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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 31 174 it is the complementary color RGB 156 224 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 31 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 31 174 shade: RGB 104 31 169, RGB 121 49 188, RGB 138 67 207, RGB 155 85 226 and RGB 172 103 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 31 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 31 174 shade: RGB 99 31 174, RGB 82 13 155, RGB 65 0 136, RGB 48 0 117 and RGB 31 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 31 174 shade: RGB 98 30 173, RGB 137 30 173, RGB 173 30 171, RGB 173 30 132 and RGB 173 30 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 31 174 shade: RGB 98 30 173, RGB 59 30 173 and RGB 30 30 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 31 174 shade matches the following richer shades: RGB 98 30 173 and RGB 97 14 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 31 174 shade: RGB 98 30 173, RGB 99 47 156, RGB 100 63 140, RGB 100 80 123 and RGB 101 96 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 31 174 shade: RGB 30 40 173, RGB 59 30 173, RGB 97 30 173, RGB 135 30 173 and RGB 173 30 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 31 174 shade: RGB 58 18 103, RGB 78 24 138, RGB 98 30 173, RGB 118 36 208 and RGB 139 65 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 31 174 shade: RGB 99 31 174, RGB 173 30 78 and RGB 30 173 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 31 174 shade: RGB 99 31 174, RGB 173 97 30 and RGB 30 173 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 31 174 shade: RGB 99 31 174, RGB 173 30 78, RGB 106 173 30 and RGB 30 173 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 31 174 shade: RGB 99 31 174, RGB 173 30 35, RGB 106 173 30 and RGB 30 173 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 82 / 0 / 32

HEX #631FAE

RGB 99 31 174

HSL 268.53, 0.7%, 0.4%

LAB 31.09, 56.46, -62.81

 

Complementary color

CMYK 30 / 0 / 64 / 12

HEX #9CE051

RGB 156 224 81

HSL 88.53, 0.7%, 0.6%

LAB 82.36, -43.6, 61.17

 

CMYK 38 / 82 / 0 / 34

HEX #681FA9

RGB 104 31 169

HSL 271.74, 0.69%, 0.39%

LAB 31.32, 56.02, -59.4

 

CMYK 36 / 74 / 0 / 26

HEX #7931BC

RGB 121 49 188

HSL 271.08, 0.59%, 0.46%

LAB 37.65, 56.21, -60.28

 

CMYK 33 / 68 / 0 / 19

HEX #8A43CF

RGB 138 67 207

HSL 270.43, 0.59%, 0.54%

LAB 44.12, 55.79, -60.73

 

CMYK 31 / 62 / 0 / 11

HEX #9B55E2

RGB 155 85 226

HSL 269.79, 0.71%, 0.61%

LAB 50.64, 55.06, -60.95

 

CMYK 30 / 58 / 0 / 4

HEX #AC67F5

RGB 172 103 245

HSL 269.15, 0.88%, 0.68%

LAB 57.14, 54.21, -61.04

 

CMYK 43 / 82 / 0 / 32

HEX #631FAE

RGB 99 31 174

HSL 268.53, 0.7%, 0.4%

LAB 31.09, 56.46, -62.81

 

CMYK 47 / 92 / 0 / 39

HEX #520D9B

RGB 82 13 155

HSL 269.15, 0.85%, 0.33%

LAB 25.1, 55.21, -61.22

 

CMYK 52 / 100 / 0 / 47

HEX #410088

RGB 65 0 136

HSL 268.68, 1%, 0.27%

LAB 19.64, 52.12, -58.52

 

CMYK 59 / 100 / 0 / 54

HEX #300075

RGB 48 0 117

HSL 264.62, 1%, 0.23%

LAB 15.02, 46.22, -54.13

 

CMYK 68 / 100 / 0 / 62

HEX #1F0062

RGB 31 0 98

HSL 258.98, 1%, 0.19%

LAB 10.36, 40.25, -49.46

 

