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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 194 197 it is the complementary color RGB 156 61 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 194 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 194 197 shade: RGB 104 194 192, RGB 121 212 211, RGB 138 230 230, RGB 155 248 249 and RGB 172 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 194 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 194 197 shade: RGB 99 194 197, RGB 82 176 178, RGB 65 158 159, RGB 48 140 140 and RGB 31 122 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 194 197 shade: RGB 98 194 197, RGB 98 167 197, RGB 98 141 197, RGB 98 114 197 and RGB 109 98 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 194 197 shade: RGB 98 194 197, RGB 98 167 197, RGB 98 141 197, RGB 98 114 197 and RGB 98 98 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 194 197 shade matches the following richer shades: RGB 98 194 197, RGB 81 210 214, RGB 63 226 231 and RGB 46 242 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 194 197 shade: RGB 98 194 197, RGB 115 177 179, RGB 133 161 162, RGB 150 145 145 and RGB 167 129 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 194 197 shade: RGB 98 197 146, RGB 98 197 172, RGB 98 195 197, RGB 98 169 197 and RGB 98 142 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 194 197 shade: RGB 57 152 155, RGB 68 182 185, RGB 98 194 197, RGB 128 205 208 and RGB 158 217 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 194 197 shade: RGB 99 194 197, RGB 119 98 197 and RGB 197 159 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 194 197 shade: RGB 99 194 197, RGB 197 98 195 and RGB 195 197 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 194 197 shade: RGB 99 194 197, RGB 119 98 197, RGB 197 100 98 and RGB 175 197 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 194 197 shade: RGB 99 194 197, RGB 149 98 197, RGB 197 100 98 and RGB 146 197 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 2 / 0 / 23

HEX #63C2C5

RGB 99 194 197

HSL 181.84, 0.46%, 0.58%

LAB 73.07, -27.19, -10.17

 

Complementary color

CMYK 0 / 61 / 63 / 39

HEX #9C3D3A

RGB 156 61 58

HSL 1.84, 0.46%, 0.42%

LAB 39.09, 39.44, 22.33

 

CMYK 46 / 0 / 1 / 24

HEX #68C2C0

RGB 104 194 192

HSL 178.67, 0.42%, 0.58%

LAB 73.11, -27.38, -7.36

 

CMYK 43 / 0 / 0 / 17

HEX #79D4D3

RGB 121 212 211

HSL 179.34, 0.51%, 0.65%

LAB 79.53, -27.38, -8.01

 

CMYK 40 / 0 / 0 / 10

HEX #8AE6E6

RGB 138 230 230

HSL 180, 0.65%, 0.72%

LAB 85.86, -27.36, -8.63

 

CMYK 38 / 0 / 0 / 2

HEX #9BF8F9

RGB 155 248 249

HSL 180.64, 0.89%, 0.79%

LAB 92.11, -27.31, -9.22

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 50 / 2 / 0 / 23

HEX #63C2C5

RGB 99 194 197

HSL 181.84, 0.46%, 0.58%

LAB 73.07, -27.19, -10.17

 

CMYK 54 / 1 / 0 / 30

HEX #52B0B2

RGB 82 176 178

HSL 181.25, 0.38%, 0.51%

LAB 66.56, -27.03, -9.5

 

CMYK 59 / 1 / 0 / 38

HEX #419E9F

RGB 65 158 159

HSL 180.64, 0.42%, 0.44%

LAB 59.96, -26.77, -8.76

 

CMYK 66 / 0 / 0 / 45

HEX #308C8C

RGB 48 140 140

HSL 180, 0.49%, 0.37%

LAB 53.25, -26.33, -7.95

 

CMYK 75 / 0 / 1 / 52

HEX #1F7A79

RGB 31 122 121

HSL 179.34, 0.59%, 0.3%

LAB 46.43, -25.62, -7.02

 

CMYK 50 / 2 / 0 / 23

HEX #62C2C5

RGB 98 194 197

HSL 181.82, 0.46%, 0.58%

LAB 73.03, -27.41, -10.23

 

CMYK 50 / 15 / 0 / 23

HEX #62A7C5

RGB 98 167 197

HSL 198.18, 0.46%, 0.58%

LAB 65.17, -13.53, -22.09

 

