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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 202 227 it is the complementary color RGB 156 53 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 202 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 202 227 shade: RGB 104 202 222, RGB 121 220 241, RGB 138 238 255, RGB 155 255 255 and RGB 172 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 202 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 202 227 shade: RGB 99 202 227, RGB 82 184 208, RGB 65 166 189, RGB 48 148 170 and RGB 31 130 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 202 227 shade: RGB 98 202 227, RGB 98 167 227, RGB 98 133 227, RGB 99 98 227 and RGB 134 98 227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 202 227 shade: RGB 98 202 227, RGB 98 167 227, RGB 98 133 227 and RGB 98 98 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 202 227 shade matches the following richer shades: RGB 98 202 227 and RGB 84 211 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 202 227 shade: RGB 98 202 227, RGB 113 193 212, RGB 128 184 197, RGB 143 175 182 and RGB 158 166 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 202 227 shade: RGB 98 227 182, RGB 98 227 216, RGB 98 203 227, RGB 98 169 227 and RGB 98 135 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 202 227 shade: RGB 36 173 207, RGB 63 190 221, RGB 98 202 227, RGB 134 214 233 and RGB 169 226 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 202 227 shade: RGB 99 202 227, RGB 148 98 227 and RGB 227 199 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 202 227 shade: RGB 99 202 227, RGB 227 98 203 and RGB 203 227 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 202 227 shade: RGB 99 202 227, RGB 148 98 227, RGB 227 122 98 and RGB 178 227 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 202 227 shade: RGB 99 202 227, RGB 186 98 227, RGB 227 122 98 and RGB 139 227 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 11 / 0 / 11

HEX #63CAE3

RGB 99 202 227

HSL 191.72, 0.7%, 0.64%

LAB 76.34, -22.91, -21.49

 

Complementary color

CMYK 0 / 66 / 82 / 39

HEX #9C351C

RGB 156 53 28

HSL 11.72, 0.7%, 0.36%

LAB 37.29, 41.64, 37.67

 

CMYK 53 / 9 / 0 / 13

HEX #68CADE

RGB 104 202 222

HSL 190.17, 0.64%, 0.64%

LAB 76.35, -23.32, -18.76

 

CMYK 50 / 9 / 0 / 5

HEX #79DCF1

RGB 121 220 241

HSL 190.5, 0.81%, 0.71%

LAB 82.7, -23.55, -19.25

 

CMYK 46 / 7 / 0 / 0

HEX #8AEEFF

RGB 138 238 255

HSL 188.72, 1%, 0.77%

LAB 88.81, -25.01, -17.34

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 56 / 11 / 0 / 11

HEX #63CAE3

RGB 99 202 227

HSL 191.72, 0.7%, 0.64%

LAB 76.34, -22.91, -21.49

 

CMYK 61 / 12 / 0 / 18

HEX #52B8D0

RGB 82 184 208

HSL 191.43, 0.57%, 0.57%

LAB 69.92, -22.47, -20.99

 

CMYK 66 / 12 / 0 / 26

HEX #41A6BD

RGB 65 166 189

HSL 191.13, 0.49%, 0.5%

LAB 63.4, -21.88, -20.44

 

CMYK 72 / 13 / 0 / 33

HEX #3094AA

RGB 48 148 170

HSL 190.82, 0.56%, 0.43%

LAB 56.79, -21.08, -19.85

 

CMYK 79 / 14 / 0 / 41

HEX #1F8297

RGB 31 130 151

HSL 190.5, 0.66%, 0.36%

LAB 50.09, -19.96, -19.17

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE3

RGB 98 202 227

HSL 191.63, 0.7%, 0.64%

LAB 76.3, -23.1, -21.54

 

CMYK 57 / 26 / 0 / 11

HEX #62A7E3

RGB 98 167 227

HSL 207.91, 0.7%, 0.64%

LAB 66.35, -4.54, -36.86

 

CMYK 57 / 41 / 0 / 11

HEX #6285E3

RGB 98 133 227

HSL 223.72, 0.7%, 0.64%

LAB 57, 15.22, -51.59

 

CMYK 56 / 57 / 0 / 11

HEX #6362E3

RGB 99 98 227

HSL 240.47, 0.7%, 0.64%

LAB 48.18, 36.65, -65.75

 

CMYK 41 / 57 / 0 / 11

HEX #8662E3

RGB 134 98 227

HSL 256.74, 0.7%, 0.64%

LAB 51.09, 43.75, -60.89

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE3

RGB 98 202 227

HSL 191.63, 0.7%, 0.64%

LAB 76.3, -23.1, -21.54

 

CMYK 57 / 26 / 0 / 11

HEX #62A7E3

RGB 98 167 227

HSL 207.91, 0.7%, 0.64%

LAB 66.35, -4.54, -36.86

 

CMYK 57 / 41 / 0 / 11

HEX #6285E3

RGB 98 133 227

HSL 223.72, 0.7%, 0.64%

LAB 57, 15.22, -51.59

 

CMYK 57 / 57 / 0 / 11

HEX #6262E3

RGB 98 98 227

HSL 240, 0.7%, 0.64%

LAB 48.11, 36.47, -65.87

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE3

RGB 98 202 227

HSL 191.63, 0.7%, 0.64%

LAB 76.3, -23.1, -21.54

 

CMYK 65 / 13 / 0 / 5

HEX #54D3F2

RGB 84 211 242

HSL 191.77, 0.86%, 0.64%

LAB 78.97, -25.6, -25.56

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE3

RGB 98 202 227

HSL 191.63, 0.7%, 0.64%

LAB 76.3, -23.1, -21.54

 

