123.3, 0.58%, 0.37%

LAB 53.81, -50.79, 44

 

CMYK 59 / 0 / 56 / 48

HEX #37853A

RGB 55 133 58

HSL 122.31, 0.41%, 0.37%

LAB 49.37, -40.12, 33

 

CMYK 41 / 0 / 39 / 54

HEX #467648

RGB 70 118 72

HSL 122.5, 0.26%, 0.37%

LAB 45.26, -26.64, 20.35

 

CMYK 47 / 0 / 95 / 30

HEX #5EB309

RGB 94 179 9

HSL 90, 0.9%, 0.37%

LAB 65.47, -49.91, 65

 

CMYK 73 / 0 / 95 / 30

HEX #31B309

RGB 49 179 9

HSL 105.88, 0.9%, 0.37%

LAB 64.09, -61.12, 63.3

 

CMYK 95 / 0 / 92 / 30

HEX #09B30F

RGB 9 179 15

HSL 122.12, 0.9%, 0.37%

LAB 63.62, -65.28, 61.88

 

CMYK 95 / 0 / 66 / 30

HEX #09B33C

RGB 9 179 60

HSL 138, 0.9%, 0.37%

LAB 63.86, -62.23, 48.44

 

CMYK 95 / 0 / 41 / 30

HEX #09B369

RGB 9 179 105

HSL 153.88, 0.9%, 0.37%

LAB 64.42, -55.39, 27.27

 

CMYK 95 / 0 / 91 / 61

HEX #056409

RGB 5 100 9

HSL 122.53, 0.9%, 0.21%

LAB 36.3, -42.32, 39.4

 

CMYK 95 / 0 / 91 / 45

HEX #078C0D

RGB 7 140 13

HSL 122.71, 0.9%, 0.29%

LAB 50.49, -54.23, 50.97

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 95 / 0 / 90 / 15

HEX #0BDA15

RGB 11 218 21

HSL 122.9, 0.9%, 0.45%

LAB 76.23, -75.73, 71.66

 

CMYK 88 / 0 / 84 / 5

HEX #1CF326

RGB 28 243 38

HSL 122.79, 0.9%, 0.53%

LAB 84.22, -80.99, 75.46

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 95 / 22 / 0 / 30

HEX #098BB3

RGB 9 139 179

HSL 194.12, 0.9%, 0.37%

LAB 53.79, -16.47, -29.67

 

CMYK 0 / 95 / 60 / 30

HEX #B30947

RGB 179 9 71

HSL 338.12, 0.9%, 0.37%

LAB 38.26, 62.65, 13.85

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 92 / 95 / 0 / 30

HEX #0F09B3

RGB 15 9 179

HSL 242.12, 0.9%, 0.37%

LAB 22.13, 58.64, -80.87

 

CMYK 0 / 92 / 95 / 30

HEX #B30F09

RGB 179 15 9

HSL 2.12, 0.9%, 0.37%

LAB 37.74, 59.72, 48.32

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 95 / 22 / 0 / 30

HEX #098BB3

RGB 9 139 179

HSL 194.12, 0.9%, 0.37%

LAB 53.79, -16.47, -29.67

 

CMYK 0 / 95 / 3 / 30

HEX #B309AD

RGB 179 9 173

HSL 302.12, 0.9%, 0.37%

LAB 42.45, 73.57, -43.2

 

CMYK 0 / 73 / 95 / 30

HEX #B33109

RGB 179 49 9

HSL 14.12, 0.9%, 0.37%

LAB 40.9, 50.85, 50.2

 

CMYK 95 / 0 / 91 / 30

HEX #09B311

RGB 9 179 17

HSL 122.82, 0.9%, 0.37%

LAB 63.62, -65.21, 61.55

 

CMYK 95 / 51 / 0 / 30

HEX #0958B3

RGB 9 88 179

HSL 212.12, 0.9%, 0.37%

LAB 38.36, 14.68, -54.15

 

CMYK 0 / 95 / 3 / 30

HEX #B309AD

RGB 179 9 173

HSL 302.12, 0.9%, 0.37%

LAB 42.45, 73.57, -43.2

 

CMYK 0 / 44 / 95 / 30

HEX #B36409

RGB 179 100 9

HSL 32.12, 0.9%, 0.37%

LAB 50.36, 26.45, 56.46

 

Description

Color code: RGB 9 179 17 | qconv.com Color code: RGB 9 179 17 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 179 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 179 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 91 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 91% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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