CMYK 50 / 28 / 0 / 23

HEX #628DC5

RGB 98 141 197

HSL 213.94, 0.46%, 0.58%

LAB 57.73, 1.01, -33.58

 

CMYK 50 / 42 / 0 / 23

HEX #6272C5

RGB 98 114 197

HSL 230.3, 0.46%, 0.58%

LAB 50.29, 17.17, -45.29

 

CMYK 45 / 50 / 0 / 23

HEX #6D62C5

RGB 109 98 197

HSL 246.67, 0.46%, 0.58%

LAB 47, 29.54, -50.49

 

CMYK 50 / 2 / 0 / 23

HEX #62C2C5

RGB 98 194 197

HSL 181.82, 0.46%, 0.58%

LAB 73.03, -27.41, -10.23

 

CMYK 50 / 15 / 0 / 23

HEX #62A7C5

RGB 98 167 197

HSL 198.18, 0.46%, 0.58%

LAB 65.17, -13.53, -22.09

 

CMYK 50 / 28 / 0 / 23

HEX #628DC5

RGB 98 141 197

HSL 213.94, 0.46%, 0.58%

LAB 57.73, 1.01, -33.58

 

CMYK 50 / 42 / 0 / 23

HEX #6272C5

RGB 98 114 197

HSL 230.3, 0.46%, 0.58%

LAB 50.29, 17.17, -45.29

 

CMYK 50 / 50 / 0 / 23

HEX #6262C5

RGB 98 98 197

HSL 240, 0.46%, 0.58%

LAB 46.13, 27.02, -51.93

 

CMYK 50 / 2 / 0 / 23

HEX #62C2C5

RGB 98 194 197

HSL 181.82, 0.46%, 0.58%

LAB 73.03, -27.41, -10.23

 

CMYK 62 / 2 / 0 / 16

HEX #51D2D6

RGB 81 210 214

HSL 181.8, 0.62%, 0.58%

LAB 77.7, -33.66, -12.5

 

CMYK 73 / 2 / 0 / 9

HEX #3FE2E7

RGB 63 226 231

HSL 181.79, 0.78%, 0.58%

LAB 82.5, -38.73, -14.42

 

CMYK 82 / 3 / 0 / 2

HEX #2EF2F9

RGB 46 242 249

HSL 182.07, 0.94%, 0.58%

LAB 87.45, -42.33, -16.49

 

CMYK 50 / 2 / 0 / 23

HEX #62C2C5

RGB 98 194 197

HSL 181.82, 0.46%, 0.58%

LAB 73.03, -27.41, -10.23

 

CMYK 36 / 1 / 0 / 30

HEX #73B1B3

RGB 115 177 179

HSL 181.88, 0.3%, 0.58%

LAB 68.27, -19.34, -7.36

 

CMYK 18 / 1 / 0 / 36

HEX #85A1A2

RGB 133 161 162

HSL 182.07, 0.13%, 0.58%

LAB 64.23, -9.45, -3.76

 

CMYK 0 / 3 / 3 / 41

HEX #969191

RGB 150 145 145

HSL 0, 0.02%, 0.58%

LAB 60.59, 1.84, 0.65

 

CMYK 0 / 23 / 24 / 35

HEX #A7817F

RGB 167 129 127

HSL 3, 0.19%, 0.58%

LAB 57.51, 14.32, 6.71

 

CMYK 50 / 0 / 26 / 23

HEX #62C592

RGB 98 197 146

HSL 149.09, 0.46%, 0.58%

LAB 72.63, -40.87, 16.84

 

CMYK 50 / 0 / 13 / 23

HEX #62C5AC

RGB 98 197 172

HSL 164.85, 0.46%, 0.58%

LAB 73.22, -35.13, 3.65

 

CMYK 50 / 1 / 0 / 23

HEX #62C3C5

RGB 98 195 197

HSL 181.21, 0.46%, 0.58%

LAB 73.32, -27.9, -9.79

 

CMYK 50 / 14 / 0 / 23

HEX #62A9C5

RGB 98 169 197

HSL 196.97, 0.46%, 0.58%

LAB 65.75, -14.6, -21.21

 