CMYK 47 / 9 / 0 / 17

HEX #71C1D4

RGB 113 193 212

HSL 191.52, 0.54%, 0.64%

LAB 73.81, -19.52, -17.16

 

CMYK 35 / 7 / 0 / 23

HEX #80B8C5

RGB 128 184 197

HSL 191.3, 0.37%, 0.64%

LAB 71.49, -14.94, -12.4

 

CMYK 21 / 4 / 0 / 29

HEX #8FAFB6

RGB 143 175 182

HSL 190.77, 0.21%, 0.64%

LAB 69.38, -9.3, -7.2

 

CMYK 6 / 1 / 0 / 34

HEX #9EA6A8

RGB 158 166 168

HSL 192, 0.05%, 0.64%

LAB 67.55, -2.43, -2.02

 

CMYK 57 / 0 / 20 / 11

HEX #62E3B6

RGB 98 227 182

HSL 159.07, 0.7%, 0.64%

LAB 82.33, -46.21, 11.37

 

CMYK 57 / 0 / 5 / 11

HEX #62E3D8

RGB 98 227 216

HSL 174.88, 0.7%, 0.64%

LAB 83.17, -38.07, -5.37

 

CMYK 57 / 11 / 0 / 11

HEX #62CBE3

RGB 98 203 227

HSL 191.16, 0.7%, 0.64%

LAB 76.59, -23.6, -21.11

 

CMYK 57 / 26 / 0 / 11

HEX #62A9E3

RGB 98 169 227

HSL 206.98, 0.7%, 0.64%

LAB 66.91, -5.65, -35.98

 

CMYK 57 / 41 / 0 / 11

HEX #6287E3

RGB 98 135 227

HSL 222.79, 0.7%, 0.64%

LAB 57.53, 14.02, -50.74

 

CMYK 83 / 16 / 0 / 19

HEX #24ADCF

RGB 36 173 207

HSL 191.93, 0.7%, 0.48%

LAB 65.57, -23.17, -27.18

 

CMYK 71 / 14 / 0 / 13

HEX #3FBEDD

RGB 63 190 221

HSL 191.77, 0.7%, 0.56%

LAB 71.63, -24.46, -25.52

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE3

RGB 98 202 227

HSL 191.63, 0.7%, 0.64%

LAB 76.3, -23.1, -21.54

 

CMYK 42 / 8 / 0 / 9

HEX #86D6E9

RGB 134 214 233

HSL 191.52, 0.69%, 0.72%

LAB 81.32, -19.68, -17.04

 

CMYK 29 / 5 / 0 / 6

HEX #A9E2EF

RGB 169 226 239

HSL 191.14, 0.69%, 0.8%

LAB 86.53, -15.1, -12.21

 

CMYK 56 / 11 / 0 / 11

HEX #63CAE3

RGB 99 202 227

HSL 191.72, 0.7%, 0.64%

LAB 76.34, -22.91, -21.49

 

CMYK 35 / 57 / 0 / 11

HEX #9462E3

RGB 148 98 227

HSL 263.26, 0.7%, 0.64%

LAB 52.48, 46.92, -58.59

 

CMYK 0 / 12 / 57 / 11

HEX #E3C762

RGB 227 199 98

HSL 46.98, 0.7%, 0.64%

LAB 80.77, -2.22, 53.35

 

CMYK 56 / 11 / 0 / 11

HEX #63CAE3

RGB 99 202 227

HSL 191.72, 0.7%, 0.64%

LAB 76.34, -22.91, -21.49

 

CMYK 0 / 57 / 11 / 11

HEX #E362CB

RGB 227 98 203

HSL 311.16, 0.7%, 0.64%

LAB 61.11, 62.51, -30.74

 

CMYK 11 / 0 / 57 / 11

HEX #CBE362

RGB 203 227 98

HSL 71.16, 0.7%, 0.64%

LAB 86.26, -25.91, 59.1

 

CMYK 56 / 11 / 0 / 11

HEX #63CAE3

RGB 99 202 227

HSL 191.72, 0.7%, 0.64%

LAB 76.34, -22.91, -21.49

 

CMYK 35 / 57 / 0 / 11

HEX #9462E3

RGB 148 98 227

HSL 263.26, 0.7%, 0.64%

LAB 52.48, 46.92, -58.59

 

CMYK 0 / 46 / 57 / 11

HEX #E37A62

RGB 227 122 98

HSL 11.16, 0.7%, 0.64%

LAB 62.62, 38.43, 31.32

 

CMYK 22 / 0 / 57 / 11

HEX #B2E362

RGB 178 227 98

HSL 82.79, 0.7%, 0.64%

LAB 84.63, -35.49, 56.81

 

CMYK 56 / 11 / 0 / 11

HEX #63CAE3

RGB 99 202 227

HSL 191.72, 0.7%, 0.64%

LAB 76.34, -22.91, -21.49

 

CMYK 18 / 57 / 0 / 11

HEX #BA62E3

RGB 186 98 227

HSL 280.93, 0.7%, 0.64%

LAB 56.8, 56.09, -51.44

 

CMYK 0 / 46 / 57 / 11

HEX #E37A62

RGB 227 122 98

HSL 11.16, 0.7%, 0.64%

LAB 62.62, 38.43, 31.32

 

CMYK 39 / 0 / 57 / 11

HEX #8BE362

RGB 139 227 98

HSL 100.93, 0.7%, 0.64%

LAB 82.54, -49.07, 53.87

 

Description

Color code: RGB 99 202 227 | qconv.com Color code: RGB 99 202 227 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 202 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 202 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 11 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 11% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Home - Mineplex
Link: http://mineplex.com

28% - www.minetime.com
Link: http://www.mineplex.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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