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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 186 81 it is the complementary color RGB 156 69 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 186 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 186 81 shade: RGB 104 186 76, RGB 121 204 95, RGB 138 222 114, RGB 155 240 133 and RGB 172 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 186 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 186 81 shade: RGB 99 186 81, RGB 82 168 62, RGB 65 150 43, RGB 48 132 24 and RGB 31 114 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 186 81 shade: RGB 98 185 79, RGB 126 185 79, RGB 154 185 79, RGB 183 185 79 and RGB 185 158 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 186 81 shade: RGB 98 185 79, RGB 79 185 90, RGB 79 185 118, RGB 79 185 147 and RGB 79 185 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 186 81 shade matches the following richer shades: RGB 98 185 79, RGB 85 205 60, RGB 71 224 40 and RGB 58 244 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 186 81 shade: RGB 98 185 79, RGB 111 165 99, RGB 124 145 119, RGB 137 125 139 and RGB 150 106 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 186 81 shade: RGB 155 185 79, RGB 127 185 79, RGB 99 185 79, RGB 79 185 88 and RGB 79 185 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 186 81 shade: RGB 65 130 52, RGB 80 160 63, RGB 98 185 79, RGB 124 196 109 and RGB 150 208 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 186 81 shade: RGB 99 186 81, RGB 79 183 185 and RGB 185 79 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 186 81 shade: RGB 99 186 81, RGB 79 99 185 and RGB 185 79 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 186 81 shade: RGB 99 186 81, RGB 79 183 185, RGB 165 79 185 and RGB 185 81 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 186 81 shade: RGB 99 186 81, RGB 79 151 185, RGB 165 79 185 and RGB 185 113 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 56 / 27

HEX #63BA51

RGB 99 186 81

HSL 109.71, 0.43%, 0.52%

LAB 68.29, -46.45, 44.58

 

Complementary color

CMYK 10 / 60 / 0 / 32

HEX #9C45AE

RGB 156 69 174

HSL 289.71, 0.43%, 0.48%

LAB 44.77, 51.77, -40.32

 

CMYK 44 / 0 / 59 / 27

HEX #68BA4C

RGB 104 186 76

HSL 104.73, 0.44%, 0.51%

LAB 68.45, -45.48, 47.14

 

CMYK 41 / 0 / 53 / 20

HEX #79CC5F

RGB 121 204 95

HSL 105.69, 0.52%, 0.59%

LAB 74.87, -45.52, 46.02

 

CMYK 38 / 0 / 49 / 13

HEX #8ADE72

RGB 138 222 114

HSL 106.67, 0.62%, 0.66%

LAB 81.21, -45.46, 44.83

 

CMYK 35 / 0 / 45 / 6

HEX #9BF085

RGB 155 240 133

HSL 107.66, 0.78%, 0.73%

LAB 87.48, -45.34, 43.64

 

CMYK 33 / 0 / 40 / 0

HEX #ACFF98

RGB 172 255 152

HSL 108.35, 1%, 0.8%

LAB 92.82, -43.88, 41.39

 

CMYK 47 / 0 / 56 / 27

HEX #63BA51

RGB 99 186 81

HSL 109.71, 0.43%, 0.52%

LAB 68.29, -46.45, 44.58

 

CMYK 51 / 0 / 63 / 34

HEX #52A83E

RGB 82 168 62

HSL 108.68, 0.46%, 0.45%

LAB 61.78, -46.27, 45.68

 

CMYK 57 / 0 / 71 / 41

HEX #41962B

RGB 65 150 43

HSL 107.66, 0.55%, 0.38%

LAB 55.19, -45.82, 46.49

 

CMYK 64 / 0 / 82 / 48

HEX #308418

RGB 48 132 24

HSL 106.67, 0.69%, 0.31%

LAB 48.51, -44.91, 46.58

 

CMYK 73 / 0 / 96 / 55

HEX #1F7205

RGB 31 114 5

HSL 105.69, 0.92%, 0.23%

LAB 41.75, -43.29, 45.28

 

CMYK 47 / 0 / 57 / 27

HEX #62B94F

RGB 98 185 79

HSL 109.25, 0.43%, 0.52%

LAB 67.92, -46.57, 45.08

 