CMYK 50 / 28 / 0 / 23

HEX #628EC5

RGB 98 142 197

HSL 213.33, 0.46%, 0.58%

LAB 58.01, 0.43, -33.14

 

CMYK 63 / 2 / 0 / 39

HEX #39989B

RGB 57 152 155

HSL 181.84, 0.46%, 0.42%

LAB 57.74, -26.37, -9.83

 

CMYK 63 / 2 / 0 / 27

HEX #44B6B9

RGB 68 182 185

HSL 181.54, 0.46%, 0.5%

LAB 68.16, -30.58, -11.03

 

CMYK 50 / 2 / 0 / 23

HEX #62C2C5

RGB 98 194 197

HSL 181.82, 0.46%, 0.58%

LAB 73.03, -27.41, -10.23

 

CMYK 38 / 1 / 0 / 18

HEX #80CDD0

RGB 128 205 208

HSL 182.25, 0.46%, 0.66%

LAB 77.76, -22.94, -9

 

CMYK 28 / 1 / 0 / 14

HEX #9ED9DB

RGB 158 217 219

HSL 181.97, 0.46%, 0.74%

LAB 82.92, -18.22, -7.07

 

CMYK 50 / 2 / 0 / 23

HEX #63C2C5

RGB 99 194 197

HSL 181.84, 0.46%, 0.58%

LAB 73.07, -27.19, -10.17

 

CMYK 40 / 50 / 0 / 23

HEX #7762C5

RGB 119 98 197

HSL 252.73, 0.46%, 0.58%

LAB 47.87, 31.96, -49.05

 

CMYK 0 / 19 / 50 / 23

HEX #C59F62

RGB 197 159 98

HSL 36.97, 0.46%, 0.58%

LAB 67.69, 6.42, 36.97

 

CMYK 50 / 2 / 0 / 23

HEX #63C2C5

RGB 99 194 197

HSL 181.84, 0.46%, 0.58%

LAB 73.07, -27.19, -10.17

 

CMYK 0 / 50 / 1 / 23

HEX #C562C3

RGB 197 98 195

HSL 301.21, 0.46%, 0.58%

LAB 56.63, 52.82, -33.48

 

CMYK 1 / 0 / 50 / 23

HEX #C3C562

RGB 195 197 98

HSL 61.21, 0.46%, 0.58%

LAB 77.53, -14.38, 48.88

 

CMYK 50 / 2 / 0 / 23

HEX #63C2C5

RGB 99 194 197

HSL 181.84, 0.46%, 0.58%

LAB 73.07, -27.19, -10.17

 

CMYK 40 / 50 / 0 / 23

HEX #7762C5

RGB 119 98 197

HSL 252.73, 0.46%, 0.58%

LAB 47.87, 31.96, -49.05

 

CMYK 0 / 49 / 50 / 23

HEX #C56462

RGB 197 100 98

HSL 1.21, 0.46%, 0.58%

LAB 53.89, 38.4, 19.05

 

CMYK 11 / 0 / 50 / 23

HEX #AFC562

RGB 175 197 98

HSL 73.33, 0.46%, 0.58%

LAB 76.03, -22.43, 46.72

 

CMYK 50 / 2 / 0 / 23

HEX #63C2C5

RGB 99 194 197

HSL 181.84, 0.46%, 0.58%

LAB 73.07, -27.19, -10.17

 

CMYK 24 / 50 / 0 / 23

HEX #9562C5

RGB 149 98 197

HSL 270.91, 0.46%, 0.58%

LAB 50.87, 39.8, -44.09

 

CMYK 0 / 49 / 50 / 23

HEX #C56462

RGB 197 100 98

HSL 1.21, 0.46%, 0.58%

LAB 53.89, 38.4, 19.05

 

CMYK 26 / 0 / 50 / 23

HEX #92C562

RGB 146 197 98

HSL 90.91, 0.46%, 0.58%

LAB 74.14, -33.52, 44.01

 

Description

Color code: RGB 99 194 197 | qconv.com Color code: RGB 99 194 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 194 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 194 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 2 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 2% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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