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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 226 104 it is the complementary color RGB 156 29 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 226 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 226 104 shade: RGB 104 226 99, RGB 121 244 118, RGB 138 255 137, RGB 155 255 156 and RGB 172 255 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 226 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 82 208 85, RGB 65 190 66, RGB 48 172 47 and RGB 31 154 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 129 226 99, RGB 163 226 99, RGB 197 226 99 and RGB 226 221 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 99 226 139, RGB 99 226 173, RGB 99 226 207 and RGB 99 211 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 226 104 shade matches the following richer shades: RGB 99 226 104 and RGB 85 241 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 114 211 118, RGB 129 196 132, RGB 144 181 145 and RGB 159 167 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 226 104 shade: RGB 163 226 99, RGB 129 226 99, RGB 99 226 104, RGB 99 226 137 and RGB 99 226 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 226 104 shade: RGB 37 206 44, RGB 64 220 71, RGB 99 226 104, RGB 134 232 138 and RGB 169 239 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 99 196 226 and RGB 226 99 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 104 99 226 and RGB 226 104 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 99 196 226, RGB 226 99 222 and RGB 226 129 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 226 104 shade: RGB 99 226 104, RGB 99 158 226, RGB 226 99 222 and RGB 226 167 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

Complementary color

CMYK 0 / 81 / 3 / 39

HEX #9C1D97

RGB 156 29 151

HSL 302.36, 0.69%, 0.36%

LAB 38.17, 62.61, -37.05

 

CMYK 54 / 0 / 56 / 11

HEX #68E263

RGB 104 226 99

HSL 117.64, 0.69%, 0.64%

LAB 80.87, -58.63, 51.11

 

CMYK 50 / 0 / 52 / 4

HEX #79F476

RGB 121 244 118

HSL 118.57, 0.85%, 0.71%

LAB 87.03, -58.77, 49.9

 

CMYK 46 / 0 / 46 / 0

HEX #8AFF89

RGB 138 255 137

HSL 119.49, 1%, 0.77%

LAB 91.11, -56.04, 46.14

 

CMYK 39 / 0 / 39 / 0

HEX #9BFF9C

RGB 155 255 156

HSL 120.6, 1%, 0.8%

LAB 92.08, -48.51, 38.31

 

CMYK 33 / 0 / 31 / 0

HEX #ACFFAF

RGB 172 255 175

HSL 122.17, 1%, 0.84%

LAB 93.18, -40.48, 30.46

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 61 / 0 / 59 / 18

HEX #52D055

RGB 82 208 85

HSL 121.43, 0.57%, 0.57%

LAB 74.55, -58.89, 49.89

 

CMYK 66 / 0 / 65 / 25

HEX #41BE42

RGB 65 190 66

HSL 120.48, 0.49%, 0.5%

LAB 68.27, -58.23, 50.99

 

CMYK 72 / 0 / 73 / 33

HEX #30AC2F

RGB 48 172 47

HSL 119.52, 0.57%, 0.43%

LAB 61.95, -57.13, 51.77

 

CMYK 80 / 0 / 82 / 40

HEX #1F9A1C

RGB 31 154 28

HSL 118.57, 0.69%, 0.36%

LAB 55.57, -55.38, 51.86

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 43 / 0 / 56 / 11

HEX #81E263

RGB 129 226 99

HSL 105.83, 0.69%, 0.64%

LAB 81.82, -51.67, 52.46

 

CMYK 28 / 0 / 56 / 11

HEX #A3E263

RGB 163 226 99

HSL 89.76, 0.69%, 0.64%

LAB 83.48, -40.41, 54.82

 

CMYK 13 / 0 / 56 / 11

HEX #C5E263

RGB 197 226 99

HSL 73.7, 0.69%, 0.64%

LAB 85.59, -27.69, 57.79

 

CMYK 0 / 2 / 56 / 11

HEX #E2DD63

RGB 226 221 99

HSL 57.64, 0.69%, 0.64%

LAB 86.4, -13.71, 59.28

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 56 / 0 / 38 / 11

HEX #63E28B

RGB 99 226 139

HSL 138.9, 0.69%, 0.64%

LAB 81.24, -54.06, 32.18

 

CMYK 56 / 0 / 23 / 11

HEX #63E2AD

RGB 99 226 173

HSL 154.96, 0.69%, 0.64%

LAB 81.87, -47.53, 15.45

 

CMYK 56 / 0 / 8 / 11

HEX #63E2CF

RGB 99 226 207

HSL 171.02, 0.69%, 0.64%

LAB 82.67, -39.69, -1.34

 