CMYK 32 / 0 / 57 / 27

HEX #7EB94F

RGB 126 185 79

HSL 93.4, 0.43%, 0.52%

LAB 69.25, -37.32, 46.97

 

CMYK 17 / 0 / 57 / 27

HEX #9AB94F

RGB 154 185 79

HSL 77.55, 0.43%, 0.52%

LAB 70.96, -26.69, 49.38

 

CMYK 1 / 0 / 57 / 27

HEX #B7B94F

RGB 183 185 79

HSL 61.13, 0.43%, 0.52%

LAB 73.11, -14.82, 52.38

 

CMYK 0 / 15 / 57 / 27

HEX #B99E4F

RGB 185 158 79

HSL 44.72, 0.43%, 0.52%

LAB 66.01, 0.22, 44.33

 

CMYK 47 / 0 / 57 / 27

HEX #62B94F

RGB 98 185 79

HSL 109.25, 0.43%, 0.52%

LAB 67.92, -46.57, 45.08

 

CMYK 57 / 0 / 51 / 27

HEX #4FB95A

RGB 79 185 90

HSL 126.23, 0.43%, 0.52%

LAB 67.35, -50.34, 38.94

 

CMYK 57 / 0 / 36 / 27

HEX #4FB976

RGB 79 185 118

HSL 142.08, 0.43%, 0.52%

LAB 67.78, -45.76, 25.06

 

CMYK 57 / 0 / 21 / 27

HEX #4FB993

RGB 79 185 147

HSL 158.49, 0.43%, 0.52%

LAB 68.36, -39.73, 10.21

 

CMYK 57 / 0 / 5 / 27

HEX #4FB9AF

RGB 79 185 175

HSL 174.34, 0.43%, 0.52%

LAB 69.08, -32.8, -4.12

 

CMYK 47 / 0 / 57 / 27

HEX #62B94F

RGB 98 185 79

HSL 109.25, 0.43%, 0.52%

LAB 67.92, -46.57, 45.08

 

CMYK 59 / 0 / 71 / 20

HEX #55CD3C

RGB 85 205 60

HSL 109.66, 0.59%, 0.52%

LAB 73.49, -59.55, 59.09

 

CMYK 68 / 0 / 82 / 12

HEX #47E028

RGB 71 224 40

HSL 109.89, 0.75%, 0.52%

LAB 78.93, -70.12, 70.45

 

CMYK 76 / 0 / 92 / 4

HEX #3AF414

RGB 58 244 20

HSL 109.82, 0.91%, 0.52%

LAB 84.82, -78.86, 79.2

 

CMYK 47 / 0 / 57 / 27

HEX #62B94F

RGB 98 185 79

HSL 109.25, 0.43%, 0.52%

LAB 67.92, -46.57, 45.08

 

CMYK 33 / 0 / 40 / 35

HEX #6FA563

RGB 111 165 99

HSL 109.09, 0.27%, 0.52%

LAB 62.67, -30.87, 28.68

 

CMYK 14 / 0 / 18 / 43

HEX #7C9177

RGB 124 145 119

HSL 108.46, 0.11%, 0.52%

LAB 57.91, -12.67, 11.33

 

CMYK 1 / 10 / 0 / 45

HEX #897D8B

RGB 137 125 139

HSL 291.43, 0.06%, 0.52%

LAB 53.87, 7.28, -5.91

 

CMYK 6 / 33 / 0 / 38

HEX #966A9F

RGB 150 106 159

HSL 289.81, 0.22%, 0.52%

LAB 51.03, 27.06, -21.77

 

CMYK 16 / 0 / 57 / 27

HEX #9BB94F

RGB 155 185 79

HSL 76.98, 0.43%, 0.52%

LAB 71.03, -26.29, 49.47

 

CMYK 31 / 0 / 57 / 27

HEX #7FB94F

RGB 127 185 79

HSL 92.83, 0.43%, 0.52%

LAB 69.31, -36.96, 47.05

 

CMYK 46 / 0 / 57 / 27

HEX #63B94F

RGB 99 185 79

HSL 108.68, 0.43%, 0.52%

LAB 67.96, -46.27, 45.14

 