CMYK 43 / 83 / 0 / 32

HEX #621EAD

RGB 98 30 173

HSL 268.53, 0.7%, 0.4%

LAB 30.74, 56.43, -62.78

 

CMYK 21 / 83 / 0 / 32

HEX #891EAD

RGB 137 30 173

HSL 284.9, 0.7%, 0.4%

LAB 36.49, 62.6, -53.17

 

CMYK 0 / 83 / 1 / 32

HEX #AD1EAB

RGB 173 30 171

HSL 300.84, 0.7%, 0.4%

LAB 42.39, 68.89, -42.17

 

CMYK 0 / 83 / 24 / 32

HEX #AD1E84

RGB 173 30 132

HSL 317.2, 0.7%, 0.4%

LAB 40.38, 63.36, -21.73

 

CMYK 0 / 83 / 46 / 32

HEX #AD1E5E

RGB 173 30 94

HSL 333.15, 0.7%, 0.4%

LAB 38.93, 59.21, -0.1

 

CMYK 43 / 83 / 0 / 32

HEX #621EAD

RGB 98 30 173

HSL 268.53, 0.7%, 0.4%

LAB 30.74, 56.43, -62.78

 

CMYK 66 / 83 / 0 / 32

HEX #3B1EAD

RGB 59 30 173

HSL 252.17, 0.7%, 0.4%

LAB 26.38, 51.88, -70.13

 

CMYK 83 / 83 / 0 / 32

HEX #1E1EAD

RGB 30 30 173

HSL 240, 0.7%, 0.4%

LAB 24.39, 49.87, -73.48

 

CMYK 43 / 83 / 0 / 32

HEX #621EAD

RGB 98 30 173

HSL 268.53, 0.7%, 0.4%

LAB 30.74, 56.43, -62.78

 

CMYK 49 / 93 / 0 / 26

HEX #610EBD

RGB 97 14 189

HSL 268.46, 0.86%, 0.4%

LAB 30.71, 64.42, -72.36

 

CMYK 43 / 83 / 0 / 32

HEX #621EAD

RGB 98 30 173

HSL 268.53, 0.7%, 0.4%

LAB 30.74, 56.43, -62.78

 

CMYK 37 / 70 / 0 / 39

HEX #632F9C

RGB 99 47 156

HSL 268.62, 0.54%, 0.4%

LAB 32, 45.06, -50.46

 

CMYK 29 / 55 / 0 / 45

HEX #643F8C

RGB 100 63 140

HSL 268.83, 0.38%, 0.4%

LAB 34.31, 32.35, -36.97

 

CMYK 19 / 35 / 0 / 52

HEX #64507B

RGB 100 80 123

HSL 267.91, 0.21%, 0.4%

LAB 37.62, 17.6, -21.3

 

CMYK 6 / 10 / 0 / 58

HEX #65606B

RGB 101 96 107

HSL 267.27, 0.05%, 0.4%

LAB 41.52, 4.3, -5.52

 

CMYK 83 / 77 / 0 / 32

HEX #1E28AD

RGB 30 40 173

HSL 235.8, 0.7%, 0.4%

LAB 26.19, 44.67, -70.5

 

CMYK 66 / 83 / 0 / 32

HEX #3B1EAD

RGB 59 30 173

HSL 252.17, 0.7%, 0.4%

LAB 26.38, 51.88, -70.13

 

CMYK 44 / 83 / 0 / 32

HEX #611EAD

RGB 97 30 173

HSL 268.11, 0.7%, 0.4%

LAB 30.61, 56.29, -63

 

CMYK 22 / 83 / 0 / 32

HEX #871EAD

RGB 135 30 173

HSL 284.06, 0.7%, 0.4%

LAB 36.17, 62.26, -53.7

 

CMYK 0 / 83 / 0 / 32

HEX #AD1EAD

RGB 173 30 173

HSL 300, 0.7%, 0.4%

LAB 42.51, 69.2, -43.18

 

