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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 226 151 it is the complementary color RGB 156 29 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 226 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 226 151 shade: RGB 104 226 146, RGB 121 244 165, RGB 138 255 184, RGB 155 255 203 and RGB 172 255 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 226 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 82 208 132, RGB 65 190 113, RGB 48 172 94 and RGB 31 154 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 99 226 117, RGB 116 226 99, RGB 150 226 99 and RGB 184 226 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 99 226 185, RGB 99 226 220, RGB 99 198 226 and RGB 99 164 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 226 151 shade matches the following richer shades: RGB 99 226 151 and RGB 85 241 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 114 211 154, RGB 129 196 157, RGB 144 181 159 and RGB 159 167 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 226 151 shade: RGB 116 226 99, RGB 99 226 116, RGB 99 226 150, RGB 99 226 184 and RGB 99 226 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 226 151 shade: RGB 37 206 106, RGB 64 220 128, RGB 99 226 151, RGB 134 232 174 and RGB 169 239 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 99 150 226 and RGB 226 99 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 150 99 226 and RGB 226 150 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 99 150 226, RGB 226 99 175 and RGB 226 175 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 226 151 shade: RGB 99 226 151, RGB 99 112 226, RGB 226 99 175 and RGB 226 213 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

Complementary color

CMYK 0 / 81 / 33 / 39

HEX #9C1D68

RGB 156 29 104

HSL 324.57, 0.69%, 0.36%

LAB 35.88, 56.13, -11.37

 

CMYK 54 / 0 / 35 / 11

HEX #68E292

RGB 104 226 146

HSL 140.66, 0.68%, 0.65%

LAB 81.52, -51.69, 29

 

CMYK 50 / 0 / 32 / 4

HEX #79F4A5

RGB 121 244 165

HSL 141.46, 0.85%, 0.72%

LAB 87.72, -51.6, 27.77

 

CMYK 46 / 0 / 28 / 0

HEX #8AFFB8

RGB 138 255 184

HSL 143.59, 1%, 0.77%

LAB 91.86, -48.51, 23.86

 

CMYK 39 / 0 / 20 / 0

HEX #9BFFCB

RGB 155 255 203

HSL 148.8, 1%, 0.8%

LAB 92.93, -40.46, 15.75

 

CMYK 33 / 0 / 13 / 0

HEX #ACFFDE

RGB 172 255 222

HSL 156.14, 1%, 0.84%

LAB 94.13, -32.01, 7.8

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 61 / 0 / 37 / 18

HEX #52D084

RGB 82 208 132

HSL 143.81, 0.57%, 0.57%

LAB 75.18, -51.85, 27.63

 

CMYK 66 / 0 / 41 / 25

HEX #41BE71

RGB 65 190 113

HSL 143.04, 0.49%, 0.5%

LAB 68.85, -51.6, 29.06

 

CMYK 72 / 0 / 45 / 33

HEX #30AC5E

RGB 48 172 94

HSL 142.26, 0.56%, 0.43%

LAB 62.46, -51.09, 30.59

 

CMYK 80 / 0 / 51 / 40

HEX #1F9A4B

RGB 31 154 75

HSL 141.46, 0.66%, 0.36%

LAB 56, -50.17, 32.23

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 56 / 0 / 48 / 11

HEX #63E275

RGB 99 226 117

HSL 128.5, 0.69%, 0.64%

LAB 80.92, -57.51, 42.69

 

CMYK 49 / 0 / 56 / 11

HEX #74E263

RGB 116 226 99

HSL 111.97, 0.69%, 0.64%

LAB 81.3, -55.44, 51.72

 

CMYK 34 / 0 / 56 / 11

HEX #96E263

RGB 150 226 99

HSL 95.91, 0.69%, 0.64%

LAB 82.8, -44.92, 53.85

 

CMYK 19 / 0 / 56 / 11

HEX #B8E263

RGB 184 226 99

HSL 79.84, 0.69%, 0.64%

LAB 84.73, -32.69, 56.58

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 56 / 0 / 18 / 11

HEX #63E2B9

RGB 99 226 185

HSL 160.63, 0.69%, 0.64%

LAB 82.14, -44.9, 9.51

 

CMYK 56 / 0 / 3 / 11

HEX #63E2DC

RGB 99 226 220

HSL 177.17, 0.69%, 0.64%

LAB 83.03, -36.39, -7.71

 

CMYK 56 / 12 / 0 / 11

HEX #63C6E2

RGB 99 198 226

HSL 193.23, 0.69%, 0.64%

LAB 75.16, -21.17, -22.74

 

CMYK 56 / 27 / 0 / 11

HEX #63A4E2

RGB 99 164 226

HSL 209.29, 0.69%, 0.64%

LAB 65.51, -2.96, -37.62

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 65 / 0 / 38 / 5

HEX #55F195

RGB 85 241 149

HSL 144.62, 0.85%, 0.64%

LAB 85.51, -60.9, 32.71

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 46 / 0 / 27 / 17

HEX #72D39A

RGB 114 211 154

HSL 144.74, 0.52%, 0.64%

LAB 77.58, -41.37, 19.54

 