CMYK 57 / 0 / 52 / 27

HEX #4FB958

RGB 79 185 88

HSL 125.09, 0.43%, 0.52%

LAB 67.33, -50.62, 39.89

 

CMYK 57 / 0 / 37 / 27

HEX #4FB974

RGB 79 185 116

HSL 140.94, 0.43%, 0.52%

LAB 67.74, -46.13, 26.08

 

CMYK 50 / 0 / 60 / 49

HEX #418234

RGB 65 130 52

HSL 110, 0.43%, 0.36%

LAB 48.68, -36.76, 35.3

 

CMYK 50 / 0 / 61 / 37

HEX #50A03F

RGB 80 160 63

HSL 109.48, 0.43%, 0.44%

LAB 59.16, -43.51, 42.25

 

CMYK 47 / 0 / 57 / 27

HEX #62B94F

RGB 98 185 79

HSL 109.25, 0.43%, 0.52%

LAB 67.92, -46.57, 45.08

 

CMYK 37 / 0 / 44 / 23

HEX #7CC46D

RGB 124 196 109

HSL 109.66, 0.42%, 0.6%

LAB 72.81, -39.3, 36.64

 

CMYK 28 / 0 / 34 / 18

HEX #96D08A

RGB 150 208 138

HSL 109.71, 0.43%, 0.68%

LAB 78.13, -31.91, 28.95

 

CMYK 47 / 0 / 56 / 27

HEX #63BA51

RGB 99 186 81

HSL 109.71, 0.43%, 0.52%

LAB 68.29, -46.45, 44.58

 

CMYK 57 / 1 / 0 / 27

HEX #4FB7B9

RGB 79 183 185

HSL 181.13, 0.43%, 0.52%

LAB 68.77, -29.13, -10.08

 

CMYK 0 / 57 / 24 / 27

HEX #B94F8D

RGB 185 79 141

HSL 324.91, 0.43%, 0.52%

LAB 49.29, 49.73, -13.37

 

CMYK 47 / 0 / 56 / 27

HEX #63BA51

RGB 99 186 81

HSL 109.71, 0.43%, 0.52%

LAB 68.29, -46.45, 44.58

 

CMYK 57 / 46 / 0 / 27

HEX #4F63B9

RGB 79 99 185

HSL 228.68, 0.43%, 0.52%

LAB 44.36, 18.43, -47.88

 

CMYK 0 / 57 / 46 / 27

HEX #B94F63

RGB 185 79 99

HSL 348.68, 0.43%, 0.52%

LAB 48.02, 44.67, 10.09

 

CMYK 47 / 0 / 56 / 27

HEX #63BA51

RGB 99 186 81

HSL 109.71, 0.43%, 0.52%

LAB 68.29, -46.45, 44.58

 

CMYK 57 / 1 / 0 / 27

HEX #4FB7B9

RGB 79 183 185

HSL 181.13, 0.43%, 0.52%

LAB 68.77, -29.13, -10.08

 

CMYK 11 / 57 / 0 / 27

HEX #A54FB9

RGB 165 79 185

HSL 288.68, 0.43%, 0.52%

LAB 48.38, 51.47, -40.98

 

CMYK 0 / 56 / 57 / 27

HEX #B9514F

RGB 185 81 79

HSL 1.13, 0.43%, 0.52%

LAB 47.96, 41.91, 22.04

 

CMYK 47 / 0 / 56 / 27

HEX #63BA51

RGB 99 186 81

HSL 109.71, 0.43%, 0.52%

LAB 68.29, -46.45, 44.58

 

CMYK 57 / 18 / 0 / 27

HEX #4F97B9

RGB 79 151 185

HSL 199.25, 0.43%, 0.52%

LAB 59.25, -12.56, -24.51

 

CMYK 11 / 57 / 0 / 27

HEX #A54FB9

RGB 165 79 185

HSL 288.68, 0.43%, 0.52%

LAB 48.38, 51.47, -40.98

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

Description

Color code: RGB 99 186 81 | qconv.com Color code: RGB 99 186 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 186 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 186 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 56 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 56% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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