CMYK 56 / 7 / 0 / 11

HEX #63D3E2

RGB 99 211 226

HSL 187.09, 0.69%, 0.64%

LAB 78.89, -27.65, -17.09

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 65 / 0 / 62 / 5

HEX #55F15B

RGB 85 241 91

HSL 122.31, 0.85%, 0.64%

LAB 84.79, -69.06, 58.95

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 46 / 0 / 44 / 17

HEX #72D376

RGB 114 211 118

HSL 122.47, 0.52%, 0.64%

LAB 76.97, -47.51, 37.31

 

CMYK 34 / 0 / 33 / 23

HEX #81C484

RGB 129 196 132

HSL 122.69, 0.36%, 0.64%

LAB 73.42, -34.18, 25.6

 

CMYK 20 / 0 / 20 / 29

HEX #90B591

RGB 144 181 145

HSL 121.62, 0.2%, 0.64%

LAB 70.19, -19.61, 14.32

 

CMYK 5 / 0 / 5 / 35

HEX #9FA79F

RGB 159 167 159

HSL 120, 0.04%, 0.64%

LAB 67.66, -4.36, 3.15

 

CMYK 28 / 0 / 56 / 11

HEX #A3E263

RGB 163 226 99

HSL 89.76, 0.69%, 0.64%

LAB 83.48, -40.41, 54.82

 

CMYK 43 / 0 / 56 / 11

HEX #81E263

RGB 129 226 99

HSL 105.83, 0.69%, 0.64%

LAB 81.82, -51.67, 52.46

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 56 / 0 / 39 / 11

HEX #63E289

RGB 99 226 137

HSL 137.95, 0.69%, 0.64%

LAB 81.21, -54.4, 33.15

 

CMYK 56 / 0 / 24 / 11

HEX #63E2AB

RGB 99 226 171

HSL 154.02, 0.69%, 0.64%

LAB 81.83, -47.95, 16.44

 

CMYK 82 / 0 / 79 / 19

HEX #25CE2C

RGB 37 206 44

HSL 122.49, 0.7%, 0.48%

LAB 72.71, -69.48, 63.35

 

CMYK 71 / 0 / 68 / 14

HEX #40DC47

RGB 64 220 71

HSL 122.69, 0.69%, 0.56%

LAB 77.72, -67.94, 59.17

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 42 / 0 / 41 / 9

HEX #86E88A

RGB 134 232 138

HSL 122.45, 0.68%, 0.72%

LAB 84.29, -47.61, 36.91

 

CMYK 29 / 0 / 28 / 6

HEX #A9EFAC

RGB 169 239 172

HSL 122.57, 0.69%, 0.8%

LAB 88.52, -34.67, 25.63

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 56 / 13 / 0 / 11

HEX #63C4E2

RGB 99 196 226

HSL 194.17, 0.69%, 0.64%

LAB 74.59, -20.15, -23.61

 

CMYK 0 / 56 / 35 / 11

HEX #E26392

RGB 226 99 146

HSL 337.8, 0.69%, 0.64%

LAB 59.13, 54, -1.01

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 54 / 56 / 0 / 11

HEX #6863E2

RGB 104 99 226

HSL 242.36, 0.69%, 0.64%

LAB 48.71, 36.67, -64.31

 

CMYK 0 / 54 / 56 / 11

HEX #E26863

RGB 226 104 99

HSL 2.36, 0.69%, 0.64%

LAB 58.95, 47.12, 25.98

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 56 / 13 / 0 / 11

HEX #63C4E2

RGB 99 196 226

HSL 194.17, 0.69%, 0.64%

LAB 74.59, -20.15, -23.61

 

CMYK 0 / 56 / 2 / 11

HEX #E263DE

RGB 226 99 222

HSL 301.89, 0.69%, 0.64%

LAB 61.97, 64.87, -40.12

 

CMYK 0 / 43 / 56 / 11

HEX #E28163

RGB 226 129 99

HSL 14.17, 0.69%, 0.64%

LAB 63.97, 34.5, 32.47

 

CMYK 56 / 0 / 54 / 11

HEX #63E268

RGB 99 226 104

HSL 122.36, 0.69%, 0.64%

LAB 80.76, -59.25, 48.66

 

CMYK 56 / 30 / 0 / 11

HEX #639EE2

RGB 99 158 226

HSL 212.13, 0.69%, 0.64%

LAB 63.83, 0.43, -40.24

 

CMYK 0 / 56 / 2 / 11

HEX #E263DE

RGB 226 99 222

HSL 301.89, 0.69%, 0.64%

LAB 61.97, 64.87, -40.12

 

CMYK 0 / 26 / 56 / 11

HEX #E2A763

RGB 226 167 99

HSL 32.13, 0.69%, 0.64%

LAB 72.7, 14.28, 43.3

 

Description

Color code: RGB 99 226 104 | qconv.com Color code: RGB 99 226 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 226 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 226 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 54% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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