CMYK 44 / 83 / 0 / 60

HEX #3A1267

RGB 58 18 103

HSL 268.24, 0.7%, 0.24%

LAB 17.04, 37.23, -41.63

 

CMYK 43 / 83 / 0 / 46

HEX #4E188A

RGB 78 24 138

HSL 268.42, 0.7%, 0.32%

LAB 24.03, 47.11, -52.49

 

CMYK 43 / 83 / 0 / 32

HEX #621EAD

RGB 98 30 173

HSL 268.53, 0.7%, 0.4%

LAB 30.74, 56.43, -62.78

 

CMYK 43 / 83 / 0 / 18

HEX #7624D0

RGB 118 36 208

HSL 268.6, 0.7%, 0.48%

LAB 37.24, 65.35, -72.64

 

CMYK 37 / 71 / 0 / 13

HEX #8B41DD

RGB 139 65 221

HSL 268.46, 0.7%, 0.56%

LAB 44.93, 60.24, -67.45

 

CMYK 43 / 82 / 0 / 32

HEX #631FAE

RGB 99 31 174

HSL 268.53, 0.7%, 0.4%

LAB 31.09, 56.46, -62.81

 

CMYK 0 / 83 / 55 / 32

HEX #AD1E4E

RGB 173 30 78

HSL 339.86, 0.7%, 0.4%

LAB 38.49, 57.87, 9.47

 

CMYK 83 / 0 / 77 / 32

HEX #1EAD28

RGB 30 173 40

HSL 124.2, 0.7%, 0.4%

LAB 61.93, -60.61, 54.15

 

CMYK 43 / 82 / 0 / 32

HEX #631FAE

RGB 99 31 174

HSL 268.53, 0.7%, 0.4%

LAB 31.09, 56.46, -62.81

 

CMYK 0 / 44 / 83 / 32

HEX #AD611E

RGB 173 97 30

HSL 28.11, 0.7%, 0.4%

LAB 48.92, 25.98, 48.55

 

CMYK 83 / 0 / 44 / 32

HEX #1EAD61

RGB 30 173 97

HSL 148.11, 0.7%, 0.4%

LAB 62.53, -53.3, 29.05

 

CMYK 43 / 82 / 0 / 32

HEX #631FAE

RGB 99 31 174

HSL 268.53, 0.7%, 0.4%

LAB 31.09, 56.46, -62.81

 

CMYK 0 / 83 / 55 / 32

HEX #AD1E4E

RGB 173 30 78

HSL 339.86, 0.7%, 0.4%

LAB 38.49, 57.87, 9.47

 

CMYK 39 / 0 / 83 / 32

HEX #6AAD1E

RGB 106 173 30

HSL 88.11, 0.7%, 0.4%

LAB 64.2, -42.82, 60.13

 

CMYK 83 / 0 / 28 / 32

HEX #1EAD7D

RGB 30 173 125

HSL 159.86, 0.7%, 0.4%

LAB 63.05, -47.44, 14.64

 

CMYK 43 / 82 / 0 / 32

HEX #631FAE

RGB 99 31 174

HSL 268.53, 0.7%, 0.4%

LAB 31.09, 56.46, -62.81

 

CMYK 0 / 83 / 80 / 32

HEX #AD1E23

RGB 173 30 35

HSL 357.9, 0.7%, 0.4%

LAB 37.72, 55.57, 35.34

 

CMYK 39 / 0 / 83 / 32

HEX #6AAD1E

RGB 106 173 30

HSL 88.11, 0.7%, 0.4%

LAB 64.2, -42.82, 60.13

 

CMYK 83 / 0 / 3 / 32

HEX #1EADA8

RGB 30 173 168

HSL 177.9, 0.7%, 0.4%

LAB 64.15, -35.97, -7.65

 

Description

Color code: RGB 99 31 174 | qconv.com Color code: RGB 99 31 174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 31 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 31 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 82 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 82% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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