CMYK 34 / 0 / 20 / 23

HEX #81C49D

RGB 129 196 157

HSL 145.07, 0.36%, 0.64%

LAB 73.92, -29.62, 12.94

 

CMYK 20 / 0 / 12 / 29

HEX #90B59F

RGB 144 181 159

HSL 144.32, 0.2%, 0.64%

LAB 70.51, -16.97, 7.12

 

CMYK 5 / 0 / 3 / 35

HEX #9FA7A2

RGB 159 167 162

HSL 142.5, 0.04%, 0.64%

LAB 67.74, -3.79, 1.59

 

CMYK 49 / 0 / 56 / 11

HEX #74E263

RGB 116 226 99

HSL 111.97, 0.69%, 0.64%

LAB 81.3, -55.44, 51.72

 

CMYK 56 / 0 / 49 / 11

HEX #63E274

RGB 99 226 116

HSL 128.03, 0.69%, 0.64%

LAB 80.91, -57.65, 43.15

 

CMYK 56 / 0 / 34 / 11

HEX #63E296

RGB 99 226 150

HSL 144.09, 0.69%, 0.64%

LAB 81.43, -52.1, 26.8

 

CMYK 56 / 0 / 19 / 11

HEX #63E2B8

RGB 99 226 184

HSL 160.16, 0.69%, 0.64%

LAB 82.11, -45.13, 10.01

 

CMYK 56 / 0 / 4 / 11

HEX #63E2DA

RGB 99 226 218

HSL 176.22, 0.69%, 0.64%

LAB 82.97, -36.91, -6.73

 

CMYK 82 / 0 / 49 / 19

HEX #25CE6A

RGB 37 206 106

HSL 144.5, 0.7%, 0.48%

LAB 73.27, -62.57, 38.19

 

CMYK 71 / 0 / 42 / 14

HEX #40DC80

RGB 64 220 128

HSL 144.62, 0.69%, 0.56%

LAB 78.37, -60.35, 33.8

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 42 / 0 / 25 / 9

HEX #86E8AE

RGB 134 232 174

HSL 144.49, 0.68%, 0.72%

LAB 84.91, -41.48, 19.37

 

CMYK 29 / 0 / 17 / 6

HEX #A9EFC6

RGB 169 239 198

HSL 144.86, 0.69%, 0.8%

LAB 89.04, -30.07, 12.93

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 56 / 34 / 0 / 11

HEX #6396E2

RGB 99 150 226

HSL 215.91, 0.69%, 0.64%

LAB 61.62, 5.04, -43.72

 

CMYK 0 / 56 / 56 / 11

HEX #E26363

RGB 226 99 99

HSL 0, 0.69%, 0.64%

LAB 58.03, 49.5, 24.77

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 34 / 56 / 0 / 11

HEX #9663E2

RGB 150 99 226

HSL 264.09, 0.69%, 0.64%

LAB 52.84, 46.59, -57.44

 

CMYK 0 / 34 / 56 / 11

HEX #E29663

RGB 226 150 99

HSL 24.09, 0.69%, 0.64%

LAB 68.67, 23.38, 38.36

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 56 / 34 / 0 / 11

HEX #6396E2

RGB 99 150 226

HSL 215.91, 0.69%, 0.64%

LAB 61.62, 5.04, -43.72

 

CMYK 0 / 56 / 23 / 11

HEX #E263AF

RGB 226 99 175

HSL 324.09, 0.69%, 0.64%

LAB 60.06, 57.67, -16.39

 

CMYK 0 / 23 / 56 / 11

HEX #E2AF63

RGB 226 175 99

HSL 35.91, 0.69%, 0.64%

LAB 74.65, 10.02, 45.65

 

CMYK 56 / 0 / 33 / 11

HEX #63E297

RGB 99 226 151

HSL 144.57, 0.69%, 0.64%

LAB 81.45, -51.91, 26.31

 

CMYK 56 / 50 / 0 / 11

HEX #6370E2

RGB 99 112 226

HSL 233.86, 0.69%, 0.64%

LAB 51.53, 27.84, -59.77

 

CMYK 0 / 56 / 23 / 11

HEX #E263AF

RGB 226 99 175

HSL 324.09, 0.69%, 0.64%

LAB 60.06, 57.67, -16.39

 

CMYK 0 / 6 / 56 / 11

HEX #E2D563

RGB 226 213 99

HSL 53.86, 0.69%, 0.64%

LAB 84.31, -9.7, 56.92

 

Description

Color code: RGB 99 226 151 | qconv.com Color code: RGB 99 226 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 226 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 226 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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